Psychic Perspectives

Total Page:16

File Type:pdf, Size:1020Kb

Psychic Perspectives Psychic Perspectives By Craig Browning Involved with the world of Magic & Puppetry since 1963 (just barely out of diapers when he got his first top hat) Craig Browning's early-year inspirations came from television - Mark Wilson's Magic Land of Alakazam and the popular Sherri Lewis & Lambchop shows. Though he was already doing backyard performances by the time he was six, featuring his own "Vanishing Beagle" illusion (the first of many "original" illusions he'd go on to create) Craig's role as a performing pros would have to wait a couple of years… just a couple though; by the time he was ten he was working a fairly regular schedule playing Christopher Robbin, the lad of the Thousand Acre Woods, as part of a promotion for a new kid's clothing line. It was a role he'd fill well into his early teens. By the mid-1970s the idea of being an "Illusionist" was firmly set in his mind via the success of Doug Henning and other revivalists of the day. The one that captured his attention most and the one, who would lend to Craig Browning the greatest sense of impetus however, was South American legend Richiardi. The famed manner by which this late master presented the Buzz Saw and Decapitation effects as well as his mastery over the classic Broom Suspension revealed to this then aspiring teen, insight as to how magic was to be performed. Though a brief tour with the U.S. Navy would prove a minor interruption Craig Browning would pursue his role as a stage Illusionist well into the late 1980s and early 90s. His exist from the Navy bringing him to the doorstep of Carnival legend Ward Hall who cast Craig in both WONDERCADE and CIRCUS UNIQUE. Roles that would be augmented by his work as a close-up magician in the popular Playboy clubs of the day as well as some of the nation's leading discothèques where he'd present grand scaled illusion under totally surrounded settings in the middle of the dance floor. The 1980s brought many transitional as well as educational events into his life; the befriending and mentoring of magic historian/designer Kirk Kirkham, membership to the famed Magic Castle in Hollywood, and his first experiments in the field of Mentalism. Throughout his life Craig Browning has always sought to find answers to those things about himself that seemed a puzzle; why he was so different from others and able to divine things others either did not see or could not understand. His quests lead him through many fields of study; psychology, theology, theatrical magic, and the deeper aspects of the occult. By the time he was 28 years of age he'd been awarded a Life Achievement Doctorates in Religion/Religious History and Metaphysical Philosophy. That same summer, he was given permission by both Kirk and Phyllis Kirkham to call himself "Successor" to the Kirkham legacy. Craig Browning's style of performance has always slanted towards the bizarre, the macabre and the surreal; factors that can be traced directly back to his early year inspirations in watching Richardi. It was however a challenge by New Age author/publisher Louise L. Hay that more or less set him on course when it came to creating shows that allowed him to share his personal philosophy about life and the magic that can be found within it. Throughout the 90s Craig Browning slowly shifted away from the world of grand illusion even though he'd work hand in hand with designer Ken Whitaker in the creation of several brand new illusions and illusion systems that would be released through Creative Illusion of Las Vegas. It was however an unfortunate car accident in 1996 that would lure Craig Browning deeper into the realms of true Mentalism, his injuries preventing him from being able to work with the heavy equipment he so loved. For most of his life Craig Browning lived with a peculiar health condition that could not be readily explained away. It plagued him significantly and cost him a great deal of credibility when it came to his ability to fulfill certain obligations. It wouldn't be until the late fall of 2004 that a clever physical therapist would point doctors on the right path; Craig Browning being diagnosed with Relapsing Remitting Multiple Sclerosis in November of that year - the mystery was finally solved! Today Craig Browning resides in Western Massachusetts where he readily shares his years of experience and unique creativity with magicians from around the world. He has once again started publishing materials for the Psychic & Bizarre Entertainment industry and will soon be releasing a handful of his pet effects. He's been a contributing editorialist for VISIONS On-Line almost since it began and likewise contributes to the UK's TOP HAT eZine somewhat regular. .
Recommended publications
  • Mentalism Mastery
    Mentalism Mastery To be proficient in the area of mentalism one must demonstrate the illusion of extraordinary cognitive, sensory or mental abilities. These must be demonstrated in an entertaining manner and work together thematically as an “act.” The performer may use any real-world performable means at his disposal. His methods may consist of pre-show work, sleight of hand techniques, electronics, as well as gimmicks to achieve his goal. If the performer is performing a one-person act, any stooges must be of the impromptu variety; i.e. unknowing audience stooges. This is not to imply that two-performer acts are discouraged, only that the use of secret confederates is not permitted. The mentalist must take a minimal approach to props. Any props used should be as innocent looking as possible. Audience members should be allowed to hold and examine as many of the props as possible. Since the mentalist is supposed to be a mind reader, his props should not lend themselves to suspicion and they should stand up to reasonable scrutiny. Of course, the mentalism must be strong enough to fool an intelligent layman. However, not only must the effect be strong, but it should be properly paced and sufficiently interesting to command attention. A good trick, presented in a drawn out and boring manner, will not be considered mastery. By the same token, an entertaining premise that fails to deliver a convincing demonstration of mental powers will not indicate mastery of the subject. While skilled sleight of hand is not necessarily required to earn the mental mastery award, there are skills that will be judged.
    [Show full text]
  • Ffi Vlagicurrents -Ffi San Di
    ffi Vlagicurrents -ffi San Di Honest Sid Gerhart Ring 76 Volume XY No 10 October 2001 Ring 76 Web Site Magic Goes To War Now in Operation In the wake of September 1l'h and the terrorist attack on the World Trade Center twin towers and the attack on the Thanks to the Sumit Dua the new Ring 76 web skills of Pentagon and the crash of a fourth commercial jetliner in a site is up and read operating. You can the current issue of field in Pennsylvania, all the work of terrorists, our world get MagiCurrents on the site as well as information on the has changed. Ring and San Diego. If you want to visit the site go to rvrvrv. shi vatech. ccmi si teli ndex. In the weeks since the 'Attack on America" we have found magicians are once again in the forefront of building moral Our purpose in setting up the web site is to it with the link and in many cases forgoing their fee for performing by IBM site and give people coming to San Diego next presenting a fundraiser for a variety of causes. summer for the convention important informtion on our city and the convention itself. It is hoped people will learn A case in point that caught more about our city before they arrive We are also here. our attention was the Sunday making this an interactive site so that people in other parts following the Attack on of the country can e-mail us with their questions about America. San Diego based things to do and places to see in Southern California.
    [Show full text]
  • Magicurrents Page 1
    MagiCurrents Page 1 Ring 76 Chartered by the International Brotherhood of Magicians in 1948 MagiCurrents San Diego, California Recipient of the IBM’s Quality Ring Award Honest Sid Gerhart Ring 76 Website Honest Sid Gerhart Ring 76 www.ring76.com Volume XXI 2 February 2007 February meeting is Mark & Nani Wilson lecture the Ring 76 Close-up on February 13th Competition On Tuesday evening, February 13th, the evening following The Ring 76 Close-up contest will be held on Monday our close-up contest magic legend Mark Wilson and his evening, February 12th, at Jack’s Magic Place, the regular wife Nani will present a lecture for Ring 76 at Jack’s meeting room for the Ring. Six contestants met the Magic Place, beginning at 7 p.m. If you pay prior to the deadline of January 22nd to be in the contest. They are event-that means Monday evening at our regular meeting- Kenny Shelton, Loch David Crane, Mago Rully, Bob the cost of the lecture is $15; if you pay at the door the Pozner, Alex Greenbaum, and Diane Lane. evening of the event the cost is $20. So far 16 people have taken advantage of the early cost saving program. Five round tables will be set up and each contestant will go from table to table doing their act. They will have 10 Mark Wilson raised to fame during the 1960s with his minutes at each table and after the last performer does his now well- or her act, members will be allowed to vote for their remembered favorite candidate.
    [Show full text]
  • Puzzling Magic Set
    Puzzling Magic Set 9 2 1 12 8 7 3 4 5 6 Contents: 1. THE RUBIK’S TRIANGLE 6. CLASSIC SIZED TRICK CUBE 2. RUBIK’S TUBE 7. RUBIK’S MENTAL CUBE BOX AND SHELL 3. RUBIK’S CUBE BOX 8. RUBIK’S CUBE CLONING (RUBIK’S CUBE 4. 11 RUBIK’S ESP CARDS JAR, TRICK CUBE, AND 8 MINI CUBES) 5. 56 RUBIK’S MAGIC CARDS 9. 6 RUBIK’S HANKIES 10. INSTRUCTIONAL VIDEO DOWNLOAD INSTRUCTIONAL VIDEO DOWNLOAD Fantasmamagic.com/PuzzlingMagicSet Amazing, easy-to-perform tricks by Steve Vil. Layout by Jack Tawil, Suji Park, & Jessica Mercado. ©2017 Fantasma Toys Inc., www.FantasmaToys.com New York, NY 10001, USA . Made in China. ©1974 Rubik’s ® Used under licence Rubik’s Brand Ltd. All rights reserved. rubiks.com A Smiley company production | smiley.com • Keep for future reference. • Colours, style and decoration may vary. • Some tricks may require the use of ordinary household items. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the publishers. I TRICKS WITH THE RUBIK’S MENTAL 36. TIED AND UNTIED ...................................... 10 CUBE BOX AND SHELL 37. SUDSO ....................................................... 10 1. THE RUBIK’S MENTAL CUBE BOX AND SHELL 1 38. RESTORED ROPE ......................................... 10 2. THE RUBIK’S MENTAL CUBE PREDICTION .... 1 39. A COOL SHOW FINISH ............................... 10 3. THE VANISHING RUBIK’S CUBE ..................... 1 40. ANOTHER COOL SHOW FINISH! ................. 10 TRICKS WITH THE RUBIK’S CUBE BOX TRICKS WITH THE RUBIK’S CARDS 4.
    [Show full text]
  • Messing with People's Minds Without Rabbits Or Hats
    Chapter 1 Messing with People’s Minds without Rabbits or Hats In This Chapter ▶ Introducing magic and mentalism ▶ Deceiving the senses ▶ Looking into the human brain ▶ Examining how mentalism works or millennia sorcerers, shamans and priests used cunning, sleight of Fhand, clever ruses, gimmicks, gaffs and props to validate their authority and maintain control over the masses. Over several hundred years, however, the art of conjuring slowly morphed into a respectable form of entertainment. Magicians became admired for their skills instead of feared for their ‘mira- cles’. The nature of mental magic means that mentalists often walk a very fine line between entertainment and psychic fraud. In this chapter, I provide an introduction to the art of mentalism and the vari- ous ways in which you can, and in certain cases should never, use it. UnderstandingCOPYRIGHTED That Magic MATERIAL Is All in the Mind A mysterious man stands with his back to a woman on stage. He’s almost sinister looking, with his jet-black mane shaved into a widow’s peak. Nothing is said between the two people as they draw images on notepads – she draws the first thing that comes into her mind and he sketches the impressions he’s receiving from her. They’ve never met before, but when they turn around and reveal the drawn images, they match perfectly. 005_9781119953500-ch01.indd5_9781119953500-ch01.indd 9 33/14/12/14/12 88:54:54 PMPM 10 Part I: Going Purely Mental Travelling light Mentalism is simple, but powerful. I love that you I can stand in front of an audience of 5,000 or don’t have to carry around a lot of props.
    [Show full text]
  • Biblioteca Digital De Cartomagia, Ilusionismo Y Prestidigitación
    Biblioteca-Videoteca digital, cartomagia, ilusionismo, prestidigitación, juego de azar, Antonio Valero Perea. BIBLIOTECA / VIDEOTECA INDICE DE OBRAS POR TEMAS Adivinanzas-puzzles -- Magia anatómica Arte referido a los naipes -- Magia callejera -- Música -- Magia científica -- Pintura -- Matemagia Biografías de magos, tahúres y jugadores -- Magia cómica Cartomagia -- Magia con animales -- Barajas ordenadas -- Magia de lo extraño -- Cartomagia clásica -- Magia general -- Cartomagia matemática -- Magia infantil -- Cartomagia moderna -- Magia con papel -- Efectos -- Magia de escenario -- Mezclas -- Magia con fuego -- Principios matemáticos de cartomagia -- Magia levitación -- Taller cartomagia -- Magia negra -- Varios cartomagia -- Magia en idioma ruso Casino -- Magia restaurante -- Mezclas casino -- Revistas de magia -- Revistas casinos -- Técnicas escénicas Cerillas -- Teoría mágica Charla y dibujo Malabarismo Criptografía Mentalismo Globoflexia -- Cold reading Juego de azar en general -- Hipnosis -- Catálogos juego de azar -- Mind reading -- Economía del juego de azar -- Pseudohipnosis -- Historia del juego y de los naipes Origami -- Legislación sobre juego de azar Patentes relativas al juego y a la magia -- Legislación Casinos Programación -- Leyes del estado sobre juego Prestidigitación -- Informes sobre juego CNJ -- Anillas -- Informes sobre juego de azar -- Billetes -- Policial -- Bolas -- Ludopatía -- Botellas -- Sistemas de juego -- Cigarrillos -- Sociología del juego de azar -- Cubiletes -- Teoria de juegos -- Cuerdas -- Probabilidad
    [Show full text]
  • An Overview of Cold Reading Strategies
    CHAPTER 11 An Overview of Cold Reading Strategies Chris Roe and Elizabeth Roxburgh INTRODUCTION The standard mainstream explanation for impressive mediumistic communications is in terms of deceptive practices called cold reading. Forexample,incommentingonGarySchwartz’sbookThe Afterlife Experiments,1 which describes a number of experiments with mediums that are claimed to have produced evidence of postmortem communica- tion, Hyman comments that “the readings he presents [ ...] for his case very much resemble the sorts of readings we would expect from psychic readers in general and cold readers in particular.”2 Wiseman and O’Keeffe similarly criticize findings reported by Schwartz, Russek, Nelson, and Barentsen on the grounds that “seemingly accurate readings can be created by a set of psychological stratagems collectively referred to as ‘cold reading.’ ”3 Of medium Rebecca Rosen, Karen Stollznow comments, “like [ ...] many others before her, [she] has her own techniques for cold reading, and possibly hot reading. However, Rosen’s skills are far less impressive than those of cold reading experts.”4 Nickell claims that John Edward’s successful television demonstrations were the result of his skill at cold reading and that Edward was also not averse to gathering information about clients in advance of readings.5 Underdown6 similarly implies that James Van Praagh relies on standard cold reading techniques when broaching topics with a studio audience, and Greasley7 has provided a useful analysis of a mediumistic sitting that featured in 178 The Spiritualist Movement the British TV documentary Is There Anybody There? in terms of strata- gems of cold reading (although they are not referred to as such).
    [Show full text]
  • Fall Magic Auction
    Public Auction #027 Fall Magic Auction Featuring Personal Artifacts and Memorabilia From The Career of Channing Pollock and The Library of James B. Alfredson Complemented by a Selection of Collectible Magicana Auction Saturday, November 1, 2014 v 10:00 Am Exhibition October 29 - 31 v 10:00 am - 5:00 pm Inquiries [email protected] Phone: 773-472-1442 Potter & Potter Auctions, Inc. 3759 N. Ravenswood Ave. -Suite 121- Chicago, IL 60613 Channing Pollock Channing West Pollock (1926 – 2006) was one of the most Snow-white birds materialized from the hands of the tall, dark, sophisticated, professional, accomplished—and imitated— and handsome magician. Then they vanished, along with the magicians of his generation. cage that held them. He began studying magic at the age of 21. Upon Pollock’s popularity was not only derived from his sleight of graduation from the Chavez College of Manual Dexterity hand technique, however. Often billed as “the most handsome and Prestidigitation in 1952, he was regarded as its most man in the world,” his appeal to general audiences led him into accomplished pupil and soon held a teaching position at starring roles in European films such as Judex and Rocambole, the school, but quickly moved on to a storied career in show and to regular appearances in American television on a number business. In 1954, he appeared on Ed Sullivan’s famous of popular programs. television variety show. Soon thereafter, Pollock went on to Although Pollock retired from show business completely conquer American stages, and then set his sights abroad to in 1969, he never lost his love for magic.
    [Show full text]
  • David Copperfield PAGE 36
    JUNE 2012 DAVID COPPERFIELD PAGE 36 MAGIC - UNITY - MIGHT Editor Michael Close Editor Emeritus David Goodsell Associate Editor W.S. Duncan Proofreader & Copy Editor Lindsay Smith Art Director Lisa Close Publisher Society of American Magicians, 6838 N. Alpine Dr. Parker, CO 80134 Copyright © 2012 Subscription is through membership in the Society and annual dues of $65, of which $40 is for 12 issues of M-U-M. All inquiries concerning membership, change of address, and missing or replacement issues should be addressed to: Manon Rodriguez, National Administrator P.O. Box 505, Parker, CO 80134 [email protected] Skype: manonadmin Phone: 303-362-0575 Fax: 303-362-0424 Send assembly reports to: [email protected] For advertising information, reservations, and placement contact: Mona S. Morrison, M-U-M Advertising Manager 645 Darien Court, Hoffman Estates, IL 60169 Email: [email protected] Telephone/fax: (847) 519-9201 Editorial contributions and correspondence concerning all content and advertising should be addressed to the editor: Michael Close - Email: [email protected] Phone: 317-456-7234 Fax: 866-591-7392 Submissions for the magazine will only be accepted by email or fax. VISIT THE S.A.M. WEB SITE www.magicsam.com To access “Members Only” pages: Enter your Name and Membership number exactly as it appears on your membership card. 4 M-U-M Magazine - JUNE 2012 M-U-M JUNE 2012 MAGAZINE Volume 102 • Number 1 S.A.M. NEWS 6 From the Editor’s Desk Photo by Herb Ritts 8 From the President’s Desk 11 M-U-M Assembly News 24 New Members 25
    [Show full text]
  • The Underground Sessions Page 36
    MAY 2013 TONY CHANG DAN WHITE DAN HAUSS ERIC JONES BEN TRAIN THE UNDERGROUND SESSIONS PAGE 36 CHRIS MAYHEW MAY 2013 - M-U-M Magazine 3 MAGIC - UNITY - MIGHT Editor Michael Close Editor Emeritus David Goodsell Associate Editor W.S. Duncan Proofreader & Copy Editor Lindsay Smith Art Director Lisa Close Publisher Society of American Magicians, 6838 N. Alpine Dr. Parker, CO 80134 Copyright © 2012 Subscription is through membership in the Society and annual dues of $65, of which $40 is for 12 issues of M-U-M. All inquiries concerning membership, change of address, and missing or replacement issues should be addressed to: Manon Rodriguez, National Administrator P.O. Box 505, Parker, CO 80134 [email protected] Skype: manonadmin Phone: 303-362-0575 Fax: 303-362-0424 Send assembly reports to: [email protected] For advertising information, reservations, and placement contact: Mona S. Morrison, M-U-M Advertising Manager 645 Darien Court, Hoffman Estates, IL 60169 Email: [email protected] Telephone/fax: (847) 519-9201 Editorial contributions and correspondence concerning all content and advertising should be addressed to the editor: Michael Close - Email: [email protected] Phone: 317-456-7234 Submissions for the magazine will only be accepted by email or fax. VISIT THE S.A.M. WEB SITE www.magicsam.com To access “Members Only” pages: Enter your Name and Membership number exactly as it appears on your membership card. 4 M-U-M Magazine - MAY 2013 M-U-M MAY 2013 MAGAZINE Volume 102 • Number 12 26 28 36 PAGE STORY 27 COVER S.A.M. NEWS 6 From
    [Show full text]
  • H :// 02 Eb. . /J/83018063256 December 2020 Oakland Magic
    December 2020 Oakland Magic Circle Newsletter Official Website:www.OaklandMagicCircle.com ​ ​ Facebook: https://www.facebook.com/groups/42889493580/ ​ This Month’s Contents Anna DeGuzman Lecture- page 1 OMC Membership and Board Openings - page 3 OMC Magic Contests- Win Cash!- page 4 Anna DeGuzman Answers Five Questions- page 5 Magical Resource of the Month- page 6 Performing Virtually- page 6 News You Can Use – page 8 Who Was Lulu Hurst? - page 9 Magic in the Bay Area – page 10 Beyond the Bay- page 20 Northern California Magic Dealers- page 24 Highlighted and underlined names and words should provide a link for more information. ANNA DEGUZMAN Lecture on Tuesday, December 1 The Oakland Magic Circle and IBM Ring 216 will co-present Anna DeGuzman lecturing and teaching on Tuesday, December 1 at 7pmPST. This is another night you do not want to miss. Free. Join Zoom Meeting https://us02web.zoom.us/j/83018063256 Oakland Magic Circle December 2020 Newsletter Come early for online social time. “Doors open” at 6:30. The lecture starts at 7pm and will be over around 8:30.. Stay after the lecture and perform some magic. Some members have already promised to do magic. We hope that you will too. What Anna DeGuzman can do with a deck of 52 cards will make your head spin! Manipulating cards into ​ ​ impossible 3-D configurations, she cuts, flings, flips, rotates, juggles and shuffles playing cards in the middle of the street, along train tracks and in close-up shows at the most prestigious magic venues in the world including for The Magic Castle, Liberty Magic and the Chicago Magic Lounge.
    [Show full text]
  • December 28, 2012–February 24, 2013
    December 28, 2012–February 24, 2013 MIND OVER MILWAUKEE Milwaukee Repertory PLAY GUIDE Theater presents • Written by Lindsey Schmeltzer Education Intern • With contributions from Mind Games You Can Play By Marc Salem by Marc Salem • December 28, 2012-February 24, 2013 Stackner Cabaret Play Guide edited by Jenny Kostreva Education Director MARK’S TAKE: Leda Hoffmann “How to describe brilliant, witty Education Coordinator mentalist Marc Salem and Mind Over JC Clementz Milwaukee? It’s not a play, it’s not a Literary Assistant musical, and it’s certainly not a magic Lisa Fulton act. So let’s call it an entertainment, Director of Marketing tailor- made for a Milwaukee audience. • Jaws will drop as Marc separates truth from lies in increasingly amazing Graphic Design by ways—and the audience wonders, Eric Reda ‘How did he do that?!’” -Mark Clements, Artistic Director TABLE OF CONTENTS Page 3 Biography Tickets: 414-224-9490 Page 4 Mentalism www.MilwaukeeRep.com Techniques Mark Clements Page 5 Artistic Director Page 6 Activities Dawn Helsing Wolters Managing Director Page 7 Interview with Marc Salem Milwaukee Repertory Theater 108 E. Wells Street Page 8 Visiting The Rep Milwaukee, WI • 53202 BIOGRAPHY Born and raised in Philadelphia, mentalist Marc Salem has studied the human mind for over thirty years and is considered to be a leading authority on non-verbal communication. Salem received a Doctorate in Education from New York University, as well as a Ph.D. in Developmental Psychology from the University of Pennsylvania. Salem served on the faculty of several major universities over two decades. While serving as the Director of Research at Children’s Television Workshop (Sesame Street), Salem studied the nature and development of the mental process for over nine years.
    [Show full text]