DOCSLIB.ORG

Iliad Aristeia Chart – 7Th Period 2018

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Iliad Aristeia Chart – 7Th Period 2018 Iliad Aristeia Chart – 7th period 2018 Aristeia: a soldier’s highest moment of glory in war, when he fights so bravely and single-mindedly as to experience no fear and to appear nearly invincible Instructions: Keep track of the aristeias in the epic as we read. Be sure to take note of line numbers so that you may refer back to the text with ease. Read carefully, but be aware that some of the character’s aristeias will be incomplete. Character: Character: Character: Character: Agamemnon Hector Patroclus Achilles 1. Divine inspiration/ Strife/Eris (Goddess of Iris (messenger goddess) p. 473 – Hera via Iris exhortation: Who/what Discord) Don’t go into battle until you “To arms – son of Peleus.. inspires the hero’s aristeia? see AG is injured (11.220- Defend Patroclus!” “There Strife took her stand... 225) lashing the fighting fury in each Achaean’s heart…mad Once AG is injured, Hector for war and struggle (11.11- will have the power to kill 16) and kill… 2. Armoring: What does the Pg. 297 p. 500 hero put on, and in what - Greaves Already armed: order? Be detailed! - Breastplate “Hector leapt to ground from - Greaves - Sword his chariot fully armed and - Breastplate - Shield w/ Gorgons brandishing two sharp - Sword - Helmet spears” (11.245) - Massive shield - Two spears - Helmet - Father’s spear (*important because he’s the only one who could wield*) – magic weapon 3. Bursting into the ranks of p. 299 - “And right in the the enemy: How does the midst sprang Agamemnon hero first and killed a fighter…” Counterattack: • demonstrate (11.106ish) p. 525-526 – Asteropaeus enthusiasm for battle? “grazed Achilles’ strong right • wreak great slaughter p. 301 “but him he killed on arm and dark blood on the enemy? the ground, slashing off arms gushed…” BUT, Achilles • deal with with a sword… and always slashed out his life… counterattacks? King Agamemnon whirling to kill… Like devouring fire roaring down onto dead dry timber…” Counterattack? Iphidamas “went for the waist beneath the breastplate… but failed to pierce the glittering belt, failed flat out (11.267+)” Counter – AG “hacked his neck with a sword…” 4. Moment of weakness or Coon (brother of Iphidamas) danger: What weakness does the hero exhibit, what danger “Coon marked him… and does he face, or what injury slashed him under the elbow, does he suffer? down the forearm - a glint of metal – the point ripped through his flesh and the lord of fighting men Atrides shuddered” (11.288+) 5. Return to battle and grand duel with an important enemy: Who is the central enemy that the hero faces during his aristeia? What leads to the battle, and what happens during the battle? 6. Slaying of the important enemy with eventual boasting: How does the hero slay the enemy? How does he boast? 7. Conflict over the body of the slain enemy: What happens to the body of the slain enemy? What happens as a result of the slaying? Does this lead to future conflicts? Things to Consider about the Aristeias: • What differences emerge when you compare the four aristeias? Why causes these differences, and what might they teach us? • Thematically speaking, what does Homer reveal through each of the four aristeias? • How do the aristeias work to enhance the plot of the epic? .
Load more

Recommended publications
  • HOMERIC-ILIAD.Pdf
    Homeric Iliad Translated by Samuel Butler Revised by Soo-Young Kim, Kelly McCray, Gregory Nagy, and Timothy Power Contents Rhapsody 1 Rhapsody 2 Rhapsody 3 Rhapsody 4 Rhapsody 5 Rhapsody 6 Rhapsody 7 Rhapsody 8 Rhapsody 9 Rhapsody 10 Rhapsody 11 Rhapsody 12 Rhapsody 13 Rhapsody 14 Rhapsody 15 Rhapsody 16 Rhapsody 17 Rhapsody 18 Rhapsody 19 Rhapsody 20 Rhapsody 21 Rhapsody 22 Rhapsody 23 Rhapsody 24 Homeric Iliad Rhapsody 1 Translated by Samuel Butler Revised by Soo-Young Kim, Kelly McCray, Gregory Nagy, and Timothy Power [1] Anger [mēnis], goddess, sing it, of Achilles, son of Peleus— 2 disastrous [oulomenē] anger that made countless pains [algea] for the Achaeans, 3 and many steadfast lives [psūkhai] it drove down to Hādēs, 4 heroes’ lives, but their bodies it made prizes for dogs [5] and for all birds, and the Will of Zeus was reaching its fulfillment [telos]— 6 sing starting from the point where the two—I now see it—first had a falling out, engaging in strife [eris], 7 I mean, [Agamemnon] the son of Atreus, lord of men, and radiant Achilles. 8 So, which one of the gods was it who impelled the two to fight with each other in strife [eris]? 9 It was [Apollo] the son of Leto and of Zeus. For he [= Apollo], infuriated at the king [= Agamemnon], [10] caused an evil disease to arise throughout the mass of warriors, and the people were getting destroyed, because the son of Atreus had dishonored Khrysēs his priest. Now Khrysēs had come to the ships of the Achaeans to free his daughter, and had brought with him a great ransom [apoina]: moreover he bore in his hand the scepter of Apollo wreathed with a suppliant’s wreath [15] and he besought the Achaeans, but most of all the two sons of Atreus, who were their chiefs.
    [Show full text]
  • Provided by the Internet Classics Archive. See Bottom for Copyright
    Provided by The Internet Classics Archive. See bottom for copyright. Available online at http://classics.mit.edu//Homer/iliad.html The Iliad By Homer Translated by Samuel Butler ---------------------------------------------------------------------- BOOK I Sing, O goddess, the anger of Achilles son of Peleus, that brought countless ills upon the Achaeans. Many a brave soul did it send hurrying down to Hades, and many a hero did it yield a prey to dogs and vultures, for so were the counsels of Jove fulfilled from the day on which the son of Atreus, king of men, and great Achilles, first fell out with one another. And which of the gods was it that set them on to quarrel? It was the son of Jove and Leto; for he was angry with the king and sent a pestilence upon the host to plague the people, because the son of Atreus had dishonoured Chryses his priest. Now Chryses had come to the ships of the Achaeans to free his daughter, and had brought with him a great ransom: moreover he bore in his hand the sceptre of Apollo wreathed with a suppliant's wreath and he besought the Achaeans, but most of all the two sons of Atreus, who were their chiefs. "Sons of Atreus," he cried, "and all other Achaeans, may the gods who dwell in Olympus grant you to sack the city of Priam, and to reach your homes in safety; but free my daughter, and accept a ransom for her, in reverence to Apollo, son of Jove." On this the rest of the Achaeans with one voice were for respecting the priest and taking the ransom that he offered; but not so Agamemnon, who spoke fiercely to him and sent him roughly away.
    [Show full text]
  • Astrocladistics of the Jovian Trojan Swarms
    MNRAS 000,1–26 (2020) Preprint 23 March 2021 Compiled using MNRAS LATEX style file v3.0 Astrocladistics of the Jovian Trojan Swarms Timothy R. Holt,1,2¢ Jonathan Horner,1 David Nesvorný,2 Rachel King,1 Marcel Popescu,3 Brad D. Carter,1 and Christopher C. E. Tylor,1 1Centre for Astrophysics, University of Southern Queensland, Toowoomba, QLD, Australia 2Department of Space Studies, Southwest Research Institute, Boulder, CO. USA. 3Astronomical Institute of the Romanian Academy, Bucharest, Romania. Accepted XXX. Received YYY; in original form ZZZ ABSTRACT The Jovian Trojans are two swarms of small objects that share Jupiter’s orbit, clustered around the leading and trailing Lagrange points, L4 and L5. In this work, we investigate the Jovian Trojan population using the technique of astrocladistics, an adaptation of the ‘tree of life’ approach used in biology. We combine colour data from WISE, SDSS, Gaia DR2 and MOVIS surveys with knowledge of the physical and orbital characteristics of the Trojans, to generate a classification tree composed of clans with distinctive characteristics. We identify 48 clans, indicating groups of objects that possibly share a common origin. Amongst these are several that contain members of the known collisional families, though our work identifies subtleties in that classification that bear future investigation. Our clans are often broken into subclans, and most can be grouped into 10 superclans, reflecting the hierarchical nature of the population. Outcomes from this project include the identification of several high priority objects for additional observations and as well as providing context for the objects to be visited by the forthcoming Lucy mission.
    [Show full text]
  • Virgil, Aeneid 11 (Pallas & Camilla) 1–224, 498–521, 532–96, 648–89, 725–835 G
    Virgil, Aeneid 11 (Pallas & Camilla) 1–224, 498–521, 532–96, 648–89, 725–835 G Latin text, study aids with vocabulary, and commentary ILDENHARD INGO GILDENHARD AND JOHN HENDERSON A dead boy (Pallas) and the death of a girl (Camilla) loom over the opening and the closing part of the eleventh book of the Aeneid. Following the savage slaughter in Aeneid 10, the AND book opens in a mournful mood as the warring parti es revisit yesterday’s killing fi elds to att end to their dead. One casualty in parti cular commands att enti on: Aeneas’ protégé H Pallas, killed and despoiled by Turnus in the previous book. His death plunges his father ENDERSON Evander and his surrogate father Aeneas into heart-rending despair – and helps set up the foundati onal act of sacrifi cial brutality that caps the poem, when Aeneas seeks to avenge Pallas by slaying Turnus in wrathful fury. Turnus’ departure from the living is prefi gured by that of his ally Camilla, a maiden schooled in the marti al arts, who sets the mold for warrior princesses such as Xena and Wonder Woman. In the fi nal third of Aeneid 11, she wreaks havoc not just on the batt lefi eld but on gender stereotypes and the conventi ons of the epic genre, before she too succumbs to a premature death. In the porti ons of the book selected for discussion here, Virgil off ers some of his most emoti ve (and disturbing) meditati ons on the tragic nature of human existence – but also knows how to lighten the mood with a bit of drag.
    [Show full text]
  • Scientific Name Common Name Distribution, Notes Food Plant Family PAPILIONIDAE: 51 Species SWALLOWTAILS
    Scientific Name Common Name Distribution, notes Food Plant Family PAPILIONIDAE: 51 species SWALLOWTAILS Subfamily Baroniinae: 1 species Baronia Baronia brevicornis brevicornis Baronia Baronia brevicornis rufodiscalis Baronia Chiapas Subfamily Papilioninae: 50 species Battus philenor philenor Pipevine Swallowtail Battus philenor acauda 'Yucatan' Pipevine Swallowtail Yucatan Peninsula and surrounding areas Battus philenor orsua 'Tres Marias' Pipevine Swallowtail Islas Tres Marias, Nayarit Battus philenor insularis 'Revillagigedo' Pipevine Swallowtail Islas Revillagigedo, Colima Battus polydamas polydamas Polydamas Swallowtail Battus eracon West-Mexican Swallowtail Battus laodamas iopas Green-patch Swallowtail W Mexico Battus laodamas copanae Green-patch Swallowtail E Mexico Battus ingenuus Dyar's Swallowtail Battus lycidas Cramer's Swallowtail Parides alopius White-dotted Cattleheart Parides photinus Pink-spotted Cattleheart Parides montezuma Montezuma’s Cattleheart Parides eurimedes mylotes True Cattleheart Parides childrenae childrenae Green-celled Cattleheart Parides sesostris zestos Emerald-patched Cattleheart Parides panares panares Wedge-spotted Cattleheart Oaxaca Parides panares lycimenes Wedge-spotted Cattleheart Chiapas, etc. Parides erithalion polyzelus Variable Cattleheart E Mexico Parides erithalion trichopus Variable Cattleheart W Mexico Parides iphidamas iphidamas Iphidamas Cattleheart Parides anchises marthilia Chiapas Cattleheart Eurytides epidaus epidaus Mexican Kite-Swallowtail E Mexico Eurytides epidaus fenochionis Mexican
    [Show full text]
  • The Tale of Troy
    THE TALE OF TROY WITH THE PUBLISHERS' COMPLIMENTS. THE TALE OF TROY DONE INTO ENGLISH BY AUBREY STEWART, M.A. LATE FELLOW OF TRINITY COLLEGE, CAMBRIDGE. ^London MACMILLAN AND CO. AND NEW YORK 1886 D CONTENTS CHAP. PAGE i. How Paris carried off Helen . i ii. How the Heroes gathered at Aulis 13 in. How Achilles quarrelled with Agamemnon . 27 iv. How Paris fought Menelaus . 45 v. How Hector fought Ajax . .61 vi. How Hector tried to burn the Ships 87 vii. How Patroclus lost the Arms of Achilles . .109 vni. How Achilles slew Hector . .129 ix. How the Greeksfought the Amazons 147 x. How Paris slew Achilles . .167 xi. How Philoctetes slew Paris . 193 xn. How the Greeks took Troy . .215 HOW PARIS CARRIED OFF HELEN B CHAPTER I g earned off upon a time there lived a king ONCEand queen, named Tyndareus and Leda. Their home was Sparta, in the plea- sant vale of Laconia, beside the river Eurotas. They had four children, and these were so beautiful that men doubted whether they were indeed born of mortal parents. Their two sons were named Castor and Polydeuces. As they grew up, Castor became a famous horseman, and Polydeuces was the best boxer of his time. Their elder daughter, Clytem- nestra, was wedded to Agamemnon the son of Atreus, king of Mycenae, who was the greatest prince of his age throughout all the land of Hellas. Her sister Helen was the The Tale of Troy CHAP. loveliest woman ever seen upon earth, and every prince in Hellas wooed her for his bride; yet was her beauty fated to bring sorrow and destruction upon all who looked upon her.
    [Show full text]
  • CLA 2323A Greek Mythology
    Outline of the Iliad CLCV 2000A Classical Mythology Book 1 C. Hektor finds Andromache and Astyanax (369-502) I. The Quarrel (1-430) V. Paris and Hektor return to the fighting (503-529) II. Return of Chryseis to her home (430-492) Book 7 III. Balancing scene among the gods (493-611) I. Hektor and Paris return to battle (1-16) Book 2 II. Duel between Hektor and Aias (17-322) I. Agamemnon tests the army (1-154) III. Fighting halted to bury the dead (323-482) A. Odysseus recalls the troops (155-210) A. Greeks dig walls around ships (323-344) B. Thersites episode (211-332) B. Paris refuses to return Helen but offers other gifts (345-397) C. Nestor’s counsel (333-483) C. Greeks refuse Paris’ gifts (398-420) II. Catalogue of Greek Ships (484-785) D. Cremation of dead, Greeks build walls (421-482) III. Catalogue of Trojan troops (786-877) Book 8 Book 3 I. Assembly of gods; Zeus forbids gods to take part in battle (1-52) I. Truce by single combat between Paris and Menelaos (1-120) II. A day of fighting (53-349) II. The Teichoskopeia (Helen’s ‘View from the Wall’) (121-244) A. Battle begins with the scales of Zeus (53-65) III. The duel and the rescue (245-382) B. Nestor threatened by Hektor, rescued by Diomedes (78-166) IV. Helen and Paris (383-461) C. Advance of Trojans under Hektor (167-216) Book 4 D. Agamemnon rallies troops (217-334) I. Pandaros breaks the truce (1-122) E.
    [Show full text]
  • Lecture 14 Aeneid 12: War in Italy MDS1TRW the Roman World: Myth
    MDS1TRW The Roman World: Myth and Empire Lecture 14 Aeneid 12: War in Italy hp://www.eBay.co.uk/itm/The-Aeneid-Rare-Card-LieBiG-Set-Part-II-Greece-Greek-Camille-Nisus-Gladiator/130940254241?_trksid=p2047675.m1850&_trkparms=aid%3D222002%26alGo%3DSIC.FIT%26ao %3D1%26asc%3D11%26meid%3D1158694072794277908%26pid%3D100011%26prG%3D1005%26rk%3D4%26rkt%3D5%26sd%3D380663535810%26 AENEID BOOKS 7-12 WAR IN LATIUM 7: Allecto ‘infects’ Turnus and Amata 8: Aeneas visits Evander at Pallanteum (’Rome’) 9: NiGht raid: Nisus and Euryalus (c.f. Iliad 10 Doloneia) 10: Turnus vs. Pallas, Aeneas vs. Mezenaus 11: MourninG for Pallas; truce; Camilla 12: Final duel AENEID BOOKS 7-12: THE ‘GREATER WORK’ New proem: 7.40 (p.141) – ‘Come now, Erato’ Use of first person sinGular ‘I shall tell’ REPLAYING THE TROJAN WAR Love trianGles: • Helen, Menelaus, Paris • Lavinia, Turnus, Aeneas • c.f. 7.96 (p.143) oracle: no marriage to a Lan Sibyl’s prophey (6.82f. = p.117) • ‘A second Achilles’ [Iliad and anGer of Achilles] • son of a Goddess – Venilia // Thes • N.B. father Daunus, Rutulian king (//Priam?) • sister Juturna (// Apollo – protector of Hector) • A. & T. as Achilles and Hector: But which is which? Book of fathers and sons 1. Turnus vs. Pallas 10.440-509 • aer Pallas’ aristeia • T: ‘Pallas is mine, and mine alone. I wish his father were here to see it.’ • Pallas also Bloodthirsty (10.459f.) • c.f. Evander’s paranG speech (8.560f. pp.166): ‘my only source of joy’ • P. killed in spear comBat • T. strips Body – Belt // Hector & Patroclus (Iliad 18) FUROR AND PIETAS IN BOOK 10 Aeneas: revenGe and furor • vicams (incl.
    [Show full text]
  • Iliad Aristeia Chart – 3Rd Period 2018
    Iliad Aristeia Chart – 3rd Period 2018 Aristeia: a soldier’s highest moment of glory in war, when he fights so bravely and single-mindedly as to experience no fear and to appear nearly invincible Instructions: Keep track of the aristeias in the epic as we read. Be sure to take note of line numbers so that you may refer back to the text with ease. Read carefully, but be aware that some of the character’s aristeias will be incomplete. Character: Character: Character: Character: Agamemnon Hector ________________________ ________________________ 1. Divine inspiration/ Page 296, 11. 11-14 Page 303 Iris (sent by Zeus) exhortation: Who/what inspires the hero’s “There Strife took her stand, Lines 233-242 aristeia? raising her high-pitched cry, “But soon as a spear or bowshot great and terrible . in each wound the king and Atrides Achaean’s heart – no stopping mount his chariot again – then them now” Zeus will hand you the power to (Strife = Eris/Goddes of kill and kill” Discord) 2. Armoring: What Page 297, 11. 18-50 “Hector leapt to the ground does the hero put on, from his chariot fully armed and in what order? Be 1. “wrapped his legs with well and brandishing two sharp detailed! made greaves” spears” (lines 245-246) 2. “strapped the breastplate round his chest” (ornate guest- gift for Ag. leaving for Troy) 3. “slung his sword” 4. “well-wrought shield” 5. “set his helmet” 6. “two tough spears” So fearsome looking “awestruck at the sight Athena and Hera loosed a crack of thunder” 3. Bursting into the Line 107 – “And right in the Bursting into ranks: “Hector – ranks of the enemy: midst sprang Agamemnon first whipping the fight and fire in How does the hero and killed a fighter” each man like a huntsman .
    [Show full text]
  • Satan As the Hero of Paradise Lost
    Satan as the hero of Paradise Lost Tvrtković, Mak Master's thesis / Diplomski rad 2019 Degree Grantor / Ustanova koja je dodijelila akademski / stručni stupanj: University of Zagreb, University of Zagreb, Faculty of Humanities and Social Sciences / Sveučilište u Zagrebu, Filozofski fakultet Permanent link / Trajna poveznica: https://urn.nsk.hr/urn:nbn:hr:131:756766 Rights / Prava: In copyright Download date / Datum preuzimanja: 2021-09-28 Repository / Repozitorij: ODRAZ - open repository of the University of Zagreb Faculty of Humanities and Social Sciences Odsjek za anglistiku Filozofski fakultet Sveu čilište u Zagrebu Diplomski rad Satan as the hero of Paradise Lost Književno-kulturološki smjer Kandidat: Mak Tvrtkovi ć Mentor: dr. sc. Tomislav Brlek, izv. prof. Akademska godina: 2018./2019. Table of Contents Introduction: John Milton and Paradise Lost ............................................................................ 2 Paradise Lost in short .............................................................................................................. 4 Heroic Devil ....................................................................................................................... 5 Types of heroes .......................................................................................................................... 8 Prometheus and Satan ........................................................................................................... 12 Milton as Satan, Satan as Milton ....................................................................................
    [Show full text]
  • Helen Epigrammatopoios
    Helen Epigrammatopoios The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters Citation Elmer, David F. 2005. Helen Epigrammatopoios. Classical Antiquity 24(1): 1–39. Published Version http://dx.doi.org/10.1525/ca.2005.24.1.1 Citable link http://nrs.harvard.edu/urn-3:HUL.InstRepos:3415493 Terms of Use This article was downloaded from Harvard University’s DASH repository, and is made available under the terms and conditions applicable to Other Posted Material, as set forth at http:// nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use#LAA DAVID F. ELMER Helen Epigrammatopoios Ancient commentators identify several passages in the Iliad as “epigrams.” This paper explores the consequences of taking the scholia literally and understanding these passages in terms of inscription. Two tristichs spoken by Helen in the teikhoskopia are singled out for special attention. These lines can be construed not only as epigrams in the general sense, but more speciWcally as captions appended to an image of the Achaeans encamped on the plain of Troy. Since Helen’s lines to a certain extent correspond to the function and style of catalogic poetry, reading them speciWcally as captions leads to a more nuanced understanding of both Homeric poetry and Homeric self-reference. By contrasting Helen’s “epigrams” with those of Hektor, one can also discern a gender-based diVerentiation of poetic functions. No Greek literary genre is more inextricably linked to the technology of writ- ingthantheepigram, whichderivesitsdeWning characteristics from the exigencies of inscription. It may therefore seem somewhat incongruent to Wnd discernible gestures toward this most scriptural genre in the most thoroughly “oral” texts that survive from antiquity, the Homeric Iliad and Odyssey.
    [Show full text]
  • AP® Latin Teaching the Aeneid
    Professional Development AP® Latin Teaching The Aeneid Curriculum Module The College Board The College Board is a mission-driven not-for-profit organization that connects students to college success and opportunity. Founded in 1900, the College Board was created to expand access to higher education. Today, the membership association is made up of more than 5,900 of the world’s leading educational institutions and is dedicated to promoting excellence and equity in education. Each year, the College Board helps more than seven million students prepare for a successful transition to college through programs and services in college readiness and college success — including the SAT® and the Advanced Placement Program®. The organization also serves the education community through research and advocacy on behalf of students, educators and schools. For further information, visit www.collegeboard.org. © 2011 The College Board. College Board, Advanced Placement Program, AP, AP Central, SAT, and the acorn logo are registered trademarks of the College Board. All other products and services may be trademarks of their respective owners. Visit the College Board on the Web: www.collegeboard.org. Contents Introduction................................................................................................. 1 Jill Crooker Minor Characters in The Aeneid...........................................................3 Donald Connor Integrating Multiple-Choice Questions into AP® Latin Instruction....................................................................
    [Show full text]