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Shang Dynasty
misterfengshui.com 風水先生 History of China ANCIENT 3 Sovereigns and 5 Emperors Xia Dynasty 2100–1600 BC Shang Dynasty 1600–1046 BC Zhou Dynasty 1122–256 BC Western Zhou Eastern Zhou Spring and Autumn Period Warring States Period IMPERIAL Qin Dynasty 221 BC–206 BC Han Dynasty 206 BC–220 AD Western Han Xin Dynasty Eastern Han Three Kingdoms 220–280 Wei, Shu & Wu Jin Dynasty 265–420 Western Jin 16 Kingdoms Eastern Jin 304–439 Southern & Northern Dynasties 420–589 Sui Dynasty 581–618 Tang Dynasty 618–907 ( Second Zhou 690–705 ) 5 Dynasties & 10 Kingdoms 907–960 Liao Dynasty 907–1125 Song Dynasty 960–1279 Northern Song Xi Xia Southern Song Jin Yuan Dynasty 1271–1368 Ming Dynasty 1368–1644 Qing Dynasty 1644–1911 MODERN Republic of China 1912–1949 People's Republic of China (Mainland China) 1949–present Republic of China (Taiwan) 1945-present from Wilkipedia [email protected] Fax: 852-2873-6859 misterfengshui.com 風水先生 Timeline of Chinese History The recorded history of China began in the 15th century BC when the Shang Dynasty started to use markings that evolved into the present Chinese characters. Turtle shells with markings reminiscent of ancient Chinese writing from the Shang Dynasty have been carbon dated to as early as 1500 BC.[1] Chinese civilization originated with city-states in the Yellow River (Huang He) valley. 221 BC is commonly accepted to be the year in which China became unified under a large kingdom or empire. In that year, Qin Shi Huang first united China. Successive dynasties in Chinese history developed bureaucratic systems that enabled the Emperor of China to control increasingly larger territory that reached maximum under the Mongolian Yuan Dynasty and Manchurian Qing Dynasty. -
2013 ANZSI Conference: “Intrepid Indexing: Indexing Without
Intrepid indexing: indexing without boundaries 13–15 March 2013 Wellington, New Zealand Table of Contents Papers • Keynote: Intrepid indexing: from the sea to the stars, Jan Wright • Publishers, Editors and Indexers: a panel discussion, Fergus Barrowman, Mei Yen Chua and Simon Minto • Māori names and terms in indexes, texts and databases, Robin Briggs, Ross Calman, Carol Dawber • EPUB3 Indexes Charter and the future of indexing, Glenda Browne • People and place : the future of database indexing for Indigenous collections in Australia, Judith Cannon and Jenny Wood • Indexing military history, Peter Cooke • Ethics in Indexing, Heather Ebbs • Running an Indexing Business, Heather Ebbs, Pilar Wyman, Mary Coe and Tordis Flath • Archives and indexing history in the Pacific Islands, Uili Fecteau and Margaret Pointer • Typesetting Dilemmas, Tordis Flath and Mary Russell • Can an index be a work of art? Lynn Jenner and Tordis Flath • Advanced SKY Index, Jon Jermey • East Asian names: understanding and indexing Chinese, Japanese and Korean (CJK) names, Lai Lam and Cornelia (Nelly) Bess • Intermediate CINDEX - Patterns for the Plucky, Frances Lennie • Demystifying indexing: keeping the editor sane! Max McMaster (presented by Mary Russell) • Numbers in Indexing, Max McMaster (presented by Mary Russell) • Japan's indexing practice, Takashi Matsuura • Understanding Asian Names, Fiona Price • Indexing Tips and Traps; Practical approaches to improving indexes and achieving ANZSI Accreditation, Sherrey Quinn o Indexing Tip and Traps — slides o Practical -
Dissertation Section 1
Elegies for Empire The Poetics of Memory in the Late Work of Du Fu (712-770) Gregory M. Patterson Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2013 ! 2013 Gregory M. Patterson All rights reserved ABSTRACT Elegies for Empire: The Poetics of Memory in the Late Work of Du Fu (712-770) Gregory M. Patterson This dissertation explores highly influential constructions of the past at a key turning point in Chinese history by mapping out what I term a poetics of memory in the more than four hundred poems written by Du Fu !" (712-770) during his two-year stay in the remote town of Kuizhou (modern Fengjie County #$%). A survivor of the catastrophic An Lushan rebellion (756-763), which transformed Tang Dynasty (618-906) politics and culture, Du Fu was among the first to write in the twilight of the Chinese medieval period. His most prescient anticipation of mid-Tang concerns was his restless preoccupation with memory and its mediations, which drove his prolific output in Kuizhou. For Du Fu, memory held the promise of salvaging and creatively reimagining personal, social, and cultural identities under conditions of displacement and sweeping social change. The poetics of his late work is characterized by an acute attentiveness to the material supports—monuments, rituals, images, and texts—that enabled and structured connections to the past. The organization of the study attempts to capture the range of Du Fu’s engagement with memory’s frameworks and media. It begins by examining commemorative poems that read Kuizhou’s historical memory in local landmarks, decoding and rhetorically emulating great deeds of classical exemplars. -
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Lipsey, Eleanor Laura (2018) Music motifs in Six Dynasties texts. PhD thesis. SOAS University of London. http://eprints.soas.ac.uk/32199 Copyright © and Moral Rights for this thesis are retained by the author and/or other copyright owners. A copy can be downloaded for personal non‐commercial research or study, without prior permission or charge. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the copyright holder/s. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the copyright holders. When referring to this thesis, full bibliographic details including the author, title, awarding institution and date of the thesis must be given e.g. AUTHOR (year of submission) "Full thesis title", name of the School or Department, PhD Thesis, pagination. Music motifs in Six Dynasties texts Eleanor Laura Lipsey Thesis submitted for the degree of PhD 2018 Department of East Asian Languages and Cultures China & Inner Asia Section SOAS, University of London 1 Abstract This is a study of the music culture of the Six Dynasties era (220–589 CE), as represented in certain texts of the period, to uncover clues to the music culture that can be found in textual references to music. This study diverges from most scholarship on Six Dynasties music culture in four major ways. The first concerns the type of text examined: since the standard histories have been extensively researched, I work with other types of literature. The second is the casual and indirect nature of the references to music that I analyze: particularly when the focus of research is on ideas, most scholarship is directed at formal essays that explicitly address questions about the nature of music. -
Chikurin Shichiken 竹林七賢 Seven Wise Men of the Bamboo Thicket Seven Sages of the Bamboo Grove
Notebook, Slide 31 Condensed Visual Classroom Guide to Daikokuten Iconography in Japan. Copyright Mark Schumacher. 2017. Chikurin Shichiken 竹林七賢 Seven Wise Men of the Bamboo Thicket Seven Sages of the Bamboo Grove Below text from Japan Architecture and Art Net User System (JAANUS) Chn: Zhulinqixian. Lit. Seven Sages of the Bamboo Grove. A pictorial theme based on seven Chinese literati who, to escape the social chaos of the Wei-Jin period, fled to a secluded bamboo grove chikurin 竹林 where they could express their personalities freely by the enjoyment of pure conversation seidan 清談, music, and wine. The Seven Sages are: Ruan Ji (Jp: Gen Seki 阮籍; 210-263), Ji Kang (Jp: Kei Kou 稽康; 223-266), Shan Tao (Jp: San Tou 山 涛; 205-266), Xiang Xiu (Jp: Kyou Shuu 向秀; 221-300), Liu Ling (Jp: Ryou Rei 劉伶; ca. 225- 280), Wang Rong (Jp: Oujuu 王戎; 234-305), and, Ruan Xian (Jp: Gen Kan 阮咸, nephew of Ruan Ji). All were famous for the purity of their reclusive spirits, their strong Taoist and anti- Confucian values, and their strikingly eccentric personalities. The Seven Sages are mentioned in several Chinese texts, most notably Shushuoxinyu (Jp: SESETSU SHINGO 世説新語; ca 5c) or New Specimens of Contemporary Talk. The earliest depiction of the subject is found on a set of late 4c or early 5c clay tomb tiles from the Xishanqiao 西善橋 area of Nanjing 南京. Typical Chinese iconography shows gentlemen playing musical instruments and writing poetry as well as drinking wine. The subject was popular with Japanese painters of the Momoyama and early Edo periods who tended to transform the theme into a rather generalized image of reclusive scholars engaging in literary pursuits. -
Mencius on Becoming Human a Dissertation Submitted To
UNIVERSITY OF HAWNI LIBRARY MENCIUS ON BECOMING HUMAN A DISSERTATION SUBMITTED TO THE GRADUATE DIVISION OF THE UNIVERSITY OF HAWAI'I IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY IN PHILOSOPHY DECEMBER 2002 By James P. Behuniak Dissertation Committee: Roger Ames, Chairperson Eliot Deutsch James Tiles Edward Davis Steve Odin Joseph Grange 11 ©2002 by James Behuniak, Jr. iii For my Family. IV ACKNOWLEDGEMENTS With support from the Center for Chinese Studies at the University of Hawai'i, the Harvard-Yenching Institute at Harvard University, and the Office of International Relations at Peking University, much of this work was completed as a Visiting Research Scholar at Peking Univeristy over the academic year 2001-2002. Peking University was an ideal place to work and I am very grateful for the support of these institutions. I thank Roger Ames for several years of instruction, encouragement, generosity, and friendship, as well as for many hours of conversation. I also thank the Ames family, Roger, Bonney, and Austin, for their hospitality in Beijing. I thank Geir Sigurdsson for being the best friend that a dissertation writer could ever hope for. Geir was also in Beijing and read and commented on the manuscript. I thank my committee members for comments and recommendations submitted over the course of this work. lowe a lot to Jim Tiles for prompting me to think through the subtler components of my argument. I take full responsibility for any remaining weaknesses that carry over into this draft. I thank my additional member, Joseph Grange, who has been a mentor and friend for many years. -
Презентация На Тему Ancient Civilizations
Compiled by : Golovkova Anastasia Yechina Helen Ilyakova Vitalina Obolonkova Alina Rome GREECE China Egypt China Records of Myths A number of works record ancient Chinese mythology in their settled forms. Most myths extant today are derived from their recording in these works. Shan Hai Jing - Literally Mountain and Sea Scroll, the Shan Hai Jing describes the myths, witchcraft, and religion of ancient China in great detail and also has a record of the geography, sea and mountains, history, medicine, customs, and ethnicities in ancient times. It has been called an early encyclopedia of China. Shui Jing Zhu - Literally Commentaries on the Water Scroll, this work began as commentaries on the briefer work of the Water Scroll, but became famous of its own accord because of its extensive record of geography, history, and associated legends. HeVan Zhuan - Epic of Darkness Literally Epic of the Darkness,this is the only collection of legends in epic form preserved by a community of the Han nationality of China, namely, inhabitants of the Shennongjia mountain area in Hubei, containing accounts from the birth of Pangu till the historical era. Myths and Legends Great Flood Shun passed his place as leader of the Huaxia tribe to Yu the Great. According to legend, the Yellow River was prone to flooding, and erupted in a huge flood in the time of Yao. Yufs father, Gun, was put in charge of flood control by Yao, but failed to alleviate the problem after 9 years. He was executed by Shun, and Yu took his father's place, and led the people in building canals and levees. -
The Forbidden Classic of the Jade Hall: a Study of an Eleventh-Century Compendium on Calligraphic Technique
forbidden classic of the jade hall pietro de laurentis The Forbidden Classic of the Jade Hall: A Study of an Eleventh-century Compendium on Calligraphic Technique pecific texts regarding the scripts of the Chinese writing system and S the art of calligraphy began appearing in China at the end of the first century ce.1 Since the Postface to the Discussion of Single Characters and Explanation of Compound Characters (Shuowen jiezi xu 說文解字序) by Xu Shen 許慎 (ca. 55–ca. 149),2 and the Description 3 of the Cursive Script I would like to express my deepest gratitude to Ms. Chin Ching Soo for having provided sharp comments to the text, for having polished my English, and for having made the pres- ent paper much more readable. I would also like to thank Howard L. Goodman for his help in rendering several tricky passages from Classical Chinese into English. 1 On the origin of calligraphic texts, see Zhang Tiangong 張天弓, “Gudai shulun de zhao- shi: cong Ban Chao dao Cui Yuan” 古 代 書 論 的 肇 始:從 班 超 到 崔 瑗 , Shufa yanjiu 書法研究 (2003.3), pp. 64–76. 2 Completed in 100 ce; postface included in the Anthology of the Calligraphy Garden (Shu yuan jinghua 書苑菁華), 20 juan, edited by Chen Si 陳思 (fl. 13th c.), preface by Wei Liaoweng 魏了翁 (1178–1237), reproduction of the Southern Song dynasty (1127–1279) edition published in the series Zhonghua zaizao shanben 中華再造善本 (Beijing: Beijing tushuguan chubanshe, 2003), j. 16. English translation by Kenneth Thern, Postface of the Shuo-wen Chieh-tzu (Madison: University of Wisconsin, 1966), pp. -
CHAPTER 1 the BASIC ARGUMENT A. It Was the Sixth Year of The
CHAPTER 1 THE BASIC ARGUMENT a. It was the sixth year of the shiyuan era1, when an imperial edict directed the Chancellor and the Imperial secretaries to confer with the recommended Worthies and Literati2, and to enquire of them as to the rankling grievances among the people. b. The Literati responded as follows: It is our humble opinion that the principle of ruling lies in forestalling wantonness while extending the elementals of virtue, in discouraging mercantile pursuits while inspiring benevolence and righteousness. Let lucre never be paraded before the eyes of the people; only then will enlightenment flourish and mores improve. c. But now with the salt, iron, and alcohol monopolies, as well as equalizing distribution3 established in the commanderies and feudal states, the government has entered into financial competition with the people, destroying natural simplicity and innocence, while fostering selfishness and greed. As a result, few among our people take up the foundation of livelihood4, while many flock to the non-essential offshoots5. When embellishment is overwrought, it weakens the core substance; when the branches are overgrown, then the foundation is eroded. When the non-essential offshoots are cultivated, the people become frivolous; when the foundation is developed, the people are simple and guileless. The people being simple, wealth will abound; when the people are extravagant, cold and hunger will follow. We pray that the salt, iron, and alcohol monopolies and the system of equalizing distribution be abolished so that the principal industries may be encouraged while secondary occupations thwarted, and agriculture broadly benefited. d. The Lord Grand Secretary said: When the Xiongnu rebelled against our authority and frequently raided and devastated the frontier settlements, to be constantly on the watch for them was a great strain upon the military of the Middle Kingdom; but without measures of precaution, these forays and depredations would never cease. -
Li Shangyin: the Poetry of Allusion
LI SHANGYIN: THE POETRY OF ALLUSION By TERESA YEE-WAH YU B.A., The University of Hong Kong, 1973 M.A., The University of British Columbia, 1977 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF DOCTOR OF PHILOSOPHY in THE FACULTY OF GRADUATE STUDIES (Asicin Studies) We accept this thesis as conforming to the required standard THE UNIVERSITY OF BRITISH COLUMBIA August 1990 (o) Teresa Yee-wah Yu, 1990 In presenting this thesis in partial fulfilment of the requirements for an advanced degree at the University of British Columbia, I agree that the Library shall make it freely available for reference and study. 1 further agree that permission for extensive copying of this thesis for scholarly purposes may be granted by the head of my department or by his or her representatives. It is understood that copying or publication of this thesis for financial gain shall not be allowed without my written permission. Department of The University of British Columbia Vancouver, Canada Date DE-6 (2/88) ABSTRACT A major poet of the Tang period, Li Shangyin is highly regarded yet criticized because his work is densely allusive. Dazzling and rich in meaning, it is also difficult and obscure because of its pervasive allusiveness. Chapter I reviews critical opinion of Li's use of allusion. Many traditional critics see allusion as an ornamental rhetorical device and consider Li's profuse allusiveness an idiosyncrasy to be tolerated in an esteemed poet. Chapter II studies allusion broadly and precisely as a literary concept: generally, allusion is a "connector" of texts, a link between a poet's work and his literary heritage; specifi• cally, it is a linguistic device serving metaphorical functions. -
Zhengzhou, China 2014 Will Be Held in Zhengzhou, Henan Province, China Form 15-17 November 2014
International Mayor’s Forum on Tourism - Zhengzhou, China 2014 Zhengzhou·Henan·China November 15-17, 2014 GENERAL INFORMATION NOTE 1.VENUE International Mayor’s Forum on Tourism - Zhengzhou, China 2014 will be held in Zhengzhou, Henan Province, China form 15-17 November 2014. The forum will take place at: Zhengzhou International Convention and Exhibition Centre No. 1 CBD, Shangwu Neihuan Road, Zheng Dong New District Zhengzhou, Henan Province, China Tel: (86) 371-68089800 Fax: (86) 371-68089838 Website: http://www.zzicec.com/ The City of Zhengzhou Zhengzhou is the first city of China with city walls and planning. As early as over 3,600 years ago, Tang of Shang established the capital here, which is the earliest capital that has already been researched in China. The attractions worth visiting include Henan Museum, Shaolin Temple, Home Village of Yellow Emperor, Magnificent Manor of Kang Family and Mausoleums of the Northern Song Dynasty. 2. TRANSFER ARRANGEMENT AND AIRPORT MEETING SERVICE Transportation will be provided to all delegates upon arrival and departure between Zhengzhou Xinzheng International Airport and respective hotels and also between each hotel and the forum venue, Zhengzhou International Convention and Exhibition Center. In order to organize the transfer, delegates are kindly requested to provide the organizers with their arrival, departure and accommodation details at the latest by the 31 October, 2014. The contact details of the organizers are provided below. 3. AIRPORT TAX Foreigners are not required to pay any airport tax at Zhengzhou Airport. 4. VISA REQUIREMENTS All participants must be holders of a valid passport or any other officially recognized travel document. -
Read Ebook ^ Articles on Tang Dynasty Jiedushi of Huainan Circuit, Including: Emperor Taizu of Later Liang, Du You, Yang Xingmi
[PDF] Articles On Tang Dynasty Jiedushi Of Huainan Circuit, including: Emperor Taizu Of Later Liang, Du... Articles On Tang Dynasty Jiedushi Of Huainan Circuit, including: Emperor Taizu Of Later Liang, Du You, Yang Xingmi, Cui Yuan (tang Dynasty), Pei Du, Wang Yu (chancellor), Zhang Yanshang, Li Jifu, Li Y Book Review Undoubtedly, this is the best job by any publisher. I could possibly comprehended almost everything using this composed e book. I am just very happy to explain how this is actually the very best ebook we have go through in my very own existence and can be he best book for ever. (Eryn K uvalis) A RTICLES ON TA NG DYNA STY JIEDUSHI OF HUA INA N CIRCUIT, INCLUDING: EMPEROR TA IZU OF LATER LIA NG, DU YOU, YA NG XINGMI, CUI YUA N (TA NG DYNA STY), PEI DU, WA NG YU (CHA NCELLOR), ZHA NG YA NSHA NG, LI JIFU, LI Y - To download A rticles On Tang Dynasty Jiedushi Of Huainan Circuit, including : Emperor Taizu Of Later Liang , Du You, Yang Xing mi, Cui Yuan (tang Dynasty), Pei Du, Wang Yu (chancellor), Zhang Yanshang , Li Jifu, Li Y PDF, you should access the link listed below and download the document or have access to additional information that are highly relevant to Articles On Tang Dynasty Jiedushi Of Huainan Circuit, including: Emperor Taizu Of Later Liang, Du You, Yang Xingmi, Cui Yuan (tang Dynasty), Pei Du, Wang Yu (chancellor), Zhang Yanshang, Li Jifu, Li Y book. » Download A rticles On Tang Dynasty Jiedushi Of Huainan Circuit, including : Emperor Taizu Of Later Liang , Du You, Yang Xing mi, Cui Yuan (tang Dynasty), Pei Du, W ang Yu (chancellor), Zhang Yanshang , Li Jifu, Li Y PDF « Our services was released using a hope to serve as a complete on the internet electronic collection that provides entry to great number of PDF book catalog.