Timeline / 1830 to 1880 / ITALY
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CHAPTER 11 the Italian Renaissance and Beyond: The
CHAPTER 11 The Italian Renaissance and Beyond: The Politics of Culture, 1350 - 1550 CHAPTER OUTLINE I. The Cradle of the Renaissance: The Italian City-States Renaissance Italy was distinguished by the large number and political autonomy of its thriving city-states, the development of which can be divided into two distinct phases: the republicanism phase of the eleventh century and the principality phase of the fourteenth century. A. The Renaissance Republics: Florence and Venice In contrast to the majority of the Italian city-states, Florence and Venice held steadfastly to the traditions of republicanism under the patriciate system of political and artistic influence by a few great families. 1. Florence Under the Medici The amazingly wealthy banker Cosimo de' Medici emerged as the greatest of the Renaissance patrons. Seizing Florentine political power in 1434, Cosimo enforced a long period of unprecedented peace in which the arts could flourish. Always at the center of Florence's political affairs, Cosimo nevertheless rarely held formal office and shrewdly preferred to leverage influence behind the scenes. 2. Venice, the Cosmopolitan Republic Venice, the first European power to control colonies abroad, conquered a number of ports along the Geek coast. The resulting influx of exotic goods transformed Venice into a giant in the economics of the region and cosmopolitan in its social scope. Defined primarily by its social stability, the Venetian city- state became (and still is) the longest surviving republic in history at roughly five hundred years of independent affluence. B. Princes and Courtiers The ideals of the Renaissance, though created within the republican city-states, soon spread to the principalities ruled by one man (the prince). -
Timeline for World War II — Italy
Unit 5: Crisis and Change Lesson F: The Failure of Democracy and Return of War Student Resource: Timeline for World War II — Italy Timeline for World War II — Italy 1920-1938: • 1922: October 28: Fascists took control of the Italian government with Benito Mussolini as the Prime Minister. • 1924: April 6: Fascists received 2/3 majority and won elections in Italy. • 1925: January 3: Benito Mussolini announced he was taking dictatorial power over Italy. • 1928: August 2: Italy and Ethiopia signed the Italo-Ethiopian Treaty. • 1928: August 27: The Kellogg-Briand Pact was signed in Paris by the major powers of the world. The treaty outlawed aggressive warfare. • 1929: February 11: Italy and Vatican City signed the Lateran Treaty. This treaty made Vatican City a sovereign state (June 7). • 1929: October 29: The Great Depression began. • 1930: April 22: The United States, Japan, Italy, and Great Britain signed the London Naval Treaty, which regulated shipbuilding and submarine warfare. • 1932: February 11: Pope Pius XI met with Benito Mussolini in Vatican City. • 1934: December 5: The Abyssinia Crisis occurred. Italian and Ethiopian troops exchanged fire. Italian dictator Benito Mussolini attempted to expand the Italian Empire in Africa by invading the Ethiopian Empire (known as Abyssinia). Until then, Ethiopia had successfully resisted European colonization. Pre-1935, France wanted to secure alliance with Italy and, as a result, gave Italy the go-ahead for activities in Ethiopia, which Italy wanted as a colony. • 1935: October 2: The Kingdom of Italy invaded Empire of Ethiopia. The Second Italo- Abyssinian Colonial War lasted until May 1936. -
THE FLORENTINE HOUSE of MEDICI (1389-1743): POLITICS, PATRONAGE, and the USE of CULTURAL HERITAGE in SHAPING the RENAISSANCE by NICHOLAS J
THE FLORENTINE HOUSE OF MEDICI (1389-1743): POLITICS, PATRONAGE, AND THE USE OF CULTURAL HERITAGE IN SHAPING THE RENAISSANCE By NICHOLAS J. CUOZZO, MPP A thesis submitted to the Graduate School—New Brunswick Rutgers, The State University of New Jersey in partial fulfillment of the requirements for the degree of Master of Arts Graduate Program in Art History written under the direction of Archer St. Clair Harvey, Ph.D. and approved by _________________________ _________________________ _________________________ New Brunswick, New Jersey May, 2015 ABSTRACT OF THE THESIS The Florentine House of Medici (1389-1743): Politics, Patronage, and the Use of Cultural Heritage in Shaping the Renaissance By NICHOLAS J. CUOZZO, MPP Thesis Director: Archer St. Clair Harvey, Ph.D. A great many individuals and families of historical prominence contributed to the development of the Italian and larger European Renaissance through acts of patronage. Among them was the Florentine House of Medici. The Medici were an Italian noble house that served first as the de facto rulers of Florence, and then as Grand Dukes of Tuscany, from the mid-15th century to the mid-18th century. This thesis evaluates the contributions of eight consequential members of the Florentine Medici family, Cosimo di Giovanni, Lorenzo di Giovanni, Giovanni di Lorenzo, Cosimo I, Cosimo II, Cosimo III, Gian Gastone, and Anna Maria Luisa, and their acts of artistic, literary, scientific, and architectural patronage that contributed to the cultural heritage of Florence, Italy. This thesis also explores relevant social, political, economic, and geopolitical conditions over the course of the Medici dynasty, and incorporates primary research derived from a conversation and an interview with specialists in Florence in order to present a more contextual analysis. -
A Concise Financial History of Europe
A Concise Financial History of Europe Financial History A Concise A Concise Financial History of Europe www.robeco.com Cover frontpage: Cover back page: The city hall of Amsterdam from 1655, today’s Royal Palace, Detail of The Money Changer and His Wife, on Dam Square, where the Bank of Amsterdam was located. 1514, Quentin Matsys. A Concise Financial History of Europe Learning from the innovations of the early bankers, traders and fund managers by taking a historical journey through Europe’s main financial centers. Jan Sytze Mosselaar © 2018 Robeco, Rotterdam AMSTERDAM 10 11 12 13 21 23 BRUGGE 7 LONDON 14 19 DUTCH REPUBLIC 15 8 ANTWERP 16 18 20 17 PARIS 22 24 25 9 VENICE GENOA 2 5 PIsa 1 3 FLORENCE 4 SIENA 6 25 DEFINING MOMENts IN EUROPeaN FINANCIAL HIstOry Year City Chapter 1 1202 Publication of Liber Abaci Pisa 1 2 1214 Issuance of first transferable government debt Genoa 1 3 1340 The “Great Crash of 1340” Florence 2 4 1397 Foundation of the Medici Bank Florence 2 5 1408 Opening of Banco di San Giorgio Genoa 1 6 1472 Foundation of the Monte di Paschi di Siena Siena 1 7 1495 First mention of ‘de Beurs’ in Brugge Brugge 3 8 1531 New Exchange opens in Antwerp Antwerp 3 9 1587 Foundation of Banco di Rialto Venice 1 10 1602 First stock market IPO Amsterdam 5 11 1609 First short squeeze and stock market regulation Amsterdam 5 12 1609 Foundation of Bank of Amsterdam Amsterdam 4 13 1688 First book on stock markets published Amsterdam 5 14 1688 Glorious & Financial Revolution London 6 15 1694 Foundation of Bank of England London 6 16 1696 London’s -
OTTOCENTO FORLI' LEONE.Pdf
catalogo a cura di Francesco Leone e Fernando Mazzocca Forlì, Musei San Domenico 9 febbraio - 16 giugno 2019 Mostra ideata e promossa da Comitato d’onore Giuseppe Pedrielli Fondazione Cassa dei Risparmi di Forlì Dirigente Uffi cio Scolastico Provinciale di Forlì-Cesena con Roberto Fico Comune di Forlì Presidente della Camera dei Deputati Antonio Lampis Direttore Generale Musei In collaborazione con Alberto Bonisoli Galleria d’Arte Moderna, Milano Ministro del Ministero per i Beni e le Attività Culturali Antonio Tarasco Galleria Nazionale d’Arte Moderna Direttore Servizio I, Collezioni Museali - Direzione e Contemporanea, Roma Jacopo Morrone Generale Musei Gallerie dell’Accademia, Venezia Sottosegretario al Ministero della Giustizia Gallerie degli Uffi zi, Firenze Silvia Trisciuzzi Museo e Real Bosco di Capodimonte, Napoli Stefano Bonaccini Dichiarazione di rilevante interesse culturale - Pinacoteca di Brera, Milano Presidente della Regione Emilia Romagna Direzione Generale Musei Con la partecipazione di Massimo Mezzetti Corrado Azzollini MusicMedia - Concerto Classics, Milano Assessore alla Cultura, Regione Emilia Romagna Direttore Segretariato Regionale del Ministero per i Beni e le Attività Culturali per l’Emilia Romagna Con il patrocinio di Roberto Balzani Camera dei Deputati Presidente Istituto per i Beni Artistici Culturali Cristina Ambrosini Ministero per i Beni e le Attività Culturali e Naturali della Regione Emilia Romagna Soprintendente Archeologia, Belle Arti e Paesaggio Regione Emilia Romagna per la città metropolitana di Bologna -
The Renaissance
HISTORY AND GEOGRAPHY The Renaissance Teacher Guide Flying machine Queen Elizabeth I Cosimo de’ Medici Globe Theater The Renaissance Teacher Guide Creative Commons Licensing This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License. You are free: to Share—to copy, distribute, and transmit the work to Remix—to adapt the work Under the following conditions: Attribution—You must attribute the work in the following manner: This work is based on an original work of the Core Knowledge® Foundation made available through licensing under a Creative Commons Attribution- NonCommercial-ShareAlike 4.0 International License. This does not in any way imply that the Core Knowledge Foundation endorses this work. Noncommercial—You may not use this work for commercial purposes. Share Alike—If you alter, transform, or build upon this work, you may distribute the resulting work only under the same or similar license to this one. With the understanding that: For any reuse or distribution, you must make clear to others the license terms of this work. The best way to do this is with a link to this web page: https://creativecommons.org/licenses/by-nc-sa/4.0/ Copyright © 2016 Core Knowledge Foundation www.coreknowledge.org All Rights Reserved. Core Knowledge®, Core Knowledge Curriculum Series™, Core Knowledge History and Geography™ and CKHG™ are trademarks of the Core Knowledge Foundation. Trademarks and trade names are shown in this book strictly for illustrative and educational purposes and are the property of their respective owners. References herein should not be regarded as affecting the validity of said trademarks and trade names. -
The Intellectual Renaissance in Italy New Era? Both Positions Can Be Dcfended
Michelangelo's Creation of Adam on the Sist¡ne Chapel ceiling CHAPTER OUTLINE CRITICAL THINKINC AND FOCUS QUESTTONS l-\ Ho* did Renaissance art and the humanist Meaning and Characteristics of the Italian { -ov"-cnt reflect the potitical, economic, and Renaissance social developments of the period? f) What characteristics distinguish the Renaissance fiom æ \< th" Middle Ages? CONNECTIONS TO TODAY The Making of Renaissance Society How does the concept of the Renaissance have |-\| wirat maior social changes occurred during the relevance to the early twenty-fust century? { R"r,.irr*."1 a The Italian States in the Renaissance How did MachiavelÌi's works reflect the political a realities of Renaissance ltaly? WERE THE FOURTEENTH and fifteenth cenruries a continuation of the Middle Ages or the beginning of a The Intellectual Renaissance in Italy new era? Both positions can be dcfended. Although the what was humanism, and what effect did it have on ¡fì disintegrative pattems of the fourteenth century phllosophy, education, aftirudes toward politics, and the { continued into the fifteenth, at the same time there were writing of history? elements of recovery that made the fifteenth century a The Artistic Renaissance period of significant political, economic, artistic, and intellectual change . The humanists or intellectuals of the wtrat were the chief characteristics of Renaissance art, ¡J age called their period (from the mid-fourteenth to the :(. *d how did it differ in Italy and northern Europe? mid-sixtecnth century) an age of rebirth, believir-rg that The European State in the Renaissance thcy had rcstored arts and lettels to new glory aftel they ¡-\ Whv do historians sometimes refer to the monarchies had been "neglected" or "dead" for centuries. -
Cabianca.Pdf
Vincenzo Cabianca Di origini modeste, nasce a Verona il 21 giugno 1827, dove compie i primi studi presso il seminario e dal, 1842, all’Accademia di Belle Arti, con la guida di Giovanni Caliari. Nel 1846 passa all’Accademia di Venezia dove segue, con poca convinzione, i corsi del Clementini. La città lagunare non lascia conseguenze visibili nella sua pittura, se non un certo interesse per le espressioni del Settecento veneziano e l’avviarsi della predilezione per il soggetto di genere, precisatosi negli anni successivi. Nel 1848 è coinvolto dai moti di liberazione; nel 1849 partecipa alla difesa di Bologna. Nel 1853, forse per motivi politici, si trasferisce a Firenze dove, con Severini e Borrani si lega al nascente gruppo macchiaiolo, frequenta il Caffè dell’Onore e, dal 1855, il famoso Caffè Michelangelo. Fattori ricorda che Cabianca è il primo a mostrare un quadro macchiaiolo (un maiale nero su un muro bianco) ed infatti il veronese è tra i primi a seguire i nuovi principi luministici, dei quali è assertore convinto. Nel 1861 Cabianca visita Parigi insieme a Signorini, senza restarne particolarmente impressionato, l’anno seguente torna in Toscana e dipinge a Montemurlo; non abbandona tuttavia il soggetto storico-accademico, se all’esposizione di Firenze del 1861 presenta i “Novellieri fiorentini del secolo XIV”. La componente accademica si fa più evidente durante il soggiorno a Parma protrattosi per circa sette anni, dal 1863, con frequenti visite a Firenze e a Roma, dove si trasferisce nel 1870, stringendo amicizia con Nino Costa e ricominciando a dipingere dal vero piccoli quadri condotti secondo la tecnica macchiaiola. -
Europe's Encounter with Pandemic Sparked an Age of Exploration
The Black Death, an Unforeseen Exchange: Europe’s Encounter with Pandemic Sparked an Age of Exploration Camryn Franke Senior Division Historical Paper Paper Length: 2,495 “Europe’s Renaissance, or ‘rebirth,’ was forged in the crucible of its terrible yet transcendent ordeal with the Black Death ” John Aberth, historian1 The Black Death pandemic is historically known for decimating the European population. However, this pandemic brought positive consequences to European society. European kingdoms inadvertently encountered the plague while exploring and expanding new ways to exchange goods with Asia in 1347 C.E., ultimately causing one of the most disastrous pandemics in Europe that lasted until 1351. The plague devastated Europe by killing approximately a third of the population. Furthermore, Europe’s encounter with plague had economic, social, and religious effects that vastly changed European society and contributed to Europe’s emergence into the Renaissance, an age of exploration. History of Plague in Europe Prior to the medieval European pandemic, plague was not new to Europe, but its effects were confined due to limited exchange. Plague, a bacterial disease afflicting humans,2 has three clinical forms depending on the body system that is first attacked: the lymphatic, circulatory or respiratory systems.3 All three clinical forms caused the Plague of Justinian in the Byzantine Empire from 541542 C.E.4 This “First Plague Pandemic”5 spread rapidly across the Byzantine 1Aberth, John. The Black Death: The Great Mortality of 13481350: A Brief History with Documents. Boston, MA: Bedford/St. Martin's, 2005. Print. 2Haensch, Stephanie. "Distinct Clones of Yersinia Pestis Caused the Black Death." PLoS Pathog PLoS Pathogens 6.10 (2010): n. -
Timeline Principal Events in the Histories of Florence and the House of Rucellai
Timeline Principal events in the histories of Florence and the house of Rucellai Neolithic period Arno River valley first settled 9th–8th century bce Etruscans establish a settlement (Viesul, now known as Fiesole) on a hill above the valley 59 bce Julius Caesar establishes a Roman colony for retired soldiers on the northern bank of the Arno (Florentia, now known as Florence) 2nd century ce Population: c.10,000 393 City’s first Christian basilica, San Lorenzo, consecrated as its cathedral by Saint Ambrose 405 Siege of Florence, part of a succession of Gothic invasions of the Roman Empire 5th century Church of Santa Reparata constructed within the Roman walls on the site of the present cathedral Late 6th century City falls to the Lombards, becoming part of the Lombardic Duchy of Tuscany 774 City conquered by Charlemagne; Carolingian era ushers in a period of urban revival Late 8th century City walls expanded 978 Badia Fiorentina, a Benedictine Abbey, founded by Willa, widow of Uberto, Margrave of Tuscany 996 First Ponte Vecchio built near the site of the Roman-era bridge 1018 Mercato Nuovo built on the site of the old Roman forum Basilica of San Miniato al Monte built on highest point in Florence Population: c.5,000 1115 Florence achieves de facto self-government with the establishment of a comune (confirmed by the Holy Roman Emperor in 1183) xv Timeline 1128 Construction finished on the Baptistery, built on the site of a sixth- or seventh-century octagonal structure, itself built on a structure dating to the Roman period c.1150 Arte di -
The Complete Idiot''s Guide to European History
European History by Nathan Barber A member of Penguin Group (USA) Inc. European History by Nathan Barber A member of Penguin Group (USA) Inc. For Christy, Noah, and Emma ALPHA BOOKS Published by the Penguin Group Penguin Group (USA) Inc., 375 Hudson Street, New York, New York 10014, U.S.A. Penguin Group (Canada), 10 Alcorn Avenue, Toronto, Ontario, Canada M4V 3B2 (a division of Pearson Penguin Canada Inc.) Penguin Books Ltd, 80 Strand, London WC2R 0RL, England Penguin Ireland, 25 St Stephen’s Green, Dublin 2, Ireland (a division of Penguin Books Ltd) Penguin Group (Australia), 250 Camberwell Road, Camberwell, Victoria 3124, Australia (a division of Pearson Australia Group Pty Ltd) Penguin Books India Pvt Ltd, 11 Community Centre, Panchsheel Park, New Delhi—110 017, India Penguin Group (NZ), cnr Airborne and Rosedale Roads, Albany, Auckland 1310, New Zealand (a division of Pearson New Zealand Ltd) Penguin Books (South Africa) (Pty) Ltd, 24 Sturdee Avenue, Rosebank, Johannesburg 2196, South Africa Penguin Books Ltd, Registered Offices: 80 Strand, London WC2R 0RL, England Copyright © 2006 by Nathan Barber All rights reserved. No part of this book shall be reproduced, stored in a retrieval system, or transmitted by any means, electronic, mechanical, photocopying, recording, or otherwise, without written permission from the publisher. No patent liability is assumed with respect to the use of the information contained herein. Although every precaution has been taken in the preparation of this book, the publisher and author assume no responsibility for errors or omissions. Neither is any liability assumed for damages resulting from the use of information contained herein. -
Timeline / 1830 to 1900 / ITALY
Timeline / 1830 to 1900 / ITALY Date Country Theme 1831 - 1835 Italy Music, Literature, Dance And Fashion Once Rossini has left the stage, his place is taken by Gaetano Donizetti (1797– 1848) and Vincenzo Bellini (1801–1835). They introduce the new romantic spirit into melodrama and establish a tighter link between words and music. Their style is characterised by greater attention to the psychology of the different characters. 1831 Italy Political Context Giuseppe Mazzini founds the republican movement for national unification, Giovine Italia (Young Italy). 1835 - 1837 Italy Reforms And Social Changes For the first time, a cholera epidemic hits Italy, killing more than 140,000 (26,000 in Palermo and 19,600 in Naples). Its causes remain unknown until the 1880s. Its spread is favoured by poor sanitation in urban centres. Cholera epidemics hit poor people especially and often occasion social unrest. 1837 - 1840 Italy Great Inventions Of The 19th Century Naples and Turin are the first Italian towns to have gas street lightning. 1839 Italy Great Inventions Of The 19th Century First Italian railway line (Napoli–Portici, 8 km). In the following years, other railway lines are inaugurated in other Italian states, e.g. Milano–Monza (1840), Pisa- Livorno (1844), Padova–Venezia (1846), Torino–Moncalieri (1848). Political fragmentation is an obstacle to the construction of long railway lines. 1842 Italy Travelling A seaside hostel is opened in Viareggio (Tuscany) for the treatment of children affected by tuberculosis (the first of its kind in Italy). In Tuscany, experiments of “marine therapy” for children started in the 1820s. By 1882, 21 seaside hostels for medical purposes are active in Italy.