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University Musical Society Oslo Philharmonic
UNIVERSITY MUSICAL SOCIETY OSLO PHILHARMONIC ORCHESTRA MARISS JANSONS Music Director and Conductor FRANK PETER ZIMMERMANN, Violinist Sunday Evening, November 17, 1991, at 8:00 Hill Auditorium, Ann Arbor, Michigan PROGRAM Concerto in E minor for Violin and Orchestra, Op. 64 . Mendelssohn Allegro molto appassionata Andante Allegretto non troppo, allegro molto vivace Frank Peter Zimmermann, Violinist INTERMISSION Symphony No. 7 in C major, Op. 60 ("Leningrad") ..... Shostakovich Allegretto Moderate Adagio, moderate risoluto Allegro non troppo CCC Norsk Hydro is proud to be the exclusive worldwide sponsor IfiBUt of the Oslo Philharmonic Orchestra for the period 1990-93. The Oslo Philharmonic and Frank Peter Zimmermann are represented by Columbia Artists Management Inc., New York City. The Philharmonic records for EMl/Angel, Chandos, and Polygram. The box office in the outer lobby is open during intermission for tickets to upcoming Musical Society concerts. Twelfth Concert of the 113th Season 113th Annual Choral Union Series Program Notes Violin Concerto in E minor, Op. 64 root tone G on its lowest note, the flute and FELIX MENDELSSOHN (1809-1847) clarinets in pairs are entrusted with the gentle melody. On the opening G string, the solo uring his short life of 38 years, violin becomes the fundament of this delicate Mendelssohn dominated the passage. The two themes are worked out until musical world of Germany and their development reaches the cadenza, exercised the same influence in which Mendelssohn wrote out in full. The England for more than a gener cadenza, in turn, serves as a transition to the ationD after his death. The reason for this may reprise. -
Yoon-Hee Kim Plays
CTP Template: CD_DPS1 COLOURS Compact Disc Booklet: Double Page Spread CYAN MAGENTA Customer RPO YELLOW Catalogue No. SP-046 BLACK Job Title Yoon-Hee Kim Page Nos. ‘The profundity of her emotions impresses much more than her technical perfection. Her performance connects virtuosity, energy and passion’ – Rheinische Post, Germany ‘She demonstrates an extraordinary musicality, a strong expression and an absolutely perfect technique’ – Kölner Klassik YOON-HEE KIM PLAYS ‘A sensation … No-one can compete with her extraordinary musicality’ – Adresseavisen , Norway ‘Amazing performance’ – Austria Today KHACHATURIAN & TCHAIKOVSKY VIOLIN CONCERTOS YOON-HEE KIM VIOLIN . BARRY WORDSWORTH CONDUCTOR CTP Template: CD_DPS1 COLOURS Compact Disc Booklet: Double Page Spread CYAN MAGENTA Customer RPO YELLOW Catalogue No. SP-046 BLACK Job Title Yoon-Hee Kim Page Nos. By the early 1940s Khachaturian was riding on the crest of a wave of popular success. ARAM KHACHATURIAN (1903 –1978) His Piano Concerto (1936) and Violin Concerto (1940) established him, alongside Violin Concerto in D minor (1940) Prokofiev and Shostakovich, as one of Russia’s most celebrated composers. His I. Allegro con fermezza stunning incidental music to Lermontov’s Masquerade appeared in 1941 and the II. Andante sostenuto following year his epic ballet score Gayeneh was written, which included the ever- III. Allegro vivace popular whirlwind ‘Sabre Dance’. ‘I wrote the music as though on a wave of happiness; my whole being was in a state of joy, for I was awaiting the birth of my son. And this feeling, this love of life, was PYOTR TCHAIKOVSKY (1840 –1893) transmitted to the music.’ So saying, Khachaturian set the seal on his gloriously inspired Violin Concerto in D Op.35 (1878) Violin Concerto, composed over two months during the idyllic summer of 1940. -
Rundfunk-Sinfonieorchester Berlin Rundfunkchor Berlin Marek Janowski SYMPHONIA DOMESTICA & DIE TAGESZEITEN Richard Strauss
Richard Strauss SYMPHONIA DOMESTICA & DIE TAGESZEITEN Rundfunk-Sinfonieorchester Berlin Rundfunkchor Berlin Marek Janowski Richard Strauss (1864-1949) Symphonia statement (if meant sincerely) does not the Frenchman recommended the reference to the (outdated) traditional necessarily win you friends... work be performed only without the genre, in order to subsequently Symphonia Domestica, Op. 53 Domestica, Op. 53 accompanying programme, as it would demolish the internal musical structure 1 Bewegt 5. 03 In fact, the content of the Symphonia certainly distract the listener and and compositional content with 2 Scherzo 12. 46 Richard Strauss was a master at domestica does seem rather trivial, as misrepresent the character of the work. powerful irony. After all, one would 3 Adagio 11. 22 creating double entendres in his the composer places his own, deeply To which Strauss responded: “For me, surely elect a completely diff erent 4 Mäßig langsam. Bewegter 15. 43 music. Nothing is as it seems at fi rst bourgeois family idyll in the spotlight of the poetic programme is no more than genre to accompany the private glance. One should always keep this the musical scene. His original working a means of expressing and developing area of a domestic idyll: an art song, Die Tageszeiten, Op. 76 in mind when dealing with such a title for the work was: “My home. A my perception in a purely musical perhaps, a sonata – but certainly not (Poems by Joseph von Eichendorff ) controversial work as his Symphonia symphonic portrait of myself and my manner; not, as you think, merely a a symphony written for the concert For Male Chorus and Orchestra domestica, Op. -
Download Booklet
557757 bk Bloch US 20/8/07 8:50 pm Page 5 Royal Scottish National Orchestra the Sydney Opera, has been shown over fifty times on U.S. television, and has been released on DVD. Serebrier regularly champions contemporary music, having commissioned the String Quartet No. 4 by Elliot Carter (for his Formed in 1891 as the Scottish Orchestra, and subsequently known as the Scottish National Orchestra before being Festival Miami), and conducted world première performances of music by Rorem, Schuman, Ives, Knudsen, Biser, granted the title Royal at its centenary celebrations in 1991, the Royal Scottish National Orchestra is one of Europe’s and many others. As a composer, Serebrier has won most important awards in the United States, including two leading ensembles. Distinguished conductors who have contributed to the success of the orchestra include Sir John Guggenheims (as the youngest in that Foundation’s history, at the age of nineteen), Rockefeller Foundation grants, Barbirolli, Karl Rankl, Hans Swarowsky, Walter Susskind, Sir Alexander Gibson, Bryden Thomson, Neeme Järvi, commissions from the National Endowment for the Arts, the Harvard Musical Association, the B.M.I. Award, now Conductor Laureate, and Walter Weller who is now Conductor Emeritus. Alexander Lazarev, who served as Koussevitzky Foundation Award, among others. Born in Uruguay of Russian and Polish parents, Serebrier has Ernest Principal Conductor from 1997 to 2005, was recently appointed Conductor Emeritus. Stéphane Denève was composed more than a hundred works. His First Symphony had its première under Leopold Stokowski (who gave appointed Music Director in 2005 and his first recording with the RSNO of Albert Roussel’s Symphony No. -
Boston Symphony Orchestra Concert Programs, Summer, 1991, Tanglewood
/JQL-EWOOD . , . ., An Enduring Tradition ofExcellence In science as in the lively arts, fine performance is crafted with aptitude attitude and application Qualities that remain timeless . As a worldwide technology leader, GE Plastics remains committed to better the best in engineering polymers silicones, superabrasives and circuit board substrates It's a quality commitment our people share Everyone. Every day. Everywhere, GE Plastics .-: : ;: ; \V:. :\-/V.' .;p:i-f bhubuhh Seiji Ozawa, Music Director Grant Llewellyn and Robert Spano, Assistant Conductors One Hundred and Tenth Season, 1990-91 Trustees of the Boston Symphony Orchestra, Inc. Nelson J. Darling, Jr., Chairman Emeritus J. P. Barger, Chairman George H. Kidder, President T Mrs. Lewis S. Dabney, Vice-Chairman Archie C. Epps, V ice-Chairman Mrs. John H. Fitzpatrick, Vice-Chairman William J. Poorvu, Vice-Chairman and Treasurer David B. Arnold, Jr. Avram J. Goldberg Mrs. August R. Meyer Peter A. Brooke Mrs. R. Douglas Hall III Mrs. Robert B. Newman James F. Cleary Francis W. Hatch Peter C. Read John F. Cogan, Jr. Julian T. Houston Richard A. Smith Julian Cohen Mrs. BelaT. Kalman Ray Stata William M. Crozier, Jr. Mrs. George I. Kaplan William F. Thompson Mrs. Michael H. Davis Harvey Chet Krentzman Nicholas T. Zervas Mrs. Eugene B. Doggett R. Willis Leith, Jr. Trustees Emeriti Vernon R. Alden Mrs. Harris Fahnestock Mrs. George R. Rowland Philip K. Allen Mrs. John L. Grandin Mrs. George Lee Sargent Allen G. Barry E. Morton Jennings, Jr. Sidney Stoneman Leo L. Beranek Albert L. Nickerson John Hoyt Stookey Mrs. John M. Bradley Thomas D. Perry, Jr. -
RACHMANINOV Piano Concerto No
RACHMANINOV Piano Concerto No. 2 Études-tableaux, Op. 33 Boris Giltburg, Piano Royal Scottish National Orchestra Carlos Miguel Prieto Sergey Rachmaninov (1873–1943): Piano Concerto No. 2 • Études-tableaux, Op. 33 clarinets and hardly the soft violin pizzicatos, as those are been removed, until nothing but a clear and concise Fritz Kreisler (1875–1962): Liebesleid · Franz Behr (1837–1898): Lachtäubchen, ‘Polka de W.R.’ too delicate to carry a long distance. Finally, the clarinets musical idea remains. often can’t hear the pianist clearly, as most of the piano’s Those miniatures were written between August and To play the opening of Rachmaninov’s Second Piano movement (finally the piano gets to play a melody too!) sound also projects into the hall. The resulting danger of September 1911, exactly one year after Rachmaninov Concerto is a singularly powerful experience. You wait for and the slightly exotic second theme of the finale, which this acoustic triangle is that the clarinets and the piano composed the 13 Préludes, Op. 32, thus completing his silence – the piano starts on its own, there’s no need to returns in triumphant splendour at the very end of the may drift apart. It’s a problem which can be solved, but cycle of 24 preludes. Both opuses were composed at maintain eye contact with anyone – and when the hall movement as the ‘point’ of the entire concerto, with a one which we almost always encounter during the first Ivanovka, a country estate some 450 km south-east of seems to have disappeared, you let the first chord sound, huge sound produced by all, a drenched pianist, and the rehearsal. -
February 2017 Events
Events February 2017 Sightseeing Tours Highlights in February Historical city centre and Ljubljana castle Take a walk around the historical city centre, explore major Natour Alpe-Adria attractions and Ljubljana Castle. Daily at 11:00 Index From: in front the Town Hall (duration 2 hours) Language: Slovene, English Price: adults € 13, children € 6,5, with Ljubljana Tourist card free of charge. Walking tour of Plečnik’s Ljubljana Festivals 4 An exploration of the life and work of the greatest Slovene architect. Exhibitions 5 Wednesdays and Saturdays at 12:00 From: Tourist Information Centre – TIC (duration 3 hours) Language: Slovene, English Price: € 20 Music 8 Taste Ljubljana culinary tour Opera, theatre, dance 14 Taste of 5 different dishes and 5 selected drinks included. Wednesdays and Saturdays at 12:00 Miscellaneous 15 From: Tourist Information Centre - TIC (duration 3 hours) Language: Slovene, English Price: € 38 Sports 15 Ljubljana beer lover’s experience Taste of 8 different beers and 3 snacks included, visit to Brewery Museum. Mondays and Fridays at 18:00 From: Slovenian Tourist Information Centre – STIC (duration 3 hours) Cover photo: D. Wedam Language: Slovene, English Edited and published by: Ljubljana Price: € 35 Tourism, Krekov trg 10, SI-1000 Ljubljana, Town Hall tour T: +386 1 306 45 83, E: [email protected], Saturdays at 13:00 From: in front of the Town Hall (duration 1 hour) W: www.visitljubljana.com Language: Slovene, English Photography: Archives of Ljubljana Price: € 5 Tourism and individual event organisers Prepress: Prajs d.o.o. Printed by: Partner Graf d.o.o., Ljubljana, February 2017 1 - 4 Feb 9 Feb 25 Feb Ljubljana Tourism is not liable for any inaccurate information appearing in the Natour Alpe-Adria Royal Philharmonic Dragon Carnival Visit the Natour Alpe-Adria Dragon Carnival consists of calendar. -
CHAN 10425X Booklet.Indd
Gerald Finzi Classics Violin and Cello Concertos Tasmin Little violin Raphael Wallfi sch cello City of London Sinfonia Richard Hickox Royal Liverpool Philharmonic Orchestra Vernon Handley CHAN 10425 X Gerald Finzi (1901–1956) Cello Concerto, Op. 40 39:10 in A minor • in a-Moll • en la mineur Lebrecht Music & Arts Photo Library 1 I Allegro moderato 15:53 2 II Andante quieto 13:34 3 III Rondo: Adagio – Allegro giocoso 9:44 Raphael Wallfi sch cello Royal Liverpool Philharmonic Orchestra Malcolm Stewart leader Vernon Handley Gerald Finzi 3 Finzi: Cello Concerto and Violin Concerto Finzi completed his Cello Concerto for the reaches out to a major sixth, so swinging the 4 Prelude, Op. 25 5:00 Cheltenham Festival of 1955. He had long harmony round in its second bar to a major for string orchestra had a cello concerto in mind, and some of it chord; with this reaching out, and the fi erce Adagio espressivo – Poco più mosso – Tempo primo already composed, when Sir John Barbirolli trills, scotch-snap rhythms, and up-thrusting asked him for a major work; so the fi rst shape, the theme sets up a restless energy. performance was given by Christopher The second subject is a gentler cantabile, but 5 Romance, Op. 11 7:52 Bunting and The Hallé Orchestra under the movement ends stormily, gathered into a for string orchestra Barbirolli on 19 July 1955. cadenza and then despatched with four great Andante espressivo – Più mosso – Tempo primo Those who know Finzi only from his more hammer-blows. lyrical songs, perhaps even from his Clarinet The slow movement opens in a mood of † Concerto as well, may be surprised at the shy rapture, the song-melody beautifully Concerto for Small Orchestra and Solo Violin 20:05 breadth and power of this work. -
Piano with Yonty Solomon
Dundee Symphony Orchestra is the performing name of Dundee Orchestral Society. The Society was founded in 1893 by a group of enthusiastic amateur performers, and has gone from strength to strength ever since. The only period in the Orchestra's history when it did not perform or rehearse was during the Second World War. The Orchestra is funded through private and charitable donations, subscriptions from members, and by grants from Making Music and the Scottish Arts Council. We would like to thank all those who provide financial assistance for the orchestra for their continuing support over the years. If you enjoy our concerts, we hope you will consider becoming a Friend of the Orchestra. This may be done by completing the form in the programme and returning it to the Friends Co-ordinator. To keep up to date with events visit the Orchestra website on www.dundeesymphonyorchestra.org The Society is affiliated to The National Federation of Music Societies 7-15 Rosebery Avenue, London EC1R 4SP Tel: 0870 872 3300 Fax: 0870 872 3400 Web site: www.makingmusic.org.uk 1 Robert Dick (Conductor) Robert Dick was born in Edinburgh in 1975. On leaving school, Robert entered the Royal College of Music in London studying violin with Grigori Zhislin and Madeleine Mitchell and piano with Yonty Solomon. He graduated with Honours in 1997 and also gained the Associateship Diploma of the Royal College of Music in Violin Performance. Robert has been conducting since he was 11. In 1993 he conducted the Royal Scottish National Orchestra at the invitation of its then Musical Director, Walter Weller, appearing with them again three years later and in 1995 Robert co-founded the reconstituted Orchestra of Old St Paul's in Edinburgh. -
Publicity Book
JORY VINIKOUR conductor, harpsichordist Jory Vinikour is recognized as one of the outstanding harpsichordists of his generation. A highly diversified career brings him to the world!s most important festivals and concert halls as recital and concerto soloist, partner to several of today!s finest singers, and increasingly as a conductor. Born in Chicago, Jory Vinikour came to Paris on a scholarship from the Fulbright Foundation to study with Huguette Dreyfus and Kenneth Gilbert. First Prizes in the International Harpsichord Competitions of Warsaw (1993) and the Prague Spring Festival (1994) brought him to the public!s attention, and he has since appeared in festivals and concert series such as Besançon Festival, Deauville, Nantes, Monaco, Cleveland Museum of Art, Miami Bach Festival, Indianapolis Early Music Festival, etc. A concerto soloist with a repertoire ranging from Bach to Nyman, passing by Poulenc!s Concert Champêtre, Jory Vinikour has performed as soloist with leading orchestras including Rotterdam Philharmonic, Flanders Opera Orchestra, Orchestre de la Suisse Romande, Lausanne Chamber Orchestra, Philharmonic of Radio France, Ensemble Orchestral de Paris, and Moscow Chamber Orchestra with conductors such as Armin Jordan, Marc Minkowski, Marek Janowski, Constantine Orbelian, John Nelson, and Fabio Luisi. He recorded Frank Martin!s Petite Symphonie Concertante with the Lausanne Chamber Orchestra under the direction of Armin Jordan (Suisse Romande, 2005), and also performed the Harpsichord Concerto by the same composer with the Symphony Orchestra of the MDR in Leipzig!s Gewandhaus under the direction of Martin Haselböck in January of 2003. A complete musician, Mr. Vinikour is gaining a reputation as a conductor (studies with Vladimir Kin and Denise Ham) and music director. -
Record Series 1121-105.4, W. W. Law Music Collection-Compact Discs, Inventory by Genre
Record Series 1121-105.4, W. W. Law Music Collection-Compact Discs, Inventory by Genre Genre Album title Contributor (s) Date Final Box # Item # Additional Notes Original CD Blues (music) James Cotton Living the Blues James Cotton; Larry McCray; John Primer; Johnny B. Gayden; Brian Jones; Dr. John; Lucky Peterson; Joe Louis Walker 1994 1121-105-242 19 Blues (music) Willie Dixon Willie Dixon; Andy McKaie; Don Snowden 1988 1121-105-249 01 Oversized case; 2 CD box set Blues (music) Cincinnati Blues (1928-1936) Bob Coleman's Cincinnati Jug Band and Associates; Walter Coleman; Bob Coleman no date 1121-105-242 17 Found with CD album in Box #10, Item #28; Case was found separately Blues (music) Willie Dixon, The Big Three Trio Willie Dixon; The Big Three Trio 1990 1121-105-242 18 Blues (music) The Best of Muddy Waters Muddy Waters 1987 1121-105-242 08 Blues (music) The Roots of Robert Johnson Robert Johnson 1990 1121-105-242 07 Blues (music) The Best of Mississippi John Hurt Mississippi John Hurt; Bob Scherl 1987 1121-105-242 06 Blues (music) Bud Powell: Blues for Bouffemont Bud Powell; Alan Bates 1989 1121-105-242 36 Friday, May 11, 2018 Page 1 of 89 Genre Album title Contributor (s) Date Final Box # Item # Additional Notes Original CD Blues (music) Big Bill Broonzy Good Time Tonight Big Bill Broonzy 1990 1121-105-242 04 Blues (music) Bessie Smith The Collection Bessie Smith; John Hammond; Frank Walker 1989 1121-105-242 38 Blues (music) Blind Willie Johnson Praise God I'm Satisfied Blind Willie Johnson 1989 1121-105-242 20 Post-it note was found on the back of this CD case, photocopy made and placed in envelope behind CD. -
Marek Janowski Alpine Symphony Op.64
Richard Strauss Alpine Symphony Op.64 (Eine Alpensinfonie) Macbeth, Symphonic poem Op.23 Marek Janowski HY BRID MU LTICHANNEL Richard Strauss (1864-1949) 1 Macbeth (Sinfonische Dichtung, Symphonic poem) Op. 23 19. 17 Eine Alpensinfonie (Alpine Symphony), Op. 64 2 Nacht (Night) 3. 29 3 Sonnenaufgang (Sunrise) 1. 30 4 Der Anstieg (The ascent) 2. 26 5 Eintritt in den Wald (Entry into the forest) 5. 46 6 Am Wasserfall (At the waterfall) 0. 15 7 Erscheinung (Apparition) 0. 45 8 Auf blumigen Wiesen (On flowering meadows) 0. 50 9 Auf der Alm (On the mountain pasture) 2. 03 10 Durch Dickicht und Gestrüpp auf Irrwegen 1. 21 (Lost in thicket and undergrowth) 11 Auf dem Gletscher (On the glacier) 1. 03 12 Gefahrvolle Augenblicke (Dangerous moments) 1. 21 13 Auf dem Gipfel (On the summit) 4. 21 14 Vision (Vision) 4. 02 15 Nebel steigen auf (The mist rises) 0. 22 16 Die Sonne verdüstert sich allmählich (The sun is gradually obscured) 0. 53 17 Elegie (Elegy) 2. 23 18 Stille vor dem Sturm (Calm before the storm) 2. 48 19 Gewitter und Sturm, Abstieg (Thunder and tempest, Descent) 3. 23 20 Sonnenuntergang (Sunset) 2. 22 21 Ausklang (Epilogue) 6. 16 22 Nacht (Night) 2. 03 Pittsburgh Symphony Orchestra Leader: Andrés Cárdenas Conducted by: Marek Janowski Executive Producer: Job Maarse Recording Producer: Job Maarse Balance Engineer: Mark Donahue (Soundmirror, Boston) Recording Engineers: Dirk Sobotka (Soundmirror, Boston) Ray Clover (Heinz Hall, Pittsburgh) Editing: Dirk Sobotka Recorded live at Heinz Hall Pittsburgh, October/November 2008 Made possible by a generous grant from BNY Mellon total playing time; 69.13 Biographien auf Deutsch und Französisch finden Sie auf unserer Webseite.