DOCSLIB.ORG

OBSCENE CATALOGUE / Last Update > 16.11.2005

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
OBSCENE CATALOGUE / Last Update > 16.11.2005 OBSCENE CATALOGUE / last update > 16.11.2005 !!!READ THIS BEFORE ORDERING!!! PRICES >>> All prices are stated in MYR for orders from Malaysia and USD $. If you want to pay with your currency, please write to us at [email protected] for the price currency exchange. Or if you can change your money to our currency at your area, and send to us, that could be better!!! PAYMENT METHODS >>> Only payment in advance by International Money Order (I.M.O payable to Khoo Kiang Hooi @ Kia, P.O Box 7126, 40 704 Shah Alam, Selangor, MALAYSIA) or well hidden cash (no coins!!!) in registered letters!!! No coins, no cheques, no credit cards please!!! SHIPPING METHODS AND POST FREE >>> We send all orders by priority mail, it’s a worldwide service given by the postal service. It’s obviously the cheapest way to ship your order and it proved to be a quite fast one: 2-3 days in Malaysia and 3-5 days for the rest of Asia. Prices including shipping everywhere!!! Airmail and registered mail is included in each price of this mail order!!! PRE-PURCHASE INFO & CUSTOMER ASSISTANCE >>> If you need assistance or more information write to [email protected] ITEMS AVAILABILITY >>> Do you want to be to get stuff you want only??? Ask us at [email protected] for availability of titles that you want to order and also for size of merchandise. Reserve your order and send money, we’ll send your order in 2-3 days when we’ll we receive your money!!! ADDITIONAL INFORMATION >>> 1. Items are only available in the format which has a price listed! 2. Sorry, but we do not accept exchanges! We will not accept returns because you did not like what you ordered. 3. Make sure that you accept only undamaged parcels from the post officer, or in doubt open it in the presence of a post office official. 4. We do no accept responsibility for damaged or lost packages. We send all orders by airmail and registered so we do maximum for protection of your packs. 5. Delivery time varies depending on where you live. We will send your order 1/2/3 days after receiving your money. 6. Remember : *All Prices Include Post + Packing*. Post is included in price of each item in mailorder!!! E-NEWS >>> Send your e-mail to [email protected] and you'll be informed about news in Obscene market each month. PRICELIST >>> OBSCENE EXTREME double DVD's = Malaysia - MYR$ 70.00 ppd (ringgit) Singapore - SGD$ 35.00 ppd (dollar) Thailand - THB$ 800.00 ppd (baht) Indonesia - IDR$ 199,000.00 ppd (rupees) Philippines - PHP$ 1100.00 ppd (pesos) Mini CD = Malaysia - MYR$ 22.00 ppd Singapore - SGD$ 11.00 ppd Thailand - THB$ 240.00 ppd Indonesia - IDR$ 59,000.00 ppd Philippines - PHP$ 320.00 ppd CD = Malaysia - MYR$ 25 (ringgit) Singapore - SIN$ 15 (dollar) Thailand - THB$ 300 (baht) Indonesia - IDR$ 70,000 (rupees) Philippines - PHP$ 400 (pesos) Obscene Extreme compilation CD = Malaysia - MYR$ 15 (malaysia) Singapore - SGD$ 8 (dollar) Thailand - THB$ 200 (baht) Indonesia - IDR$ 48,000 (rupees) Philippines - PHP$ 260 (pesos) *All Prices Include Post + Packing* People from other countries of Asia write directly to Kia for info about price in usd$ or your own currency!!! OBSCENE RELEASES - remember : *All Prices Include Post + Packing* and taste our music here!!! OBP 068 FLESHLESS "Kill For Skin" CD - available in december 2005!!! FLESHLESS are back and ready to kill on new album!!! Technical, progressive brutality, more intense, more complex and more brutal!!! OBP 067 OBSCENE EXTREME 2005 CD Classical extreme compilation with unreleased songs of BLOOD DUSTER, HAEMORRHAGE, YACOEPSAE, REGURGITATE, LOOKING FOR AN ANSWER, HOLOCAUSTO CANIBAL and the best songs of AVULSED, ISACAARUM, INGROWING, SCREAMIN' DAEMON, STOMA, DEAD, KRONOS, INFERIA, EXHALE, CAEDERE, NEEDFUL THINGS and many others!!! OBP 066 OBSCENE EXTREME 2004 double DVD Obscene and extreme, two words that can describe this fest!!! 2 DVD discs full of power, energy and unforgettable live shows of GENERAL SURGERY, EXTREME NOISE TERROR, GRONIBARD, BRODEQUIN, UNCURBED, BUTCHER ABC, ROMPEPROP, LE SCRAWL, GRIDE, SQUASH BOWELS, BLOOD, BIRDFLESH, WASTEFORM, FLESHLESS, SCREAMING AFTERBIRTH, NATRON and many more!!! More cameras and surely closer to your favourite bands!!! Many extras like piercing show of studio HELL.cz, interviews, highlights, stagediver's manual etc. etc. , almost 6 very extreme hours!!! 2 x DVD 9, System > PAL, Region > 0!!! OBP 065 ISACAARUM "Shibari Kata And Other Practices" CD ISACAARUM headquarters of all the most exalted but yet the most perverted human flairs bizarre forms - love and hate - has released new album - Shibari Kata and Other Practices, involving a dozen of tracks named really expressively, telling that these body fluids imbrued inquisitors of coital dark arts did no step aside - Pussy Off-Road,Clitblaster, Jizmasterpiss, Buttsuck, Cummageddon Final Cuntdown, Spermivore, Shit Paintress, Hermaphrodite Anal Express, Bukakke Bitchbombers, Homo Erected, Blowjob Time Pt.2 or Perineum Battlefield. Special bonus - video clip of "Shit Paintress" !!! OBP 064 CRIPPLE BASTARDS "Desperately Insensitive" CD - soon will be out under Obscene Asia flag!!! CRIPPLE BASTARDS are known throughout the grinding underground as “Italy’s Purest Manifestation of Hate” and one listen to any of their incendiary releases from any point in their almost-2 decade-long career bears this out beyond a shadow of a doubt. With the release of “Desperately Insensitive”, the band have truly coalesced their influences as well as their experience into a seamlessly ferocious, utterly overpowering experience. Showcasing their propensity for progressing the Grindcore medium while never slackening their attack, CRIPPLE BASTARDS have pushed themselves far beyond their own precedents. Unceasingly up-tempo, “Desperately Insensitive” processes post-hardcore, brutal Death Metal, fast-core, noise/math-core and of course, the essential ingredient of Grindcore through their own barbaric, trademark sound. Featuring elements of dissonance and angularity that would have sounded out of place on some of their previous recordings, “Desperately Insensitive” stands clearly above not only the band’s previous work, but above the work of the vast majority of their peers. Recorded by at Nadir Studios Tommy Talamanca of Italian Metal act SADIST, “Desperately Insensitive” is only made more powerful and aggressive by the clean and crisp sound. Each of the 19 tracks is in-your-face, rude, and undeniable. The savagely ferocious drums provoke the massive wall of spiteful guitars and vicious bass to dizzying heights and depths of extremity and Giulio the Bastard’s manic screams assault the listener from all directions, from frantic Japcore screams, to subsonic Death grunts and pissed-off Hardcore bursts. The power and vision of CRIPPLE BASTARDS is irrefutable. The band’s anti-politically-correct lyrics attack everyone, and especially the hypocrisy of the punk/HC scene, no holds barred, brutal spite, made even more vitriolic by GTB’s relentless vocal delivery. In short this album is delivers on all counts, with its stylistically sadistic artwork, caustic lyrics, and of course, its monolithic Grindcore attack. Obscene Productions is proud to provide you a special re-edition of this masterpiece including over half an hour of bonus material (their whole Obscene Extreme 2003 set with an incredibly tight and powerful sound, with no doubt the best CB live mix ever heard) and a completely new packaging FEATURING unreleased pics of the infamous granny torture snuff session that brought the bastards to a long trial in Italy. For any die-hard fan of this immortal Grind/Hate mafia commando... another essential classic. OBP 062 PHOBIA "Get Up And Kill" mini CD extra including video Brand new really killer mini CD "Get Up And Kill" with 17 songs of grinding madness and special bonus 29:56 min video file from their show at Showcase Theatre, Corona, CA - Jan '04!!! PHOBIA formed in 1990 by founder Shane Mclachlan, PHOBIA has been bleeding the ears with there murderious social political audio anarchism!!! Both CD's are out on October 25!!! This CD is not available for North America!!! OBP 061 PHOBIA "Grind Your Fucking Head In" mini CD Comeback of grind masters, 17 ultra fast grindcore tracks, 100% blistering core, IN CRUST WE GRIND!!! This CD is not available for North America!!! OBP 060 OBSCENE EXTREME 2004 CD Next chapter of brutal and extreme music with EXTREME NOISE TERROR, GENERAL SURGERY, BRODEQUIN, WASTEFORM, BUTCHER ABC, EMETH, ROMPEPROP, BLOOD, GRIDE, COMA, BIRDFLESH, EMBALMING THEATRE, UNCURBED, ABORTION, FLESHLESS etc.!!! Many unreleased songs!!! OBP 059 ABORTION "Gonna Be Worse" CD The second CD of these Slovakian nestors of grind and mince core was released under flag of OBSCENE productions!!! ABORTION give us a proof of everything out of limits is permitted. 23 unique and inexorable grind/mince core musical crimes will be commited on your ears. Time and location does not matter. Be a victim of ABORTION. Heavy caliber gauge, pointed between your eyes, it is just beginning. Gonna be worse then!!! OBP 058 OBSCENE EXTREME 2003 - THE DOUBLE DVD Absolutely unique footage of one of the most extraordinary festival of OBSCENE EXTREME, volume 2003, Trutnov, Czech. More than 3,5 hours of live perfomace of bands, which took the part on this extreme freaks meeting you can enjoy again with full power. Two DVD discs are ready to make your player exploding!!! With MACABRE, CRIPPLE BASTARDS, DEAD INFECTION, CENTINEX, OBSCENITY, DESECRATION, DENAK, ISACAARUM, INGROWING, FLESHLESS, N.C.C., INHUME, BILE, INTERNAL SUFFERING, AHUMADO GRANUJO,
Load more

Recommended publications
  • Grindcore.Pdf
    Obsah: 1. Úvod..........................................................................................................................2 1.1 Ideová východiska práce.............................................................................2 1.2 Stav bádání, primární a sekundární literatura.............................................3 1.3 Definice grindcore, důležité pojmy.............................................................3 1.4 Členění práce a metodologie.......................................................................6 1.5 Cíl práce......................................................................................................8 2. Historický úvod – žánrová typologie........................................................................9 2.1 Počátky žánru a dva hlavní proudy grindcoru............................................9 2.2 Další vývoj grindcoru................................................................................13 3. Grindcore – hledání extrémního hudebního projevu ….........................................17 3.1 Transformace zpěvu..................................................................................17 3.2 Vývoj rytmu, rytmické sekce....................................................................19 3.3 Vývoj hry na kytaru a baskytaru …..........................................................20 3.4 Vývoj formy a mikrostruktury..................................................................20 3.5 Goregrindové intro....................................................................................22
    [Show full text]
  • Earogenous Zones
    234 Index Index Note: Film/DVD titles are in italics; album titles are italic, with ‘album’ in parentheses; song titles are in quotation marks; book titles are italic; musical works are either in italics or quotation marks, with composer’s name in parentheses. A Rebours (Huysmans) 61 Asimov, Isaac 130 Abducted by the Daleks/Daloids 135 Assault on Precinct 13 228 Abe, Sada 91–101 Astaire, Fred 131 Abrams, J. 174 Astley, Edwin 104 Abu Ghraib 225, 233 ‘Astronomy Domine’ 81, 82 acousmêtre 6 Atkins, Michael 222 Acre, Billy White, see White Acre, Billy Augoyard, J.-F. 10 Adamson, Al 116 Aury, Dominique (aka Pauline Reage) 86 affect 2, 67, 76 Austin, Billy 215 African music 58 Austin Powers movies 46 Age of Innocence, The 64 Australian Classification Board 170 Ai no borei (‘Empire of Passion’) 100–1 Avon Science Fiction Reader (magazine) 104 Ai no korida (In the Realm of the Senses) 1, 4, Avon Theater, New York 78 7, 89–101 Aihara, Kyoko 100 ‘Baby Did A Bad Bad Thing’ 181–2 Algar, James 20 Bacchus, John 120, 128, 137 Alice in Wonderland (Lewis Carroll) 5, 70, 71, Bach, Johann Sebastian 62 74, 76, 84, 116 Bachelet, Pierre 68, 71, 72, 74 Alien 102 Bacon, Francis 54 Alien Probe 129 Bailey, Fenton 122, 136 Alien Probe II 129 Baker, Jack 143, 150 Alpha Blue 117–19, 120 Baker, Rick 114 Also sprach Zarathustra (Richard Strauss) 46, 112, Ballard, Hank, and the Midnighters 164 113 Band, Charles 126 Altman, Rick 2, 9, 194, 199 Bangs, Lester 141 Amateur Porn Star Killer 231 banjo 47 Amazing Stories (magazine) 103, 104 Barbano, Nicolas 35, 36 Amelie 86 Barbarella 5, 107–11, 113, 115, 119, 120, American National Parent/Teacher Association 147 122, 127, 134, 135, 136 Ampeauty (album) 233 Barbato, Randy 122, 136 Anal Cunt 219 Barbieri, Gato 54, 55, 57 … And God Created Woman, see Et Dieu créa Bardot, Brigitte 68, 107–8 la femme Barker, Raphael 204 Andersen, Gotha 32 Baron, Red 79 Anderson, Paul Thomas 153, 158 Barr, M.
    [Show full text]
  • Punk: Music, History, Sub/Culture Indicate If Seminar And/Or Writing II Course
    MUSIC HISTORY 13 PAGE 1 of 14 MUSIC HISTORY 13 General Education Course Information Sheet Please submit this sheet for each proposed course Department & Course Number Music History 13 Course Title Punk: Music, History, Sub/Culture Indicate if Seminar and/or Writing II course 1 Check the recommended GE foundation area(s) and subgroups(s) for this course Foundations of the Arts and Humanities • Literary and Cultural Analysis • Philosophic and Linguistic Analysis • Visual and Performance Arts Analysis and Practice x Foundations of Society and Culture • Historical Analysis • Social Analysis x Foundations of Scientific Inquiry • Physical Science With Laboratory or Demonstration Component must be 5 units (or more) • Life Science With Laboratory or Demonstration Component must be 5 units (or more) 2. Briefly describe the rationale for assignment to foundation area(s) and subgroup(s) chosen. This course falls into social analysis and visual and performance arts analysis and practice because it shows how punk, as a subculture, has influenced alternative economic practices, led to political mobilization, and challenged social norms. This course situates the activity of listening to punk music in its broader cultural ideologies, such as the DIY (do-it-yourself) ideal, which includes nontraditional musical pedagogy and composition, cooperatively owned performance venues, and underground distribution and circulation practices. Students learn to analyze punk subculture as an alternative social formation and how punk productions confront and are times co-opted by capitalistic logic and normative economic, political and social arrangements. 3. "List faculty member(s) who will serve as instructor (give academic rank): Jessica Schwartz, Assistant Professor Do you intend to use graduate student instructors (TAs) in this course? Yes x No If yes, please indicate the number of TAs 2 4.
    [Show full text]
  • From Crass to Thrash, to Squeakers: the Suspicious Turn to Metal in UK Punk and Hardcore Post ‘85
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by De Montfort University Open Research Archive From Crass to Thrash, to Squeakers: The Suspicious Turn to Metal in UK Punk and Hardcore Post ‘85. Otto Sompank I always loved the simplicity and visceral feel of all forms of punk. From the Pistols take on the New York Dolls rock, or the UK Subs aggressive punk take on rhythm and blues. The stark reality Crass and the anarchist-punk scene was informed with aspects of obscure seventies rock too, for example Pete Wright’s prog bass lines in places. Granted. Perhaps the most famous and intense link to rock and punk was Motorhead. While their early output and LP’s definitely had a clear nod to punk (Lemmy playing for the Damned), they appealed to most punks back then with their sheer aggression and intensity. It’s clear Motorhead and Black Sabbath influenced a lot of street-punk and the ferocious tones of Discharge and their Scandinavian counterparts such as Riistetyt, Kaaos and Anti Cimex. The early links were there but the influence of late 1970s early 80s NWOBM (New Wave of British Heavy Metal) and street punk, Discharge etc. in turn influenced Metallica, Anthrax and Exodus in the early eighties. Most of them can occasionally be seen sporting Discharge, Broken Bones and GBH shirts on their early record-sleeve pictures. Not only that, Newcastle band Venom were equally influential in the mix of new genre forms germinating in the early 1980s. One of the early examples of the incorporation of rock and metal into the UK punk scene came from Discharge.
    [Show full text]
  • Thematic Patterns in Millennial Heavy Metal: a Lyrical Analysis
    University of Central Florida STARS Electronic Theses and Dissertations, 2004-2019 2012 Thematic Patterns In Millennial Heavy Metal: A Lyrical Analysis Evan Chabot University of Central Florida Part of the Sociology Commons Find similar works at: https://stars.library.ucf.edu/etd University of Central Florida Libraries http://library.ucf.edu This Masters Thesis (Open Access) is brought to you for free and open access by STARS. It has been accepted for inclusion in Electronic Theses and Dissertations, 2004-2019 by an authorized administrator of STARS. For more information, please contact [email protected]. STARS Citation Chabot, Evan, "Thematic Patterns In Millennial Heavy Metal: A Lyrical Analysis" (2012). Electronic Theses and Dissertations, 2004-2019. 2277. https://stars.library.ucf.edu/etd/2277 THEMATIC PATTERNS IN MILLENNIAL HEAVY METAL: A LYRICAL ANALYSIS by EVAN CHABOT B.A. University of Florida, 2011 A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in the Department of Sociology in the College of Sciences at the University of Central Florida Orlando, Florida Fall Term 2012 ABSTRACT Research on heavy metal music has traditionally been framed by deviant characterizations, effects on audiences, and the validity of criticism. More recently, studies have neglected content analysis due to perceived homogeneity in themes, despite evidence that the modern genre is distinct from its past. As lyrical patterns are strong markers of genre, this study attempts to characterize heavy metal in the 21st century by analyzing lyrics for specific themes and perspectives. Citing evidence that the “Millennial” generation confers significant developments to popular culture, the contemporary genre is termed “Millennial heavy metal” throughout, and the study is framed accordingly.
    [Show full text]
  • Production Perspectives of Heavy Metal Record Producers
    This article has been accepted for publication in a revised form by Popular Music and end- users may view and download the material for private research and study only. Production Perspectives of Heavy Metal Record Producers Dr Niall Thomas University of Winchester Dr Andrew King University of Hull Abstract The study of the recorded artefact from a musicological perspective continues to unfold through contemporary research. Whilst an understanding of the scientific elements of recorded sound is well documented the exploration of the artistic nature of this endeavour from a production viewpoint is still developing. This study presents an understanding of the phenomenological aspects of Heavy Metal music from the perspective of seven renowned producers working within this genre. Through a series of interviews and subsequent in-depth analysis particular sonic qualities are identified as key within the production of this work: impact; energy; precision; and extremity. A framework is then put forward for understanding sonic elements of recorded Heavy Metal Music. Keywords: recording; Heavy Metal; production; producers; phenomenology Introduction The twenty-first century provides a rich source of creative opportunity through digital technology for practicing musicians to record music. The affordances of the digital revolution have subsequently changed the opportunities for those involved in the creation of such works. Technology enables those who could be described as amateur music makers the opportunity to record music with relative ease. The democratisation of technology has meant that mobile devices can become pocket sized recording studios (Leyshon, 2009), whilst affordable solutions and emulations of previously prohibitively expensive computing and recording technology are readily available via the Internet.
    [Show full text]
  • Dour Festival
    DOUR FESTIVAL GRASPOP / LES ARDENTES / VOX FEMINA MAGAZINE MUSICAL GRATUIT / ILLICO! 3 JUIN 2015 BREF! 4 CONCERTS & FESTIVALS 6 DOUR FESTIVAL 6 VOX FEMINA 10 ZIKOL 12 Y’A PAS L’FEU 14 DOUR FESTIVAL 6 LE FORUM FAIT SON FESTIVAL 15 FAITES DE LA CHANSON 16 GRASPOP FESTIVAL 18 MORIARTY 19 AIRE A LA FETE 20 EARTH WIND & FIRE 21 LES ARDENTES 22 THE HUMAN PLACE 23 MAIN SQUARE 24 WILD / ROCK EN STOCK 25 LENA DELUXE 26 FEAR FACTORY 27 CACTUS FESTIVAL 28 SJOCK 29 LES NUITS SECRETES 30 VOX FEMINA 10 REGGÆ GEEL 31 DRANOUTER 32 ALCATRAZ METAL 34 ESPERANZAH 35 FALL OF MESSIAH 36 LES ECLECTIQUES 37 IEPERFEST 38 GOHELLE FEST 40 RAISMESFEST 41 RETOUR EN PHOTOS 42 CD D’ICI 44 AGENDA 46 INDEX DES SALLES 61 FALL OF MESSIAH 36 Édité par MANICRAC SECRÉTAIRE DE RÉDACTION REDACTEURS Association loi 1901 Bertrand LANCIAUX Nico BIBS, Benjamin BUISINE, Guillaume Dépôt légal : à parution MISE EN PAGE CANTALOUP, Colonel CHABERT, Patrick Samuel SYLARD DALLONGEVILLE, Camille DEMARLE, SIEGE SOCIAL Maryse LALOUX, Bertrand LANCIAUX, 6 rue Wulverick 59160 LOMME PUBLICITÉ Steff LE CHIEN, Raphaël LOUVIAU, Sébas- Samuel SYLARD tien NOWICKI, Olivier PARENTY, Emma- DIRECTEUR DE LA PUBLICATION Tel : 06 62 71 47 38 nuel QUEVA, Romain RICHEZ, SCHNAPS, Samuel SYLARD [email protected] Mathy, Grégory SMETS, Sylvain STRI- [email protected] CANNE, Nicolas SWIERCZEK. IMPRIMERIE CORELIO, Bruxelles (B) RÉDACTION Photo couverture DOUR © Kmeron TEL : 06 62 71 47 38 DIFFUSION C*RED. Tirage : 20 000 exemplaires. [email protected] RÉDACTEUR EN CHEF Merci à Cyr et Benoit ainsi qu’à tous nos Prochain numéro Samedi 13 juin 2015 Charles KRO diffuseurs pour la diffusion en région.
    [Show full text]
  • Brand New Cd & Dvd Releases 2006 6,400 Titles
    BRAND NEW CD & DVD RELEASES 2006 6,400 TITLES COB RECORDS, PORTHMADOG, GWYNEDD,WALES, U.K. LL49 9NA Tel. 01766 512170: Fax. 01766 513185: www. cobrecords.com // e-mail [email protected] CDs, DVDs Supplied World-Wide At Discount Prices – Exports Tax Free SYMBOLS USED - IMP = Imports. r/m = remastered. + = extra tracks. D/Dble = Double CD. *** = previously listed at a higher price, now reduced Please read this listing in conjunction with our “ CDs AT SPECIAL PRICES” feature as some of the more mainstream titles may be available at cheaper prices in that listing. Please note that all items listed on this 2006 6,400 titles listing are all of U.K. manufacture (apart from Imports which are denoted IM or IMP). Titles listed on our list of SPECIALS are a mix of U.K. and E.C. manufactured product. We will supply you with whichever item for the price/country of manufacture you choose to order. ************************************************************************************************************* (We Thank You For Using Stock Numbers Quoted On Left) 337 AFTER HOURS/G.DULLI ballads for little hyenas X5 11.60 239 ANATA conductor’s departure B5 12.00 327 AFTER THE FIRE a t f 2 B4 11.50 232 ANATHEMA a fine day to exit B4 11.50 ST Price Price 304 AG get dirty radio B5 12.00 272 ANDERSON, IAN collection Double X1 13.70 NO Code £. 215 AGAINST ALL AUTHOR restoration of chaos B5 12.00 347 ANDERSON, JON animatioin X2 12.80 92 ? & THE MYSTERIANS best of P8 8.30 305 AGALAH you already know B5 12.00 274 ANDERSON, JON tour of the universe DVD B7 13.00
    [Show full text]
  • Production Perspectives of Heavy Metal Record Producers Abstract
    Production Perspectives of Heavy Metal Record Producers Dr Niall Thomas University of Winchester – [email protected] Dr Andrew King University of Hull – [email protected] Abstract The study of the recorded artefact from a musicological perspective continues to unfold through contemporary research. Whilst an understanding of the scientific elements of recorded sound is well documented the exploration of the production and the artistic nature of this endeavour is still developing. This article explores phenomenological aspects of producing Heavy Metal music from the perspective of seven renowned producers working within the genre. Through a series of interviews and subsequent in-depth analysis particular sonic qualities are identified as key within the production of this work: impact; energy; precision; and extremity. A conceptual framework is then put forward for understanding the production methodology of recorded Heavy Metal Music, and, how developing technology has influenced the production of the genre. Keywords: recording; Heavy Metal; production; producers; phenomenology Introduction The affordances of digital technology have significantly changed the opportunities for practicing musicians to record music. Technology enables even amateur music makers the opportunity to record music with relative ease. The democratisation of technology has meant that mobile devices can become pocket sized recording studios (Leyshon, 2009), whilst affordable solutions and emulations of prohibitively expensive computing and recording technology are readily available via the Internet. The technology associated with certain aspects of music making is now more widespread and enables a new sense of creative musical freedom; music producers command a limitless array of technological choices. Despite the benefits of the ever-increasing rate of technological development, the recording industry is changing dramatically, and with it, the production perspectives of record producers.
    [Show full text]
  • 2017 MAJOR EURO Music Festival CALENDAR Sziget Festival / MTI Via AP Balazs Mohai
    2017 MAJOR EURO Music Festival CALENDAR Sziget Festival / MTI via AP Balazs Mohai Sziget Festival March 26-April 2 Horizon Festival Arinsal, Andorra Web www.horizonfestival.net Artists Floating Points, Motor City Drum Ensemble, Ben UFO, Oneman, Kink, Mala, AJ Tracey, Midland, Craig Charles, Romare, Mumdance, Yussef Kamaal, OM Unit, Riot Jazz, Icicle, Jasper James, Josey Rebelle, Dan Shake, Avalon Emerson, Rockwell, Channel One, Hybrid Minds, Jam Baxter, Technimatic, Cooly G, Courtesy, Eva Lazarus, Marc Pinol, DJ Fra, Guim Lebowski, Scott Garcia, OR:LA, EL-B, Moony, Wayward, Nick Nikolov, Jamie Rodigan, Bahia Haze, Emerald, Sammy B-Side, Etch, Visionobi, Kristy Harper, Joe Raygun, Itoa, Paul Roca, Sekev, Egres, Ghostchant, Boyson, Hampton, Jess Farley, G-Ha, Pixel82, Night Swimmers, Forbes, Charline, Scar Duggy, Mold Me With Joy, Eric Small, Christer Anderson, Carina Helen, Exswitch, Seamus, Bulu, Ikarus, Rodri Pan, Frnch, DB, Bigman Japan, Crawford, Dephex, 1Thirty, Denzel, Sticky Bandit, Kinno, Tenbagg, My Mate From College, Mr Miyagi, SLB Solden, Austria June 9-July 10 DJ Snare, Ambiont, DLR, Doc Scott, Bailey, Doree, Shifty, Dorian, Skore, March 27-April 2 Web www.electric-mountain-festival.com Jazz Fest Vienna Dossa & Locuzzed, Eksman, Emperor, Artists Nervo, Quintino, Michael Feiner, Full Metal Mountain EMX, Elize, Ernestor, Wastenoize, Etherwood, Askery, Rudy & Shany, AfroJack, Bassjackers, Vienna, Austria Hemagor, Austria F4TR4XX, Rapture,Fava, Fred V & Grafix, Ostblockschlampen, Rafitez Web www.jazzfest.wien Frederic Robinson,
    [Show full text]
  • Untitled" - Ah Tiens, on Cogne À La Porte ! - Non Non, C'est Dans Le Morceau
    éééééeDITO Dans de nombreux fanzines, il m’est arrivé de lire en début d’édito : « 1 an que je suis dessus à en chier… du coup les chroniques et interviews ne sont pas, fraîchement parlant, d’une actualité à toute épreuve… » etc. A défaut d’être original, ça fait bien 1 an que l’on a eu cette idée de créer un ’zine ! Yo. L’idée était de pondre un fanzine gratuit à 1000 exemplaires, consacré à la BD et à la scène punk, alternative, DIY… (comme tu veux tu dis). Il a donc fallu trouver un « financement » pour payer la gratuité, en refusant évidemment toutes formes de subventions ou autres sys- tèmes pourvus d’originalité, par respect des lecteurs et de nous-mêmes. Sans vouloir tomber dans le confort nihiliste, il existe suffisamment de modalités / morales / fonctionnements ou autres pressions quotidiennes sans réelles alternatives, ce qui n’est pas le cas en ce qui concerne la contre-culture* (*terme qu’il va falloir penser à rejeter, mais je n’en ai pas d’autre sous la main). Nous décidons alors d’organiser un concert de soutien le 9 décembre 2005, et proposons à 2 groupes du coin (Shedding Skin et Fuck Off Für And The Putrid Sound) qui acceptent d’y participer. L’info ayant circulé, 2 autres groupes attirés par le rougeâtre de table johan- nique… (Décombres et James Brown’s Hide Show), de Paris cette fois, se proposent. L’affiche est bookée et nous sommes contents de réunir ces groupes pour boire ce putain de rougeâtre ensemble.
    [Show full text]
  • Latin Derivatives Dictionary
    Dedication: 3/15/05 I dedicate this collection to my friends Orville and Evelyn Brynelson and my parents George and Marion Greenwald. I especially thank James Steckel, Barbara Zbikowski, Gustavo Betancourt, and Joshua Ellis, colleagues and computer experts extraordinaire, for their invaluable assistance. Kathy Hart, MUHS librarian, was most helpful in suggesting sources. I further thank Gaylan DuBose, Ed Long, Hugh Himwich, Susan Schearer, Gardy Warren, and Kaye Warren for their encouragement and advice. My former students and now Classics professors Daniel Curley and Anthony Hollingsworth also deserve mention for their advice, assistance, and friendship. My student Michael Kocorowski encouraged and provoked me into beginning this dictionary. Certamen players Michael Fleisch, James Ruel, Jeff Tudor, and Ryan Thom were inspirations. Sue Smith provided advice. James Radtke, James Beaudoin, Richard Hallberg, Sylvester Kreilein, and James Wilkinson assisted with words from modern foreign languages. Without the advice of these and many others this dictionary could not have been compiled. Lastly I thank all my colleagues and students at Marquette University High School who have made my teaching career a joy. Basic sources: American College Dictionary (ACD) American Heritage Dictionary of the English Language (AHD) Oxford Dictionary of English Etymology (ODEE) Oxford English Dictionary (OCD) Webster’s International Dictionary (eds. 2, 3) (W2, W3) Liddell and Scott (LS) Lewis and Short (LS) Oxford Latin Dictionary (OLD) Schaffer: Greek Derivative Dictionary, Latin Derivative Dictionary In addition many other sources were consulted; numerous etymology texts and readers were helpful. Zeno’s Word Frequency guide assisted in determining the relative importance of words. However, all judgments (and errors) are finally mine.
    [Show full text]