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Street Magic Revealed
Black Diamond Ultimate Street Magic Revealed Thank you for your purchase from Please feel free to … Take a look at our ebay auctions: ebay ID: www-netgeneration-co-uk Visit our website – www.netgeneration.co.uk Or send us an email - [email protected] 2 IMPROMPTU CARD FIND EFFECT A card is selected by a spectator and placed back on top of the pack. The pack is then cut several times and handed back to the magician. A pile of cards suddenly falls off the pack, leaving the magician holding the spectators card. METHOD When the card is selected by the spectator, the card on the bottom of the pack is crimped by the magician’s pinky. The spectator’s card is then placed on the top of the pack and the pack is cut. This now means that the spectator’s card is underneath the crimped card. The pack can be passed around the room to be cut several times and the spectator’s card will always be under the crimped card. The pack is then handed back to the magician who quietly puts his thumb under the crimped card appearing to be clumsy and allows the cards above his thumb to fall on the floor. The card under his thumb will be the spectators. The magician can also allow the rest of the cards to fall, leaving only the spectators card in his hand. This trick looks amazing because the audience has seen that the magician has not had a lot of contact with the pack and the whole routine has been totally impromptu. -
The Expert Escamoteur's Equipment
The Expert Escamoteur’s Equipment Tony Shiels An Exploration in Three Parts of Various Aspects of Cups and Balls Conjuring It is strongly recommended that you print this ebook out before reading. Staple the pages together - or better still take the pages to you local Staples or office supply store and have it bound. Add your own notes and ideas as they come to you. That way you will turn this ebook into a valuable reference document. Contents & illustrations copyright © Tony Shiels 1966 and 2006 These articles originally appeared in The Linking Ring, the magazine of The International Brotherhood of Magicians http://www.magician.org There is no charge for this ebook. You are free to share it with your friends provided it is left unedited and in its entirety. Introduction by Quentin Reynolds If you associate the name of Tony ‘Doc’ Shiels with weird, strange and bizarre magick, you will, no doubt, be surprised to discover that in his professional work, the Linking Rings and the Cups and Balls effects, were the stable part of his repertoire. As you read through this manuscript, and bear in mind it was written in 1966, you will be inspired by his enthusiasm for the subject. In more recent times the Cups and Balls has had a revival back onto the streets and is the featured effect by many of magic’s leading street performers. At the rear of this manuscript I’ve listed some recommended further reading, published since Tony’s articles first appeared in The Linking Ring. As publisher of one of Tony’s other books, The Shiels Effect http://www.TheShielsEffect.com I was delighted to discover some of his older writings lost in the files of magazines. -
The Theme Park As "De Sprookjessprokkelaar," the Gatherer and Teller of Stories
University of Central Florida STARS Electronic Theses and Dissertations, 2004-2019 2018 Exploring a Three-Dimensional Narrative Medium: The Theme Park as "De Sprookjessprokkelaar," The Gatherer and Teller of Stories Carissa Baker University of Central Florida, [email protected] Part of the Rhetoric Commons, and the Tourism and Travel Commons Find similar works at: https://stars.library.ucf.edu/etd University of Central Florida Libraries http://library.ucf.edu This Doctoral Dissertation (Open Access) is brought to you for free and open access by STARS. It has been accepted for inclusion in Electronic Theses and Dissertations, 2004-2019 by an authorized administrator of STARS. For more information, please contact [email protected]. STARS Citation Baker, Carissa, "Exploring a Three-Dimensional Narrative Medium: The Theme Park as "De Sprookjessprokkelaar," The Gatherer and Teller of Stories" (2018). Electronic Theses and Dissertations, 2004-2019. 5795. https://stars.library.ucf.edu/etd/5795 EXPLORING A THREE-DIMENSIONAL NARRATIVE MEDIUM: THE THEME PARK AS “DE SPROOKJESSPROKKELAAR,” THE GATHERER AND TELLER OF STORIES by CARISSA ANN BAKER B.A. Chapman University, 2006 M.A. University of Central Florida, 2008 A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the College of Arts and Humanities at the University of Central Florida Orlando, FL Spring Term 2018 Major Professor: Rudy McDaniel © 2018 Carissa Ann Baker ii ABSTRACT This dissertation examines the pervasiveness of storytelling in theme parks and establishes the theme park as a distinct narrative medium. It traces the characteristics of theme park storytelling, how it has changed over time, and what makes the medium unique. -
– Channing Pollock – Robert Harbin – Patrick Page
“To see Cardini is like watching a trick fi lm.” – Patrick Page “I had the greatest magical experience of my life when I watched him perform.” – Robert Harbin “If I had seen him work when I was at the start of my career, I would have scrapped the profession and learned a different trade.” – Channing Pollock 42 MAGIC • august 2007 M192 Cardini_v1_FIN.indd 2 7/12/07 11:41:33 AM “The world’s outstanding stage exponent of pure sleight-of-hand.” – Milbourne Christopher “The greatest single act that ever appeared in the world to my way of thinking.” – Dai Vernon ~By John Fisher~ Magicians today acknowledge that the examples set by the legendary Car- dini — in technique, in suavity, and in career achievement — shone the light for them. It is probable that Cardini has still not been surpassed as both an entertaining and an artistic exponent of pure sleight-of-hand within the limitations of a short vaudeville act. MAGIC • august 2007 43 M192 Cardini_v1_FIN.indd 3 7/12/07 11:41:37 AM There could be no greater contrast between nipulate the cards at all without gloves. So he the fi fth, thimbles and fi re. The digital dexter- the level of sophistication which Cardini’s act practiced with them on and laid the ground- ity was present throughout, but he still per- came to epitomize and his early background. work for the exquisite skill and sensitivity that sisted in being a talking magician upon whose He was born Richard Valentine Pitchford on would come to form his act in later years. -
Coffeeville Edits
Christopher Welsh 1005 Inland Lane McKinney, TX 75070 (approximately 14,700 words) 407-574-3423 [email protected] Coffeyville By C.E.L. Welsh Harry slowed his breathing. Across from him, no more than twenty 20 paces away, a man aimed a gun at his heart and meant to fire. Harry wanted to keep his eyes on the gun barrel, that dot of empty blackness that would spit out a metal slug with his name on it, but he knew he should be watching the man's shoulders, his chest, his stomach; —all key areas where a man might tense, moments before he pulled the trigger. He should, but he couldn't. Harry watched none of these areas. Instead, he fixed on the gunman's eyes. Each of his His eyes where washeterochromatic; each a different color. That alone wouldn't be enough to draw in Harry, to cause him to risk making a mistake at this very crucial moment; it was the quality—the nature—of the heterochromatic eyes that drew him in. The right eye was a pale blue that reflected and amplified the stage lights surrounding them, seeming to shine under it's its own power. The left eye was a dull, steely gray that pulled light in, muting it, and causing the right eye to practically glow in the contrast. In addition, the man's eyes radiated something akin to hate...was it bitterness? Disgust? Whatever it was, the crowd surrounding the men seemed sure that the man with the gun had every intention of firing when the moment was right. -
Eugene Burger (1939-2017)
1 Eugene Burger (1939-2017) Photo: Michael Caplan A Celebration of Life and Legacy by Lawrence Hass, Ph.D. August 19, 2017 (This obituary was written at the request of Eugene Burger’s Estate. A shortened version of it appeared in Genii: The International Conjurors’ Magazine, October 2017, pages 79-86.) “Be an example to the world, ever true and unwavering. Then return to the infinite.” —Lao Tsu, Tao Te Ching, 28 How can I say goodbye to my dear friend Eugene Burger? How can we say goodbye to him? Eugene was beloved by nearly every magician in the world, and the outpouring of love, appreciation, and sadness since his death in Chicago on August 8, 2017, has been astonishing. The magic world grieves because we have lost a giant in our field, a genuine master: a supremely gifted performer, writer, philosopher, and teacher of magic. But we have lost something more: an extremely rare soul who inspired us to join him in elevating the art of magic. 2 There are not enough words for this remarkable man—will never be enough words. Eugene is, as he always said about his beloved art, inexhaustible. Yet the news of his death has brought, from every corner of the world, testimonies, eulogies, songs of praise, cries of lamentation, performances in his honor, expressions of love, photos, videos, and remembrances. All of it widens our perspective on the man; it has been beautiful and deeply moving. Even so, I have been asked by Eugene’s executors to write his obituary, a statement of his history, and I am deeply honored to do so. -
Mentalism Mastery
Mentalism Mastery To be proficient in the area of mentalism one must demonstrate the illusion of extraordinary cognitive, sensory or mental abilities. These must be demonstrated in an entertaining manner and work together thematically as an “act.” The performer may use any real-world performable means at his disposal. His methods may consist of pre-show work, sleight of hand techniques, electronics, as well as gimmicks to achieve his goal. If the performer is performing a one-person act, any stooges must be of the impromptu variety; i.e. unknowing audience stooges. This is not to imply that two-performer acts are discouraged, only that the use of secret confederates is not permitted. The mentalist must take a minimal approach to props. Any props used should be as innocent looking as possible. Audience members should be allowed to hold and examine as many of the props as possible. Since the mentalist is supposed to be a mind reader, his props should not lend themselves to suspicion and they should stand up to reasonable scrutiny. Of course, the mentalism must be strong enough to fool an intelligent layman. However, not only must the effect be strong, but it should be properly paced and sufficiently interesting to command attention. A good trick, presented in a drawn out and boring manner, will not be considered mastery. By the same token, an entertaining premise that fails to deliver a convincing demonstration of mental powers will not indicate mastery of the subject. While skilled sleight of hand is not necessarily required to earn the mental mastery award, there are skills that will be judged. -
Therapeutic Magic: Demystifying an Engaging Approach to Therapy
Therapeutic Magic: Demystifying an Engaging Approach to Therapy Steven Eberth, OTD, OTRL, CDP Richard Cooper, Ed.D, FAOTA, OTR Warren Hills, Ph.D, LPC, NCC ●What strategies could you use to introduce therapeutic magic with your clients? Quick Survey ●What barriers exist that may impede your ability to use therapeutic magic? History of Magic • Dr. Rich Cooper • In the beginning . ●The use of magic as a therapeutic activity has existed since World War 1 History of Magic ●Occupational therapy literature evidenced the use of therapeutic magic in 1940 History of ●Project Magic was conceived by magician, Magic David Copperfield and Julie DeJean, OTR ●In 1981, the Department of Occupational Therapy at the Daniel Freeman Center for Diagnostic and Rehabilitative Medicine in Inglewood, California piloted the use of magic History of ●In 1982, Project Magic was endorsed by the Magic American Occupational therapy Association ●The Healing of Magic program was developed History of by world renown illusionists Kevin and Cindy Magic Spencer ●In 1988, Kevin suffered injuries to his head and lower spinal cord from a near-fatal car accident ●In support of his own recovery, he worked with therapists in North Carolina on what was to become the foundation for “The Healing of Magic” ●Kevin earned Approved Provider Status from the American Occupational Therapy Association History of ●He is considered the leading authority on the therapeutic use of magic in in physical and Magic psychosocial rehabilitation https://www.spencersmagic.com/healing-of- magic/ Our Story Our humble beginning . ● How we got started ● The search for training materials begins ● What we’ve done: WMU Story ● # of students ● Grant for materials ● Resource boxes ● Documentation and reimbursement skills ● Program evaluation student surveys I am in my second fieldwork one right now at the Kalamazoo Psychiatric Hospital. -
The Magic Collection of David Baldwin
Public Auction #043 The Magic Collection of David Baldwin Including Apparatus, Books, Ephemera, Posters, Automatons and Mystery Clocks Auction Saturday, October 29, 2016 v 10:00 am Exhibition October 26-28 v 10:00 am - 5:00 pm Inquiries [email protected] Phone: 773-472-1442 Potter & Potter Auctions, Inc. 3759 N. Ravenswood Ave. -Suite 121- Chicago, IL 60613 The Magic Collection of David M. Baldwin An Introduction he magic collection of David M. Baldwin (1928 – 2014) Tis a significant one, reaching back to the glorified era of nineteenth century parlor and stage magic that sees its greatest physical achievements embodied in the instruments of mystery we offer here: clocks, automata, and fine conjuring apparatus. It crosses into that treasured phase of the twentieth century when the influence magic held over Western popular culture reached its zenith, and continues on to the present age, where modern practitioners and craftsmen commemorate and reinvigorate old A thoughtful and kind gentleman, he never spoke unkindly about ideas in new forms. anyone. He was modest, generous, and known by many for his philanthropy in supporting the visual and performing arts, medicine, The bedrock of the collection is composed of material the education, and, of course, magic. Among his contributions to other sources of provenance of which will be well known to any conjuring organizations, he was a major benefactor to The Magic Circle, collector or historian of the art: the show, personal artifacts and and was awarded an Honorary Life Member of the Inner Magic Circle. props gathered and used by Maurice F. Raymond (“The Great Raymond”); the library and collection of Walter B. -
Bibliography of Works by Roberto Giobbi Status: May 2019
Bibliography of Works by Roberto Giobbi Status: May 2019 Books • Fantasia in As-Dur, Magic Communication Roberto Giobbi, Basel 1987 • CardPerfect, Magic Communication Roberto Giobbi, Basel 1987 • roberto-light, Magic Communication Roberto Giobbi, Basel 1988 • Grosse Kartenschule Band 1, Magic Communication Roberto Giobbi, Basel 1992 • Grosse Kartenschule Band 2, Magic Communication Roberto Giobbi, Basel 1992 • roberto extra-light, Magic Communication Roberto Giobbi, Basel 1992 • Grosse Kartenschule Band 3, Magic Communication Roberto Giobbi, Basel 1994 • Grosse Kartenschule Band 4, Magic Communication Roberto Giobbi, Basel 1994 • Cours de cartomagie moderne Tome 1, Magix, Strasbourg 1994 • Gran Escuela Cartomagica, Volumenes 1 y 2, Paginas, Madrid 1994 • Card College Volume 1, Hermetic Press, Seattle 1995 • Gran Escuela Cartomagica, Volumenes 3 y 4, Paginas, Madrid 1995 • roberto super-light, Magic Communication Roberto Giobbi, Basel 1995 • Cours de Cartomagie Moderne Tome II, Magix, Strasbourg 1996 • Roberto Light, Paginas, Madrid 1996 • Roberto Super Light, Paginas, Madrid 1996 • Roberto Extra Light, Paginas, Madrid 1996 • Card College 1, Corso di Cartomagia Moderna, Florence Art Edizioni, Firenze 1998 • Card College 2, Corso di Cartomagia Moderna, Florence Art Edizioni, Firenze 1999 • Il sogno del baro, Florence Art Edizioni, Firenze 1999 • Card College 3, Corso di Cartomagia Moderna, Florence Art Edizioni, Firenze 2001 • Roberto Light, Florence Art Edizioni, Firenze 2001 • Roberto Extra-Light, Florence Art Edizioni, Firenze 2001 • Roberto Super-Light, Florence Art Edizioni, Firenze 2001 • Card College Volume 1 (Japanese version), Tokyo 2001 • Card College Volume 2 (Japanese version), Tokyo 2002 • Card College Volume 5, Hermetic Press, Seattle 2003 • Grosse Kartenschule Band 5, Magic Communication Roberto Giobbi, Basel 2003 • Cours de Cartomagie Moderne Tome 3, Magix, Strasbourg 2005 • Card College Light, Hermetic Press, Seattle 2006 • Roberto Light (version française), C.C. -
As We Kicked Off the New Millennium, Readers of This
s we kicked off the new Amillennium, readers of this magazine cast their ballots to elect the ten most influential magicians of the 20th century. Although there were some sur- prises, few could argue with the top two — Harry Houdini and Dai Vernon. While scores of books have been written about Houdini, David Ben has spent the past five years prepar- ing the first detailed biography of Dai Vernon. What follows is a thumbnail sketch of Vernon’s remarkable life, legacy, and con- tribution to the art of magic. BY DAVID BEN Scene: Ottawa admired performers such as T. Nelson to learn, however, that he might as well have Scene: Ballroom of the Great Year: 1899 Downs, Nate Leipzig, and J. Warren Keane been the teacher. Northern Hotel, Chicago David Frederick Wingfield Verner, born more. He marveled at their ability to enter- In 1915, New York could lay claim to Year: 1922 on June 11, 1894, was raised in the rough- tain audiences with simple props and virtu- several private magic emporiums, the places On February 6, 1922, Vernon and his and-tumble capital of a fledgling country, oso sleight of hand. Coins flitted and flick- where magic secrets were bought, built, and confidant, Sam Margules, attended a ban- Canada, during the adolescence of magic’s ered through Downs’ fingers, while Leipzig sold. Much to Vernon’s chagrin, the propri- quet in honor of Harry Houdini in the Golden Age. It was his father, James Verner, and Keane, ever the gentlemen, entertained etor and staff at Clyde Powers’ shop on Crystal Ballroom of the Great Northern who ignited his interest in secrets. -
Get Together 2017 Selective Inventory
Get Together 2017 Selective Inventory NAME OF EFFECT 2017 Abbott Compendium Book 3 Card Monte Card (blue) Trick Skinner Abbott Magic and the American Side Show Book Abbotts Illusion Printed Book ABC Block Anti Bullying Hippity Hop Astrophere Attaboy Bare (Gimmicks and Online Instructions) by The Other Brothers – Trick Beauty Canary Cage Birthday Card Surprise Boulevard 54 Cabinet of Foo Cake in Hat Card Guard (Classic) by Bazar de Magia – Trick Card Guard Stainless (Perforated) by Bazar de Magic – Trick CEO Production Briefcase Chick Pans Morrissey Church Silk Cabinet Clatter Box (Aluminum) by Mr. Magic – Trick Cobra Light by Cobra Magic – Trick Color Changing Bottle Color Changing Rabbit Colossal Magic Coloring Book by Danny Orleans – Trick Comedy Egg Can by Don Alan Cube 3 By Steven Brundage – Trick Cue the Magic by Angelo Carbone – Trick Dagger Chest ( Head Sword ) Folding – Trick Dark Matter Secrets Departure Ring Flight (New and Improved) by MagicSmith – Trick Disecto Don Wayne Floating Ball Double Cross by Mark Southworth’s Dove Pan Standard Dove Pan Abbotts Duck Pan Copper ESP Telepathy Cards Everlasting Sponge Balls (Gimmick & Online Instructions) by Leclerc Far East Silk Cabinet Fire Can Flaming Book Freaky Body Illusions – Trick Fright Spike Free Will trick Corbuzier/Elmwood Grifters Coin Hand of Caliph Hole In One Illusion money box (With monitary notes) – Trick Jumping Stool Leap by Agus Tjiu – Trick Liberty Vanish by Masuda – Trick Linking Rope Little Bunnys Card Trick Goldman Lost Souls Chop Cup (Large) by Mike Busby – Trick Lota Bowl AL (Large) by Mr. Magic – Trick Magma (Gimmick and Online Instructions) by Kyle Marlett – Trick Magnetic Airborne Marshall Brodien TV Magic Set by Marshall Brodien Mental Epic Large Mental Pen by João Miranda Metamorphtrix (with DVD) by Fantasma – Trick Miracle Rope by Bill Neff Mirror Box Plastic (folding) by Mr.