Justice in the Hands of Torture
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Introduction to BI-Tagavad-Gita
TEAcI-tER'S GuidE TO INTROduCTioN TO BI-tAGAVAd-GiTA (DAModAR CLASS) INTROduCTioN TO BHAqAVAd-qiTA Compiled by: Tapasvini devi dasi Hare Krishna Sunday School Program is sponsored by: ISKCON Foundation Contents Chapter Page Introduction 1 1. History ofthe Kuru Dynasty 3 2. Birth ofthe Pandavas 10 3. The Pandavas Move to Hastinapura 16 4. Indraprastha 22 5. Life in Exile 29 6. Preparing for Battle 34 7. Quiz 41 Crossword Puzzle Answer Key 45 Worksheets 46 9ntroduction "Introduction to Bhagavad Gita" is a session that deals with the history ofthe Pandavas. It is not meant to be a study ofthe Mahabharat. That could be studied for an entire year or more. This booklet is limited to the important events which led up to the battle ofKurlLkshetra. We speak often in our classes ofKrishna and the Bhagavad Gita and the Battle ofKurukshetra. But for the new student, or student llnfamiliar with the history ofthe Pandavas, these topics don't have much significance ifthey fail to understand the reasons behind the Bhagavad Gita being spoken (on a battlefield, yet!). This session will provide the background needed for children to go on to explore the teachulgs ofBhagavad Gita. You may have a classroonl filled with childrel1 who know these events well. Or you may have a class who has never heard ofthe Pandavas. You will likely have some ofeach. The way you teach your class should be determined from what the children already know. Students familiar with Mahabharat can absorb many more details and adventures. Young children and children new to the subject should learn the basics well. -
Yudhishthira's Wisdom Is an Ancient Story
Yudhishthira's wisdom is an ancient story. Which is a part of Mahabharata, Indian greatest epic? Or it simply says a journey of five brothers in the jungle. Four levels parts for this text Literal comprehension, interpretation, critical thinking/ analysis, and assimilation are: Yudhishthira's wisdom Source: Mahabharata BBA|BBA-BI|BBA-TT|BHCM|BHM|BCIS|BHM Literal comprehension of this story The story ' Yudhishthira's wisdom ' has been taken from the greatest epic 'Mahabharata'. Once upon a time five Pandavas brother's were wondering in a forest to hunt a deer. But the deer in their sight disappeared suddenly. In the min time, they felt tiredness grew thirsty & they were unable to move ahead. They set under a tree & Yudhisthira's sent his eldest brother Sahadeva. To search for water but he didn't come for a long time. He sent his entire brother's one after the other gradually. However, none of them returned for a long time. Therefore, ultimately Yudhisthira's himself set out in search of his bother's following their footprints. After a short walk, he notices a beautiful pool. On its bank, his four brother's were lying either unconsciousness or death. Although viewing the events he was in stream distress & sorrow. Then he bent to drink water from the pool but an unknown voice warned him. Not to drink water from the pool before answering his questions. After listening carefully Yudhisthira's tactfully answered all questions of Yama(the god of justice & death). His four brothers were prostrate on the ground due to their disobedience to the voice of Yama. -
The Mahabharata of Krishna-Dwaipayana Vyasa SALYA
The Mahabharata of Krishna-Dwaipayana Vyasa SALYA PARVA translated by Kesari Mohan Ganguli In parentheses Publications Sanskrit Series Cambridge, Ontario 2002 Salya Parva Section I Om! Having bowed down unto Narayana and Nara, the most exalted of male beings, and the goddess Saraswati, must the word Jaya be uttered. Janamejaya said, “After Karna had thus been slain in battle by Savyasachin, what did the small (unslaughtered) remnant of the Kauravas do, O regenerate one? Beholding the army of the Pandavas swelling with might and energy, what behaviour did the Kuru prince Suyodhana adopt towards the Pandavas, thinking it suitable to the hour? I desire to hear all this. Tell me, O foremost of regenerate ones, I am never satiated with listening to the grand feats of my ancestors.” Vaisampayana said, “After the fall of Karna, O king, Dhritarashtra’s son Suyodhana was plunged deep into an ocean of grief and saw despair on every side. Indulging in incessant lamentations, saying, ‘Alas, oh Karna! Alas, oh Karna!’ he proceeded with great difficulty to his camp, accompanied by the unslaughtered remnant of the kings on his side. Thinking of the slaughter of the Suta’s son, he could not obtain peace of mind, though comforted by those kings with excellent reasons inculcated by the scriptures. Regarding destiny and necessity to be all- powerful, the Kuru king firmly resolved on battle. Having duly made Salya the generalissimo of his forces, that bull among kings, O monarch, proceeded for battle, accompanied by that unslaughtered remnant of his forces. Then, O chief of Bharata’s race, a terrible battle took place between the troops of the Kurus and those of the Pandavas, resembling that between the gods and the Asuras. -
Understanding Draupadi As a Paragon of Gender and Resistance
start page: 477 Stellenbosch eological Journal 2017, Vol 3, No 2, 477–492 DOI: http://dx.doi.org/10.17570/stj.2017.v3n2.a22 Online ISSN 2413-9467 | Print ISSN 2413-9459 2017 © Pieter de Waal Neethling Trust Understanding Draupadi as a paragon of gender and resistance Motswapong, Pulane Elizabeth University of Botswana [email protected] Abstract In this article Draupadi will be presented not only as an unsung heroine in the Hindu epic Mahabharata but also as a paragon of gender and resistance in the wake of the injustices meted out on her. It is her ability to overcome adversity in a venerable manner that sets her apart from other women. As a result Draupadi becomes the most complex and controversial female character in the Hindu literature. On the one hand she could be womanly, compassionate and generous and on the other, she could wreak havoc on those who wronged her. She was never ready to compromise on either her rights as a daughter-in-law or even on the rights of the Pandavas, and remained ever ready to fight back or avenge with high handedness any injustices meted out to her. She can be termed a pioneer of feminism. The subversion theory will be employed to further the argument of the article. This article, will further illustrate how Draupadi in the midst of suffering managed to overcome the predicaments she faced and continue to strive where most women would have given up. Key words Draupadi; marriage; gender and resistance; Mahabharata and women 1. Introduction The heroine Draupadi had many names: she was called Draupadi from her father’s family; Krishnaa the dusky princess, Yajnaseni-born of sacrificial fire, Parshati from her grandfather side, panchali from her country; Sairindhiri, the maid servant of the queen Vitara, Panchami (having five husbands)and Nitayauvani,(the every young) (Kahlon 2011:533). -
Dharma As a Consequentialism the Threat of Hridayananda Das Goswami’S Consequentialist Moral Philosophy to ISKCON’S Spiritual Identity
Dharma as a Consequentialism The threat of Hridayananda das Goswami’s consequentialist moral philosophy to ISKCON’s spiritual identity. Krishna-kirti das 3/24/2014 This paper shows that Hridayananda Das Goswami’s recent statements that question the validity of certain narrations in authorized Vedic scriptures, and which have been accepted by Srila Prabhupada and other acharyas, arise from a moral philosophy called consequentialism. In a 2005 paper titled “Vaisnava Moral Theology and Homosexuality,” Maharaja explains his conception consequentialist moral reasoning in detail. His application of it results in a total repudiation of Srila Prabhupada’s authority, a repudiation of several acharyas in ISKCON’s parampara, and an increase in the numbers of devotees whose Krishna consciousness depends on the repudiation of these acharyas’ authority. A non- consequentialist defense of Śrīla Prabhupāda is presented along with recommendations for resolving the existential threat Maharaja’s moral reasoning poses to the spiritual well-being of ISKCON’s members, the integrity of ISKCON itself, and the authenticity of Srila Prabhupada’s spiritual legacy. Contents Introduction .................................................................................................................................................. 1 Dharma as a Consequentialism ..................................................................................................................... 1 Maharaja’s application of consequentialism to Krishna Consciousness ..................................................... -
Seeking a Hindu Perspective on Dispute Resolution from the Holy Scriptures of the Mahabharata and the Bhagavad Gita
Pepperdine Dispute Resolution Law Journal Volume 7 Issue 2 Article 7 2-1-2007 ADR Dharma: Seeking a Hindu Perspective on Dispute Resolution from the Holy Scriptures of the Mahabharata and the Bhagavad Gita Aalok Sikand Follow this and additional works at: https://digitalcommons.pepperdine.edu/drlj Part of the Dispute Resolution and Arbitration Commons, Law and Society Commons, Legal Ethics and Professional Responsibility Commons, Other Law Commons, and the Religion Law Commons Recommended Citation Aalok Sikand, ADR Dharma: Seeking a Hindu Perspective on Dispute Resolution from the Holy Scriptures of the Mahabharata and the Bhagavad Gita , 7 Pepp. Disp. Resol. L.J. Iss. 2 (2007) Available at: https://digitalcommons.pepperdine.edu/drlj/vol7/iss2/7 This Article is brought to you for free and open access by the Caruso School of Law at Pepperdine Digital Commons. It has been accepted for inclusion in Pepperdine Dispute Resolution Law Journal by an authorized editor of Pepperdine Digital Commons. For more information, please contact [email protected], [email protected], [email protected]. Sikand: ADR Dharma: Seeking a Hindu Perspective on Dispute Resolution fro [Vol. 7: 2, 2007] PEPPERDINE DISPUTE RESOLUTION LAW JOURNAL ADR Dharma: Seeking a Hindu Perspective on Dispute Resolution from the Holy Scriptures of the Mahabharata and the Bhagavad Gita Aalok Sikand INTRODUCTION On the plains of Hastinapura, India, the great warrior, Arjuna, stands in his chariot awaiting battle. He is blessed to have Lord Krishna, the incarna- tion of God, to be his charioteer. Arjuna asks Krishna to drive him to the center of the battlefield. -
The Mahabharata
VivekaVani - Voice of Vivekananda THE MAHABHARATA (Delivered by Swami Vivekananda at the Shakespeare Club, Pasadena, California, February 1, 1900) The other epic about which I am going to speak to you this evening, is called the Mahâbhârata. It contains the story of a race descended from King Bharata, who was the son of Dushyanta and Shakuntalâ. Mahâ means great, and Bhârata means the descendants of Bharata, from whom India has derived its name, Bhârata. Mahabharata means Great India, or the story of the great descendants of Bharata. The scene of this epic is the ancient kingdom of the Kurus, and the story is based on the great war which took place between the Kurus and the Panchâlas. So the region of the quarrel is not very big. This epic is the most popular one in India; and it exercises the same authority in India as Homer's poems did over the Greeks. As ages went on, more and more matter was added to it, until it has become a huge book of about a hundred thousand couplets. All sorts of tales, legends and myths, philosophical treatises, scraps of history, and various discussions have been added to it from time to time, until it is a vast, gigantic mass of literature; and through it all runs the old, original story. The central story of the Mahabharata is of a war between two families of cousins, one family, called the Kauravas, the other the Pândavas — for the empire of India. The Aryans came into India in small companies. Gradually, these tribes began to extend, until, at last, they became the undisputed rulers of India. -
UCLA Historical Journal
The Ambiguity of the Historical Position of Hindu Women in India: Sita, Draupadi and the Laws of Manu Sangeeta R. Gupta ^^^^'^ HE CURRENT' SUBORDINATE POSITION of Indian women in social, m legal and cultural realms is claimed by fundamentalists to be based on Jim Hindu tradition and supported by religious scriptures. Centuries-old gender roles' for women are depicted as Hindu traditions which need to be protected. Those contesting these views are condemned as attacking Hinduism itself. This article will examine the historical and scriptural basis, if any, of these submissive female gender roles and vvall provide arguments against their current traditional interpretation. While these roles do have historical roots in the Hindu culture, the scriptural "validation" is a political and social tool used by funda- mentalist forces through the ages to justify and perpetuate the oppression of Hindu women. I wall further argue that the religious scriptures themselves are open to several interpretations, but only those that perpetuate the patriarchal^ concept of the "ideal" Hindu woman have been espoused by the majority of the Brahamanical class. This article will deconstruct female gender roles through a careful examination of specific characters in the Hindu epics, the Ramayana and the Mahabharatha, to illustrate an alternate and perhaps more complete picture of the position of women. The Laws of Manu,^ which are frequently quoted by fundamentalists, brahmin priests and others to justify the submissive role ofwomen as "natural," will also be examined to present a more comprehen- sive picture. Religious and cultural norms in India are interwoven and, as such, have a tremendous impact on the daily lives' of both women and men. -
2455-3921 the Festival of Draupadi in Vanniyar Community V.Kathiravan
Volume: 2; No: 1; March-2016. pp 92-97. ISSN: 2455-3921 The Festival of Draupadi In Vanniyar Community V.Kathiravan Assistant Professor in History, VHNSN College (Autonomous), Virudhunagar, India. *Corresponding Author Email Id: [email protected] Festivals are mingle with human life and given entire satisfaction of their life without fair and festival on one country, village or community will exist. Fair and festivals of the particular district, town, and village usually express their entire life style. People from all walks of life are longing to celebrate their fair and festivals. The Hindus, Christians, Muslims and other religious sects also mingled with their own fair and festivals. The Vanniyars also very much involved and observed their fair and festivals in a grand manner. Family Deities and Festivals of the Vanniyars The annual festivals of the Vanniyars were celebrated in a befitting manner. They worshiped Draupathi as a head of the Vanniya goddesses. Also, in dramatic plays, the king was always taken by a Kshatriya, who is generally a Vanniya. These peculiarities, however, have become common nowadays, when privileges peculiar to one caste are being trenched upon by the other caste men. In the Tirupporur temple, the practice of beating the Mazhu (red hot iron) is done by a dancing – girl serving the Vanniya caste. The privilege of treading on the fire is also peculiar to the Vanniyas. In South Arcot district, “Draupadi’s temples are very numerous, and the priest at them is generally a Palli by caste, and Pallis take the leading part in the ceremonies. Why this should be so is not clear. -
Mahabharata, Ramayana, Sita, Draupadi, Gandhari
Education 2014, 4(5): 122-125 DOI: 10.5923/j.edu.20140405.03 Sita (Character from the Indian epic –Ramayana), Draupadi and Gandhari (Characters from another Indian epic – Mahabharata) - A Comparative Study among Three Major Mythological Female Characters - Gandhari: An exception- Uditi Das1,*, Shamsad Begum Chowdhury1, Meejanur Rahman Miju2 1Institute of Education, Research and Training, University of Chittagong, Chittagong, Bangladesh 2Institute of Education, Research and Training (IERT), University of Chittagong, Chittagong, Bangladesh Abstract There are lots of female characters in Mahabharata and Ramayana but few characters enchant people of all ages and all classes. Mass people admit that Sita should be the icon of all women. Draupadi though a graceful character yet not to be imitated. Comparatively, Gandhari’s entrance into the epic is for a short while; though her appearance is very negligible, yet our research work is to show logically that Gandhari among these three characters is greater than the greatest. We think and have wanted to prove that Gandhari with her short appearance in the epic, excels all other female characters- depicted in Mahabharata and Ramayana. Keywords Mahabharata, Ramayana, Sita, Draupadi, Gandhari eighteen chapters. Again these chapters have been divided 1 . Introduction into one hundred sub-chapters. There are one lac (hundred thousand) verses in Mahabharata. Pandu, Kunti, Draupadi Ramayana: Ramayana is an epic composed by Valmiki and her five husbands, Dhritarastra, Gandhari and their one based on the life history of Ram-the king of the then Oudh hundred tyrannic sons – all are some of the famous and and is divided into seven cantos (Kanda). Sita was Ram’s notorious characters from this great epic. -
Rajaji-Mahabharata.Pdf
MAHABHARATA retold by C. Rajagopalachari (Edited by Jay Mazo, International Gita Society) Contents 39. The Wicked Are Never Satisfied 1. Ganapati, the Scribe 40. Duryodhana Disgraced 2. Devavrata 41. Sri Krishna's Hunger 3. Bhishma's Vow 42. The Enchanted Pool 4. Amba And Bhishma 43. Domestic Service 5. Devayani And Kacha 44. Virtue Vindicated 6. The Marriage Of Devayani 45. Matsya Defended 7. Yayati 46. Prince Uttara 8. Vidura 47. Promise Fulfilled 9. Kunti Devi 48. Virata's Delusion 10. Death Of Pandu 49. Taking Counsel 11. Bhima 50. Arjuna's Charioteer 12. Karna 51. Salya Against His Nephews 13. Drona 52. Vritra 14. The Wax Palace 53. Nahusha 15. The Escape Of The Pandavas 54. Sanjaya's Mission 16. The Slaying Of Bakasura 55. Not a Needle-Point Of Territory 17. Draupadi's Swayamvaram 56. Krishna's Mission 18. Indraprastha 57. Attachment and Duty 19. The Saranga Birds 58. The Pandava Generalissimo 20. Jarasandha 59. Balarama 21. The Slaying Of Jarasandha 60. Rukmini 22. The First Honor 61. Non-Cooperation 23. Sakuni Comes In 62. Krishna Teaches 24. The Invitation 63. Yudhishthira Seeks Benediction 25. The Wager 64. The First Day's Battle 26. Draupadi's Grief 65. The Second Day 27. Dhritarashtra's Anxiety 66. The Third Day's Battle 28. Krishna's Vow 67. The Fourth Day 29. Pasupata 68. The Fifth Day 30. Affliction Is Nothing New 69. The Sixth Day 31. Agastya 70. The Seventh Day 32. Rishyasringa 71. The Eighth Day 33. Fruitless Penance 72. The Ninth Day 34. Yavakrida's End 73. -
Wintersemester 2017/18
des Instituts für Südasien-, Tibet- und Buddhismuskunde Wintersemester 2017/18 1 2 Lehrveranstaltungen am ISTB Überblick LV-Nr. LV-Typ ECTS SSt. LV-Leiter Titel Seite 140345 PS 5 2 Angermeier, Vitus Wie man ein Königreich führt - Streifzüge durch das Arthaśāstra 5 140344 VO 5 2 Buß, Johanna Einführung in die moderne Südasienkunde 6 140307 UE 5 2 Buß, Johanna Moderne Geschichte Nepals 7 140280 VO+UE 10 4 Chudal, Alaka Einführung in die Nepali I 7 140366 UE 5 2 Chudal, Alaka Begleitende Übung zur Einführung in die Nepali I 7 140171 UE 5 2 Chudal, Alaka Hindi-Grammatik für Fortgeschrittene 8 140079 UE 5 2 Chudal, Alaka Leichte Hindi-Lektüre 8 140103 UE 5 2 Chudal, Alaka Women in the Nepali Press 9 140362 SE 7 2 Dannecker, Petra Migration und Entwicklung in Südasien 9 140115 UE 5 2 David, Hans-Jürgen Kultur und Religion des westlichen Himalaya 10 140089 UE 5 2 Dolensky, Jan Begleitende Übung zur Einführung in das klassische Tibetisch I 36 An Introduction to Hindu Tantrism: History, Rituals and 140241 VO 5 2 Ferrante, Marco 10 Philosophy 140091 VO 5 2 Freschi, Elisa Einführung in die Indologie 12 Kolloquium zu den Philosophien und Religionen Südasiens für 140126 KO 5 2 Freschi, Elisa 13 fortgeschrittene Studierende 140246 PS 5 2 Gaenszle, Martin Ethnische Bewegungen in Südasien 14 140181 UE 5 2 Gaenszle, Martin Indigene Historiographien in Nepal 15 140185 SE 10 2 Gaenszle, Martin Orale Traditionen in Indien und Nepal 16 Masterkonversatorium Kultur und Gesellschaft des modernen 140186 KO 5 2 Gaenszle, Martin 17 Südasien 140078 VO+UE 10 4 Geisler,