How I Made a Hundred Movies in Hollywood and Never Lost a Dime Pdf

Home , A Bucket of Blood, Five Guns West, Highway Dragnet, Roger Corman Presents, Teenage Doll

FREE HOW I MADE A HUNDRED MOVIES IN HOLLYWOOD AND NEVER LOST A DIME PDF

Roger Corman borna filmmaker with several hundred films to his credit, has rightly been called the "King of the B Movies. Since Corman has operated successful independent film production and distribution companies. Roger Corman's childhood gave few clues that, in later years, he would create hundreds of low-budget films that would make him one of Hollywood's best-known directors. He was born in Detroit, Michigan, on April 5,the first child of European immigrants William and Ann Corman; his brother Gene who also became a producer was born 18 months later. As a child Corman was more interested in sports and building model airplanes than in film. William Corman, an engineer, was forced to take a huge pay cut during the Great Depression that began in The family moved to the "poor side" of Beverly Hills, California, while Corman was in high school. He became fascinated with the stories of Edgar Allan Poe asking for a complete set of Poe's works as a giftbut he planned to become an engineer like his father. After graduating from high How I Made a Hundred Movies in Hollywood and Never Lost a Dime, Corman studied engineering How I Made a Hundred Movies in Hollywood and Never Lost a Dime Stanford University and participated in the Navy's officer training program. InCorman graduated from Stanford and, after several months of unemployment, took an engineering job. He realized immediately that How I Made a Hundred Movies in Hollywood and Never Lost a Dime was not the work for him, and quit the first week. Through a family friend he was hired as a messenger at Twentieth Century Fox. His lifelong career in the film industry had begun, to be interrupted only briefly inwhen he became irritated with studio bureaucracy and spent a year studying and traveling in Europe. While working in Hollywood as a literary agent after returning from Europe, Corman also began to write screenplays. He sold his first screenplay, Highway Dragnet, to Allied Artists in and also became the film's associate producer. The next year Corman used the money he made from this work to finance his first independently produced film, The Monster from the Ocean Floor. Monsters, aliens, supernatural villains, and other frightening characters almost always lay at the heart of Corman's films. During the next five years Corman produced or directed more than 30 films for American International Pictures AIPsometimes completing six or more films per year. He also branched out into gangster films, as in 's Machine Gun Kelly starring Charles Bronson ; westerns, beginning with 's Five Guns West ; and teen-oriented films, with flimsy plots but catchy titles like Teenage Doll and Rock All Night Always looking for ways to cut costs, Corman frequently acted in these films when more actors were needed, and others on the set also pitched in to play characters or trade jobs when necessary. As pointed out by Greg Villepique in Salon, Corman also injected a great deal of slightly bizarre wit into his films. For instance, when the evil coed in 's Sorority Doll is discovered beating up one of the pledges, she protests, "All I did was spank her a little. In Corman directed one of his best- known horror classics, A Bucket of Blood. Walter Paisley a character who returns in later Corman films is a busboy in a beatnik coffeehouse, who discovers a hidden "talent" for sculpture when he coats a neighbor's dead cat in plaster. When there is a demand for more of his work, he takes the obvious Corman route and human "sculptures" start to appear as people in the neighborhood also start to disappear. A Bucket of Blood, shot in only five days, introduced a decade of similar films from Corman. He followed up with The Little Shop of Horrorsin which the main human character Seymour Krelboin, an assistant in a florist shop, takes second billing to Audrey Jr. Audrey Jr. After rehearsing for three days, Corman completed filming in a mere two days, perhaps a record for a feature film. Init also was adapted into an award-winning stage musical. Based on the success of Bucket and Little Shop, Corman found himself in an unusual position. AIP gave him larger budgets and he was able to spend more time shooting his films. He embarked on some of his most famous films, a series based on How I Made a Hundred Movies in Hollywood and Never Lost a Dime and poems by Edgar Allan Poe and starring Vincent Price. For Masque, Corman reused elaborate castle sets from the historical epic Beckett. The film's cinematographer, Nicholas Roeg, created a surrealistic atmosphere that he later used in his own films, such as Don't Look Now. After The Raven was completed, Corman decided to reuse the castle sets for another quick film before tearing them down, and got Karloff to stay for two more days to shoot The Terror, costarring Jack Nicholson and How I Made a Hundred Movies in Hollywood and Never Lost a Dime by Nicholson and Francis Ford Coppola. However, it took several months after Karloff's departure to piece together the film; Corman called it the longest production of his career, but also said it was "a classic story of how to make a film out of nothing. During the civil unrest of the late twentieth century, Corman an acknowledged liberal nevertheless remained devoted to the apolitical film subjects that had made him famous. In his Salon article, Villepique discussed one of the only films in which Corman explored a political subject. Corman himself went to the Deep South to shoot the film, and used local residents as film extras without revealing how critical the film was of civil rights opponents. He and his crew just managed to finish the film before being ordered out of town by the local police. The Intruder was a failure in theaters, even after he gave it a new name more typical of his films, I Hate Your Guts! Some of Corman's other films of the s focused on characters who later became stereotypes of that decade's lifestyles. The Wild Angels was one of the first films to look at "biker" culture; it featured little-known actors Peter Fonda and Nancy Sinatra. Another low-budget production, The Wild Angels was extremely violent for its time. Other notable Corman films of the s and early s included Voyage to the Prehistoric PlanetBloody Mamastarring Shelley Winters as the mother of an outlaw gang, and Women in Cages Corman, whose films still were considered low-budget but now often cost two million dollars, became increasingly frustrated with what he considered the wastefulness and excessive interference of the major Hollywood studios. Inhe established New World Pictures, which immediately turned a profit and soon became the country's largest independent film distribution company. But the profits from these films also enabled New World to distribute art films by noted directors such as Francois Truffault and Federico Fellini. In Corman decided to stop distributing films so that he could devote more attention to producing them. He sold New World and set up a new company, Concorde-New Horizons, which devoted itself largely to producing horror and martial arts films for distribution to theaters and a cable television series, "Roger Corman Presents. He continues to provide his fans with installments of Alien Avengers and other films with the typical Corman features. Despite his nickname, "King of the B Movies," Corman's films nevertheless have received critical acclaim in addition to their ongoing popularity with filmgoers. Perhaps one of the most distinguished features of Corman's long career has been his ability to recognize young screen talent. Corman has retained a fondness for the early horror films that established his career. By continuing, you agree to our Terms of Use and Privacy Policy. Please set a username for yourself. People will see it as Author Name with your public flash cards. Biography Roger Corman Facts Roger Corman borna filmmaker with several hundred films to his credit, has rightly been called the "King of the B Movies. Early Films Set Pattern While working in Hollywood as a literary agent after returning from Europe, Corman also began to write screenplays. Founded Independent Film Companies Corman, whose films still were considered low-budget but now often cost two million dollars, became increasingly frustrated with what he considered the wastefulness and excessive interference of the major Hollywood studios. Periodicals Entertainment Weekly, May 19, Forbes, April 15, Encyclopedia of World Biography. Copyright The Gale Group, Inc. All rights reserved. Link to this page. Roger Corman. In YourDictionary. Roger Corman Images. Home Reference Biography Roger Corman. Also Mentioned In. Penrose Roger rodger rogernomics jolly-rogers. Join YourDictionary today. Roger Corman Facts

The lowest-priced brand-new, unused, unopened, undamaged item in its original packaging where packaging is applicable. Packaging should be the same as what is found in a retail store, unless the item is handmade or was packaged by the manufacturer in non-retail packaging, such as an unprinted box or plastic bag. See details for additional description. Hardback or softcover, if you are into movies you need to buy a copy of this, read it, set it aside for a year, then read it again-- it will seem like a whole new book with some time to mature in your mind. Roger Corman was supposed to be an engineer, but somehow wound up lucking into movies, created a whole new "make it and run" methodology of movie making, and started the careers of a large slice of Hollywood, including some of the biggest names. Reading the book, watching the movies, then going back and reading on the "how" it happened makes the movie more interesting, more fun, and makes you wonder just how he managed to do this kind of thing. Verified purchase: Yes Condition: Pre-owned. Skip to main content. About this product. Stock photo. Brand new: Lowest price The lowest-priced brand-new, unused, unopened, undamaged item in its original packaging where packaging is applicable. Buy It Now. Add to cart. About this product Product Identifiers Publisher. Additional Product Features Dewey Edition. Show More Show Less. Any Condition Any Condition. See all 6 - All listings for this product. Ratings and Reviews Write a review. Most relevant reviews. Low budget opened up to see the guts. Great insight on how successful horror films are gives excellent information as to why horror films make money and How I Made a Hundred Movies in Hollywood and Never Lost a Dime to make sure you have the important ingredients to make it Verified purchase: Yes Condition: Pre-owned. Best Selling in Nonfiction See all. Bill o'Reilly's Killing Ser. When Women Pray Hardcover T. Jakes Christian Inspirational No ratings or reviews yet. Save on Nonfiction Trending price is based on prices over last 90 days. You may also like. James Howe Hardcover Books. Hardcover Jim DeFelice. Hardcover Jim Davis. How I Made a Hundred Movies in Hollywood and Never Lost a Dime Roger Hargreaves. Jim Butcher Hardcover Books. Roger Zelazny Hardcover Books. This item doesn't belong on this page.

Goodreads helps you keep track of books you want to read. Want to Read saving…. Want to Read Currently Reading Read. Other editions. Enlarge cover. Error rating book. Refresh and try again. Open Preview See a Problem? Details if other :. Thanks for telling us about the problem. Return to Book Page. Jim Jerome. Get A Copy. Paperbackpages. More Details Original Title. Other Editions 6. Friend Reviews. To see what your friends thought of this book, please sign up. Lists with This Book. Community Reviews. Showing Average rating 3. Rating details. More filters. Sort order. Oct 28, Leo Robertson rated it really liked it. Inspiring book for any creative. How do you create? Just get it done! How much experience do you need? How much do ya got?! Keep your cool get out there and make stuff!! Feb 11, Andy rated it it was amazing Shelves: hollywoodbabylon. If you like trashy movies you have to read this great book written by a man who nobly dropped acid to make sure he replicated the experience correctly for his sleaze classic "The Trip". Lots of dirt on the great Edgar Allen Poe movies he made with Vincent Price and some cool stories about the late, great Beverly Garland, too. Highly recommended. View 1 comment. Jan 29, Michael rated it liked it Recommends it for: Psychotronics fans, aspiring filmmakers, film historians. Shelves: popular- historymemoirs. I bought this book waaay back How I Made a Hundred Movies in Hollywood and Never Lost a Dime I was actually working in independent film, but only got around to reading it now. I'm glad it exists. In the independent film world there is a myth that independent filmmaking was introduced in the s and that before that there was nothing. Roger Corman sets the record straight by talking about his own independent filmmaking experience in the s and 60s, and by enumerating every famous independent filmmaker he trained Demme, Coppola, Scorcese, Dante, Bo I bought this book waaay back when I was actually working in independent film, but only got around to reading it now. Roger Corman sets the record straight by talking about his own independent filmmaking experience in the s and 60s, and by enumerating every famous independent filmmaker he trained Demme, Coppola, Scorcese, Dante, Bogdonovich He's not a particularly good writer, even with the collaboration of Jim Jerome, but his stories are so darn interesting that it doesn't really matter. The only times I felt the book got bogged down was when he felt the need to go into detail on the financials of distribution - and some people might find that useful or interesting. The title of the book is, of course, a brag. Corman admits that some of his pictures didn't do as well as he was hoping, but the point is that he certainly never went bankrupt, was hardly ever sued, and found ways of staying afloat even during some of the bigger "crisis" moments for the major studios. I once heard or read someone claim that Roger Corman says he "never made a bad film. He admits that the end-product of his work is mixed, but, like millions of How I Made a Hundred Movies in Hollywood and Never Lost a Dime movie fans all over the world, he retains a certain affection for all of them, even targets for MST3K like "It Conquered the World. Corman took the time to try to put whatever production value he could manage on the screen, in spite of shoestring budgets, and the sense comes through, both in the book and on the screen, that he cared whether what he had in the end was worth an audience's time. He did this without wasting his backers' money, and in the process managed to learn a great deal about filmmaking, and himself. That personal quest is what makes this book worthwhile. Apr 07, Garrett Cash rated it really liked it Shelves: businessnonfictionhistoryautobiographyhorrorfilmlos-angelescaliforniacult-movies. Roger Corman's name may not always be placed in the pantheon of directors like John How I Made a Hundred Movies in Hollywood and Never Lost a Dime, Orson Welles, or Howard Hawks when discussing the greatest and most influential American directors, but I believe that he is still arguably one of the most influential and fascinating. First of all, there's his status as one of the earliest and most successful independent filmmakers in Hollywood. There's the fact that his work ranges from 50's atomic sci-fi drive in cinema, to risky statement films, gothic Roger Corman's name may not always be placed in the pantheon of directors like John Ford, Orson Welles, or Howard Hawks when discussing the greatest and most influential American directors, but I believe that he is still arguably one of the most influential and fascinating. There's the fact that his work ranges from 50's atomic sci-fi drive in cinema, to risky statement films, gothic masterpieces, counterculture staples, and ultimately 70's indie legends. His brilliant system of low-cost filmmaking is one employed by many of the greatest filmmakers in all of cinema. His generosity in giving a space for untested talent to work led to some of the greatest talents art has ever known to flourish. On top of all this, he made many imaginative films that continue to be seen and influence young filmmakers. The guy really has a lot going for him. Even though he may have never made that one masterpiece statement that cemented his legacy as an artist, his life and work were fruitful in a way that is particularly unusual for a man working in the exploitation cinema business. Even if you're not a fan of his films, his life is admirable and inspirational. I personally love watching Corman's films and find them just as informative to my development as an artist as watching any of the celebrated art directors. This being the case, I knew I had to read Corman's account of his incredible career in Hollywood. Just as I had found in his films and the movies made by his pupils, the book encouraged and inspired me to get out there and make movies. All it took was imagination, drive, and a eye for what might sell that gave Corman what he needed to succeed. This account of his life, that generally spans from his days directing 50 minute drive-in flicks to producing and distributing movies from the most successful indie company in Hollywood, is a must read for any fan of underground movies and for those who see themselves making films. It will teach you more than you realize at the time you read it. Jul 13, Jack Herbert Christal Gattanella rated it really liked it Shelves: biomade-into- movies. Scorsese on Corman : "I had expected in Roger a Harry Cohn type, a rough, very crude person who was a genius at knowing what people wanted and how to market it. Instead I found him a very courteous and gentlemanly guy, but a very stern and tough customer who was quite polite as he explained these outrageous tactics of exploitation in cold, calm terms. It was very funny. Roger is despite himself, the most remarkable type of artist because, while not taking himself too seriously, he was able to i Scorsese on Corman : "I had expected in Roger a Harry Cohn type, a rough, very crude person who was a genius at knowing what people wanted and how to market it. Roger is despite himself, the most remarkable type of artist because, while not How I Made a Hundred Movies in Hollywood and Never Lost a Dime himself too seriously, he was able to inspire and nurture other talent in a way that was never envious or difficult - but always generous. He's a wildly gifted, masterful director in complete command of the medium; superb casting, superb camera work and editing, amazing storytelling, and brilliant graphic use of the frame. He's a giant. Corman's saga first-hand is a little like reading Lumet's 'Making Movies', only it's the "B" Side and I know, I know, he doesn't like being called "Kind of the B's", whatever, it sounds like he's leading a SWARM which is an awesome, cinematic visual as far as leading the charge of independent-minded filmmaking against the usual-numbed masses and stinging some bastards. I think if a How I Made a Hundred Movies in Hollywood and Never Lost a Dime person younger than me I mean, though me too I guess as a guy in his 30's looking to get into filmmaking wants to know what goes into it, this gives a good idea about the simple fact of, generally, two things: 1 you learn on the job, especially when resources are tight and you got to use what you got, and 2 filmmaking is hard but at least it's better than dealing with the money side of things. Not unlike Corman's movies at his best, his memoir is not something that is any kind of chore to ingest: it's fast, exciting, and unusual in places. What one comes away with is that Corman is And at the same time his outsider status was a badge of pride and something that made him a hero Corman's storytelling, along with writer Jim Jerome, is chock-full of great anecdotes, about himself a couple of stories about his pre-filmmaking days are pivotal to understanding his development into an iconoclast, even to something like a time he got mugged while in the Navybut also about the people he worked with - and there are COUNTLESS people to mention like Nicholson but also the young up-n-comers he had in the 70s like Joe Dante and Jonathan Demme and Allan Arkush and those women filmmakers he also got to get some movies made not a lot but, hey, he tried, i. That actually helps to put some of what Corman says into a greater context of the time, so that you can see what his generosity - and also at times his stinginess and also his stern, no-BS attitude, got as far as collaborators, not to mention as a man who, only once he got in to some bad deals with people who bought New World Pictures in the 80's, never had a legal problem ever. When he talks about the tough shit he went through with AIP when they started to cut into his films in the 60's and 70's - extraordinary if flawed exploitation epics THE TRIP and GASSS are not fully as he envisioned them as we now see them due to the cuts imposed by the indie studio - one feels sympathy One might say he was the mogul solely, it wasn't a whole group of people deciding like at AIP, but he also shows no awareness or even recognition of what he had become as someone who was running a studio How I Made a Hundred Movies in Hollywood and Never Lost a Dime owned ALL the films. It's undeniable he gave starts to a great, great many people, and I will love and respect the man forever for that Also, though he eventually in the later part of the book How I Made a Hundred Movies in Hollywood and Never Lost a Dime this part of it, I wondered early on if he would point out the fact that, well, frankly a good number of the movies he made were crap. It's only How I Made a Hundred Movies in Hollywood and Never Lost a Dime later on in the book that he acknowledges that, yeah, I know, I could've gone farther and swung for the fences with the majors or tried for more money for my productions By this point I was glad to see some of this introspection, but it comes after a while. That's the key to this and the Lumet book, aside from all of the technical advise or things like understanding psychology with actors or doing this or that when it comes to tricks or ideas in the process of How I Made a Hundred Movies in Hollywood and Never Lost a Dime - that if you are constantly trying not just to churn shit out but to also challenge oneself, even just barely, it's bound to result in some fascinating things to show the world. In other words, Corman is a man of contradictions, foibles, generosity, anger at timespride, and awe at the good things in the world. Jun 21, Gareth Rafferty rated it liked it. His influence on low-budget filmmaking has been great, many filmmakers got their start working with him. I watched and enjoyed A Bucket Of Blood between chapters; I have more respect for Jack Nicholson as an all-round filmmaker, knowing more of his contributions. I started to wish it was done with more self-awareness and humour, perhaps a bit of self-deprecating irony. The man is a success, but How I Made a Hundred Movies in Hollywood and Never Lost a Dime want to read about his doubts and struggles too.