Reception, Gifts, and Desire in Augustine's Confesssions
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L'opera Italiana Nei Territori Boemi Durante Il
L’OPERA ITALIANA NEI TERRITORI BOEMI DURANTE IL SETTECENTO V. 1-18_Vstupy.indd 2 25.8.20 12:46 Demofoonte come soggetto per il dramma per musica: Johann Adolf Hasse ed altri compositori del Settecento a cura di Milada Jonášová e Tomislav Volek ACADEMIA Praga 2020 1-18_Vstupy.indd 3 25.8.20 12:46 Il libro è stato sostenuto con un finanziamento dell’Accademia delle Scienze della Repubblica Ceca. Il convegno «Demofoonte come soggetto per il dramma per musica: Johann Adolf Hasse ed altri compositori del Settecento» è stato sostenuto dall’Istituto della Storia dell’Arte dell’Accademia delle Scienze della Repubblica Ceca con un finanziamento nell’ambito del programma «Collaborazione tra le Regioni e gli Istituti dell’Accademia delle Scienze della Repubblica Ceca » per l’anno 2019. Altra importante donazione ha ricevuto l’Istituto della Storia dell’Arte dell’Accademia delle Scienze della Repubblica Ceca da Johann Adolf Hasse-Gesellschaft a Bergedorf e.V. Prossimo volume della collana: L’opera italiana – tra l’originale e il pasticcio In copertina: Pietro Metastasio, Il Demofoonte, atto II, scena 9 „Vieni, mia vita, vieni, sei salva“, Herissant, vol. 1, Paris 1780. In antiporta: Il Demofoonte, atto II, scena 5 „Il ferro, il fuoco“, in: Opere di Pietro Metastasio, Pietro Antonio Novelli (disegnatore), Pellegrino De Col (incisore), vol. 4, Venezia: Antonio Zatta, 1781. Recensori: Prof. Dr. Lorenzo Bianconi Prof. Dr. Jürgen Maehder Traduzione della prefazione: Kamila Hálová Traduzione dei saggi di Tomislav Volek e di Milada Jonášová: Ivan Dramlitsch -
Augustine and the Art of Ruling in the Carolingian Imperial Period
Augustine and the Art of Ruling in the Carolingian Imperial Period This volume is an investigation of how Augustine was received in the Carolingian period, and the elements of his thought which had an impact on Carolingian ideas of ‘state’, rulership and ethics. It focuses on Alcuin of York and Hincmar of Rheims, authors and political advisers to Charlemagne and to Charles the Bald, respectively. It examines how they used Augustinian political thought and ethics, as manifested in the De civitate Dei, to give more weight to their advice. A comparative approach sheds light on the differences between Charlemagne’s reign and that of his grandson. It scrutinizes Alcuin’s and Hincmar’s discussions of empire, rulership and the moral conduct of political agents during which both drew on the De civitate Dei, although each came away with a different understanding. By means of a philological–historical approach, the book offers a deeper reading and treats the Latin texts as political discourses defined by content and language. Sophia Moesch is currently an SNSF-funded postdoctoral fellow at the University of Oxford, working on a project entitled ‘Developing Principles of Good Govern- ance: Latin and Greek Political Advice during the Carolingian and Macedonian Reforms’. She completed her PhD in History at King’s College London. Augustine and the Art of Ruling in the Carolingian Imperial Period Political Discourse in Alcuin of York and Hincmar of Rheims Sophia Moesch First published 2020 by Routledge 2 Park Square, Milton Park, Abingdon, Oxon OX14 4RN and by Routledge 52 Vanderbilt Avenue, New York, NY 10017 Routledge is an imprint of the Taylor & Francis Group, an informa business Published with the support of the Swiss National Science Foundation. -
Rhetorical Concepts and Mozart: Elements of Classical Oratory in His Drammi Per Musica
Rhetorical Concepts and Mozart: elements of Classical Oratory in his drammi per musica A thesis submitted to the University of Newcastle in fulfilment of the requirements for the degree of Master of Philosophy Heath A. W. Landers, BMus (Hons) School of Creative Arts The University of Newcastle May 2015 The thesis contains no material which has been accepted for the award of any other degree or diploma in any university or other tertiary institution and, to the best of my knowledge and belief, contains no material previously published or written by another person, except where due reference has been made in the text. I give consent to the final version of my thesis being made available worldwide when deposited in the University’s Digital Repository, subject to the provisions of the Copyright Act 1968. Candidate signature: Date: 06/05/2015 In Memory of My Father, Wayne Clive Landers (1944-2013) Requiem aeternam dona ei, Domine: et lux perpetua luceat ei. Acknowledgments Foremost, my sincerest thanks go to Associate Professor Rosalind Halton of the University Of Newcastle Conservatorium Of Music for her support and encouragement of my postgraduate studies over the past four years. I especially thank her for her support of my research, for her advice, for answering my numerous questions and resolving problems that I encountered along the way. I would also like to thank my co-supervisor Conjoint Professor Michael Ewans of the University of Newcastle for his input into the development of this thesis and his abundant knowledge of the subject matter. My most sincere and grateful thanks go to Matthew Hopcroft for his tireless work in preparing the musical examples and finalising the layout of this dissertation. -
Trojan Women: Introduction
Trojan Women: Introduction 1. Gods in the Trojan Women Two gods take the stage in the prologue to Trojan Women. Are these gods real or abstract? In the prologue, with its monologue by Poseidon followed by a dialogue between the master of the sea and Athena, we see them as real, as actors (perhaps statelier than us, and accoutered with their traditional props, a trident for the sea god, a helmet for Zeus’ daughter). They are otherwise quite ordinary people with their loves and hates and with their infernal flexibility whether moral or emotional. They keep their emotional side removed from humans, distance which will soon become physical. Poseidon cannot stay in Troy, because the citizens don’t worship him any longer. He may feel sadness or regret, but not mourning for the people who once worshiped but now are dead or soon to be dispersed. He is not present for the destruction of the towers that signal his final absence and the diaspora of his Phrygians. He takes pride in the building of the walls, perfected by the use of mason’s rules. After the divine departures, the play proceeds to the inanition of his and Apollo’s labor, with one more use for the towers before they are wiped from the face of the earth. Nothing will be left. It is true, as Hecuba claims, her last vestige of pride, the name of Troy remains, but the place wandered about throughout antiquity and into the modern age. At the end of his monologue Poseidon can still say farewell to the towers. -
Two Operatic Seasons of Brothers Mingotti in Ljubljana
Prejeto / received: 30. 11. 2012. Odobreno / accepted: 19. 12. 2012. tWo OPERATIC SEASONS oF BROTHERS MINGOTTI IN LJUBLJANA METODA KOKOLE Znanstvenoraziskovalni center SAZU, Ljubljana Izvleček: Brata Angelo in Pietro Mingotti, ki sta Abstract: The brothers Angelo and Pietro med 1736 in 1746 imela stalno gledališko posto- Mingotti between 1736 and 1746 based in Graz janko v Gradcu, sta v tem času priredila tudi dve organised during this period also two operatic operni sezoni v Ljubljani, in sicer v letih 1740 seasons in Ljubljana, one in 1740 and the other in 1742. Dve resni operi (Artaserse in Rosmira) in 1742. Two serious operas (Artaserse and s komičnimi intermezzi (Pimpinone e Vespetta) Rosmira) with comic intermezzi (Pimpinone e je leta 1740 pripravil Angelo Mingotti, dve leti Vespetta) were produced in 1740 by Angelo Min- zatem, tik pred svojim odhodom iz Gradca na gotti. Two years later, just before leaving Graz sever, pa je Pietro Mingotti priredil nadaljnji for the engagements in the North, Pietro Mingotti dve resni operi, in sicer Didone abbandonata in brought another two operas to Ljubljana, Didone Il Demetrio. Prvo je nato leta 1744 priredil tudi v abbandonata and Il Demetrio. The former was Hamburgu, kjer je pelo nekaj že znanih pevcev, ki performed also in 1744 in Hamburg with some so izvajali iz starejše partiture, morda tiste, ki jo of the same singers who apparently used mostly je impresarij preizkusil že v Gradcu in Ljubljani. an earlier score, possibly first checked out in Primerjalna analiza ljubljanskih predstav vseka- Graz and Ljubljana. The comparative analysis kor potrjuje dejstvo, da so bile te opera pretežno of productions in Ljubljana confirms that these lepljenke, čeprav Pietrova Didone abbandonata operas were mostly pasticcios. -
International Review for the History of Religions
INTERNATIONAL REVIEW FOR THE HISTORY OF RELIGIONS EDITED ON BEHALF OF THE INTERNATIONAL ASSOCIATION FOR THE HISTORY OF RELIGIONS by M. HEERMA VAN VOSS, E. J. SHARPE, R. J. Z. WERBLOWSKY VOLUME XXVIII F:'b r- t--w LEIDEN E. J. BRILL 1981 CONTENTS Articles JOHNC. HOLT, Assisting the Dead by Venerating the Living. 1 ALAN MILLAR and JOHN K. RICHES, Interpretation: a theore- tical perspective and some applications ......................... 29 G. R. H. WRIGHT, Dumuzi at the court of David ............... 54 A. T. KRAABEL, The Disappearance of the "God-fearers" .... 113 LUTHER H. MARTIN, Josephus' Use of Heimarmene in the Jewish AntiquitiesXIII, 171-3 .................................... 127 JORUNN JACOBSEN BUCKLEY, The Mandaean Tabahata Masiqta ......... ......... ....................... ...... 138 I. FRIEDRICHSILBER, Dissent through holiness: the case of the radical renouncer in Theravada Buddhist countries.......... 164 RICCARDO M. FRACASSO, Manifestazioni del simbolismo assiale nelle tradizioni cinesi antiche ............................ 194 R. S. NEWMAN,Faith is All! Emotion and Devotion in a Goan Sect ............................................................ 216 Review articles WOLF B. OERTER, Zur Bildersprache des Manichaiismus ...... 64 VITALY A. RUBIN, Values of Confucianism ....................... 72 R. J. Z. WERBLOWSKY,Collected essays........................... 81 R. J. Z. WERBLOWSKY,Polemics .................................... 86 Book reviews Julian Apostata, hrsg. von Richard Klein (G. W. BOWERSOCK) 88 Yuyama, Akira, SystematischeUbersicht -
Senecan Tragedy and Virgil's Aeneid: Repetition and Reversal
City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 10-2014 Senecan Tragedy and Virgil's Aeneid: Repetition and Reversal Timothy Hanford Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/427 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] SENECAN TRAGEDY AND VIRGIL’S AENEID: REPETITION AND REVERSAL by TIMOTHY HANFORD A dissertation submitted to the Graduate Faculty in Classics in partial fulfillment of the requirements for the degree of Doctor of Philosophy, The City University of New York 2014 ©2014 TIMOTHY HANFORD All Rights Reserved ii This dissertation has been read and accepted by the Graduate Faculty in Classics in satisfaction of the dissertation requirement for the degree of Doctor of Philosophy. Ronnie Ancona ________________ _______________________________ Date Chair of Examining Committee Dee L. Clayman ________________ _______________________________ Date Executive Officer James Ker Joel Lidov Craig Williams Supervisory Committee THE CITY UNIVERSITY OF NEW YORK iii Abstract SENECAN TRAGEDY AND VIRGIL’S AENEID: REPETITION AND REVERSAL by Timothy Hanford Advisor: Professor Ronnie Ancona This dissertation explores the relationship between Senecan tragedy and Virgil’s Aeneid, both on close linguistic as well as larger thematic levels. Senecan tragic characters and choruses often echo the language of Virgil’s epic in provocative ways; these constitute a contrastive reworking of the original Virgilian contents and context, one that has not to date been fully considered by scholars. -
The Complexity of Roman Suicide Carmine Anthony Ruff
University of Richmond UR Scholarship Repository Master's Theses Student Research 1974 The complexity of Roman suicide Carmine Anthony Ruff Follow this and additional works at: http://scholarship.richmond.edu/masters-theses Part of the Classics Commons Recommended Citation Ruff, Carmine Anthony, "The ompc lexity of Roman suicide" (1974). Master's Theses. Paper 937. This Thesis is brought to you for free and open access by the Student Research at UR Scholarship Repository. It has been accepted for inclusion in Master's Theses by an authorized administrator of UR Scholarship Repository. For more information, please contact [email protected]. THE COMPLEXITY OF ROMAN SUICIDE BY CARMINE ANTHONY RUFFA A THESIS SUBMITTED TO THE GRADUATE FACULTY OF THE UNIVERSITY OF RICHMOND IN CANDIDACY FOR THE DEGREE OF MASTER OF ARTS IN CLASSICAL STUDIES MAY 1974 APPROVAL SHEET ii TABLE OF CONTENTS PREFACE • . • • . .iv Chapter I. INTRODUCTION . • . • • • • . • • • • • . • 1 II. ANCIENT SUICIDE: A PROBLEM OF SEMANTICS. • • • • • • • • • • • • 5 Latin Citations to Suicide The Absence of A Standard Word Or Phrase III. PHILOSOPHIC SUICIDE . • .11 The Attitude of the Latin Philosophers Toward Suicide The Divergent Views of the Stoic Philosophers The Effect of Cato's Suicide on Stoicism IV. THE TREATMENT OF LUCRETIA'S SUICIDE BY LIVY AND AUGUSTINE • • • • • • • • • • • • • • • • • • • • 4 4 Section I: Livy's Lucretia Section II: Augustine's Denunciation of Lucretia v. SUICIDE IN THE AENEID • • • • • • . .61 Vergii's Development of Dido's Suicidal Personality The Condemnation of Suicides in the Underworld Amata's Suicide CONCLUSION. .80 APPENDIX I • • • • • • • • • • • • • • • • • • • • •• 83 APPENDIX II • . .86 BIBLIOGRAPHY . .91 VITA . .99 iii ACKNOWLEDGEMENTS The author would like to acknowledge two people who have influenced and inspired his academic and professional life. -
Representing Roman Female Suicide. Phd Thesis
GUILT, REDEMPTION AND RECEPTION: REPRESENTING ROMAN FEMALE SUICIDE ELEANOR RUTH GLENDINNING, BA (Hons) MA Thesis submitted to the University of Nottingham for the degree of Doctor of Philosophy DECEMBER 2011 Abstract This thesis examines representations of Roman female suicide in a variety of genres and periods from the history and poetry of the Augustan age (especially Livy, Ovid, Horace, Propertius and Vergil), through the drama and history of the early Principate (particularly Seneca and Tacitus), to some of the Church fathers (Tertullian, Jerome and Augustine) and martyr acts of Late Antiquity. The thesis explores how the highly ambiguous and provocative act of female suicide was developed, adapted and reformulated in historical, poetic, dramatic and political narratives. The writers of antiquity continually appropriated this controversial motif in order to comment on and evoke debates about issues relating to the moral, social and political concerns of their day: the ethics of a voluntary death, attitudes towards female sexuality, the uses and abuses of power, and traditionally expected female behaviour. In different literary contexts, and in different periods of Roman history, writers and thinkers engaged in this same intellectual exercise by utilising the suicidal female figure in their works. ii Acknowledgments I would like to thank the Arts and Humanities Research Council for providing the financial assistance necessary for me to carry out this research. The Roman Society also awarded a bursary that allowed me to undertake research at the Fondation Hardt pour I'etude de I'antiquite classique, in Geneva, Switzerland (June 2009). I am also grateful for the CAS Gender Histories bursary award which aided me while making revisions to the original thesis. -
Competing As Lawyers
Hear students’ thoughts Forget candy, flowers. Sideravages run Disney: about how Feb. 14 What ideal gifts would 48 miles in four days. should be celebrated. you give loved ones? Sound crazy? It’s true! Read page 3. Read pages 6, 7. Read page 8. February 2018 Kennedy High School 422 Highland Avenue The Waterbury, Conn. 06708 Eagle Flyer Volume XIII, Issue V Competing Legal Eagles: Kennedy’s Mock Trial team as lawyers By Jenilyn Djan Staff Writer Win or lose...they still prevailed. Students are already contemplat- ing the 2018 season after competing at the Waterbury Courthouse Thurs- day Dec. 7, 2017 for the Mock Trial Regional competition, where students practiced a semi-altered case mimick- ing an actual trial about whether a man was guilty for the deaths of four fam- ily members aboard his ship. Students won their defense while the prosecu- tion side lost. “It was a good season, even though I was just an alternate. I was able to learn a lot this year,” Melany Junco, a sophomore. Students have been practicing since August 29, 2017 once a week every Monday for this competition, and have even done a few Saturday and addi- LEGAL EAGLES tional practice sessions to be more pre- The defense side of the team won vance to the next round next season. Kennedy’s Mock Trial team competed at the Waterbury Court Thursday, Dec. 7, 2017. They won one case and lost another. Members are, their case, but the prosecution lost. “Our team worked really hard this pared. front row, left to right: sophomores Nadia Evon, Melany Junco, juniors Risper “Even though we lost at the com- “Even though we lost, I thought our year and next year we’ll work even Githinji, Jenilyn Obuobi-Djan, Derya Demirel, Marin Delaney, Kaitlyn Giron, and petition, the students did great,” said prosecution did great,” said Kariny harder to advance,” said William sophomore Samarah Brunette. -
Tages Against Jesus: Etruscan Religion in Late Roman Empire Dominique Briquel
Etruscan Studies Journal of the Etruscan Foundation Volume 10 Article 12 2007 Tages Against Jesus: Etruscan Religion in Late Roman Empire Dominique Briquel Follow this and additional works at: https://scholarworks.umass.edu/etruscan_studies Recommended Citation Briquel, Dominique (2007) "Tages Against Jesus: Etruscan Religion in Late Roman Empire," Etruscan Studies: Vol. 10 , Article 12. Available at: https://scholarworks.umass.edu/etruscan_studies/vol10/iss1/12 This Article is brought to you for free and open access by ScholarWorks@UMass Amherst. It has been accepted for inclusion in Etruscan Studies by an authorized editor of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. Tages Against Jesus: Etruscan Religion in Late Roman Empire by Dominique Briquel t may seem strange to associate in this way two entities which, at first gLance, wouLd seem to have nothing in common. The civiLization of the Etruscans, which fLourished Iin ItaLy during the 1st miLLennium BC, was extinguished before the birth of Christianity, by which time Etruria had aLready been absorbed into the Larger Roman worLd in a process caLLed “Romanization.” 1 This process seems to have obLiterated the most characteristic traits of this autonomous cuLture of ancient Tuscany, a cuLture which may have been Kin to that of the Romans, but was not identicaL to it. As for Language, we can suppose that Etruscan, which is not Indo-European in origin and is therefore pro - foundLy different not onLy to Latin but to aLL other ItaLic diaLects, feLL out of use compLeteLy during the period of Augustus. One cannot, however, cLaim that aLL traces of ancient Etruria had disappeared by then. -
Diocesan Bishop's Office
Journal of Proceedings 2013 Annual Convention Section 1: 2013 Convention Minutes Section 3: Reports to the 103rd Annual Convention Clergy & Staff Transitions (A.6) 25 2013 Convention Minutes 2-14 Final Agenda (A.11) 26-27 Nominations Committee report (B.3) 28-34 Action Items Candidates for Deputy to General Convention (B.4) 35-40 2014 Diocesan Operating Budget 6 Resolutions Committee (D.3) 41-49 Constitution and Canons 7-8 Courtesy Resolutions (D.4) 50-52 Committee on Constitution and Canons (E.1) 53-56 Ballot Reports Convention Committees (E.2) 57 Report of the First Ballot 4 Personnel Commission (E.3) 58-59 Report of the Second Ballot 6 Standing Committee (E.4) 60 Report of the Third Ballot 9 Board of Directors (E.5) 61-64 Report of the Fourth Ballot 13 Diocesan Council (E.6) 65-67 Commission on Ministry (E.7) 68 Resolutions 10-13 Report on 2012 Resolution #4(E.8) 69-70 Courtesy Resolutions 10-11 Committee on Privilege (E.9) 71-72 Resolution #1—2015 Diocesan assessment rate 10 Archives 73-74 Resolution #2—Cost of Living adjustment for 2014 10 Resolution #3—Supply clergy 10 Section 4: Leadership Lists Resolution #4—Call for prayers for the people and Congregations in the Diocese of Olympia 75 church in El Salvador during a challenging Officers of the Convention 76 transition time 4 Standing Committee 76 Resolution #5—Divestment from Fossil Fuels 11-12 Board of Directors 76 Resolution #6—Amend Canon 7:The Fund Bishop’s Office Staff 76 of the Diocese 12-13 Diocesan Council 77 Diocesan Canonically Resident Clergy (A.5) 78-80 Awards / Appointments