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Student Hospitalized with Meningitis More Than 80 People Seek Treatment at Student Health Services After Possible Exposure to Virus Saturday
Itt Section 2 In Sports An Associated Collegiate Press Five-Star All-American Newspaper Delaware 26 and a National Pacemaker Geared up for a Del. state 7 primus album This ain't football page 81 FREE FRIDAY Student hospitalized with meningitis More than 80 people seek treatment at Student Health Services after possible exposure to virus Saturday By Stacey Bernstein Wilmington Hospital and was throat discharges of an infected Delucia is Delaware's ninth quarters during the incubation Assistant Fratu~ Editor declared to be in intensive care as person during its incubation case of meningitis since the period. After complaining of chills, a of Wednesday night. Siebold said. period from one to 10 days, most beginning of 1993, as compared In addition, parties and other fever, a headache and a rash, a However, he said, Delucia is commonly being less than four, to two cases in 1992, Siebold social gatherings involved in university student was transferred continuing to improve each day. Siebold said. said. These cases are not related, close personal contact like sharing to Wilmington Hospital and Approximately 80 students, People who should be he said. of beverage glasses may also diagnosed with meningitis who were either at the 271 Towne concerned are those who have However, he said, it is spread the disease. Monday night, officials said. Court party or were in direct come in direct contact with the impossible to know exactly how Siebold said It is hard, Kevin Deluci'a (BE JR), who contact with Delucia, have infected individual, Siebold said. -
Descent V 1999
w< >l F=Fli >w , ^ >< c Q. (5 (/) >< Q Q 3 ifl 1 u -i — — n 3 "0 3 ^ ?r S (11 • ii ir-ji I- ^ .*> a - i J The ajna Offensive is pro 1 ^ I <4 ( present a series of aui interpretations of visual / Recently the realization set in with me about my current surroundings and lack of inspirational environs, and the difference between those and newly rediscovered potentials. the self-limitations one imposes. since leaving europe it has been this way it seems, in general, the fountain of vision/creativity has been tapped a bit by a _ and shallow production outlook... it became clearer recently what was ULTRA fistic and characteristic expression and what wasn't. unfortunately, over the "ABANDONED"/ THIS LACK OF CREATIVE INFLUXLUX HAS SPILLED OVER TO MY WORK WITH THIS MAGAZINE, IT .AND FORGOTTEN' T SEVERAL NOT SO IMPORTANT (UPONON REFLECTION) IDEAS AND ATTITUDESATTITU CLOUDED OVER 7" OF MY WORK HERE, LUCKILY TYLER HAS KEPT•'-'•- THE- '- FIRE BURNING - HEART OF HANK YOU SO VERY MUCH MR. DAVIS. SO, THE DEATH ISSUE DO LLY HAVE IMPRESSIONS FROM HANS BELMER, MUCH TO DO WITH THE MAGAZINE ITSELF BUT IT'S RATHER A DOCUMENT OF PERSONAL LIMITED TO 300 COPIES ISSUES. AS I EMBARK AWAY FROM THE WEST COAST AGAIN FOR AN'T REALLY + 26 LETTERED AND SIGNED EDITIONS ENVISION WHAT IS NEXT FOR THIS PUBLICATION... OR OTHERWISE.... HER THAN ANNOUNCE OR $8 US/$10 OVERSEAS PREDICT THE NEXT MOVE AS WE HAVE IN THE PAST ;W NATURALLY THIS TIME, THE WAY IT SHOULD BE. IT'S ALWAYS A SLOW, PA IEND DESCRIBED IT) BUT MAYBE IT ALWAYS WAS SO BECAUSE VIOUS EXPECTATIONS. -
Earogenous Zones
234 Index Index Note: Film/DVD titles are in italics; album titles are italic, with ‘album’ in parentheses; song titles are in quotation marks; book titles are italic; musical works are either in italics or quotation marks, with composer’s name in parentheses. A Rebours (Huysmans) 61 Asimov, Isaac 130 Abducted by the Daleks/Daloids 135 Assault on Precinct 13 228 Abe, Sada 91–101 Astaire, Fred 131 Abrams, J. 174 Astley, Edwin 104 Abu Ghraib 225, 233 ‘Astronomy Domine’ 81, 82 acousmêtre 6 Atkins, Michael 222 Acre, Billy White, see White Acre, Billy Augoyard, J.-F. 10 Adamson, Al 116 Aury, Dominique (aka Pauline Reage) 86 affect 2, 67, 76 Austin, Billy 215 African music 58 Austin Powers movies 46 Age of Innocence, The 64 Australian Classification Board 170 Ai no borei (‘Empire of Passion’) 100–1 Avon Science Fiction Reader (magazine) 104 Ai no korida (In the Realm of the Senses) 1, 4, Avon Theater, New York 78 7, 89–101 Aihara, Kyoko 100 ‘Baby Did A Bad Bad Thing’ 181–2 Algar, James 20 Bacchus, John 120, 128, 137 Alice in Wonderland (Lewis Carroll) 5, 70, 71, Bach, Johann Sebastian 62 74, 76, 84, 116 Bachelet, Pierre 68, 71, 72, 74 Alien 102 Bacon, Francis 54 Alien Probe 129 Bailey, Fenton 122, 136 Alien Probe II 129 Baker, Jack 143, 150 Alpha Blue 117–19, 120 Baker, Rick 114 Also sprach Zarathustra (Richard Strauss) 46, 112, Ballard, Hank, and the Midnighters 164 113 Band, Charles 126 Altman, Rick 2, 9, 194, 199 Bangs, Lester 141 Amateur Porn Star Killer 231 banjo 47 Amazing Stories (magazine) 103, 104 Barbano, Nicolas 35, 36 Amelie 86 Barbarella 5, 107–11, 113, 115, 119, 120, American National Parent/Teacher Association 147 122, 127, 134, 135, 136 Ampeauty (album) 233 Barbato, Randy 122, 136 Anal Cunt 219 Barbieri, Gato 54, 55, 57 … And God Created Woman, see Et Dieu créa Bardot, Brigitte 68, 107–8 la femme Barker, Raphael 204 Andersen, Gotha 32 Baron, Red 79 Anderson, Paul Thomas 153, 158 Barr, M. -
Punk: Music, History, Sub/Culture Indicate If Seminar And/Or Writing II Course
MUSIC HISTORY 13 PAGE 1 of 14 MUSIC HISTORY 13 General Education Course Information Sheet Please submit this sheet for each proposed course Department & Course Number Music History 13 Course Title Punk: Music, History, Sub/Culture Indicate if Seminar and/or Writing II course 1 Check the recommended GE foundation area(s) and subgroups(s) for this course Foundations of the Arts and Humanities • Literary and Cultural Analysis • Philosophic and Linguistic Analysis • Visual and Performance Arts Analysis and Practice x Foundations of Society and Culture • Historical Analysis • Social Analysis x Foundations of Scientific Inquiry • Physical Science With Laboratory or Demonstration Component must be 5 units (or more) • Life Science With Laboratory or Demonstration Component must be 5 units (or more) 2. Briefly describe the rationale for assignment to foundation area(s) and subgroup(s) chosen. This course falls into social analysis and visual and performance arts analysis and practice because it shows how punk, as a subculture, has influenced alternative economic practices, led to political mobilization, and challenged social norms. This course situates the activity of listening to punk music in its broader cultural ideologies, such as the DIY (do-it-yourself) ideal, which includes nontraditional musical pedagogy and composition, cooperatively owned performance venues, and underground distribution and circulation practices. Students learn to analyze punk subculture as an alternative social formation and how punk productions confront and are times co-opted by capitalistic logic and normative economic, political and social arrangements. 3. "List faculty member(s) who will serve as instructor (give academic rank): Jessica Schwartz, Assistant Professor Do you intend to use graduate student instructors (TAs) in this course? Yes x No If yes, please indicate the number of TAs 2 4. -
Interview Mit FLESHCRAWL
Interview mit FLESHCRAWL -März 04-- Gitarrist Mike Hanus über das bombenstarken Albums “Made Of Flesh”, die Pläne 2004, schwedische Gesandtschaften und warum man manchmal lieber den Vorkasper spielt… Markus: Erst mal (nochmal) Glückwunsch zur neuen Scheibe! Haben die Schweden schon eine Gesandtschaft geschickt, um Euch endlich einzubürgern? Mike: Ha ha ha... nein, soweit ist es noch nicht gekommen ! Markus: Zumindest den Kritiken nach zu schließen müsstet Ihr doch jetzt endlich mal die verdiente Aufmerksamkeit bekommen? Mike: Soweit ich die Reviews der internationalen Presse bisher zu "Made Of Flesh" lesen konnte, kann ich mich bisher nicht beschweren. Alle sind soweit begeistert und sehr zufrieden mit dem aktuellen Fleshcrawl Output. Sie schreiben von dem bisher bestproduzierten und im allgemeinen abwechslungsreichsten FLESHCRAWL Album so far - und da muß ich ihnen auch absolut recht geben. Ich bin speziell vom Gitarrensound von "Made Of Flesh" begeistert. Er hat sehr viel Distortion, klingt aber dennoch megafett & transparent. Dafür haben wir im Studio auch einige Stunden daran gearbeitet, aber die harte Arbeit hat sich wirklich gelohnt. Markus: Irgendwie wart Ihr immer da, aber so richtig auch wieder nicht. Eure Homepage ist momentan weitgehend down - könntest Du uns nochmal einen kleinen Überblick über die Bandhistorie geben? Mike: Uhh, Fleshcrawl gibt`s ja schon einige Jahre... ja, ääähhmm: bereits 7 Alben veröffentlicht, seit mehreren Jahren bei Metal Blade Records unter Vertrag, mehrere Europa-Tourneen absolviert, auch schon in Japan getourt, mega Festival-Auftrifft auf W.O.A. 2002 - die Fans drehten komplett durch ... es war geil !!! Ja, da könnt ich noch 1000 verschiedene Sachen aufzählen... Es wird Zeit, daß die Homepage (www.fleshcrawl.de) aktualisiert wird und dann kann sich auch jeder die komplette FLESHCRAWL Biographie in aller Ruhe mal durchlesen. -
So Blind Compilation Des Chroniques Obtenues Au 27/09/2009
TAO MENIZOO (Thundering Records / Manitou Music) courrier : 106, avenue Roger Guichard – 95610 – Eragny - France tél. (+33)(0)6 60 56 80 63 – email : [email protected] web : www.taomenizoo.com – myspace : www.myspace.com/taomenizoo TAO MENIZOO – So Blind Compilation des chroniques obtenues au 27/09/2009 MAGAZINES PAPIER................................................................................................................................................. 2 LEGACY MAGAZINE (DE) - 11/15 Punkte............................................................................................................... 2 METALLIAN #54................................................................................................................................................ 2 TRANSIT MAG (CH) ........................................................................................................................................... 2 UNDERGROUND INVESTIGATION #65 -Fev/Mars/Avr 2008...................................................................................... 2 WEBZINES................................................................................................................................................................ 3 ACTEURS DE L’OMBRE (LES) - www.lesacteursdelombre.com................................................................................... 3 ARCANA NOCTIS – www.arcananoctis.com – 8/10.................................................................................................. 3 AUTRE MONDE (L’) - lautremonde.radio.free.fr -
From Crass to Thrash, to Squeakers: the Suspicious Turn to Metal in UK Punk and Hardcore Post ‘85
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by De Montfort University Open Research Archive From Crass to Thrash, to Squeakers: The Suspicious Turn to Metal in UK Punk and Hardcore Post ‘85. Otto Sompank I always loved the simplicity and visceral feel of all forms of punk. From the Pistols take on the New York Dolls rock, or the UK Subs aggressive punk take on rhythm and blues. The stark reality Crass and the anarchist-punk scene was informed with aspects of obscure seventies rock too, for example Pete Wright’s prog bass lines in places. Granted. Perhaps the most famous and intense link to rock and punk was Motorhead. While their early output and LP’s definitely had a clear nod to punk (Lemmy playing for the Damned), they appealed to most punks back then with their sheer aggression and intensity. It’s clear Motorhead and Black Sabbath influenced a lot of street-punk and the ferocious tones of Discharge and their Scandinavian counterparts such as Riistetyt, Kaaos and Anti Cimex. The early links were there but the influence of late 1970s early 80s NWOBM (New Wave of British Heavy Metal) and street punk, Discharge etc. in turn influenced Metallica, Anthrax and Exodus in the early eighties. Most of them can occasionally be seen sporting Discharge, Broken Bones and GBH shirts on their early record-sleeve pictures. Not only that, Newcastle band Venom were equally influential in the mix of new genre forms germinating in the early 1980s. One of the early examples of the incorporation of rock and metal into the UK punk scene came from Discharge. -
Production Perspectives of Heavy Metal Record Producers
This article has been accepted for publication in a revised form by Popular Music and end- users may view and download the material for private research and study only. Production Perspectives of Heavy Metal Record Producers Dr Niall Thomas University of Winchester Dr Andrew King University of Hull Abstract The study of the recorded artefact from a musicological perspective continues to unfold through contemporary research. Whilst an understanding of the scientific elements of recorded sound is well documented the exploration of the artistic nature of this endeavour from a production viewpoint is still developing. This study presents an understanding of the phenomenological aspects of Heavy Metal music from the perspective of seven renowned producers working within this genre. Through a series of interviews and subsequent in-depth analysis particular sonic qualities are identified as key within the production of this work: impact; energy; precision; and extremity. A framework is then put forward for understanding sonic elements of recorded Heavy Metal Music. Keywords: recording; Heavy Metal; production; producers; phenomenology Introduction The twenty-first century provides a rich source of creative opportunity through digital technology for practicing musicians to record music. The affordances of the digital revolution have subsequently changed the opportunities for those involved in the creation of such works. Technology enables those who could be described as amateur music makers the opportunity to record music with relative ease. The democratisation of technology has meant that mobile devices can become pocket sized recording studios (Leyshon, 2009), whilst affordable solutions and emulations of previously prohibitively expensive computing and recording technology are readily available via the Internet. -
UNIVERSAL MUSIC • the Hives – Lex Hives • the Temper Trap
• The Hives – Lex Hives • The Temper Trap – The Temper Trap • Joe Walsh – Analog Man New Releases From Classics And Jazz Inside!! And more… UNI12-22 “Our assets on-line” UNIVERSAL MUSIC 2450 Victoria Park Ave., Suite 1, Willowdale, Ontario M2J 5H3 Phone: (416) 718.4000 Artwork shown may not be final CHANGE OF DISTRIBUTION – Wax Records Dear Customer, Effective Tuesday May 1st, 2012, the Canadian distribution of the attached Wax Records product will change from Warner Music Canada to Universal Music Canada. In order to make this transition as easy as possible for all customers, the following steps have been agreed upon by Warner Music Canada and Universal Music Canada. ORDERS: Effective Monday April 30th, 2012, Warner Music Canada will cancel all back orders for the products on the attached list. Effective Tuesday May 1st, 2012, Universal Music Canada will solicit all orders and ship the attached products. RETURNS: Warner Music Canada will accept return requests for this product until Monday April 30, 2012. Universal Music Canada will begin accepting return requests for these products Tuesday May 1st, 2012. Credit will be issued per the Universal Music Canada Terms and Conditions of Sale. ADVERTISING: Warner Music Canada will not be responsible for any ad claims issued after Monday April 30th, 2012. We trust that these procedures will make the transition as smooth as possible and we thank you for your continued support. Please contact your local Universal Music Canada representative should you have any questions. Kind regards, Doug Raaflaub Adam Abbasakoor Vice President, Sales Vice President, Sales Warner Music Canada Universal Music Canada Please update your files accordingly. -
Dour Festival
DOUR FESTIVAL GRASPOP / LES ARDENTES / VOX FEMINA MAGAZINE MUSICAL GRATUIT / ILLICO! 3 JUIN 2015 BREF! 4 CONCERTS & FESTIVALS 6 DOUR FESTIVAL 6 VOX FEMINA 10 ZIKOL 12 Y’A PAS L’FEU 14 DOUR FESTIVAL 6 LE FORUM FAIT SON FESTIVAL 15 FAITES DE LA CHANSON 16 GRASPOP FESTIVAL 18 MORIARTY 19 AIRE A LA FETE 20 EARTH WIND & FIRE 21 LES ARDENTES 22 THE HUMAN PLACE 23 MAIN SQUARE 24 WILD / ROCK EN STOCK 25 LENA DELUXE 26 FEAR FACTORY 27 CACTUS FESTIVAL 28 SJOCK 29 LES NUITS SECRETES 30 VOX FEMINA 10 REGGÆ GEEL 31 DRANOUTER 32 ALCATRAZ METAL 34 ESPERANZAH 35 FALL OF MESSIAH 36 LES ECLECTIQUES 37 IEPERFEST 38 GOHELLE FEST 40 RAISMESFEST 41 RETOUR EN PHOTOS 42 CD D’ICI 44 AGENDA 46 INDEX DES SALLES 61 FALL OF MESSIAH 36 Édité par MANICRAC SECRÉTAIRE DE RÉDACTION REDACTEURS Association loi 1901 Bertrand LANCIAUX Nico BIBS, Benjamin BUISINE, Guillaume Dépôt légal : à parution MISE EN PAGE CANTALOUP, Colonel CHABERT, Patrick Samuel SYLARD DALLONGEVILLE, Camille DEMARLE, SIEGE SOCIAL Maryse LALOUX, Bertrand LANCIAUX, 6 rue Wulverick 59160 LOMME PUBLICITÉ Steff LE CHIEN, Raphaël LOUVIAU, Sébas- Samuel SYLARD tien NOWICKI, Olivier PARENTY, Emma- DIRECTEUR DE LA PUBLICATION Tel : 06 62 71 47 38 nuel QUEVA, Romain RICHEZ, SCHNAPS, Samuel SYLARD [email protected] Mathy, Grégory SMETS, Sylvain STRI- [email protected] CANNE, Nicolas SWIERCZEK. IMPRIMERIE CORELIO, Bruxelles (B) RÉDACTION Photo couverture DOUR © Kmeron TEL : 06 62 71 47 38 DIFFUSION C*RED. Tirage : 20 000 exemplaires. [email protected] RÉDACTEUR EN CHEF Merci à Cyr et Benoit ainsi qu’à tous nos Prochain numéro Samedi 13 juin 2015 Charles KRO diffuseurs pour la diffusion en région. -
Production Perspectives of Heavy Metal Record Producers Abstract
Production Perspectives of Heavy Metal Record Producers Dr Niall Thomas University of Winchester – [email protected] Dr Andrew King University of Hull – [email protected] Abstract The study of the recorded artefact from a musicological perspective continues to unfold through contemporary research. Whilst an understanding of the scientific elements of recorded sound is well documented the exploration of the production and the artistic nature of this endeavour is still developing. This article explores phenomenological aspects of producing Heavy Metal music from the perspective of seven renowned producers working within the genre. Through a series of interviews and subsequent in-depth analysis particular sonic qualities are identified as key within the production of this work: impact; energy; precision; and extremity. A conceptual framework is then put forward for understanding the production methodology of recorded Heavy Metal Music, and, how developing technology has influenced the production of the genre. Keywords: recording; Heavy Metal; production; producers; phenomenology Introduction The affordances of digital technology have significantly changed the opportunities for practicing musicians to record music. Technology enables even amateur music makers the opportunity to record music with relative ease. The democratisation of technology has meant that mobile devices can become pocket sized recording studios (Leyshon, 2009), whilst affordable solutions and emulations of prohibitively expensive computing and recording technology are readily available via the Internet. The technology associated with certain aspects of music making is now more widespread and enables a new sense of creative musical freedom; music producers command a limitless array of technological choices. Despite the benefits of the ever-increasing rate of technological development, the recording industry is changing dramatically, and with it, the production perspectives of record producers. -
Stonehenge Festival 2008
Stonehenge Festival 2008 Welkom op Stonehenge 2008! Er staat weer een nieuwe editie van Stonehenge voor de deur. De laatste zaterdag van juli beloofd weer gezellig te worden, met veel metal van eigen bodem en van over de landsgrenzen. Deze persmap geeft beknopte informatie van de bands die spelen en van het festival Stonehenge. Zijn er nog vragen? Aarzel niet om contact op te nemen! Graag tot ziens op Stonehenge! Bianca vd Pol Press & Media relations [email protected] Pers Uiteraard is de pers van harte welkom op Stonehenge. Voor een plek op de perslijst kunt u mailen naar [email protected] . Eventuele interviews met de bands dienen te worden aangevraagd bij de betreffende managers/platenmaatschappijen/bands. Deze kunnen op het terrein zelf plaatsvinden. De backstageruimte is uitsluitend bestemd voor bands en personeel. 1 Stonehenge Festival 2008 Stonehenge Festival, 26 juli 2008: Band Timetable stage outside Timetable stage inside Côte d'Aver 13:00 - 13:30 Goryptic 13:45 - 14:15 Burden of Grief 14:30 - 15:15 Leng Tch'e 15:30 - 16:30 Dr. Doom 16:30 - 17:00 Dark Age 17:00 - 18:00 Kudra Mata 18:00 - 18:30 Sadist 18:30 - 19:30 Onheil 19:30 - 20:00 Belphegor 20:00 - 21:00 Massive Assault 21:00 - 21:45 Entombed 21:45 - 23:00 Pré-party & afterparty Op vrijdag 25 juli vindt een préparty plaats in café De Zwetser in Steenwijk. Drie bands brengen met een stevige bak herrie het publiek alvast in de stemming voor Stonehenge. De eerste band is inmiddels bekend: Stoma, een grindcoreband uit Heerenveen.