Timeline Principal Events in the Histories of Florence and the House of Rucellai
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The Unification of Italy 1815-70 Sample Chapter
CHAPTER 1 KEY TERMS Risorgimento Translated, Italy in the early nineteenth century the word means ‘reawakening’. As a historical term it has been used to describe the development of a INTRODUCTION national identity, a national sentiment, an awareness In September 1870, the troops of King Victor Emmanuel among Italians of a common II of Italy entered Rome. Italian unifi cation, the bringing culture. It should not be used together diff erent states of the Italian peninsula under one to describe any movement for national unifi cation, because government, was complete. Th e Risorgimento, the there wasn’t one. reawakening of Italy, had reached its climax. However, the creation of the new Italian state was neither inevitable nor had it been planned. Although Italian unifi cation had KEY PEOPLE taken place, there was little enthusiasm for the new state Victor Emmanuel II among the Italian people. In 1861, an Italian politician (1820–78) was the king of named Massimo d’Azeglio remarked to Victor Emmanuel: Piedmont from 1849 to 1861 ‘Sir, we have made Italy. Now we must make Italians.’ Th e and fi rst king of Italy from story of what follows is of how Italy was made, but it is 1861 to his death in 1878. He reigned as a constitutional also a story of division and the failure to ‘make Italians’. monarch, bound by the Statuto which was granted by his father Charles Albert in THE STATES OF THE PENINSULA 1848. He made a number of important decisions in his Towards the end of the eighteenth century the peninsula of reign, such as the appointment of Count Camillo Cavour as Italy was home to a number of states. -
Leon Battista Alberti and the Homogeneity of Space Author(S): Branko Mitrović Source: Journal of the Society of Architectural Historians, Vol
Leon Battista Alberti and the Homogeneity of Space Author(s): Branko Mitrović Source: Journal of the Society of Architectural Historians, Vol. 63, No. 4 (Dec., 2004), pp. 424- 439 Published by: University of California Press on behalf of the Society of Architectural Historians Stable URL: http://www.jstor.org/stable/4128013 . Accessed: 10/02/2014 11:35 Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp . JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. University of California Press and Society of Architectural Historians are collaborating with JSTOR to digitize, preserve and extend access to Journal of the Society of Architectural Historians. http://www.jstor.org This content downloaded from 64.9.76.165 on Mon, 10 Feb 2014 11:35:15 AM All use subject to JSTOR Terms and Conditions Leon Battista Alberti and the Homogeneityof Space BRANKO MITROVIC Unitec Instituteof Technology He thought, with most people, that everything is somewhere the historyof the visualarts, the processwhereby the under- and in place. If this is its nature, the power of place must be a standing of space as homogenous came about. He believed marvelous thing, and be priorto all other things. For that with- that the conception of space as homogenous and systematic out which nothing else can exist, while it can exist without the arose shortly before the discoveryof the geometricalcon- others, must needs be first; for place does not pass out of exis- struction of perspective.4In later years, a position similar tence when the things in it are annihilated. -
Leon Battista Alberti
Leon Battista Alberti Beauty and Representation QUATTROCENTO = 1400s CINQUECENTO = 1500s SEICENTO = 1600s ITALIAN RENAISSANCE ITALIAN RENAISSANCE HUMANISM ITALIAN RENAISSANCE + Developed during the 14th-15th centuries as a critical reaction to medieval scholastic HUMANISM education. + Emphasizes the agency of human beings,part- icularly through what is understood today as the “humanities.” If during the middle ages, ART was sub- servient to gods and kings... If during the middle ages, ART was sub- servient to gods and kings... during the Renaissance, it would acquire a measure of autonomy and be increasingly seen as a mirror of (social) reality. Massacio, Trinita, 1428 Leon Battista Alberti Leon Battista Alberti DE PICTURA (1435) Leon Battista Alberti DE RE AEDIFICATORIA (1452) (THE ART OF BUILDING IN TEN BOOKS) It grieved me that so many great and noble Instructions of ancient Authors should be lost by the Injury of Time, so that scarce any but Vitruvius has escaped this general Wreck: A writer indeed of universal Knowledge, but so maimed by Age, that in many Places there are great Chasms, and many ings imperfect in others. Besides this, his Style is absolutely void of all Ornaments, and he wrote in such a Manner, that to the Latins he seems to write Greek, and to the Greeks, Latin: But indeed it is plain from the book itself, that he wrote neither Greek nor Latin, and he might almost as well have never wrote at all, at least with Regard to us, since we cannot understand him. Leon Battista Alberti Hey Vitruvius, what language are you -
INTRODUCTION 1. Charles Esdaile, the Wars of Napoleon (New York, 1995), Ix; Philip Dwyer, “Preface,” Napoleon and Europe, E
Notes INTRODUCTION 1. Charles Esdaile, The Wars of Napoleon (New York, 1995), ix; Philip Dwyer, “Preface,” Napoleon and Europe, ed. Philip Dwyer (London, 2001), ix. 2. Michael Broers, Europe under Napoleon, 1799–1815 (London, 1996), 3. 3. An exception to the Franco-centric bibliography in English prior to the last decade is Owen Connelly, Napoleon’s Satellite Kingdoms (New York, 1965). Connelly discusses the developments in five satellite kingdoms: Italy, Naples, Holland, Westphalia, and Spain. Two other important works that appeared before 1990, which explore the internal developments in two countries during the Napoleonic period, are Gabriel Lovett, Napoleon and the Birth of Modern Spain (New York, 1965) and Simon Schama, Patriots and Liberators: Revolution in the Netherlands, 1780–1813 (London, 1977). 4. Stuart Woolf, Napoleon’s Integration of Europe (London and New York, 1991), 8–13. 5. Geoffrey Ellis, “The Nature of Napoleonic Imperialism,” Napoleon and Europe, ed. Philip Dwyer (London, 2001), 102–5; Broers, Europe under Napoleon, passim. 1 THE FORMATION OF THE NAPOLEONIC EMPIRE 1. Geoffrey Ellis, “The Nature of Napoleonic Imperialism,” Napoleon and Europe, ed. Philip Dwyer (London, 2001), 105. 2. Martyn Lyons, Napoleon Bonaparte and the Legacy of the French Revolution (New York, 1994), 43. 3. Ellis, “The Nature,” 104–5. 4. On the Revolutionary and Napoleonic Wars and international relations, see Tim Blanning, The French Revolutionary Wars, 1787–1802 (London, 1996); David Chandler, The Campaigns of Napoleon: the Mind and Method of History’s Greatest Soldier (London, 1966); Owen Connelly, Blundering to Glory: Napoleon’s Military 212 Notes 213 Campaigns (Wilmington, DE, 1987); J. -
Fra Sabba Da Castiglione: the Self-Fashioning of a Renaissance Knight Hospitaller”
“Fra Sabba da Castiglione: The Self-Fashioning of a Renaissance Knight Hospitaller” by Ranieri Moore Cavaceppi B.A., University of Pennsylvania 1988 M.A., University of North Carolina 1996 Thesis Submitted in partial fulfillment of the requirements for the Degree of Doctor of Philosophy in the Department of Italian Studies at Brown University May 2011 © Copyright 2011 by Ranieri Moore Cavaceppi This dissertation by Ranieri Moore Cavaceppi is accepted in its present form by the Department of Italian Studies as satisfying the dissertation requirement for the degree of Doctor of Philosophy. Date Ronald L. Martinez, Advisor Recommended to the Graduate Council Date Evelyn Lincoln, Reader Date Ennio Rao, Reader Approved by the Graduate Council Date Peter M. Weber, Dean of the Graduate School iii CURRICULUM VITAE Ranieri Moore Cavaceppi was born in Rome, Italy on October 11, 1965, and moved to Washington, DC at the age of ten. A Fulbright Fellow and a graduate of the University of Pennsylvania, Ranieri received an M.A. in Italian literature from the University of North Carolina at Chapel Hill in 1996, whereupon he began his doctoral studies at Brown University with an emphasis on medieval and Renaissance Italian literature. Returning home to Washington in the fall of 2000, Ranieri became the father of three children, commenced his dissertation research on Knights Hospitaller, and was appointed the primary full-time instructor at American University, acting as language coordinator for the Italian program. iv PREFACE AND ACKNOWLEDGMENTS I deeply appreciate the generous help that I received from each member of my dissertation committee: my advisor Ronald Martinez took a keen interest in this project since its inception in 2004 and suggested many of its leading insights; my readers Evelyn Lincoln and Ennio Rao contributed numerous observations and suggestions. -
Nobility in Middle English Romance
Nobility in Middle English Romance Marianne A. Fisher A dissertation submitted for the degree of PhD Cardiff University 2013 Summary of Thesis: Postgraduate Research Degrees Student ID Number: 0542351 Title: Miss Surname: Fisher First Names: Marianne Alice School: ENCAP Title of Degree: PhD (English Literature) Full Title of Thesis Nobility in Middle English Romance Student ID Number: 0542351 Summary of Thesis Medieval nobility was a compound and fluid concept, the complexity of which is clearly reflected in the Middle English romances. This dissertation examines fourteen short verse romances, grouped by story-type into three categories. They are: type 1: romances of lost heirs (Degaré, Chevelere Assigne, Sir Perceval of Galles, Lybeaus Desconus, and Octavian); type 2: romances about winning a bride (Floris and Blancheflour, The Erle of Tolous, Sir Eglamour of Artois, Sir Degrevant, and the Amis– Belisaunt plot from Amis and Amiloun); type 3: romances of impoverished knights (Amiloun’s story from Amis and Amiloun, Sir Isumbras, Sir Amadace, Sir Cleges, and Sir Launfal). The analysis is based on contextualized close reading, drawing on the theories of Pierre Bourdieu. The results show that Middle English romance has no standard criteria for defining nobility, but draws on the full range on contemporary opinion; understandings of nobility conflict both between and within texts. Ideological consistency is seldom a priority, and the genre apparently serves neither a single socio-political agenda, nor a single socio-political group. The dominant conception of nobility in each romance is determined by the story-type. Romance type 1 presents nobility as inherent in the blood, type 2 emphasizes prowess and force of will, and type 3 concentrates on virtue. -
La Nascita Del Calcio E L'identificazione Con Firenze
SISS Collana Quaderni_SISS Collana 06/12/12 09:48 Pagina 80 quaderni della società italiana di storia dello sport LA NASCITA DEL CALCIO E L’IDENTIFICAZIONE CON FIRENZE Filippo Giovannelli [email protected] Per un appassionato divulgatore della storia e della cultura fiorentina come me, parlare a questo incontro dell’identità sportiva a Firenze, significa principalmente raccontare come questa città si è identificata e si identifica tutt’ora con il gioco della palla e con il calcio. Dare un’indicazione storica sull’inizio del gioco del calcio è molto difficile, possiamo però dare alcune prime indicazioni partendo da come la palla aveva assunto in alcune società un ruolo di fondamentale importanza per le necessità della società, sia civile che militare. Per esempio a Sparta. Il gioco dei greci L’addestramento durissimo, la lotta, il pugilato, la corsa, lo scontro fisico, la disciplina militare; l’onore e la gloria, il coraggio e l’amicizia, il pericolo e la ragione, il gioco di squadra e la squadra, erano i punti cardine dei “guerrieri” spartani sui quali si basava la propria vita ed il proprio credo. In verità nell’antica Grecia erano molti i giochi che si svolgevano con l’utilizzo di una palla, anche se l’origine del gioco del calcio non può certo risalire agli antichi greci. Dobbiamo però oltremodo riconoscere che l’inizio dei primi rudimentali movimenti del gioco con la palla in senso generico ed organizzato è da ricondurre ad alcuni aspetti dei primordiali giochi ed evoluzioni protratte nel corso dei secoli, ed arrivate ad oggi con una grande varietà di regole, così seguiti dal grande pubblico come forme di spettacolo e divertimento. -
The Best of Renaissance Florence April 28 – May 6, 2019
Alumni Travel Study From Galleries to Gardens The Best of Renaissance Florence April 28 – May 6, 2019 Featuring Study Leader Molly Bourne ’87, Professor of Art History and Coordinator of the Master’s Program in Renaissance Art at Syracuse University Florence Immerse yourself in the tranquil, elegant beauty of Italy’s grandest gardens and noble estates. Discover the beauty, drama, and creativity of the Italian Renaissance by spending a week in Florence—the “Cradle of the Renaissance”—with fellow Williams College alumni. In addition to a dazzling array of special openings, invitations into private homes, and splendid feasts of Tuscan cuisine, this tour offers the academic leadership of Molly Bourne (Williams Class of ’87), art history professor at Syracuse University Florence. From the early innovations of Giotto, Brunelleschi, and Masaccio to the grand accomplishments of Michelangelo, our itinerary will uncover the very best of Florence’s Renaissance treasury. Outside of Florence, excursions to delightful Siena and along the Piero della Francesca trail will provide perspectives on the rise of the Renaissance in Tuscany. But the program is not merely an art seminar—interactions with local food and wine experts, lunches inside beautiful private homes, meanders through stunning private gardens, and meetings with traditional artisans will complement this unforgettable journey. Study Leader MOLLY BOURNE (BA Williams ’87; PhD Harvard ’98) has taught art history at Syracuse University Florence since 1999, where she is also Coordinator of their Master’s Program in Renaissance Art History. A member of the Accademia Nazionale Virgiliana, she has also served as project researcher for the Medici Archive Project and held a fellowship at Villa I Tatti, the Harvard Center for Renaissance Studies. -
Gucci 3Rd Attempt
level Penguin Readers Factsheets E Teacher’snotes 1 2 Gucci Business 3 in Fashionss in 4 5 by Paola Trimarco 6 ELEMENTARY SUMMARY his is the story of one of the most famous designs, and Versace, with its more glamorous styles. T fashion houses in the world. Guccio and Aida Other world famous Italian names include Dolce & Gucci opened the first Gucci store in a little street Gabbana, Moschino, Benetton, MaxMara, as well as in Florence in 1921. They sold luggage and leather Prada and Gucci. products for horses. Their children, one daughter and five sons, all helped in the early days of the family The story of Gucci is a good example of how the business, delivering orders to customers by bicycle. fortunes of a business and a family can change over GUCCI BUSINESS IN FASHION Then came the idea for handbags and the famous Gucci nearly a century. Other famous Italian companies have logo. been run by the same family over generations. One is Fiat, The company grew and became known all over Italy. the car company started by Giovanni Agnelli in Turin in After the Second World War Gucci stores opened in 1899. The Agnelli family have enjoyed a similarly colourful America and Japan. People from around the world life. Like Gucci, they have had family battles that have wanted to buy Italian style. been closely followed in the newspapers, violent deaths and corruption. Guccio Gucci had many sons and grandsons, perhaps too many for one business. The ones who joined the Brand names such as Gucci play a powerful role in the business often had different ideas and couldn’t agree. -
1 the Political Philosophy of Niccolò Machiavelli Filippo Del Lucchese Table of Contents Preface Part I
The Political Philosophy of Niccolò Machiavelli Filippo Del Lucchese Table of Contents Preface Part I: The Red Dawn of Modernity 1: The Storm Part II: A Political Philosophy 2: The philosopher 3: The Discourses on Livy 4: The Prince 5: History as Politics 6: War as an art Part III: Legacy, Reception, and Influence 7: Authority, conflict, and the origin of the State (sixteenth-eighteenth centuries) 1 8: Nationalism and class conflict (nineteenth-twentieth centuries) Chronology Notes References Index 2 Preface Novel 84 of the Novellino, the most important collection of short stories before Boccaccio’s Decameron, narrates the encounter between the condottiere Ezzelino III da Romano and the Holy Roman Emperor Frederick II: It is recorded how one day being with the Emperor on horseback with all their followers, the two of them made a challenge which had the finer sword. The Emperor drew his sword from its sheath, and it was magnificently ornamented with gold and precious stones. Then said Messer Azzolino: it is very fine, but mine is finer by far. And he drew it forth. Then six hundred knights who were with him all drew forth theirs. When the Emperor saw the swords, he said that Azzolino’s was the finer.1 In the harsh conflict opposing the Guelphs and Ghibellines – a conflict of utter importance for the late medieval and early modern history of Italy and Europe – the feudal lord Ezzelino sends the Emperor a clear message: honours, reputation, nobility, beauty, ultimately rest on force. Gold is not important, good soldiers are, because good soldiers will find gold, not the contrary. -
Local Action Plan
Local Action Plan URBACT REPAIR N The Local Action Plan of Florence December 2010 TABLE OF CONTENTS Contents 1. Scope and Objective of LAP.................................................................................. 4 2. City Profile ................................................................................................................... 5 3. The Local Support Group....................................................................................... 8 4. Exchange of Knowledge and Best Practices................................................. 10 5. Key Actions ............................................................................................................... 11 6. Financial Resources ............................................................................................... 13 Annex: SWOT analysis .................................................................................................... 14 SCOPE AND OBJECTIVE OF LAP 1. Scope and Objective of LAP The LAP covers the completion of the recovery of former prison Le Murate in the historical centre of Florence, with impacts on the broader urban regeneration of the whole district of Santa Croce in a balanced system of public space and functions. The recovery brings to the City more than 100 new social dwellings. The City has completed the 1997-2010 phase of the intervention, with the realisation of 73 social dwellings, 2 new urban squares, a commercial-leisure gallery and public and services spaces (euro 15 million financed by National government and -
The Birth of Partnership Systems in Renaissance Florence1 John F
Chapter 6 Transposition and Refunctionality: The Birth of Partnership Systems in 1 Renaissance Florence John F. Padgett Inventions of any sort are hard to understand. They seem to come out of the blue, a rupture with the past, yet close investigation always reveals historical roots. Individual geniuses sometimes create them, but is “genius” just our celebratory label for a process that worked, which we do not understand? To proffer a tentative distinction: innovations improve on existing ways (i.e, activities, conceptions and purposes) of doing things, while inventions change the ways things are done. Under this definition, the key to classifying something as an invention is the degree to which it reverberates out to alter the interacting system of which it is a part. To some extent we understand micrologics of combination and recombination.2 Yet the invention puzzle is that some of these innovative recombinations cascade out to reconfigure entire interlinked ecologies of “ways of doing things,” whereas most innovations do not. The poisedness of a system to reconfiguration by an invention is as much a part of the phenomenon to be explained as is the system’s production of the invention itself. Invention “in the wild” cannot be understood through abstracting away from concrete social context, because inventions are permutations of that context.3 But to make progress in understanding discontinuous change we need to embed our analysis of transformation in the routine dynamics of actively self-reproducing social contexts, where constitutive elements and relations are generated and reinforced. 1 This chapter is an abridged version (40% cut) of John F.