DOCSLIB.ORG

Mandir Vani of NWA : Volume 1 Issue 1 May 2012 Send Suggestions/ Contributions To: [email protected]

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Mandir Vani of NWA : Volume 1 Issue 1 May 2012 Send Suggestions/ Contributions To: Sharmilasanka@Yahoo.Com Temple Address: 2500 SW Regional Airport Blvd. Bentonville, AR 72712 Mookam Karoti Vachalam,, Pangum Langhayate Girim. Temple Hours: Saturdays from 5 PM to 8 PM Sundays from 10 AM to 1 PM Yat Krupa Tamaham Vande, Paramanand Madhavam. Vishnu Sahasranamam: Every Saturday at 6 PM Email: [email protected] Web: http://www.nwahindutemple.org Salutations to the ultimate bliss Madhava, by whose grace, a dumb man becomes the most talkative and a physically disabled man crosses the highest mountain. Driving Directions to the new Temple from Exit 85 Rogers/Bentonville 1. Take I-540, EXIT 85, towards AIRPORT/ROGERS/BENTONVILLE. 0.3 mi 2. Turn West onto US-71 BR/AR-12/W WALNUT ST/SE WALTON BLVD. Continue to follow vakratunda mahaakaaya suryakoti samaprabhaa. US-71 BR/AR-12/SE WALTON BLVD. 1.5 mi nirvighnam kurumedeva sarvakaaryeshu sarvadaa.. 3. Turn LEFT onto SW REGIONAL AIRPORT BLVD/AR-12. 1.7 mi 4. 2500 SW REGIONAL AIRPORT BLVD is on the RIGHT opposite to World's Gym. Temple News Isn't it exciting to see our New Temple sprout up so fast? Isn’t it Lord’s grace that made us see the fruition? Let us keep praying for strength, patience, power of wealth and devotion to see our successful Grand opening of the new Temple. We know each of you is so excited to see our dream in reality and HANWA is so glad to fulfill your desire to have the New Temple Sneak Preview. HANWA is conducting sneak preview sessions and please keep an eye for your turn to receive the invitation. Meanwhile, let us do our part in His mission and happily make our first entrance into the Lord’s abode and then into His heart. Those of you who were fortunate to set your first foot into the new temple, provide your feedback to [email protected] We all have a Dream to Get Krishna in Arkansas We’re all truly blessed to be able to participate in building a temple. Our united effort is to bring Mathura to Bentonville. With this opportunity comes the responsibility of establishing a strong financial foundation for the temple to ensure its continued presence in the community. The Sponsorship Programs Here are the formal sponsorship programs that we’ve developed specifically for the construction process. Every dollar collected for these sponsorships will go directly to paying the construction bills. This will reduce the amount of loan that we have to take AND the amount of interest we have to pay! Street Name Sponsorship - $50,001 : This is a rare opportunity for a street leading to our new temple to bear your precious name. If you or your friends or family are interested, please contact any of the Board members. Gopura Sponsors - $1001 Be a Gopura sponsor and earn the grace of Lord forever. On temple Grand Opening day, Gopura sponsored families can pour holy water and put flowers on the Kalasam which is a life time opportunity for a human being. We have only few sponsor slots available. Please click on the below link to see the current Gopura sponsors. http://www.nwahindutemple.org/gopuram.php Parking Lot Sponsorships - $501 : To improve accessibility of the temple, please be a parking lot sponsor. Temple bell Sponsorship : $251 – When you see the temple bell, the auspicious sound of Om will ringer in your ears with pride when you sponsor a Temple bell. Tile sponsors - $101 This is a great opportunity given to all the Tile sponsors to freely participate in the special Havan which will be performed by the Priest on 26th May-Saturday. Avail this opportunity and become a tile sponsor soon. Here is the link to our proud tile sponsors. Every tile sponsored for the Temple carries your name in the heart of the Lord. http://www.nwahindutemple.org/tile.php Kar Seva Volunteer: Hands that serve are holier than the lips that pray. ‘KarSeva’ arose out of this great but simple thought. Devotees are anxious to serve the Lord in whatever they can. Once you are part of this group, you will get emails in case the temple needs some help. Seva itself says it is not an obligation but it is done with a great selfless feeling at your own convenience. Email [email protected] if you would like to become a KarSeva member. Mandir Vani of NWA : Volume 1 Issue 1 May 2012 Send Suggestions/ Contributions to: [email protected]. Editorial Board: Sharmila Sanka, Jagga Muddasani, Ramakantha Rao Chakalakonda Advertising Rates per Issue: Full Page: 60$ Half Page: 40$ Quarter Page: 25$ Office Bearers and Board of Directors President: Nirupama Raghavan Our NWA Hindu Temple Vice President: Umashankar Balaraman Secretary: Sharmila Sanka - Jagga Muddasani Treasurer: Ravikanth Krovvidi Contact us via Email: [email protected] A Mandir, Devalayam, Devasthanam, or a Hindu temple is a place of worship for followers of Hinduism. A characteristic of most Directors: temples is the presence of murthies (statues) of the Hindu deity to Arul Kumaran whom the temple is dedicated. Manjula Chawla Raghunath Seeram In our NWA Temple, the primary Deity is Lord Krishna, the Thilak Sriram personality of God Head, followed by the other presiding deities, Lord Venkateswara, Lord Shiva, Goddess Maha Lakshmi, Lord HANWA Board Election OATH Ganesha, Goddess Kanaka Durga, Lord Subramanya Swami accompanied by their respective family members. We, the newly elected Board members take an Oath before the Lord and the community to hold responsibility and The architecture of temple mimics the generic Hindu Temples and accountability to perform the duties on HANWA Board with being constructed to meet the Budget requirements. Our Temple integrity, humility and devotion. We will tread on the right path is built to have adequate space of 3.5 acres with ample parking chosen by the Lord and we thus ask for immense support from place. A Gopura is planned to appear in front of the Temple in the Community and we promise to live up to your trust and forthcoming months. A large staging area is elevated with confidence. beautiful Marble surface. The statues of the Gods (murthies) are placed on pedestals over the elevated marble stage, with several decorated lamps around these pedestals , and with beautiful garlands and ornaments surrounding the murthies as if the natural light is emanating from our Lords blessing the visitors to Monthly Events fulfill their desires and ambitions. May 2012 Around this stage there is also a large walking area for devotees to make pradhakshinas around the Gods. Worshippers typically Launching of New temple Website bring in symbolic offerings for the puja. This includes fruits, http://nwahindutemple.org/ flowers, sweets and other symbols of the bounty of the natural Release of first issue of Temple Newsletter. world. They keep both hands folded together as a sign of respect in front of murthies. This place is also known as the garbhagruha. June 2012 It symbolizes the birthplace of the universe, the meeting place of the gods and mankind, and the threshold between the General Body Meeting: transcendental and the phenomenal worlds. The devotees offer prayers and salutations to the presiding deities. Devotees present their offerings at the Lotus feet of the deities. Finally the th The next HANWA General Body Meeting is on June 9 – worshipper or visitor walks clockwise around the elevated stage, Saturday. Please mark your calendar to attend this event, where innermost sanctum, or garbhagruha, stop once on each side, close in, you can voice your opinion and you can get important their eyes and pray to the All Loving Being. The worshipper may updates on our New Temple. Only HANWA members have the receive a sprinkling of the water while the 'pujari' states "Om voting rights. Please become a member soon if you are not one. Shanti" which means "peace be on to all". July 2012 Temple management staff typically announce the hours of operation, including timings for special pujas. Our priest Temple Grand Opening: Venugopala Gattu comes every weekend on Saturday and Sunday performs aarti once or twice. On every Saturday at 6 PM the With the Lord’s immense grace, commitment of the sponsors, Devotees chant Vishnu Sahasra Namamu to bring peace and selfless service of the volunteers, and relentless dedication of tranquility to Bentonville citizens. Every third Saturday, the past and current Boards and mostly devotion of the devotional songs or music called bhajans, accompanied by a devotees, HANWA Board is so very pleased to announce that we dholak or tabla soloist and/or harmonium soloist. have a Grand Opening Date for our New Temple. Please mark th th your calendars from 27 July, Friday to 29 July Sunday with the Visitors and worshipers are required to remove shoes and other Grand opening being on 29th July Sunday. We want the entire footwear before entering the temple Hall and there is an area NWA community to attend this event since each of you played a role big or small to make this long awaited announcement a designated to store footwear. There is also a Tap water to wash possibility. So, please plan your vacation, trip to India etc their hands and feet before entering the Temple Hall to keep their accordingly so that we have your presence at the Grand heart and mind clean preparing themselves to offer their prayers Opening. Mean while, let’s do whatever we can in whichever to Gods. On the back of garbhagruh, the eleveated stage, there is way possible for the New Temple and let’s keep praying to our a storage space to put the puja trays (tray with worship offerings), Lord.
Load more

Recommended publications
  • Jagdish Prasad Sunil Kumar
    +91-9811192425 Jagdish Prasad Sunil Kumar https://www.indiamart.com/jpskmusicalstore/ Founded in 1965, Jagdish Prasad Sunil Kumar is the foremost manufacturer, wholesaler and supplier of Tabla Musical Instruments, Naal Drums and Shruti Box. About Us Founded in 1965, Jagdish Prasad Sunil Kumar is the foremost manufacturer, wholesaler and supplier of Tabla Musical Instruments, Harmonium Musical Instrument, Dhol Musical Instrument, Dholak Musical Instrument, Swarmandal Musical Instruments, Santur Musical Instruments, Tanpura Musical Instruments, Khanjari Musical Instruments, Electronic Banjos, Pakhawaj Drums, Djembe Drums, Khol Drums, Naal Drums and Shruti Box. Our products are extremely well-liked owing to their top features and nominal prices. These products are made by professional’s team employing the advanced techniques and best quality material, which is bought from trustworthy sellers of market. Professionals manufacture these products as per universal industry parameters. Being a customer’s centric organization, professionals also make these products according our client’s requirements and necessities. Due to huge distribution network, fair business polices and quality-centric approach, we have gained trust of our patrons. Apart from, we work under the leadership of our mentor Ashish Verma. Under his supervision our firm has attained heights of success. We also provide many facilities to the patrons to put their demands forward and get them solve timely and as per their requirements. For more information, please visit https://www.indiamart.com/jpskmusicalstore/profile.html
    [Show full text]
  • Yudhishthira's Wisdom Is an Ancient Story
    Yudhishthira's wisdom is an ancient story. Which is a part of Mahabharata, Indian greatest epic? Or it simply says a journey of five brothers in the jungle. Four levels parts for this text Literal comprehension, interpretation, critical thinking/ analysis, and assimilation are: Yudhishthira's wisdom Source: Mahabharata BBA|BBA-BI|BBA-TT|BHCM|BHM|BCIS|BHM Literal comprehension of this story The story ' Yudhishthira's wisdom ' has been taken from the greatest epic 'Mahabharata'. Once upon a time five Pandavas brother's were wondering in a forest to hunt a deer. But the deer in their sight disappeared suddenly. In the min time, they felt tiredness grew thirsty & they were unable to move ahead. They set under a tree & Yudhisthira's sent his eldest brother Sahadeva. To search for water but he didn't come for a long time. He sent his entire brother's one after the other gradually. However, none of them returned for a long time. Therefore, ultimately Yudhisthira's himself set out in search of his bother's following their footprints. After a short walk, he notices a beautiful pool. On its bank, his four brother's were lying either unconsciousness or death. Although viewing the events he was in stream distress & sorrow. Then he bent to drink water from the pool but an unknown voice warned him. Not to drink water from the pool before answering his questions. After listening carefully Yudhisthira's tactfully answered all questions of Yama(the god of justice & death). His four brothers were prostrate on the ground due to their disobedience to the voice of Yama.
    [Show full text]
  • Balabodha Sangraham
    बालबोध सङ्ग्रहः - १ BALABODHA SANGRAHA - 1 A Non-detailed Text book for Vedic Students Compiled with blessings and under instructions and guidance of Paramahamsa Parivrajakacharya Jagadguru Sri Sri Sri Jayendra Saraswathi Sri Sankaracharya Swamiji 69th Peethadhipathi and Paramahamsa Parivrajakacharya Jagadguru Sri Sri Sri Sankara Vijayendra Saraswathi Sri Sankaracharya Swamiji 70th Peethadhipathi of Moolamnaya Sri Kanchi Kamakoti Peetham Offered with devotion and humility by Sri Atma Bodha Tirtha Swamiji (Sri Kumbakonam Swamiji) Disciple of Pujyasri Kuvalayananda Tirtha Swamiji (Sri Tambudu Swamiji) Translation from Tamil by P.R.Kannan, Navi Mumbai Page 1 of 86 Sri Kanchi Kamakoti Peetham ॥ श्रीमहागणपतये नमः ॥ ॥ श्री गु셁भ्यो नमः ॥ INTRODUCTION जगत्कामकलाकारं नािभस्थानं भुवः परम् । पदपस्य कामाक्षयाः महापीठमुपास्महे ॥ सदाििवसमारमभां िंकराचाययमध्यमाम् । ऄस्मदाचाययपययनतां वनदे गु셁परमपराम् ॥ We worship the Mahapitha of Devi Kamakshi‟s lotus feet, the originator of „Kamakala‟ in the world, the supreme navel-spot of the earth. We worship the Guru tradition, starting from Sadasiva, having Sankaracharya in the middle and coming down upto our present Acharya. This book is being published for use of students who join Veda Pathasala for the first year of Vedic studies and specially for those students who are between 7 and 12 years of age. This book is similar to the Non-detailed text books taught in school curriculum. We wish that Veda teachers should teach this book to their Veda students on Anadhyayana days (days on which Vedic teaching is prohibited) or according to their convenience and motivate the students.
    [Show full text]
  • The Mahabharata of Krishna-Dwaipayana Vyasa SALYA
    The Mahabharata of Krishna-Dwaipayana Vyasa SALYA PARVA translated by Kesari Mohan Ganguli In parentheses Publications Sanskrit Series Cambridge, Ontario 2002 Salya Parva Section I Om! Having bowed down unto Narayana and Nara, the most exalted of male beings, and the goddess Saraswati, must the word Jaya be uttered. Janamejaya said, “After Karna had thus been slain in battle by Savyasachin, what did the small (unslaughtered) remnant of the Kauravas do, O regenerate one? Beholding the army of the Pandavas swelling with might and energy, what behaviour did the Kuru prince Suyodhana adopt towards the Pandavas, thinking it suitable to the hour? I desire to hear all this. Tell me, O foremost of regenerate ones, I am never satiated with listening to the grand feats of my ancestors.” Vaisampayana said, “After the fall of Karna, O king, Dhritarashtra’s son Suyodhana was plunged deep into an ocean of grief and saw despair on every side. Indulging in incessant lamentations, saying, ‘Alas, oh Karna! Alas, oh Karna!’ he proceeded with great difficulty to his camp, accompanied by the unslaughtered remnant of the kings on his side. Thinking of the slaughter of the Suta’s son, he could not obtain peace of mind, though comforted by those kings with excellent reasons inculcated by the scriptures. Regarding destiny and necessity to be all- powerful, the Kuru king firmly resolved on battle. Having duly made Salya the generalissimo of his forces, that bull among kings, O monarch, proceeded for battle, accompanied by that unslaughtered remnant of his forces. Then, O chief of Bharata’s race, a terrible battle took place between the troops of the Kurus and those of the Pandavas, resembling that between the gods and the Asuras.
    [Show full text]
  • Bhoga-Bhaagya-Yogyata Lakshmi
    BHOGA-BHAAGYA-YOGYATA LAKSHMI ( FULFILLMENT AS ONE DESERVES) Edited, compiled, and translated by VDN Rao, Retd. General Manager, India Trade Promotion Organization, Ministry of Commerce, Govt. of India, Pragati Maidan, New Delhi, currently at Chennai 1 Other Scripts by the same Author: Essence of Puranas:-Maha Bhagavata, Vishnu Purana, Matsya Purana, Varaha Purana, Kurma Purana, Vamana Purana, Narada Purana, Padma Purana; Shiva Purana, Linga Purana, Skanda Purana, Markandeya Purana, Devi Bhagavata;Brahma Purana, Brahma Vaivarta Purana, Agni Purana, Bhavishya Purana, Nilamata Purana; Shri Kamakshi Vilasa Dwadasha Divya Sahasranaama: a) Devi Chaturvidha Sahasra naama: Lakshmi, Lalitha, Saraswati, Gayatri; b) Chaturvidha Shiva Sahasra naama-Linga-Shiva-Brahma Puranas and Maha Bhagavata; c) Trividha Vishnu and Yugala Radha-Krishna Sahasra naama-Padma-Skanda-Maha Bharata and Narada Purana. Stotra Kavacha- A Shield of Prayers Purana Saaraamsha; Select Stories from Puranas Essence of Dharma Sindhu Essence of Shiva Sahasra Lingarchana Essence of Paraashara Smtiti Essence of Pradhana Tirtha Mahima Dharma Bindu Essence of Upanishads : Brihadaranyaka , Katha, Tittiriya, Isha, Svetashwara of Yajur Veda- Chhandogya and Kena of Saama Veda-Atreya and Kausheetaki of Rig Veda-Mundaka, Mandukya and Prashna of Atharva Veda ; Also ‘Upanishad Saaraamsa’ (Quintessence of Upanishads) Essence of Virat Parva of Maha Bharata Essence of Bharat Yatra Smriti Essence of Brahma Sutras Essence of Sankhya Parijnaana- Also Essence of Knowledge of Numbers Essence of Narada Charitra; Essence Neeti Chandrika-Essence of Hindu Festivals and Austerities- Essence of Manu Smriti*- Quintessence of Manu Smriti* - *Essence of Pratyaksha Bhaskara- Essence of Maha Narayanopanishad*-Essence of Vidya-Vigjnaana-Vaak Devi* Note: All the above Scriptures already released on www.
    [Show full text]
  • Understanding Draupadi As a Paragon of Gender and Resistance
    start page: 477 Stellenbosch eological Journal 2017, Vol 3, No 2, 477–492 DOI: http://dx.doi.org/10.17570/stj.2017.v3n2.a22 Online ISSN 2413-9467 | Print ISSN 2413-9459 2017 © Pieter de Waal Neethling Trust Understanding Draupadi as a paragon of gender and resistance Motswapong, Pulane Elizabeth University of Botswana [email protected] Abstract In this article Draupadi will be presented not only as an unsung heroine in the Hindu epic Mahabharata but also as a paragon of gender and resistance in the wake of the injustices meted out on her. It is her ability to overcome adversity in a venerable manner that sets her apart from other women. As a result Draupadi becomes the most complex and controversial female character in the Hindu literature. On the one hand she could be womanly, compassionate and generous and on the other, she could wreak havoc on those who wronged her. She was never ready to compromise on either her rights as a daughter-in-law or even on the rights of the Pandavas, and remained ever ready to fight back or avenge with high handedness any injustices meted out to her. She can be termed a pioneer of feminism. The subversion theory will be employed to further the argument of the article. This article, will further illustrate how Draupadi in the midst of suffering managed to overcome the predicaments she faced and continue to strive where most women would have given up. Key words Draupadi; marriage; gender and resistance; Mahabharata and women 1. Introduction The heroine Draupadi had many names: she was called Draupadi from her father’s family; Krishnaa the dusky princess, Yajnaseni-born of sacrificial fire, Parshati from her grandfather side, panchali from her country; Sairindhiri, the maid servant of the queen Vitara, Panchami (having five husbands)and Nitayauvani,(the every young) (Kahlon 2011:533).
    [Show full text]
  • Hindu Music in Bangkok: the Om Uma Devi Shiva Band
    Volume 22, 2021 – Journal of Urban Culture Research Hindu Music In Bangkok: The Om Uma Devi Shiva Band Kumkom Pornprasit+ (Thailand) Abstract This research focuses on the Om Uma Devi Shiva, a Hindu band in Bangkok, which was founded by a group of acquainted Hindu Indian musicians living in Thailand. The band of seven musicians earns a living by performing ritual music in Bangkok and other provinces. Ram Kumar acts as the band’s manager, instructor and song composer. The instruments utilized in the band are the dholak drum, tabla drum, harmonium and cymbals. The members of Om Uma Devi Shiva band learned their musical knowledge from their ancestors along with music gurus in India. In order to pass on this knowledge to future generations they have set up music courses for both Indian and Thai youths. The Om Uma Devi Shiva band is an example of how to maintain and present one’s original cultural identity in a new social context. Keywords: Hindu Music, Om Uma Devi Shiva Band, Hindu Indian, Bangkok Music + Kumkom Pornprasit, Professor, Faculty of Fine and Applied Arts, Chulalongkorn University, Thailand. email: [email protected]. Received 6/3/21 – Revised 6/5/21 – Accepted 6/6/21 Volume 22, 2021 – Journal of Urban Culture Research Hindu Music In Bangkok… | 218 Introduction Bangkok is a metropolitan area in which people of different ethnic groups live together, weaving together their diverse ways of life. Hindu Indians, considered an important ethnic minority in Bangkok, came to settle in Bangkok during the late 18 century A.D. to early 19 century A.D.
    [Show full text]
  • IEEE Certificates
    Sumadhva Vijaya in English Page 1 of 163 INDEX CHAPTER 1 Introduction to the Chapter : Mangala-acharanam (Invocation) (1 – 8) Obeisance to Narayana. .1. Obeisance to Krishna (VedaVyasa) .2. Exaltation of the repute of Acharya Madhva .3. Obeisance to Trivikrama Pandithacharya .4. Devotion to Preceptor will lead to Devotion to God. .5. Svaahamkara khandana (abjuring selfpride) (6 – 8) Hanuman incarnation (9 – 27) Incarnation as Hanuman (9 – 10). First meeting of Rama and Hanuman (11 - 12) Crowning of Sugriva and assigning Hanuman for the task of Sita's search .13. Hanuman is compared to Rama’s arrow .14. Hanuman is compared to a water bearing cloud .15. Hanuman is compared to Garuda (Divine eagle) .16. Building a bridge across the ocean .17. Rana-Yajna (War sacrifice) - Rama kills Ravana .18. Great contribution of Hanuman to the war .19. Agni pariksha (Fire ordeal) of Sita .20. Events at Ayodhya .21. Boons to Hanuman (22 – 23) Hanuman's unmatched devotion to Rama (24 – 27) Bhima incarnation (28 – 44) Bhima is compared to the raging forest fire (38 – 42) Bhima is compared to the Lotus .43. End of Bhima Incarnation .44. Madhva incarnation in KaliYuga (45 – 55) Background to the incarnation (45 –46) Origin of Advaita Shastra (47 – 55) The first canto concludes. Copyleft© Sri Vyasaraja Seva Samiti ® 2009 Sumadhva Vijaya in English Page 2 of 163 CHAPTER 2 Introduction to the Chapter Gods pray to Mukunda .1. God orders Mukhya Prana to incarnate on earth (2 – 3). Mukhya Prana accepts .4. Portents for his incarnation (5 – 8) Parents of Madhva (9 – 16) Education and Marriage of Madhyageha Bhatta (12 – 16) Parents serve Lord Ananthasana (17 – 22) Madhva (Baby Vasudeva) is born (23 – 25) Bhatta comes to know (26 – 27).
    [Show full text]
  • The Journal of the Music Academy Madras Devoted to the Advancement of the Science and Art of Music
    The Journal of Music Academy Madras ISSN. 0970-3101 Publication by THE MUSIC ACADEMY MADRAS Sangita Sampradaya Pradarsini of Subbarama Dikshitar (Tamil) Part I, II & III each 150.00 Part – IV 50.00 Part – V 180.00 The Journal Sangita Sampradaya Pradarsini of Subbarama Dikshitar of (English) Volume – I 750.00 Volume – II 900.00 The Music Academy Madras Volume – III 900.00 Devoted to the Advancement of the Science and Art of Music Volume – IV 650.00 Volume – V 750.00 Vol. 89 2018 Appendix (A & B) Veena Seshannavin Uruppadigal (in Tamil) 250.00 ŸÊ„¢U fl‚ÊÁ◊ flÒ∑ȧá∆U Ÿ ÿÊÁªNÔUŒÿ ⁄UflÊÒ– Ragas of Sangita Saramrta – T.V. Subba Rao & ◊jQÊ— ÿòÊ ªÊÿÁãà ÃòÊ ÁÃDÊÁ◊ ŸÊ⁄UŒH Dr. S.R. Janakiraman (in English) 50.00 “I dwell not in Vaikunta, nor in the hearts of Yogins, not in the Sun; Lakshana Gitas – Dr. S.R. Janakiraman 50.00 (but) where my Bhaktas sing, there be I, Narada !” Narada Bhakti Sutra The Chaturdandi Prakasika of Venkatamakhin 50.00 (Sanskrit Text with supplement) E Krishna Iyer Centenary Issue 25.00 Professor Sambamoorthy, the Visionary Musicologist 150.00 By Brahma EDITOR Sriram V. Raga Lakshanangal – Dr. S.R. Janakiraman (in Tamil) Volume – I, II & III each 150.00 VOL. 89 – 2018 VOL. COMPUPRINT • 2811 6768 Published by N. Murali on behalf The Music Academy Madras at New No. 168, TTK Road, Royapettah, Chennai 600 014 and Printed by N. Subramanian at Sudarsan Graphics Offset Press, 14, Neelakanta Metha Street, T. Nagar, Chennai 600 014. Editor : V. Sriram. THE MUSIC ACADEMY MADRAS ISSN.
    [Show full text]
  • The Wrestler's Body: Identity and Ideology in North India
    The Wrestler’s Body Identity and Ideology in North India Joseph S. Alter UNIVERSITY OF CALIFORNIA PRESS Berkeley · Los Angeles · Oxford © 1992 The Regents of the University of California For my parents Robert Copley Alter Mary Ellen Stewart Alter Preferred Citation: Alter, Joseph S. The Wrestler's Body: Identity and Ideology in North India. Berkeley: University of California Press, c1992 1992. http://ark.cdlib.org/ark:/13030/ft6n39p104/ 2 Contents • Note on Translation • Preface • 1. Search and Research • 2. The Akhara: Where Earth Is Turned Into Gold • 3. Gurus and Chelas: The Alchemy of Discipleship • 4. The Patron and the Wrestler • 5. The Discipline of the Wrestler’s Body • 6. Nag Panchami: Snakes, Sex, and Semen • 7. Wrestling Tournaments and the Body’s Recreation • 8. Hanuman: Shakti, Bhakti, and Brahmacharya • 9. The Sannyasi and the Wrestler • 10. Utopian Somatics and Nationalist Discourse • 11. The Individual Re-Formed • Plates • The Nature of Wrestling Nationalism • Glossary 3 Note on Translation I have made every effort to ensure that the translation of material from Hindi to English is as accurate as possible. All translations are my own. In citing classical Sanskrit texts I have referenced the chapter and verse of the original source and have also cited the secondary source of the translated material. All other citations are quoted verbatim even when the English usage is idiosyncratic and not consistent with the prose style or spelling conventions employed in the main text. A translation of single words or short phrases appears in the first instance of use and sometimes again if the same word or phrase is used subsequently much later in the text.
    [Show full text]
  • Seeking a Hindu Perspective on Dispute Resolution from the Holy Scriptures of the Mahabharata and the Bhagavad Gita
    Pepperdine Dispute Resolution Law Journal Volume 7 Issue 2 Article 7 2-1-2007 ADR Dharma: Seeking a Hindu Perspective on Dispute Resolution from the Holy Scriptures of the Mahabharata and the Bhagavad Gita Aalok Sikand Follow this and additional works at: https://digitalcommons.pepperdine.edu/drlj Part of the Dispute Resolution and Arbitration Commons, Law and Society Commons, Legal Ethics and Professional Responsibility Commons, Other Law Commons, and the Religion Law Commons Recommended Citation Aalok Sikand, ADR Dharma: Seeking a Hindu Perspective on Dispute Resolution from the Holy Scriptures of the Mahabharata and the Bhagavad Gita , 7 Pepp. Disp. Resol. L.J. Iss. 2 (2007) Available at: https://digitalcommons.pepperdine.edu/drlj/vol7/iss2/7 This Article is brought to you for free and open access by the Caruso School of Law at Pepperdine Digital Commons. It has been accepted for inclusion in Pepperdine Dispute Resolution Law Journal by an authorized editor of Pepperdine Digital Commons. For more information, please contact [email protected], [email protected], [email protected]. Sikand: ADR Dharma: Seeking a Hindu Perspective on Dispute Resolution fro [Vol. 7: 2, 2007] PEPPERDINE DISPUTE RESOLUTION LAW JOURNAL ADR Dharma: Seeking a Hindu Perspective on Dispute Resolution from the Holy Scriptures of the Mahabharata and the Bhagavad Gita Aalok Sikand INTRODUCTION On the plains of Hastinapura, India, the great warrior, Arjuna, stands in his chariot awaiting battle. He is blessed to have Lord Krishna, the incarna- tion of God, to be his charioteer. Arjuna asks Krishna to drive him to the center of the battlefield.
    [Show full text]
  • Beyond Créolité and Coolitude, the Indian on the Plantation: Recreolization in the Transoceanic Frame
    Middle Atlantic Review of Latin American Studies, 2020 Vol. 4, No. 2, 174-193 Beyond Créolité and Coolitude, the Indian on the Plantation: Recreolization in the Transoceanic Frame Ananya Jahanara Kabir Kings College London [email protected] This essay explores the ways in which Caribbean artists of Indian heritage memorialize the transformation of Caribbean history, demography, and lifeways through the arrival of their ancestors, and their transformation, in turn, by this new space. Identifying for this purpose an iconic figure that I term “the Indian on the Plantation,” I demonstrate how the influential theories of Caribbean identity-formation that serve as useful starting points for explicating the play of memory and identity that shapes Indo-Caribbean artistic praxis—coolitude (as coined by Mauritian author Khal Torabully) and créolité (as most influentially articulated by the Martinican trio of Jean Barnabé, Patrick Chamoiseau, and Raphaël Confiant)—are nevertheless constrained by certain discursive limitations. Unpacking these limitations, I offer instead evidence from curatorial and quotidian realms in Guadeloupe as a lens through which to assess an emergent artistic practice that cuts across Francophone and Anglophone constituencies to occupy the Caribbean Plantation while privileging signifiers of an Indic heritage. Reading these attempts as examples of decreolization that actually suggest an ongoing and unpredictable recreolization of culture, I situate this apparent paradox within a transoceanic heuristic frame that brings
    [Show full text]