DOCSLIB.ORG

Bruno Vesota Филм ÑÐ​ ¿Ð¸ÑÑ​ ŠÐº (ФилмографиÑ)​

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Bruno Vesota Филм ÑÐ​ ¿Ð¸ÑÑ​ ŠÐº (ФилмографиÑ)​ Bruno VeSota Филм ÑÐ​ ¿Ð¸ÑÑ​ ŠÐº (ФилмографиÑ)​ The Undead https://bg.listvote.com/lists/film/movies/the-undead-524971/actors The Million Dollar https://bg.listvote.com/lists/film/movies/the-million-dollar-duck-2454207/actors Duck The Cry Baby https://bg.listvote.com/lists/film/movies/the-cry-baby-killer-3520473/actors Killer Jupiter's Darling https://bg.listvote.com/lists/film/movies/jupiter%27s-darling-2481791/actors Bait https://bg.listvote.com/lists/film/movies/bait-17514604/actors Gunslinger https://bg.listvote.com/lists/film/movies/gunslinger-1333309/actors The Oklahoma https://bg.listvote.com/lists/film/movies/the-oklahoma-woman-3823439/actors Woman Carnival Rock https://bg.listvote.com/lists/film/movies/carnival-rock-3660457/actors Kismet https://bg.listvote.com/lists/film/movies/kismet-3070718/actors Hot Car Girl https://bg.listvote.com/lists/film/movies/hot-car-girl-3766191/actors Wild Rovers https://bg.listvote.com/lists/film/movies/wild-rovers-1691545/actors The Long Wait https://bg.listvote.com/lists/film/movies/the-long-wait-2687627/actors The Fast and the https://bg.listvote.com/lists/film/movies/the-fast-and-the-furious-129055/actors Furious The Devil's Hand https://bg.listvote.com/lists/film/movies/the-devil%27s-hand-3520598/actors War of the https://bg.listvote.com/lists/film/movies/war-of-the-satellites-3778622/actors Satellites The Wasp https://bg.listvote.com/lists/film/movies/the-wasp-woman-2076723/actors Woman I Mobster https://bg.listvote.com/lists/film/movies/i-mobster-929266/actors Teenage Doll https://bg.listvote.com/lists/film/movies/teenage-doll-3818195/actors Rock All Night https://bg.listvote.com/lists/film/movies/rock-all-night-2341889/actors The Haunted https://bg.listvote.com/lists/film/movies/the-haunted-palace-1982191/actors Palace Dementia https://bg.listvote.com/lists/film/movies/dementia-499678/actors Daddy-O https://bg.listvote.com/lists/film/movies/daddy-o-2251313/actors Hells Angels on https://bg.listvote.com/lists/film/movies/hells-angels-on-wheels-1754704/actors Wheels https://bg.listvote.com/lists/film/movies/1528304/actors Кофа Ñ​ https://bg.listvote.com/lists/film/movies/%D0%BA%D0%BE%D1%84%D0%B0-%D1%81- кръв %D0%BA%D1%80%D1%8A%D0%B2-2567687/actors.
Load more

Recommended publications
  • How I Made a Hundred Movies in Hollywood and Never Lost a Dime Pdf
    FREE HOW I MADE A HUNDRED MOVIES IN HOLLYWOOD AND NEVER LOST A DIME PDF Roger Corman | 254 pages | 01 Sep 1998 | The Perseus Books Group | 9780306808746 | English | Cambridge, MA, United States How I Made A Hundred Movies In Hollywood And Never Lost A Dime by Roger Corman Roger Corman borna filmmaker with several hundred films to his credit, has rightly been called the "King of the B Movies. Since Corman has operated successful independent film production and distribution companies. Roger Corman's childhood gave few clues that, in later years, he would create hundreds of low-budget films that would make him one of Hollywood's best-known directors. He was born in Detroit, Michigan, on April 5,the first child of European immigrants William and Ann Corman; his brother Gene who also became a producer was born 18 months later. As a child Corman was more interested in sports and building model airplanes than in film. William Corman, an engineer, was forced to take a huge pay cut during the Great Depression that began in The family moved to the "poor side" of Beverly Hills, California, while Corman was in high school. He became fascinated with the stories of Edgar Allan Poe asking for a complete set of Poe's works as a giftbut he planned to become an engineer like his father. After graduating from high How I Made a Hundred Movies in Hollywood and Never Lost a Dime, Corman studied engineering How I Made a Hundred Movies in Hollywood and Never Lost a Dime Stanford University and participated in the Navy's officer training program.
    [Show full text]
  • Television Sharknados and Twitter Storms
    Television Sharknados and Twitter Storms: Cult Film Fan Practices in the Age of Social Media Branding Stephen William Hay A thesis submitted to Victoria University of Wellington in fulfilment of the regulations for the degree of Master of Arts in Media Studies Victoria University of Wellington 2016 Abstract This thesis examines the Syfy channel’s broadcast of the television movie Sharknado and the large number of tweets that were sent about it. Sharknado’s audience engaged in cult film viewing practices that can be understood using paracinema theory. Paracinema engagement with cult films has traditionally taken place in midnight screenings in independent movie theatres and private homes. Syfy’s audience was able to engage in paracinematic activity that included making jokes about Sharknado’s low quality of production and interacting with others who were doing the same through the affordances of Twitter. In an age where branding has become increasingly important, Syfy clearly benefited from all the fan activity around its programming. Critical branding theory argues that the value generated by a business’s brand comes from the labour of consumers. Brand management is mostly about encouraging and managing consumer labour. The online shift of fan practices has created new opportunities for brand managers to subsume the activities of consumers. Cult film audience practices often have an emphasis on creatively and collectively engaging in rituals and activities around a text. These are the precise qualities that brands require from their consumers. Sharknado was produced and marketed by Syfy to invoke the cult film subculture as part of Syfy’s branding strategy.
    [Show full text]
  • Nosferatu. Revista De Cine (Donostia Kultura)
    Nosferatu. Revista de cine (Donostia Kultura) Título: No diga bajo presupuesto, diga ... Roger Connan Autor/es: Valencia, Manuel Citar como: Valencia, M. (1994). No diga bajo presupuesto, diga ... Roger Connan. Nosferatu. Revista de cine. (14):79-89. Documento descargado de: http://hdl.handle.net/10251/40892 Copyright: Reserva de todos los derechos (NO CC) La digitalización de este artículo se enmarca dentro del proyecto "Estudio y análisis para el desarrollo de una red de conocimiento sobre estudios fílmicos a través de plataformas web 2.0", financiado por el Plan Nacional de I+D+i del Ministerio de Economía y Competitividad del Gobierno de España (código HAR2010-18648), con el apoyo de Biblioteca y Documentación Científica y del Área de Sistemas de Información y Comunicaciones (ASIC) del Vicerrectorado de las Tecnologías de la Información y de las Comunicaciones de la Universitat Politècnica de València. Entidades colaboradoras: Roger Corman :rj c--~- ~ c• 4 e :) ·~ No diga bajo presupuesto, diga ... Roger Corman Manuel Valencia í, bajo presupuesto, por­ céntimo, Ed. Laertes, Barcelona, los niveles de audiencia empeza­ que como bien explica el 1992), jamás realizó una pelícu­ ron a bajar, los estudios estimu­ Spropio Corman en su es­ la de serie B: "La serie B databa laban al público a ir al cine con pléndida y socarrona autobio­ de la Depresión, sólo fue un su­ el incentivo de los programas grafía (Cómo hice cien films en i·eso hasta principios de los años dobles, donde podían verse dos Hollywood y nunca perdí ni un cincuenta. En los treinta, cuando películas al precio de una.
    [Show full text]
  • American Auteur Cinema: the Last – Or First – Great Picture Show 37 Thomas Elsaesser
    For many lovers of film, American cinema of the late 1960s and early 1970s – dubbed the New Hollywood – has remained a Golden Age. AND KING HORWATH PICTURE SHOW ELSAESSER, AMERICAN GREAT THE LAST As the old studio system gave way to a new gen- FILMFILM FFILMILM eration of American auteurs, directors such as Monte Hellman, Peter Bogdanovich, Bob Rafel- CULTURE CULTURE son, Martin Scorsese, but also Robert Altman, IN TRANSITION IN TRANSITION James Toback, Terrence Malick and Barbara Loden helped create an independent cinema that gave America a different voice in the world and a dif- ferent vision to itself. The protests against the Vietnam War, the Civil Rights movement and feminism saw the emergence of an entirely dif- ferent political culture, reflected in movies that may not always have been successful with the mass public, but were soon recognized as audacious, creative and off-beat by the critics. Many of the films TheThe have subsequently become classics. The Last Great Picture Show brings together essays by scholars and writers who chart the changing evaluations of this American cinema of the 1970s, some- LaLastst Great Great times referred to as the decade of the lost generation, but now more and more also recognised as the first of several ‘New Hollywoods’, without which the cin- American ema of Francis Coppola, Steven Spiel- American berg, Robert Zemeckis, Tim Burton or Quentin Tarantino could not have come into being. PPictureicture NEWNEW HOLLYWOODHOLLYWOOD ISBN 90-5356-631-7 CINEMACINEMA ININ ShowShow EDITEDEDITED BY BY THETHE
    [Show full text]
  • American International Pictures (AIP) Est Une Société De Production Et
    American International Pictures (AIP) est une société de production et distribution américaine, fondée en 1956 depuis "American Releasing Corporation" (en 1955) par James H. Nicholson et Samuel Z. Arkoff, dédiée à la production de films indépendants à petits budgets, principalement à destination des adolescents des années 50, 60 et 70. 1 Né à Fort Dodge, Iowa à une famille juive russe, Arkoff a d'abord étudié pour être avocat. Il va s’associer avec James H. Nicholson et le producteur-réalisateur Roger Corman, avec lesquels il produira dix-huit films. Dans les années 1950, lui et Nicholson fondent l'American Releasing Corporation, qui deviendra plus tard plus connue sous le nom American International Pictures et qui produira plus de 125 films avant la disparition de l'entreprise dans les années 1980. Ces films étaient pour la plupart à faible budget, avec une production achevée en quelques jours. Arkoff est également crédité du début de genres cinématographiques, comme le Parti Beach et les films de motards, enfin sa société jouera un rôle important pour amener le film d'horreur à un niveau important avec Blacula, I Was a Teenage Werewolf et Le Chose à deux têtes. American International Pictures films engage très souvent de grands acteurs dans les rôles principaux, tels que Boris Karloff, Elsa Lanchester et Vincent Price, ainsi que des étoiles montantes qui, plus tard deviendront très connus comme Don Johnson, Nick Nolte, Diane Ladd, et Jack Nicholson. Un certain nombre d'acteurs rejetées ou 2 négligées par Hollywood dans les années 1960 et 1970, comme Bruce Dern et Dennis Hopper, trouvent du travail dans une ou plusieurs productions d’Arkoff.
    [Show full text]
  • Film Noir Database
    www.kingofthepeds.com © P.S. Marshall (2021) Film Noir Database This database has been created by author, P.S. Marshall, who has watched every single one of the movies below. The latest update of the database will be available on my website: www.kingofthepeds.com The following abbreviations are added after the titles and year of some movies: AFN – Alternative/Associated to/Noirish Film Noir BFN – British Film Noir COL – Film Noir in colour FFN – French Film Noir NN – Neo Noir PFN – Polish Film Noir www.kingofthepeds.com © P.S. Marshall (2021) TITLE DIRECTOR Actor 1 Actor 2 Actor 3 Actor 4 13 East Street (1952) AFN ROBERT S. BAKER Patrick Holt, Sandra Dorne Sonia Holm Robert Ayres 13 Rue Madeleine (1947) HENRY HATHAWAY James Cagney Annabella Richard Conte Frank Latimore 36 Hours (1953) BFN MONTGOMERY TULLY Dan Duryea Elsie Albiin Gudrun Ure Eric Pohlmann 5 Against the House (1955) PHIL KARLSON Guy Madison Kim Novak Brian Keith Alvy Moore 5 Steps to Danger (1957) HENRY S. KESLER Ruth Ronan Sterling Hayden Werner Kemperer Richard Gaines 711 Ocean Drive (1950) JOSEPH M. NEWMAN Edmond O'Brien Joanne Dru Otto Kruger Barry Kelley 99 River Street (1953) PHIL KARLSON John Payne Evelyn Keyes Brad Dexter Frank Faylen A Blueprint for Murder (1953) ANDREW L. STONE Joseph Cotten Jean Peters Gary Merrill Catherine McLeod A Bullet for Joey (1955) LEWIS ALLEN Edward G. Robinson George Raft Audrey Totter George Dolenz A Bullet is Waiting (1954) COL JOHN FARROW Rory Calhoun Jean Simmons Stephen McNally Brian Aherne A Cry in the Night (1956) FRANK TUTTLE Edmond O'Brien Brian Donlevy Natalie Wood Raymond Burr A Dangerous Profession (1949) TED TETZLAFF George Raft Ella Raines Pat O'Brien Bill Williams A Double Life (1947) GEORGE CUKOR Ronald Colman Edmond O'Brien Signe Hasso Shelley Winters A Kiss Before Dying (1956) COL GERD OSWALD Robert Wagner Jeffrey Hunter Virginia Leith Joanne Woodward A Lady Without Passport (1950) JOSEPH H.
    [Show full text]
  • News Forum Shady Grove Post Office to Close--For Good--On Tuesday?
    50¢ Friday/ Saturday Perry News-Herald May 24-25, 2013 Serving the Tree Capital of the South Since 1889 News Forum Shady Grove Post Office to close--for good--onPerry News-Herald Tuesday? The Shady Grove Post service, told the Perry It is unclear at this Office, which has survived News-Herald Thursday time what will happen several attempts by the that he was notified by a to the approximately U.S. Postal Service to close Postal Service official that 80 patrons who have its doors over the years, morning that they would post office boxes at the appears to have finally lost not be renewing their lease, facility, including its battle. which expires Friday, May whether they will receive Wear your seatbelt! Shady Grove resident 31, and would be vacating service in Perry or Additional Perry Police Auley Rowell, who rents the building Tuesday, May ➟ Please see page 3 Department (PPD) patrols the facility to the postal 28. will be on the streets this Memorial Day weekend as part of the nationwide “Click It or Ticket It” campaign. ‘Daddy!’ Downtown Officers will be stepping up enforcement of seatbelt and treasure traffic regulations. “We encourage everyone to buckle up. Violators face back in minimum fines of $101. A recent survey showed that local hands the number of people locally who use their seatbelts The Bloodworth building is lower than the national has anchored the corner of average. We need to change Green Street and Jefferson that,” officials said. for more than a century. The “Click It or Ticket It” In recent years, the campaign kicked off May building passed to out-of- 20 and continues through town owners and has stood June 2.
    [Show full text]
  • Family Matters
    COVER STORY..............................................................2 The Sentinel FEATURE STORY...........................................................3 SPORTS.....................................................................4 MOVIES............................................................8 - 22 WORD SEARCH/ LATE LAUGHS/ CABLE GUIDE....................10 COOKING HIGHLIGHTS..................................................12 SUDOKU..................................................................13 tvweek STARS ON SCREEN/Q&A..............................................23 January 29 - February 4, 2017 Family Milo Ventimiglia and Mandy matters Moore star in “This Is Us” Ewing Brothers 2 x 3 ad www.Since1853.com Averaging more than nine million viewers per episode, “This Is Us” is barreling through its freshman season, having secured a full-season order just hours after its premiere. Starring Milo Ventimiglia (“Gilmore Girls”) and 630 South Hanover Street Mandy Moore (“A Walk to Remember,” 2002) among its ensemble cast, the series jaunts back and forth between Carlisle•7 17-2 4 3-2421 different time periods as it follows several characters whose lives are intertwined. An episode of “This Is Us” airs Tuesday, Jan. 31, on NBC. Steven A. Ewing, FD, Supervisor, Owner 2 JANUARY 28 CARLISLE SENTINEL cover story out, putting the focus on sec- mon”), the doc who delivered Dan Fogelman’s ‘This Is Us’ is a freshman hit ondary characters and their Kevin and Kate and comes own back stories. Here, in par- back into the picture a decade By Jacqueline Spendlove ticular, we see more into the or so later. TV Media past of Randall’s birth father, Catch up with “This Is Us” William (Ron Cephas Jones, when an episode of the break- f you’re perusing a list of the “Half Nelson,” 2006), and Dr. K out hit airs Tuesday, Jan. 31, Ibest new shows of fall 2016, (Gerald McRaney, “Simon & Si- on NBC.
    [Show full text]
  • Guide to the Donald J. Stubblebine Collection of Theater and Motion Picture Music and Ephemera
    Guide to the Donald J. Stubblebine Collection of Theater and Motion Picture Music and Ephemera NMAH.AC.1211 Franklin A. Robinson, Jr. 2019 Archives Center, National Museum of American History P.O. Box 37012 Suite 1100, MRC 601 Washington, D.C. 20013-7012 [email protected] http://americanhistory.si.edu/archives Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Arrangement..................................................................................................................... 2 Scope and Contents........................................................................................................ 2 Biographical / Historical.................................................................................................... 1 Names and Subjects ...................................................................................................... 3 Container Listing ............................................................................................................. 4 Series 1: Stage Musicals and Vaudeville, 1866-2007, undated............................... 4 Series 2: Motion Pictures, 1912-2007, undated................................................... 327 Series 3: Television, 1933-2003, undated............................................................ 783 Series 4: Big Bands and Radio, 1925-1998,
    [Show full text]
  • Teenagers, Everyday Life and Popular Culture in 1950S Ireland
    Teenagers, Everyday Life and Popular Culture in 1950s Ireland Eleanor O’Leary, BA., MA. Submitted for qualification of PhD Supervised by Dr Stephanie Rains, Centre for Media Studies, National University of Ireland, Maynooth Head of Department: Dr Stephanie Rains Submitted October 2013 I hereby certify that this material, which I now submit for assessment on the programme of study leading to the award of PhD, is entirely my own work and has not been taken from the work of others save and to the extent that such work has been cited and acknowledged within the text of my work. Signed: ____________________________________ ID No. ____________________________________ Date: ____________________________________ Table of Contents List of Illustrations ...................................................................................................................................... 2 List of Tables ............................................................................................................................................... 4 Abstract ........................................................................................................................................................ 5 Acknowledgements ..................................................................................................................................... 6 Introduction ................................................................................................................................................. 8 Chapter 1 – Education and Opportunities...........................................................................................
    [Show full text]
  • I Excavating the Ghetto Action Cycle (1991-1996): a Case Study for A
    Excavating the Ghetto Action Cycle (1991-1996): A Case Study for a Cycle-Based Approach to Genre Study by Amanda Ann Klein B.A. in English, Cornell University, 1999 M.A. in English, University of Pittsburgh, 2001 Submitted to the Graduate Faculty of Department of English in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2007 i UNIVERSITY OF PITTSBURGH FACULTY OF ARTS AND SCIENCES This dissertation was presented by Amanda Ann Klein It was defended on July 24, 2007 and approved by Dr. Jane Feuer, Associate Professor, Department of English Dr. Neepa Majumdar, Assistant Professor, Department of English Dr. Paula Massood, Associate Professor, Department of English (Brooklyn College) Dissertation Chair: Dr. Lucy Fischer, Distinguished Professor, Department of English ii Copyright © by Amanda Ann Klein 2007 iii Excavating the Ghetto Action Cycle (1991-1996): A Case Study for a Cycle-Based Approach to Genre Study Amanda Ann Klein, Ph.D. University of Pittsburgh, 2007 The following dissertation, “Excavating the Ghetto Action Cycle (1991-1996): A Case Study for a Cycle-based Approach to Genre Theory,” traces an historical, cultural and theoretical genealogy for the ghetto action cycle. This controversial cycle, which was initiated by the success of films like Boyz N the Hood and Menace II Society, participated in the period’s broad cultural debates about race, class, crime and youth. As film cycles are strongly shaped by audience desire, financial viability, current events and studio whims, I argue that they retain the marks of their historical, socioeconomic and generic contexts more precisely than genres, which, because of their longevity and heterogeneity, can be unwieldy objects of study.
    [Show full text]
  • A Social History of Prohibition in Oklahoma, 1900-1920
    A SOCIAL HISTORY OF PROHIBITION IN OKLAHOMA, 1900-1920 By JAMES EDWARD KLEIN Bachelor of Arts University of Iowa Iowa City, Iowa 1987 Master of Arts University oflowa Iowa City, Iowa 1990 Submitted to the Faculty of the Graduate College of the Oklahoma State University in partial fulfillment of the requirements for the Degree of DOCTOR OF PHILOSOPHY May,2003 COPYRIGHT By James E. Klein May, 2003 ii A SOCIAL HISTORY OF PROHIBITION IN OKLAHOMA, 1900-1920 Thesis Approved: Dean of the Graduate College 111 ACKNOWLEDGEMENTS For their gracious help and patience, I am indebted to the librarians and staff at the Oklahoma Historical Society Archives and Newspaper Archives, the Archives Division of the Oklahoma Department of Libraries, the Western History Collection at the University of Oklahoma, and the Special Collections Department at the Tulsa University Mcfarlin Library. I also received indispensable assistance from the Special Collections and University Archives Department, the Government Documents Department, the Microform and Media Department, and the Interlibrary . Services Department at the Edmon Low Library at Oklahoma State University. Their efforts were integral to the completion of this project. Allen Engle of the OSU College of Arts and Sciences Technical Services office provided invaluable service when I encountered mechanical difficulties at a critical juncture in the writing process. The members of my committee---Dr. Ronald A. Petrin, Dr. Michael F. Logan, Dr. Joseph F. Byrnes, and Dr. Charles K. Edgley---have been of great assistance to me in the formulation and completion of this dissertation, as have other members of the OSU History Department faculty.
    [Show full text]