2013 ANZSI Conference: “Intrepid Indexing: Indexing Without
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(De)Constructing Boundaries
21st Harvard East Asia Society Graduate Conference (DE)CONSTRUCTING BOUNDARIES 9-10 February, 2018 21st Annual Harvard East Asia Society Graduate Conference (DE)CONSTRUCTING BOUNDARIES CGIS South, Harvard University 9-10 February, 2018 Abstract Booklet 1 Table of Contents Welcome Note 3 Sponsors 4 Keynote Speakers 5 Campus Map 6 Harvard Guest Wi-fi access 6 Panel Information 7 Panel A: (De)constructing Nation: Gendered Bodies in the Making of Modern Korea 7 Panel B: Urban Fabrics Unraveled 9 Panel C: Reimagining the boundary of novelistic styles in Pre-modern East Asia 10 Panel D: Transmission and Displacement in Literature 12 Panel E: Reframing Regionalism in East Asia 14 Panel F: Art and Visual Culture in Context 16 Panel G: Traversing Boundaries in Education 18 Panel H: Transnationalism in the Age of Empire 20 Panel I: Re-examining Boundaries in Chinese Politics in Xi Jinping's "New Era" 23 Panel K: Media Across Boundaries 28 Panel L: De(constructing) Myths of Migration 29 2 Welcome Note Welcome to the 21st annual Harvard East Asia Society Conference! It is our privilege to host graduate students working across all disciplines to exchange ideas and discuss their research related to Asia. In addition to receiving feedback from their peers and leading academics, participants have the opportunity to meet others doing similar research and forge new professional relationships. This year’s theme, “(De)constructing Boundaries”, critically assesses boundaries - physical, national, cultural, spatial, temporal, and disciplinary - between different spatial- temporal areas of study. As the concept of “Asia” continues to evolve, the construction and deconstruction of boundaries will enable redefinitions of collective knowledge, culture, and identity. -
Newsletter – 20 April 2012 ISSN: 1178-9441
INTERNATIONAL INSTITUTE OF MODERN LETTERS Te P¯utahi Tuhi Auaha o te Ao Newsletter – 20 April 2012 ISSN: 1178-9441 This is the 180th in a series of occasional newsletters from the Victoria University centre of the International Institute of Modern Letters. For more information about any of the items, please email modernletters. 1. Victoria goes to the Olympics ................................................................................. 1 2. Victoria goes to Leipzig ........................................................................................... 2 3. Write poetry! No, write short stories! No, write for children! ............................ 2 4. Resonance ................................................................................................................. 2 5. We’re probably the last to tell you, but . ........................................................... 3 6. However, we'd like to be the first to tell you about . ............................................ 3 7. The expanding bookshelf......................................................................................... 3 8. Hue & Cry and crowdfunding ................................................................................ 4 9. Congratulations ........................................................................................................ 4 10. Fiction editing mentor programme - call for applications ................................. 4 11. Poems of spirituality: call for submissions ......................................................... -
Chinese Models for Chōgen's Pure Land Buddhist Network
Chinese Models for Chōgen’s Pure Land Buddhist Network Evan S. Ingram Chinese University of Hong Kong The medieval Japanese monk Chōgen 重源 (1121–1206), who so- journed at several prominent religious institutions in China during the Southern Song, used his knowledge of Chinese religious social or- ganizations to assist with the reconstruction of Tōdaiji 東大寺 after its destruction in the Gempei 源平 Civil War. Chōgen modeled the Buddhist societies at his bessho 別所 “satellite temples,” located on estates that raised funds and provided raw materials for the Tōdaiji reconstruction, upon the Pure Land societies that financed Tiantai天 台 temples in Ningbo 寧波 and Hangzhou 杭州. Both types of societ- ies formed as responses to catastrophes, encouraged diverse mem- berships of lay disciples and monastics, constituted geographical networks, and relied on a two-tiered structure. Also, Chōgen devel- oped Amidabutsu 阿弥陀仏 affiliation names similar in structure and function to those used by the “People of the Way” (daomin 道民) and other lay religious groups in southern China. These names created a collective identity for Chōgen’s devotees and established Chōgen’s place within a lineage of important Tōdaiji persons with the help of the Hishō 祕鈔, written by a Chōgen disciple. Chōgen’s use of religious social models from China were crucial for his fundraising and leader- ship of the managers, architects, sculptors, and workmen who helped rebuild Tōdaiji. Keywords: Chogen, Todaiji, Song Buddhism, Pure Land Buddhism, Pure Land society he medieval Japanese monk Chōgen 重源 (1121–1206) earned Trenown in his middle years as “the monk who traveled to China on three occasions,” sojourning at several of the most prominent religious institutions of the Southern Song (1127–1279), including Tiantaishan 天台山 and Ayuwangshan 阿育王山. -
A Historical Overview of the Impact of the Reformation on East Asia Christina Han
Consensus Volume 38 Issue 1 Reformation: Then, Now, and Onward. Varied Article 4 Voices, Insightful Interpretations 11-25-2017 A Historical Overview of the Impact of the Reformation on East Asia Christina Han Follow this and additional works at: http://scholars.wlu.ca/consensus Part of the Chinese Studies Commons, History of Christianity Commons, Japanese Studies Commons, Korean Studies Commons, and the Missions and World Christianity Commons Recommended Citation Han, Christina (2017) "A Historical Overview of the Impact of the Reformation on East Asia," Consensus: Vol. 38 : Iss. 1 , Article 4. Available at: http://scholars.wlu.ca/consensus/vol38/iss1/4 This Articles is brought to you for free and open access by Scholars Commons @ Laurier. It has been accepted for inclusion in Consensus by an authorized editor of Scholars Commons @ Laurier. For more information, please contact [email protected]. Han: Reformation in East Asia A Historical Overview of the Impact of the Reformation on East Asia Christina Han1 The Reformation 500 Jubilee and the Shadow of the Past he celebratory mood is high throughout the world as we approach the 500th anniversary of the Reformation. Themed festivals and tours, special services and T conferences have been organized to commemorate Martin Luther and his legacy. The jubilee Luther 2017, planned and sponsored the federal and municipal governments of Germany and participated by churches and communities in Germany and beyond, lays out the goals of the events as follows: While celebrations in earlier centuries were kept national and confessional, the upcoming anniversary of the Revolution ought to be shaped by openness, freedom and ecumenism. -
Dissertation Section 1
Elegies for Empire The Poetics of Memory in the Late Work of Du Fu (712-770) Gregory M. Patterson Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2013 ! 2013 Gregory M. Patterson All rights reserved ABSTRACT Elegies for Empire: The Poetics of Memory in the Late Work of Du Fu (712-770) Gregory M. Patterson This dissertation explores highly influential constructions of the past at a key turning point in Chinese history by mapping out what I term a poetics of memory in the more than four hundred poems written by Du Fu !" (712-770) during his two-year stay in the remote town of Kuizhou (modern Fengjie County #$%). A survivor of the catastrophic An Lushan rebellion (756-763), which transformed Tang Dynasty (618-906) politics and culture, Du Fu was among the first to write in the twilight of the Chinese medieval period. His most prescient anticipation of mid-Tang concerns was his restless preoccupation with memory and its mediations, which drove his prolific output in Kuizhou. For Du Fu, memory held the promise of salvaging and creatively reimagining personal, social, and cultural identities under conditions of displacement and sweeping social change. The poetics of his late work is characterized by an acute attentiveness to the material supports—monuments, rituals, images, and texts—that enabled and structured connections to the past. The organization of the study attempts to capture the range of Du Fu’s engagement with memory’s frameworks and media. It begins by examining commemorative poems that read Kuizhou’s historical memory in local landmarks, decoding and rhetorically emulating great deeds of classical exemplars. -
The Daoist Tradition Also Available from Bloomsbury
The Daoist Tradition Also available from Bloomsbury Chinese Religion, Xinzhong Yao and Yanxia Zhao Confucius: A Guide for the Perplexed, Yong Huang The Daoist Tradition An Introduction LOUIS KOMJATHY Bloomsbury Academic An imprint of Bloomsbury Publishing Plc 50 Bedford Square 175 Fifth Avenue London New York WC1B 3DP NY 10010 UK USA www.bloomsbury.com First published 2013 © Louis Komjathy, 2013 All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or any information storage or retrieval system, without prior permission in writing from the publishers. Louis Komjathy has asserted his right under the Copyright, Designs and Patents Act, 1988, to be identified as Author of this work. No responsibility for loss caused to any individual or organization acting on or refraining from action as a result of the material in this publication can be accepted by Bloomsbury Academic or the author. Permissions Cover: Kate Townsend Ch. 10: Chart 10: Livia Kohn Ch. 11: Chart 11: Harold Roth Ch. 13: Fig. 20: Michael Saso Ch. 15: Fig. 22: Wu’s Healing Art Ch. 16: Fig. 25: British Taoist Association British Library Cataloguing-in-Publication Data A catalogue record for this book is available from the British Library. ISBN: 9781472508942 Library of Congress Cataloging-in-Publication Data Komjathy, Louis, 1971- The Daoist tradition : an introduction / Louis Komjathy. pages cm Includes bibliographical references and index. ISBN 978-1-4411-1669-7 (hardback) -- ISBN 978-1-4411-6873-3 (pbk.) -- ISBN 978-1-4411-9645-3 (epub) 1. -
Wild Swans Three Daughters of China Jung Chang
Wild Swans Three daughters of China Jung Chang Flamingo An Imprint of HarperCollins Publish 77-85 Fulham Palace Road, Hammersmith, London W6 8JB Special overseas edition 1992 This paperback edition 1993 59 58 57 56 55 54 53 First published in Great Britain by HarperCollins Publish 1991 Copyright © Glohalflair Ltd 1991 ISBN 0 00 637492 1 Printed and bound in Great Britain by Clays Ltd, St. Ives plc All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the publishers. This book is sold subject to the condition that it shall not, by way of trade or otherwise, be lent, re-sold, hired out or otherwise circulated without the publisher's prior consent in any form of binding or cover other than that in which it is published and without a similar condition including this condition being imposed on the subsequent purchaser. To my grandmother and my father who did not live to see this book AUTHOR'S NOTE My name "Jung' is pronounced "Yung." The names of members of my family and public figures are real, and are spelled in the way by which they are usually known. Other personal names are disguised. Two difficult phonetic symbols: X and Q are pronounced, respectively, as shand chIn order to describe their functions accurately, I have translated the names of some Chinese organizations differently from the Chinese official versions. I use 'the Department of Public Affairs' rather than 'the Department of Propaganda' for xuan-chuan-bu, and 'the Cultural Revolution Authority' rather than 'the Cultural Revolution Group' for zhong-yang- well-ge. -
16 September 2005
INTERNATIONAL INSTITUTE OF MODERN LETTERS Te Putahi¯ Tuhi Auaha o te Ao Newsletter – 16 September 2005 This is the 74th in a series of occasional newsletters from the Victoria University centre of the International Institute of Modern Letters. For more information about any of the items, please email [email protected]. 1. Writers on Mondays: Short/Sharp/Script 2............................................................1 2. Literary spam alert .................................................................................................2 3. More than just a desk .............................................................................................2 4. Writers on campus .................................................................................................3 5. Your name here?....................................................................................................3 6. Flora Poetica ..........................................................................................................3 7. Iowa: Fiction ..........................................................................................................4 8. Iowa: Poetry...........................................................................................................4 9. From the whiteboard..............................................................................................4 10. Tusiata goes to Honolulu ...................................................................................5 11. The expanding bookshelf...................................................................................5 -
Li Shangyin: the Poetry of Allusion
LI SHANGYIN: THE POETRY OF ALLUSION By TERESA YEE-WAH YU B.A., The University of Hong Kong, 1973 M.A., The University of British Columbia, 1977 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF DOCTOR OF PHILOSOPHY in THE FACULTY OF GRADUATE STUDIES (Asicin Studies) We accept this thesis as conforming to the required standard THE UNIVERSITY OF BRITISH COLUMBIA August 1990 (o) Teresa Yee-wah Yu, 1990 In presenting this thesis in partial fulfilment of the requirements for an advanced degree at the University of British Columbia, I agree that the Library shall make it freely available for reference and study. 1 further agree that permission for extensive copying of this thesis for scholarly purposes may be granted by the head of my department or by his or her representatives. It is understood that copying or publication of this thesis for financial gain shall not be allowed without my written permission. Department of The University of British Columbia Vancouver, Canada Date DE-6 (2/88) ABSTRACT A major poet of the Tang period, Li Shangyin is highly regarded yet criticized because his work is densely allusive. Dazzling and rich in meaning, it is also difficult and obscure because of its pervasive allusiveness. Chapter I reviews critical opinion of Li's use of allusion. Many traditional critics see allusion as an ornamental rhetorical device and consider Li's profuse allusiveness an idiosyncrasy to be tolerated in an esteemed poet. Chapter II studies allusion broadly and precisely as a literary concept: generally, allusion is a "connector" of texts, a link between a poet's work and his literary heritage; specifi• cally, it is a linguistic device serving metaphorical functions. -
UCLA Electronic Theses and Dissertations
UCLA UCLA Electronic Theses and Dissertations Title Contesting Seoul: Contacts, Conflicts, and Contestations Surrounding Seoul's City Walls, 1876-1919 Permalink https://escholarship.org/uc/item/0sc5v176 Author Lee, Sinwoo Publication Date 2014 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA Los Angeles Contesting Seoul: Contacts, Conflicts, and Contestations Surrounding Seoul’s City Walls, 1876-1919 A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Asian Languages and Cultures by Sinwoo Lee 2014 © Copyright by Sinwoo Lee 2014 ABSTRACT OF THE DISSERTATION Contesting Seoul: Contacts, Conflicts, and Contestations Surrounding Seoul’s City Walls, 1876-1919 by Sinwoo Lee Doctor of Philosophy in Asian Languages and Cultures University of California, Los Angeles, 2014 Professor John B. Duncan, Chair This dissertation explores the contacts, conflicts, and contestations surrounding Seoul’s city walls, and how they shaped Seoul’s transformation and Korea’s transition from the opening of the ports to the early colonial period (1876-1919). One of the main goals in this dissertation is to assert the inseparable connection between the capital and its city walls in the premodern period, and thereby the importance of examining various contestations and negotiations over its city walls in understanding Seoul’s transformation into a modern city. More specifically, not only was the construction of Seoul’s city walls instrumental in establishing Seoul as a capital and Chosŏn as a dynasty, but also its very existence came to symbolize royal authority and national sovereignty within the changing sociopolitical conditions of the Chosŏn dynasty as well as the diplomatic relationships in ! ii the larger East Asian contexts. -
Canada Archives Canada Published Heritage Direction Du Branch Patrimoine De I'edition
WU ZETIAN'S CONTRIBUTION TO THE CULTURAL DEVELOPMENT OF THE TANG DYNASTY By Rui Wang A thesis submitted in conformity with the requirements for the degree of Master of Arts Department of East Asian Studies University of Toronto © 2008 by Rui Wang Library and Bibliotheque et 1*1 Archives Canada Archives Canada Published Heritage Direction du Branch Patrimoine de I'edition 395 Wellington Street 395, rue Wellington Ottawa ON K1A0N4 Ottawa ON K1A0N4 Canada Canada Your file Votre reference ISBN: 978-0-494-44981-3 Our file Notre reference ISBN: 978-0-494-44981-3 NOTICE: AVIS: The author has granted a non L'auteur a accorde une licence non exclusive exclusive license allowing Library permettant a la Bibliotheque et Archives and Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par telecommunication ou par Plntemet, prefer, telecommunication or on the Internet, distribuer et vendre des theses partout dans loan, distribute and sell theses le monde, a des fins commerciales ou autres, worldwide, for commercial or non sur support microforme, papier, electronique commercial purposes, in microform, et/ou autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriete du droit d'auteur ownership and moral rights in et des droits moraux qui protege cette these. this thesis. Neither the thesis Ni la these ni des extraits substantiels de nor substantial extracts from it celle-ci ne doivent etre imprimes ou autrement may be printed or otherwise reproduits sans son autorisation. -
Metafiction in New Zealand from the 1960S to the Present Day
Metafiction in New Zealand from the 1960s to the present day A thesis submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy in English Massey University, Albany, New Zealand Matthew Harris 2011 Metafiction in New Zealand from the 1960s to the present day (2011) by Matthew Harris (for Massey University) is licensed under a Creative Commons - Attribution -NonCommercial -NoDerivs 3.0 Unported License. Permissions beyond the scope of this license may be available at www.matthewjamesharris.com. ii ABSTRACT While studies of metafiction have proliferated across America and Europe, the present thesis is the first full-length assessment of its place in the literature of New Zealand. Taking as its point of reference a selection of works from authors Janet Frame, C.K. Stead, Russell Haley, Michael Jackson and Charlotte Randall, this thesis employs a synthesis of contextual and performative frameworks to examine how the internationally- prevalent mode of metafiction has influenced New Zealand fiction since the middle of the 20 th century. While metafictional texts have conventionally been thought to undermine notions of realism and sever illusions of representation, this thesis explores ways in which the metafictional mode in New Zealand since the 1960s might be seen to expand and augment realism by depicting individual modes of thought and naturalising unique forms of self-reflection, during what some commentators have seen as a period of cultural ‘inwardness’ following various socio-political shifts in the latter