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Than One Way to Catch a Frog: a Study of Children's
More than one way to catch a frog: A study of children’s discourse in an Australian contact language Samantha Disbray Submitted in total fulfilment of the requirements for the degree of Doctor of Philosophy. Department of Linguistics and Applied Linguistics University of Melbourne December, 2008 Declaration This is to certify that: a. this thesis comprises only my original work towards the PhD b. due acknowledgement has been made in the text to all material used c. the text is less than 100,000 words, exclusive of tables, figures, maps, examples, appendices and bibliography ____________________________ Samantha Disbray Abstract Children everywhere learn to tell stories. One important aspect of story telling is the way characters are introduced and then moved through the story. Telling a story to a naïve listener places varied demands on a speaker. As the story plot develops, the speaker must set and re-set these parameters for referring to characters, as well as the temporal and spatial parameters of the story. To these cognitive and linguistic tasks is the added social and pragmatic task of monitoring the knowledge and attention states of their listener. The speaker must ensure that the listener can identify the characters, and so must anticipate their listener’s knowledge and on-going mental image of the story. How speakers do this depends on cultural conventions and on the resources of the language(s) they speak. For the child speaker the development narrative competence involves an integration, on-line, of a number of skills, some of which are not fully established until the later childhood years. -
Monstrous Transformations: a Case Study from Central Australia Yasmine Musharbash
This is a draft chapter. The final version is available in Monster Anthropology from Australasia and Beyond edited by Yasmine Musharbash and Geir Henning Presterudstuen, published in 2014, Palgrave Macmillan ISBN 978-1-137-44865-1 The material cannot be used for any other purpose without further permission of the publisher, and is for private use only. Chapter 3 Monstrous Transformations: A Case Study from Central Australia Yasmine Musharbash My chapter is ethnographically situated in the Tanami Desert, the home of Warlpiri people and the monsters that haunt, terrorize, and sometimes kill them. Located to the northwest of the center of Australia, first contact came relatively late in this region, and over the past century the Tanami and its human and monstrous inhabitants have experienced dramatic and tumultuous changes. I explore how one particular monster, called Kurdaitcha or Jarnpa, transformed with these changes, and the meanings that flow from this reality.1 The hauntees of this monster, Warlpiri people, formerly nomadic hunters and gatherers, were sedentized in the mid-1940s in government ration depots fringing the Tanami, which were set up by colonial patrol officers in response to the effects of frontier violence and a severe drought. Over the ensuing decades, these settlements have grown into typically neocolonial towns. Residents still speak Warlpiri as their first language, for example, and have retained or adapted many of their customs. Simultaneously, they are intimately entangled in the neoliberal world, accessing Australian infrastructure, having bank accounts, being exposed to ever- increasing levels of governance, and so forth (Musharbash 2007; 2008). A clear consequence of these cataclysmic upheavals is that contemporary Warlpiri lives are dramatically different compared to pre-contact times; another is that they also differ from the lives of non-Indigenous Australians. -
How Warumungu People Express New Concepts Jane Simpson Tennant
How Warumungu people express new concepts Jane Simpson Tennant Creek 16/10/85 [This paper appeared in a lamentedly defunct journal: Simpson, Jane. 1985. How Warumungu people express new concepts. Language in Central Australia 4:12-25.] I. Introduction Warumungu is a language spoken around Tennant Creek (1). It is spoken at Rockhampton Downs and Alroy Downs in the east, as far north as Elliott, and as far south as Ali Curung. Neighbouring languages include Alyawarra, Kaytej, Jingili, Mudbura, Wakaya, Wampaya, Warlmanpa and Warlpiri. In the past, many of these groups met together for ceremonies and trade. There were also marriages between people of different language groups. People were promised to 'close family' from close countries. Many children would grow up with parents who could speak different languages. This still happens, and therefore many people are multi-lingual - they speak several languages. This often results in multi-lingual conversation. Sometimes one person will carry on their side of the conversation in Warumungu, while the other person talks only in Warlmanpa. Other times a person will use English, Warumungu, Alyawarra, Warlmanpa, and Warlpiri in a conversation, especially if different people take part in it. The close contact between speakers of different languages shows in shared words. For example, many words for family-terms are shared by different languages. As Valda Napururla Shannon points out, Eastern Warlpiri ("wakirti" Warlpiri (1)) shares words with its neighbours, Warumungu and Warlmanpa, while Western Warlpiri shares words with its neighbours. Pintupi, Gurindji, Anmatyerre etc. In Eastern Warlpiri, Warlmanpa and Warumungu the word "kangkuya" is used for 'father's father' (or 'father's father's brother' or 'father's father's sister'). -
Meteoritics and Cosmology Among the Aboriginal Cultures of Central Australia
Journal of Cosmology, Volume 13, pp. 3743-3753 (2011) Meteoritics and Cosmology Among the Aboriginal Cultures of Central Australia Duane W. Hamacher Department of Indigenous Studies, Macquarie University, NSW, 2109, Australia [email protected] Abstract The night sky played an important role in the social structure, oral traditions, and cosmology of the Arrernte and Luritja Aboriginal cultures of Central Australia. A component of this cosmology relates to meteors, meteorites, and impact craters. This paper discusses the role of meteoritic phenomena in Arrernte and Luritja cosmology, showing not only that these groups incorporated this phenomenon in their cultural traditions, but that their oral traditions regarding the relationship between meteors, meteorites and impact structures suggests the Arrernte and Luritja understood that they are directly related. Note to Aboriginal and Torres Strait Islander Readers This paper contains the names of, and references to, people that have passed away and references the book “Nomads of the Australian Desert” by Charles P. Mountford (1976), which was banned for sale in the Northern Territory as it contained secret information about the Pitjantjatjara. No information from the Pitjantjatjara in that book is contained in this paper. 1.0 Introduction Creation stories are the core of cosmological knowledge of cultures around the globe. To most groups of people, the origins of the land, sea, sky, flora, fauna, and people are formed by various mechanisms from deities or beings at some point in the distant past. Among the more than 400 Aboriginal language groups of Australia (Walsh, 1991) that have inhabited the continent for at least 45,000 years (O’Connell & Allen, 2004) thread strong oral traditions that describe the origins of the world, the people, and the laws and social structure on which the community is founded, commonly referred to as “The Dreaming” (Dean, 1996). -
Songs from the Stations: Wajarra As Performed by Ronnie Wavehill
Indigenous Music of Australia Linda Barwick, Series Editor The many forms of Australia’s Indigenous music have ancient roots, huge diversity and global reach. The Indigenous Music of Australia series aims to stimulate discussion and development of the field of Australian Indigenous music (including Aboriginal and Torres Strait Islander music) in both subject matter and approach. For the Sake of a Song: Wangga Songmen and Their Repertories Allan Marett, Linda Barwick and Lysbeth Ford Reflections and Voices: Exploring the Music of Yothu Yindi with Mandawuy Yunupingu Aaron Corn Songs from the Stations: Wajarra as Sung by Ronnie Wavehill Wirrpnga, Topsy Dodd Ngarnjal and Dandy Danbayarri at Kalkaringi Myfany Turpin and Felicity Meakins Wurrurrumi Kun-Borrk: Songs from Western Arnhem Land Kevin Djimar Wajarra as Sung by Ronnie Wavehill Wirrpnga, Topsy Dodd Ngarnjal and Dandy Danbayarri at Kalkaringi Myfany Turpin and Felicity Meakins, with photographs by Brenda L Croft The Gurindji knowledge in this book is the intellectual property of Gurindji people. This knowledge should only be used with written consent of the intellectual property owners and with proper attribution. © Gurindji people 2019 First published by Sydney University Press 2019 © Myfany Turpin and Felicity Meakins 2019 © Ronnie Wavehill, Topsy Dodd and Dandy Danbayarri 2019 © Sydney University Press 2019 Reproduction and Communication for other purposes Except as permitted under the Act, no part of this edition may be reproduced, stored in a retrieval system, or communicated in any form or by any means without prior written permission. All requests for reproduction or communication should be made to Sydney University Press at the address below: Sydney University Press Fisher Library F03 University of Sydney NSW 2006 AUSTRALIA [email protected] sydney.edu.au/sup A catalogue record for this book is available from the National Library of Australia. -
Connecting Warlpiri People and Places Through Songs
This item is Chapter 28 of Language, land & song: Studies in honour of Luise Hercus Editors: Peter K. Austin, Harold Koch & Jane Simpson ISBN 978-0-728-60406-3 http://www.elpublishing.org/book/language-land-and-song Travelling ancestral women: connecting Warlpiri people and places through songs Georgia Curran Cite this item: Georgia Curran (2016). Travelling ancestral women: connecting Warlpiri people and places through songs. In Language, land & song: Studies in honour of Luise Hercus, edited by Peter K. Austin, Harold Koch & Jane Simpson. London: EL Publishing. pp. 403-418 Link to this item: http://www.elpublishing.org/PID/2028 __________________________________________________ This electronic version first published: March 2017 © 2016 Georgia Curran ______________________________________________________ EL Publishing Open access, peer-reviewed electronic and print journals, multimedia, and monographs on documentation and support of endangered languages, including theory and practice of language documentation, language description, sociolinguistics, language policy, and language revitalisation. For more EL Publishing items, see http://www.elpublishing.org 28 Travelling ancestral women: connecting Warlpiri people and places through songs Georgia Curran University of Sydney 1. Introduction Beckett & Hercus (2009) present several ‘versions’ of a mura track narrative as told by five different senior Aboriginal people from the ‘Corner Country’ area where New South Wales, South Australia and Queensland come together. Mura track narratives, as Beckett & Hercus (2009: 2) explain, detail: ‘the travelling of ancestral beings also called mura – occasionally human but more often anthropomorphic animal – who form the country and name it as they go’, a concept similar to the Central Australian concept of the Dreaming (tjukurrpa in the Western Desert language). -
Skin, Kin and Clan: the Dynamics of Social Categories in Indigenous
Skin, Kin and Clan THE DYNAMICS OF SOCIAL CATEGORIES IN INDIGENOUS AUSTRALIA Skin, Kin and Clan THE DYNAMICS OF SOCIAL CATEGORIES IN INDIGENOUS AUSTRALIA EDITED BY PATRICK MCCONVELL, PIERS KELLY AND SÉBASTIEN LACRAMPE Published by ANU Press The Australian National University Acton ACT 2601, Australia Email: [email protected] This title is also available online at press.anu.edu.au A catalogue record for this book is available from the National Library of Australia ISBN(s): 9781760461638 (print) 9781760461645 (eBook) This title is published under a Creative Commons Attribution-NonCommercial- NoDerivatives 4.0 International (CC BY-NC-ND 4.0). The full licence terms are available at creativecommons.org/licenses/by-nc-nd/4.0/ legalcode Cover design and layout by ANU Press. Cover image Gija Kinship by Shirley Purdie. This edition © 2018 ANU Press Contents List of Figures . vii List of Tables . xi About the Cover . xv Contributors . xvii 1 . Introduction: Revisiting Aboriginal Social Organisation . 1 Patrick McConvell 2 . Evolving Perspectives on Aboriginal Social Organisation: From Mutual Misrecognition to the Kinship Renaissance . 21 Piers Kelly and Patrick McConvell PART I People and Place 3 . Systems in Geography or Geography of Systems? Attempts to Represent Spatial Distributions of Australian Social Organisation . .43 Laurent Dousset 4 . The Sources of Confusion over Social and Territorial Organisation in Western Victoria . .. 85 Raymond Madden 5 . Disputation, Kinship and Land Tenure in Western Arnhem Land . 107 Mark Harvey PART II Social Categories and Their History 6 . Moiety Names in South-Eastern Australia: Distribution and Reconstructed History . 139 Harold Koch, Luise Hercus and Piers Kelly 7 . -
Continuity and Change in Warlpiri Practices of Marking the Landscape
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Sydney eScholarship 1 This is the peer-reviewed version of the following article: Continuity and Change in Warlpiri Practices of Marking the Landscape. In Marking the Land: Hunter-Gatherer Creation of Meaning in their Environment, edited by William Lovis and Robert Whallon, 201-230 Abingdon, Oxon; New York, NY. : Routledge Studies in Archaeology, 2016. The article has been published in final, copyedited and typeset form in the book Marking the Land: Hunter-Gatherer Creation of Meaning in their Environment, edited by William Lovis and Robert Whallon. Abingdon, Oxon; New York, NY. : Routledge Studies in Archaeology, 2016. To cite please consult the published version as page numbers do not match and figures may be missing. This article may be used for personal, non-commercial purposes, but may not be redistributed. 1 2 Petronella Vaarzon-Morel Continuity and Change in Warlpiri Practices of Marking the Landscape Introduction Warlpiri people of Central Australia have served on a number of occasions (e.g. Rothenberg and Rothenberg 1983: 139; Biddle 2002) as exemplars of the Derridean premise that no society is without writing (Derrida 1976: 109). The debate about the reasoning behind this proposition is outside the scope of my interests here. Nonetheless, it is certainly helpful to have a term, such as “writing”, that groups together the various kinds of practices that Warlpiri engage in to give visual form to their understanding of the world. Earlier work has focused on such aspects of Warlpiri visual communicative practices as sand drawings, body and ground designs, and sacred objects (e.g. -
Ngurra-Kurlu: a Way of Working with Warlpiri People
41 Ngurra-kurlu: A way of working with Warlpiri people way of working with Warlpiri A Ngurra-kurlu: Ngurra-kurlu: A way of working with Warlpiri people Wanta Jampijinpa Pawu-Kurlpurlurnu (Steven Jampijinpa Patrick) Report Miles Holmes 41 Wanta Jampijinpa Pawu-Kurlpurlurnu (Steven Patrick) Wanta (Lance) Alan Box 2008 Ngurra-kurlu: A way of working with Warlpiri people Wanta Jampijinpa Pawu-Kurlpurlurnu (Steven Jampijinpa Patrick) Miles Holmes (Lance) Alan Box 2008 Contributing author information Wanta Jampijinpa Pawu-kurlpurlurnu (Steven Jampijinpa Patrick) is a fully initiated Warlpiri man from the Northern Territory community of Lajamanu. His first language is Warlpiri. He is currently a Community Liaison Officer and Teacher’s Assistant (TA) at the Lajamanu Community Education Centre where he has worked for many years. His passion is the reinvigoration of Warlpiri culture by finding traditional principles that are relevant to today’s community life. He has been pivotal in many projects, most recently as the creator of the innovative Milpirri cultural event which is now in its third year. In May 2007 he won an Innovative Curriculum award for his work in applying ngurra-kurlu to classroom education. In 2006 he presented a paper on Milpirri at the Garma Festival, and in 2008 he presented a paper at the Australian National University’s Symposium on Intangible Cultural Heritage. He has recently also presented in Toronto and expects to travel to Mexico in 2009. He can be contacted in writing at the following address: PMB 63, Lajamanu Community via Katherine, NT 0852. Miles Holmes (BCom, BSocSc Hons) is a social anthropologist who has worked in Lajamanu since 2002, including time as a staff anthropologist at the Central Land Council in Alice Springs. -
National Gallery of Australia Emerging Elders Room Sheets Malaluba GUMANA Dhalwangu/Nungburundi Peoples Born 1952, Gangan, North East Arnhem Land, Northern Territory
National Gallery of Australia Emerging Elders Room sheets Malaluba GUMANA Dhalwangu/Nungburundi peoples born 1952, Gangan, North East Arnhem Land, Northern Territory Garrimala [Hollow log] 2006, Yirrkala, North East Arnhem Land, Northern Territory natural earth pigments on wood The Rotary Collection of Australian Art Fund 2007, in memory of Philip McElligott AM, MBA, and in celebration of the National Gallery of Australia's 25th Anniversary 2007.1276 This larrakitj, painted with a very fine exponent of marwatthe (cross hatching also known as rarrk) technique using a ‘hair brush’. GUMANA mainly paints her mother’s Galpu clan designs of dhatam (waterlily), djari (rainbow), djayku (filesnake) and wititj (olive python). Born in 1952, Malaluba Gumana dedicates most of her artworks to portraying her mother Marratj Gurruwiwi’s Galpu clan designs of dhatam (waterlilly), djari (rainbow), djaykun (filesnake) and wititj (olive python). Malaluba demonstrates a very fine ‘marwat’, a cross hatching technique that utilises a fine hairbrush, to paint on bark and memorial poles. In 2006, her local Art Centre encouraged her to produce larger and more complex works to further explore her spontaneous and fluid hand, an opportunity she wholeheartedly embraced. Story: Malaluba's paintings represent Garrimala, a billabong near where she lives, the Dhawau clan homeland at Gaga. It is a sacred site for the artists’ mother’s Galpu clan. Wititj is the all powerful rainbow serpent (olive python) that travelled through Galpu clan lands and on further, during the days of early times called Waarr. Djayku the Javanese filesnake is a companion and possibly alternate incarnation of Wititj, living in amongst the Dhatam, or waterlilies, causing ripples and rainbows (Djari) on the surface of the water (one reference in the cross hatch). -
Communities of Practice in the Warlpiri Triangle: Four Decades of Crafting Ideological and Implementational Spaces for Teaching in and of Warlpiri Language
languages Article Communities of Practice in the Warlpiri Triangle: Four Decades of Crafting Ideological and Implementational Spaces for Teaching in and of Warlpiri Language Emma Browne 1,* and Fiona Gibson Napaljarri 2 1 School of Literature, Languages and Linguistics, Australian National University, Canberra, ACT 0200, Australia 2 Warlpiri Education Training Trust (WETT), Nyirrpi, NT 0872, Australia; [email protected] * Correspondence: [email protected] Abstract: Warlpiri communities in Australia’s Northern Territory (NT) have long advocated for the inclusion of Warlpiri language, values and knowledge in their government-run schools. After the first bilingual programs were established in the NT in the 1970s, educators and community members from four Warlpiri communities formed a professional network known as the Warlpiri Triangle, a platform for meetings and professional development focusing on teaching and learning in and of Warlpiri language in schools. On these platforms, educators have consistently articulated the goal of the Warlpiri programs as maintenance of Warlpiri pirrjirdi, ‘strong Warlpiri language’. In this paper we seek to explore the development, refinement and consolidation of a consensual Citation: Browne, Emma, and Fiona ideology around teaching and learning of and in Warlpiri pirrjirdi, ‘strong Warlpiri language’ that has Gibson Napaljarri. 2021. informed Warlpiri language-in-education management. We analyse interviews with five Warlpiri Communities of Practice in the educators at Yuendumu school in 2018/9 and a body of grey literature from four decades of Warlpiri Warlpiri Triangle: Four Decades of educator professional development activities that has been less widely acknowledged and visible Crafting Ideological and in local education policy discourse. We draw on the theoretical concept of communities of practice Implementational Spaces for Teaching in and of Warlpiri Language. -
Songlines and Navigation in Wardaman and Other Australian Aboriginal Cultures
Journal of Astronomical History and Heritage, Volume 17, Issue 2, Preprint. Songlines and Navigation in Wardaman and other Australian Aboriginal Cultures Ray P. Norris1,2 and Bill Yidumduma Harney3 1 CSIRO Astronomy and Space Science, PO Box 76, Epping, NSW, 1710, Australia 2 Warawara - Department of Indigenous Studies, Macquarie University, NSW, 2109, Australia 3 Senior Wardaman Elder, PO Box 1579, Katherine, NT, 0851, Australia Corresponding Email: [email protected] Abstract: We discuss the songlines and navigation of the Wardaman people, and place them in context by comparing them with corresponding practices in other Australian Aboriginal language groups, using previously unpublished information and also information drawn from the literature. Songlines are effectively oral maps of the landscape, enabling the transmission of oral navigational skills in cultures that do not have a written language. In many cases, songlines on the earth are mirrored by songlines in the sky, enabling the sky to be used as a navigational tool, both by using it as a compass, and by using it as a mnemonic Notice to Aboriginal and Torres Strait Islander Readers: This paper contains the names of people who have passed away. Keywords: Ethnoastronomy, Cultural Astronomy, Aboriginal Australians, Navigation, and Songlines. 1. INTRODUCTION 1.1 AUSTRALIAN ABORIGINAL ASTRONOMY It is now well established that many traditional Aboriginal cultures incorporate significant references to the sky and to astronomical phenomena (e.g. Stanbridge, 1857, 1861; Mountford, 1956, 1976; Haynes, 1992; Johnson, 1998; Cairns and Harney, 2004; Norris and Norris, 2009; Norris and Hamacher, 2009, 2011; Fuller et al., 2014a). For example, many different Aboriginal cultures across Australia refer to the “Emu in the Sky” (Massola, 1963; Cairns and Harney, 2004; Norris and Norris, 2009, Fuller et al., 2014b), formed from the arrangement of dark clouds within the Milky Way.