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Untitled éééééeDITO Dans de nombreux fanzines, il m’est arrivé de lire en début d’édito : « 1 an que je suis dessus à en chier… du coup les chroniques et interviews ne sont pas, fraîchement parlant, d’une actualité à toute épreuve… » etc. A défaut d’être original, ça fait bien 1 an que l’on a eu cette idée de créer un ’zine ! Yo. L’idée était de pondre un fanzine gratuit à 1000 exemplaires, consacré à la BD et à la scène punk, alternative, DIY… (comme tu veux tu dis). Il a donc fallu trouver un « financement » pour payer la gratuité, en refusant évidemment toutes formes de subventions ou autres sys- tèmes pourvus d’originalité, par respect des lecteurs et de nous-mêmes. Sans vouloir tomber dans le confort nihiliste, il existe suffisamment de modalités / morales / fonctionnements ou autres pressions quotidiennes sans réelles alternatives, ce qui n’est pas le cas en ce qui concerne la contre-culture* (*terme qu’il va falloir penser à rejeter, mais je n’en ai pas d’autre sous la main). Nous décidons alors d’organiser un concert de soutien le 9 décembre 2005, et proposons à 2 groupes du coin (Shedding Skin et Fuck Off Für And The Putrid Sound) qui acceptent d’y participer. L’info ayant circulé, 2 autres groupes attirés par le rougeâtre de table johan- nique… (Décombres et James Brown’s Hide Show), de Paris cette fois, se proposent. L’affiche est bookée et nous sommes contents de réunir ces groupes pour boire ce putain de rougeâtre ensemble. Un peu plus de 170 entrées, on se branle en cœur ! Pour compléter le soutien nous avons également sérigraphié 72 t-shirts avec 2 modèles différents (un avec le logo du label et l’autre avec la couv’ du ’zine) dans un atelier autogéré de sérigraphie à Paris. Nous avons aussi démarché quelques labels pour leur vendre des encarts, ce qui nous pose aucun problème de conscience puisqu’il s’agit de labels non profit, arrondis au chiffre supérieur, et que l’on approuve. Voilà pour l’historique de la démarche que nous pensons la plus appropriée. Nous espérons que le contenu du ’zine suscitera un intérêt, et n’avons évidemment pas de recul pour être objectif sur le résultat. Certaines interviews comme celle de The Flying Luttenbachers peuvent paraître ennuyeuses, je veux dire trop professionnelles mais d’autres causeries comme celles d’Eat Shit Experience sont là pour relever le niveau. Pas de liste de remerciement nominative mais plutôt un Merci général à tous ceux qui nous ont apporté leur soutien et parfois plus. B. avril 2006 Contact : Solitude Records, 13 rue des turcies, 45000 orléans, france www.solitude.fluo.net - [email protected] - Concert de soutien : 715 eu - T-shirts : 120 eu - Encarts : 120 eu - Coût d’impression pour 1000 exemplaires, 44 pages, sur papier recyclé : 986,7 eu the flying luttenbachers The Flyng Luttenbachers ! Groupe mythique formé aux alentours de 1991 à Chicago par Weasel Walter, poly instrumentaliste d'origine bat- terie, ascendant saxophone. Des débuts free jazz expérimental un peu lourds mais un jour de 2002 aussi pourri que d'habitude est apparu "infection and decline". C'est avec ce disque que je découvre le groupe… envie de m'accrocher aux rideaux mais y en a pas. La solution ; rester inerte, attendre, regarder ce qui m'entoure, se détendre… et d'un coup : " mais merde c'est qui ces forbans ? " Je choppe quelques vieilleries, puis leurs nouveaux disques : de la branlette ! Interview stéréotype. Réponse par Weasel Walter, été 2005. YO ! Ça va aujourd'hui ? ! disque de TFLB ? As-tu réussi à faire écouter cette version de Je vais bien mais je deviens de plus en plus Personne. The Flying Luttenbachers est mon "de futura" à Christian Vander ou à d'autres dingue en ce qui concerne la société améri- concept et il ne doit pas s'attacher trop forte- membres de Magma ? Si oui, qu'en ont-ils caine et de comment ça marche à fond. Je ment à d'autres célébrités afin de se pensé ? n'ai pas tellement d'autres choix que de faire légitimer. (En fait, je ne préférerais pas). Je Je n'ai aucun intérêt à présenter notre ver- avec. veux initier un nouveau courant, et ne pas sion en tant qu'offrande d'amour. Je ne veux Qui es-tu ? juste en faire partie. Je ne veux pas être un pas ou n'ai pas besoin d'obtenir l'opinion de Je suis l'un de ces nombreux humains et je suiveur. Magma sur notre reprise. Je ne l'ai pas fait passe la plupart du temps à essayer de com- pour impressionner. Nous l'avons fait parce prendre comment je pourrais faire de la J'ai l'impression que depuis la sortie de que j'avais besoin d'apprendre comment musique et la transmettre aux autres sans "Infection & Decline", TFLB à plus ou moins 1) mémoriser des morceaux de musique plus crever la dalle. explosé dans la scène jazz d'enculé. Avec longs et plus complexes 2) écrire des titres Année et lieux de naissance ? du recul es-tu satisfait de cet album (com- plus longs. C'est un bon moyen d'apprendre. 1972 d'une autre dimension. position et son) ? J'espère que nous avons mis beaucoup de Quel est ton instrument d'origine, de Les compositions sont bien mais je pense que notre personnalité dans cette version. Ça prédilection ? l'album a un son trop métallique et trop reste cependant fidèle à l'originale. Nous Celui que je préfère est le cerveau. C'est de léger. Mes oreilles étaient trop fatiguées avons prêté beaucoup d'attention aux détails. là que les idées proviennent. Sans cet organe après le mix, alors c'est mal sorti. Je recom- je ne pourrais pas manipuler d'instruments ou mande de monter les basses et ça passe Suite à l'album "Infection & Decline" il y a savoir quoi faire avec. Les instruments sont mieux ! Un de ces jours je le remasteriserai eu "Systems Emerge from Complete uniquement des outils pour moi et je n'en ai et les gens entendront comment ça aurait du Disorder" mais cette fois-ci aucun autre pas de préféré. sonner. C'est un bon album mais j'ai des prob- musicien ne t'accompagnait. Pourquoi avoir Quelle signification a le nom du groupe lèmes avec. C'était le meilleur que nous fait un album solo ? C'est volontaire ou tu "The Flying Luttenbachers" et depuis quand pouvions faire à ce moment-là. Comme n'as pas réussi à trouver de musiciens. existe le groupe ? tous les albums. Etais-tu trop insupportable pour "The flying luttenbachers" est un robot géant J'imagine que cet album est intégralement collaborer ? vert en métal qui hiberne sous terre en atten- composé ou certain passages sont-ils impro- Le line up d'Infection and decline s'est dissout dant l'armageddon. visés ? et je voulais quitter Chicago, alors ce fut une Peux-tu me dire les groupes qui ont changé Il y a un petit peu d'improvisation mais c'est progression naturelle. J'avais aussi beaucoup ta vie ? très composé. Il y a une longue session free d'idées musicales que je pensais plus simples Par ordre chronologique : Kiss, The au milieu d'Elimination, mais c'est le seul pas- à exprimer moi-même, sans chercher à Residents, Black Flag, The Contortions, DNA, sage d'improvisation de l'album. apprendre des trucs à d'autres gens. Je pense Teenage Jesus, Captain Beefheart, Ornette As-tu déjà expérimenté la musique impro- que c'est l'album qui a eu le plus de succès à Coleman, Albert Ayler, Iannis Xenakis, visée dans un style identique à TFLB ? de nombreux niveaux et j'en suis fier. Je Deicide, Magma, Orthrelm, Olivier Messiaen. J'ai commencé la musique improvisée enfant. préfère cependant travailler avec d'autres Et nous voici désormais. J'ai joué dans pas mal de groupes de "musique personnes, c'est pourquoi je ne fais rien tout Bracelets à clous ? improvisée" avec un 4 pistes comme moyen seul. Oui d'enregistrement (j'ai encore les cassettes) et j'étais fan d'un tas de groupes de free jazz Dernier album en date "The Void" ! Le principe du groupe est de changer de apparus vers 1988. C'est dans cette période Pourquoi la pochette est toute bleue ? line up à chaque nouvel album. Pourquoi ce que j'ai débarqué à Chicago. En 1990. Tout ce L'art de cette pochette reflète la nature besoin systématique de chair fraîche ? Est- que je voulais était de faire du free jazz. d'une entité appelée le vide. Tu fixes son ce pour éviter la routine et les problèmes J'aimais tous les trucs hard, rapide, bruitiste esprit quand tu regardes la pochette. relationnels ? Comment choisis-tu tes musi- du genre Cecil Taylor, Albert Ayler, Qui t'accompagne cette fois-ci et qui sont- ciens ? Brotzmann, etc. Je me suis beaucoup investi ils ? Il y a un membre de Burmese je crois ? Je ne planifie pas de travailler systématique- dans cette scène au début des années 90'. Quel est l'état d'esprit de l'album ? ment avec de nouvelles personnes. Ça arrive J'avais besoin d'être impliqué. Sur cet album je suis à la batterie, Ed juste comme ça. C'est dur de garder les Rodriguez à la guitare et Mike Green à la mêmes personnes longtemps car il y a beau- Je ne connais aucun groupe excepté TFLB basse. Mike joue effectivement dans coup de choses que je veux faire et je n'ai pas ayant osé reprendre un titre de Magma ! En Burmese.
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