The Magicians of IBM RING 313, the JOHN FEDKO RING
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The Theme Park As "De Sprookjessprokkelaar," the Gatherer and Teller of Stories
University of Central Florida STARS Electronic Theses and Dissertations, 2004-2019 2018 Exploring a Three-Dimensional Narrative Medium: The Theme Park as "De Sprookjessprokkelaar," The Gatherer and Teller of Stories Carissa Baker University of Central Florida, [email protected] Part of the Rhetoric Commons, and the Tourism and Travel Commons Find similar works at: https://stars.library.ucf.edu/etd University of Central Florida Libraries http://library.ucf.edu This Doctoral Dissertation (Open Access) is brought to you for free and open access by STARS. It has been accepted for inclusion in Electronic Theses and Dissertations, 2004-2019 by an authorized administrator of STARS. For more information, please contact [email protected]. STARS Citation Baker, Carissa, "Exploring a Three-Dimensional Narrative Medium: The Theme Park as "De Sprookjessprokkelaar," The Gatherer and Teller of Stories" (2018). Electronic Theses and Dissertations, 2004-2019. 5795. https://stars.library.ucf.edu/etd/5795 EXPLORING A THREE-DIMENSIONAL NARRATIVE MEDIUM: THE THEME PARK AS “DE SPROOKJESSPROKKELAAR,” THE GATHERER AND TELLER OF STORIES by CARISSA ANN BAKER B.A. Chapman University, 2006 M.A. University of Central Florida, 2008 A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the College of Arts and Humanities at the University of Central Florida Orlando, FL Spring Term 2018 Major Professor: Rudy McDaniel © 2018 Carissa Ann Baker ii ABSTRACT This dissertation examines the pervasiveness of storytelling in theme parks and establishes the theme park as a distinct narrative medium. It traces the characteristics of theme park storytelling, how it has changed over time, and what makes the medium unique. -
Coffeeville Edits
Christopher Welsh 1005 Inland Lane McKinney, TX 75070 (approximately 14,700 words) 407-574-3423 [email protected] Coffeyville By C.E.L. Welsh Harry slowed his breathing. Across from him, no more than twenty 20 paces away, a man aimed a gun at his heart and meant to fire. Harry wanted to keep his eyes on the gun barrel, that dot of empty blackness that would spit out a metal slug with his name on it, but he knew he should be watching the man's shoulders, his chest, his stomach; —all key areas where a man might tense, moments before he pulled the trigger. He should, but he couldn't. Harry watched none of these areas. Instead, he fixed on the gunman's eyes. Each of his His eyes where washeterochromatic; each a different color. That alone wouldn't be enough to draw in Harry, to cause him to risk making a mistake at this very crucial moment; it was the quality—the nature—of the heterochromatic eyes that drew him in. The right eye was a pale blue that reflected and amplified the stage lights surrounding them, seeming to shine under it's its own power. The left eye was a dull, steely gray that pulled light in, muting it, and causing the right eye to practically glow in the contrast. In addition, the man's eyes radiated something akin to hate...was it bitterness? Disgust? Whatever it was, the crowd surrounding the men seemed sure that the man with the gun had every intention of firing when the moment was right. -
Pressive Cast of Thinkers and Performers
Table of Contents Long Synopsis Short Synopsis Michael Caplan Biography Key Production Personnel Filmography Credit List Magicians & Scholars Cover design by Lara Marsh, Illustration by Michael Pajon A Magical Vision /Long Synopsis ______________________________________________________ A Magical Vision spotlights Eugene Burger, a far-sighted philosopher and magician who is considered one of the great teachers of the magical arts. Eugene has spent twenty-five years speaking to magicians, academics, and the general public about the experience of magic. Advocating a return to magic’s shamanistic, healing traditions, Eugene’s “magic tricks” seek to evoke feelings of awe and transcendence, and surpass the Las Vegas-style entertainment so many of us visualize when we think of magicians. Mentors and colleagues have emerged throughout Eugene’s globe-trotting career. Among them is Jeff McBride, a recognized innovator of contemporary magic, and Max Maven, a one-man-show who performs a unique brand of “mind magic” to audiences worldwide. Lawrence Hass created the world’s first magic program in a liberal arts setting, where his seminar has attracted an impressive cast of thinkers and performers. The film, however, is Eugene’s journey. It began in 1940s Chicago, a city already renowned as the center of classic magic performance. Yale Divinity School followed, leading Eugene to the world of Asian mysticism. From there came the creation of Hauntings, a tribute to the sprit theatre of the 19th century, and the gore of the Bizarre Magick movement. Today Eugene’s performances and lectures draw inspiration from the mythology of India to the Buddhism of magical theory. On this stage, the magicians and thinkers open doors to an astounding world, a world that we rarely take time to see. -
Eugene Burger (1939-2017)
1 Eugene Burger (1939-2017) Photo: Michael Caplan A Celebration of Life and Legacy by Lawrence Hass, Ph.D. August 19, 2017 (This obituary was written at the request of Eugene Burger’s Estate. A shortened version of it appeared in Genii: The International Conjurors’ Magazine, October 2017, pages 79-86.) “Be an example to the world, ever true and unwavering. Then return to the infinite.” —Lao Tsu, Tao Te Ching, 28 How can I say goodbye to my dear friend Eugene Burger? How can we say goodbye to him? Eugene was beloved by nearly every magician in the world, and the outpouring of love, appreciation, and sadness since his death in Chicago on August 8, 2017, has been astonishing. The magic world grieves because we have lost a giant in our field, a genuine master: a supremely gifted performer, writer, philosopher, and teacher of magic. But we have lost something more: an extremely rare soul who inspired us to join him in elevating the art of magic. 2 There are not enough words for this remarkable man—will never be enough words. Eugene is, as he always said about his beloved art, inexhaustible. Yet the news of his death has brought, from every corner of the world, testimonies, eulogies, songs of praise, cries of lamentation, performances in his honor, expressions of love, photos, videos, and remembrances. All of it widens our perspective on the man; it has been beautiful and deeply moving. Even so, I have been asked by Eugene’s executors to write his obituary, a statement of his history, and I am deeply honored to do so. -
June 12-13, 2015 • at Auction Haversat & Ewing Galleries, LLC
June 12-13, 2015 • At Auction haversat & ewing galleries, LLC. Magicfrom the ED HILL COLLECTION Rare Books Houdini Ephemera haversat Photographs Apparatus • Postcards &Ewing Unique Correspondence haversat Galleries, LLC. &Ewing PO Box 1078 - Yardley, PA 19067-3434 Galleries, LLC. www.haversatewing.com Auction Catalog: www.haversatewing.com haversat Haversat & Ewing Galleries, LLC. &Ewing Galleries,Magic Collectibles Auction LLC. AUCTION Saturday, November 15, 2014 -11:00 AM AuctionSign-up to bid June at: www.haversatewing.com 12-13, 2015 Active bidding on all lots begin at 11:00 AM EST- Friday, June 12, 2015 First lot closes Saturday, June 13 at 3:00 PM EST. Sign-up to bid at: www.haversatewing.com HAVERSAT & EWING GALLERIES, LLC PO POBox BOX 1078 1078 - Yardley,- YARDLEY, PA PA 19067-3434 19067-3434 www.haversatewing.comWWW.HAVERSATEWING.COM A True Story: Back when Ed started collecting he befriended H. Adrian Smith, then current Dean of the Society of American Magicians. At the time, Harold as he was known to his friends, had the largest magic library in the world. Often Harold was a dinner guest at our house and as usual after our meal “the boys” would discuss magic and collecting. Harold’s plan for his books and ephemera was to donate it all to his alma mater, Brown University in Providence, Rhode Island. As we all know that’s what happened to his collection. Ed on the other hand disagreed with Harold’s plan and said that when the time came for him to dissolve his library he wanted everything to be sold; so that other collectors could enjoy what he had amassed. -
March 6 Special Interest Groups DVR ALERT from DAVE
The SPIRIT | Official Newsletter of I.B.M. Ring 1 Meeting Update: March 6th M Arch 2 01 3 Special Interest Groups Volume 13, Issue 3 Inside this issue: The March 6 meeting program will feature “Special Interest Groups.” Three instructors will each simultaneously present 45 minute “hands on” teach-ins. Each instructor will only present 2 programs. You may select Meeting Update 1 any two of the three programs and when you have participated in your first program, you will then move on to your second program choice. DVR ALERT 1 Choices: Magic Past 2 Randy Kalin will present effective but simple card tricks with most being Ring Report 3-4 based on mathematical principles without difficult sleights. Schedule of Events 3 Mike Hindrichs, our close-up contest winner, will present his rope magic including routines and individual moves. Dues Info 4 Harry Monti will present the “Linking Rings.” He will demonstrate a Lecture Info 5 routine and then break it down and show the various elements. JDRF Info 6 These are “hands on” programs to be sure so bring your own cards, JDRF Photos 7 ropes and rings. Contest Winners 7 Harry Monti This Just In 8 NEW MEETING AGENDA 6:30 Magic 101 Quiet Please if you are not involved with Magic 101. 7:00 Refreshments/ Socialize and Jamming sessions 7:30 Special Interest Groups QUOTE: Following the meeting- Workshop and Fellowship till 10PM “Any sufficiently advanced technology is indistinguishable from magic.” DVR ALERT FROM DAVE Arthur C. Clarke, Profiles of the Future: An Inquiry into the Limits of the David Copperfield posted this on Facebook- Possible “Breaking news! Excited to announce that I will be hosting magic on the Today Show EVERY Monday in March! It starts this Monday on NBC.” 2 From The Magic Past \ By Don Rataj Here is an update that I have listed in Magicpedia, however I am missing several years. -
Dal Sanders President of the S.A.M
JULY 2013 DAL SANDERS PRESIDENT OF THE S.A.M. PAGE 36 MAGIC - UNITY - MIGHT Editor Michael Close Editor Emeritus David Goodsell Associate Editor W.S. Duncan Proofreader & Copy Editor Lindsay Smith Art Director Lisa Close Publisher Society of American Magicians, 6838 N. Alpine Dr. Parker, CO 80134 Copyright © 2012 Subscription is through membership in the Society and annual dues of $65, of which $40 is for 12 issues of M-U-M. All inquiries concerning membership, change of address, and missing or replacement issues should be addressed to: Manon Rodriguez, National Administrator P.O. Box 505, Parker, CO 80134 [email protected] Skype: manonadmin Phone: 303-362-0575 Fax: 303-362-0424 Send assembly reports to: [email protected] For advertising information, reservations, and placement contact: Lisa Close M-U-M Advertising Manager Email: [email protected] Telephone/fax: 317-456-7234 Editorial contributions and correspondence concerning all content and advertising should be addressed to the editor: Michael Close - Email: [email protected] Phone: 317-456-7234 Submissions for the magazine will only be accepted by email or fax. VISIT THE S.A.M. WEB SITE www.magicsam.com To access “Members Only” pages: Enter your Name and Membership number exactly as it appears on your membership card. 4 M-U-M Magazine - JULY 2013 M-U-M JULY 2013 MAGAZINE Volume 103 • Number 2 COVER STORY S.A.M. NEWS PAGE 36 68 6 From the Editor’s Desk 8 From the President’s Desk 10 Newsworthy 11 M-U-M Assembly News 27 Good Cheer List 26 Broken Wands 69 Photo Contest Winner -
September/October 2020 Oakland Magic Circle Newsletter Official Website: Facebook:
September/October 2020 Oakland Magic Circle Newsletter Official Website:www.OaklandMagicCircle.com Facebook: https://www.facebook.com/groups/42889493580/ Password: EWeiss This Month’s Contents -. Where Are We?- page 1 - Ran’D Shines at September Lecture- page 2 - October 6 Meeting-Halloween Special -page 4 - September Performances- page 5 - Ran’D Answers Five Questions- page 9 - Phil Ackerly’s New Book & Max Malini at OMC- page 10 - Magical Resource of the Month -Black Magician Matter II-page 12 -The Funnies- page 16 - Magic in the Bay Area- Virtual Shows & Lectures – page 17 - Beyond the Bay Shows, Seminars, Lectures & Events in July- page 25 - Northern California Magic Dealers - page 32 Everything that is highlighted in blue in this newsletter should be a link that takes you to that person, place or event. WHERE ARE WE? JOIN THE OAKLAND MAGIC CIRCLE---OR RENEW OMC has been around since 1925, the oldest continuously running independent magic club west of the Mississippi. Dozens of members have gone on to fame and fortune in the magic world. When we can return to in-person meetings it will be at Bjornson Hall with a stage, curtains, lighting and our excellent new sound system. The expanding library of books, lecture notes and DVDs will reopen. And we will have our monthly meetings, banquets, contests, lectures, teach-ins plus the annual Magic Flea Market & Auction. Good fellowship is something we all miss. Until then we are proud to be presenting a series of top quality virtual lectures. A benefit of doing virtual events is that we can have talent from all over the planet and the audiences are not limited to those who can drive to Oakland. -
William Zavis Papers Finding
The William Zavis Papers prepared by Lenge Hong and Kat Masback fpliia 1 w\ 1JTJWHW nPf "'"Jf'' 'fl Conjuring Arts Research Center New York City : 2007 William Zavis finding aid.doc -1 Title: William Zavis Papers Span Dates: 1970-1993 Bulk Dates: 1973-1979 Accession No.: 2000.18 Creator: Kalush, William Extent: 2 linear feet. Language: English Repository: Conjuring Arts Research Center Finding Aid Prepared By: Lenge Hong and Katrina Masback Finding Aid Prepared Date: 7/12/2007 Provenance / Processing History: Related Material: Ask Alexander Status: Collection is not available via Ask Alexander. Copyright Status / Restrictions on Use: Please consult the librarian for further details. Preferred Citation: Researchers wishing to cite this collection should include the following information: container number, William Zavis Papers, Conjuring Arts Research Center, New York City. Scope and Content: Collection consists mainly of Zavis' correspondence with other magicians, societies, and magic supply houses, many based in the United Kingdom and Europe. Collection also includes instruction sheets for effects designed by Zavis, and assorted memorabilia. Search Terms: Zavis, William. Magicians. United States. 20th century. Magic tricks. Series List / Series Descriptions: The collection contains only one series. William Zavis finding aid.doc - 2 Container List box series folder description 1 1 William Zavis correspondence 1 James Alfredson (2); Anthony (1); Jack Avis (5); Roy Baker (5); Donald Bevan (30); Joe Berg (1); J. Birnman (1); George Blake (4); Bill Boley (1); John Braun (5); Martin Breese (3); Ken Brooke (7); TimBryson(l); Terry/Norma Burgess (1); Jeff Busby (8) 2 William Zavis correspondence 2 Carboni/Carbonita (2); Al Cohen (5); Leslie Cole (5); Alan Cracknell (1); Father Cyprian (1); L. -
As We Kicked Off the New Millennium, Readers of This
s we kicked off the new Amillennium, readers of this magazine cast their ballots to elect the ten most influential magicians of the 20th century. Although there were some sur- prises, few could argue with the top two — Harry Houdini and Dai Vernon. While scores of books have been written about Houdini, David Ben has spent the past five years prepar- ing the first detailed biography of Dai Vernon. What follows is a thumbnail sketch of Vernon’s remarkable life, legacy, and con- tribution to the art of magic. BY DAVID BEN Scene: Ottawa admired performers such as T. Nelson to learn, however, that he might as well have Scene: Ballroom of the Great Year: 1899 Downs, Nate Leipzig, and J. Warren Keane been the teacher. Northern Hotel, Chicago David Frederick Wingfield Verner, born more. He marveled at their ability to enter- In 1915, New York could lay claim to Year: 1922 on June 11, 1894, was raised in the rough- tain audiences with simple props and virtu- several private magic emporiums, the places On February 6, 1922, Vernon and his and-tumble capital of a fledgling country, oso sleight of hand. Coins flitted and flick- where magic secrets were bought, built, and confidant, Sam Margules, attended a ban- Canada, during the adolescence of magic’s ered through Downs’ fingers, while Leipzig sold. Much to Vernon’s chagrin, the propri- quet in honor of Harry Houdini in the Golden Age. It was his father, James Verner, and Keane, ever the gentlemen, entertained etor and staff at Clyde Powers’ shop on Crystal Ballroom of the Great Northern who ignited his interest in secrets. -
Reception and Adaptation: Magic Tricks, Mysteries, Con Games
Reception and Adaptation: Magic Tricks, Mysteries, Con Games by Joseph Daniel Culpepper A thesis submitted in conformity with the requirements for the degree of Doctor of Philosophy Centre for Comparative Literature University of Toronto © Copyright by Joseph Daniel Culpepper 2014 Reception and Adaptation: Magic Tricks, Mysteries, Con Games Joseph Daniel Culpepper Doctor of Philosophy Centre for Comparative Literature University of Toronto 2014 Abstract This study of the reception and adaptation of magic tricks, murder mysteries, and con games calls for magic adaptations that create critical imaginative geographies (Said) and writerly (Barthes) spectators. Its argument begins in the cave of the magician, Alicandre, where a mystical incantation is heard: "Not in this life, but in the next." These words, and the scene from which they come in Tony Kushner's The Illusion, provide the guiding metaphor for the conceptual journey of this dissertation: the process of reincarnation. The first chapter investigates the deaths of powerful concepts in reader-response theory, rediscovers their existence in other fields such as speech-act theory, and then applies them in modified forms to the emergent field of performance studies. Chapter two analyzes the author as a magician who employs principles of deception by reading vertiginous short stories written by Jorge Luis Borges. I argue that his techniques for manipulating the willing suspension of disbelief (Coleridge) and for creating ineffable oggetti mediatori (impossible objects of proof) suggest that fantastic literature (not magical realism) is the nearest literary equivalent to experiencing magic performed live. With this Borgesian quality of magic's reality-slippage in mind, cross-cultural and cross-media comparisons of murder mysteries and con games are made in chapter three. -
Max-Malini-By-David-Ben-Courtesy
BY DAVID BEN LE C CIR C HE MAGI T COURTESY OF COURTESY 44 GENII Malini. Max Malini. For many of us, particularly those of my generation who were introduced to Malini through the pages of the Stars of Magic and the works of Dai Vernon, the name Malini conjur- ers up the image of a bold, brash, itinerant magician—the last of the mountebanks—who performed parlor magic and close-up magic par excellence. With an abundance of audacity, broken-English, and a guttural voice with an Eastern-European accent, Malini toured the world, performing for the rich and famous. Even more intriguing, Malini had few confidants and what we know of him, and his work, is primar- ily from the previously mentioned works, par- ticularly those associated with Vernon and, in more recent years, from Charlie Miller and his protégé, John Thompson. OCTOBER 2012 45 MY OWN INTEREST AND UNDERSTANDING of Malini, however, took a seismic shift when I embarked on the journey that is Dai Vernon: A Biography. Vernon, of course, acknowledged Malini as being of the utmost influence. Malini was the “M” in the “J.K.L. and M,” the four per- formers—Jarrow, Keane, Leipzig, and Malini—who had a profound effect on Vernon’s development and his understanding of what constituted magic—ele- gant sleight-of-hand performed naturally but with lasting impact. As I sourced material for the Vernon biography I came a sizeable file on Malini and his magic. Hopefully, one across thousands of letters by and about Vernon, his influ- day, someone will write a book about Malini.