Prokofiev (1891-1953)

Total Page:16

File Type:pdf, Size:1020Kb

Prokofiev (1891-1953) RUSSIAN, SOVIET & POST-SOVIET SYMPHONIES A Discography of CDs And LPs Prepared by Michael Herman Sergei Prokofiev (1891-1953) Born in Sontsovka, Yekaterinoslav District, Ukraine. He was a prodigy who played the piano and composed as a child. His formal training began when Sergei Taneyev recommended as his teacher the young composer and pianist Reinhold Glière who spent two summers teaching Prokofiev theory, composition, instrumentation and piano. Then at the St. Petersburg Conservatory he studied theory with Anatol Liadov, orchestration with Nikolai Rimsky-Korsakov and conducting with Nikolai Tcherepnin. He went on to become one of Russia's greatest composer, excelling in practically every genre of music. He left the Soviet Union in 1922, touring as a pianist and composing in Western Europe and America, but returned home permanently in 1936. Symphony No. 1 in D major, Op. 25 "Classical" (1916-7) Claudio Abbado/Chamber Orchestra of Europe ( + Symphony No. 5, Piano Concerto No. 3, Violin Concerto No. 1, Alexander Nevsky, Romeo and Juliet: Suites Nos. and 2 {Excerpts} and Visions Fugitives) DEUTSCHE GRAMMOPHON PANORAMA 469172-2 (2 CDs) (2000) (original CD release: DEUTSCHE GRAMMOPHON 429396-2 GH) (1990) Claudio Abbado/London Symphony Orchestra ( + Symphony No. 3, Romeo and Juliet - Excerpts, Chout - Excerpts, Hindemith:Symphonic Metamorphoses on Themes by Carl Maria von Weber and Janacek: Sinfonietta) DECCA ELOQUENCE 4806611 (2 CDs) (2012) (original LP release: DECCA SXL 6469/LONDON CS 6679) (1970) Marin Alsop/São Paulo Symphony Orchestra ( + Symphony No. 2 and Dreams) NAXOS 8.573353 (2014) Karel Ancerl/Czech Philharmonic Orchestra ( + Piano Concertos Nos. 1 and 2) SUPRAPHON SU 36702011 (2002) (original LP release: SUPRAPHON DV 5353) (1956) Karel Ancerl/Czech Philharmonic Orchestra (rec. 1962) ( + Piano Concerto No. 1, Scythian Suite and Seven, They are Seven) PRAGA PR 254004 (1992) Karel Ancerl/Royal Concertgebouw Orchestra (rec. 1969) ( + Haydn: Symphony No. 92, Franck: Symphony in D minor and Dvorák: Symphony No. 8) TAHRA TAH 124-5 (2 CDs) (1995) Ernest Ansermet/Orchestre de la Société du Conservatoire Paris ( + Symphonies Nos. 1 {with SRO}, 5 and 6) DECCA ELOQUENCE 4800834 (2 CDs) (2009) (original LP release:DECCA LXT 2633/LONDON LL-864) (1953) MusicWeb International Last updated: August 2020 Prokofiev Symphonies Ernest Ansermet/Orchestre de la Suisse Romande ( + Symphonies Nos. 1 {with OSCP}, 5 and 6) DECCA ELOQUENCE 4800834 (2 CDs) (2009) (original LP release: DECCA SXL 2292/LONDON CS 6223) (1962) Vladimir Ashkenazy/London Symphony Orchestra ( + Symphonies Nos. 5, 6 and 7, Autumnal and Overture on Hebrew Themes) DECCA DOUBLE DECCA 470528-2 (2 CDs) (2002) (original release: DECCA 15BB 218 {3 LPs}) (1975) Vladimir Ashkenazy/Sydney Symphony (replace entry) ( + Symphonies Nos 2, 3, 4, 5, 6 and 7) EXTON EXCL00099 (3 CDs) (2017) (original CD release: EXTON EXCL-00042) (2010) Rudolf Barshai/Philharmonia Orchestra ( + Symphony No. 5) ALTO ALC 1086 (2010) (original CD release: COLLINS CLASSICS 1064-2) (1990) Enrique Bátiz/London Philharmonic Orchestra ( + Love for Three Oranges: Suite and Lieutenant Kije: Suite) EMI CLASSICS CDC 749055-2 (1989) (original LP release: HMV ASD 4414/ANGEL DS-37960) (1983) Mario Bernardi/National Arts Centre Orchestra ( + Prévost: Evanescence and Haydn: Arias for Soprano and Orchestra) RCA CAMDEN CLASSICS VCCS 1640 (LP) (1970) Leonard Bernstein/New York Philharmonic ( + Symphony No. 5) SONY CLASSICAL SKM 47602 (1993) (original LP release: CBS 61071/COLUMBIA MASTERWORKS MS-7159) (1968) Stanley Black/London Festival Orchestra ( + Love for Three Oranges: Suite and Khachaturian: Gayaneh - Ballet Suite) DECCA PHASE 4 PFS 4349/ LONDON PHASE 4 21133) (LP) (1976) Ernest Bour/Orchestra Alessandro Scarlatti di Napoli ( + Violin Concerto No. 1) I GRANDI CONCERTI GCL 32 (LP) (1970's?) James Gaffigan/Netherlands Radio Philharmonic Orchestra ( + Symphony No. 5) CHALLENGE CLASSICS CC72732 (2017) John Carewe/Robert Schumann Philharmonic Orchestra Chemnitz ( + Symphony No. 5) UNICORN KANCHANA UKCD 2064 (1993) MusicWeb International p2 Prokofiev Symphonies Sergiu Celibidache/Berlin Philharmonic Orchestra (rec. 1946) (included in collection: "Sergiu Celibidache-from The Collection of Berlin Philharmonic Concerts") MUSIC & ARTS PROGRAMS OF AMERICA CD-1079) (4 CDs) (2001) Sergiu Celibidache/Berlin Philharmonic Orchestra (rec. 1948) (included in collection: "Great Conductors Of The 20th Century - Sergiu Celibidache") EMI CLASSICS 62872-2 (3 CDs) (2004) (original LP release: RCA BLUEBIRD LBC-1009) (1951) Sergiu Celibidache/Munich Philharmonic Orchestra (rec. 1988) ( + Symphony No. 5) EMI CLASSICS 557854-2 (2004) Alexander Chernushenko/St. Petersburg Cappella Symphony Orchestra ( + Piano Concertos Nos. 1 and 3) MANCHESTER CLASSICAL GALLERY CDMAN 124 (2008) Arthur Davison/London Philharmonic Orchestra ( + Mussorgsky/Ravel: Pictures at an Exhibition) CLASSICS FOR PLEASURE CFP 40319 (LP) (1979) Pierre Dervaux/Orchestre de la Société du Conservatoire Paris ( + Stravinsky: Firebird Suite, Kabalevsky: Colas Breugnon - Overture, Rachmaninov: Vocalise, Scriabin: Réverie, Shostakovich: Age of Gold - Polka and Khachaturian: Gayaneh - Sabre Dance) LA VOIX DE SON MAITRE FALP 474 (LP) (c. 1965) Charles Dutoit/Montreal Symphony Orchestra ( + Symphony No. 5) DECCA 421813-2 (1989) Gregor Fitelberg/Polish Radio Symphony Orchestra ( + Szymanowski: Violin Concerto No. 1, Symphony No. 4 - Excerpt, Radio Orchestra/ Fitelberg]. Karlowicz: Episode at a Masquerade and Bach/Fitelberg: Air on the G String) MONOPOLE MONO 023 (2008) (original LP release: MUZA SX 1816) (1953) Justus Frantz/Philharmonie der Nationen ( + Romeo and Juliet: Suites Nos. 1 and 2) PN-ORCHESTER JE 51 (2007) Ferenc Fricsay/Berlin RIAS Symphony Orchestra (included in collection: "Ferenc Fricsay - A Life in Music") DEUTSCHE GRAMMOPHON ORIGINAL MASTERS 4743832 GOM9 (9 CDs) (2003) (original LP release: DEUTSCHE GRAMMOPHON DGM 18336/DECCA U.S. 9737) (1956) Rafael Frühbeck de Burgos/New Philharmonia Orchestra ( + Stravinsky: Le Sacre du Printemps) HMV ASD 2315/ANGEL 36427 (LP) (1969) Valery Gergiev/London Symphony Orchestra ( + Symphonies Nos. 2, 3, 4 (Opp. 47 and 112), 5, 6 and 7) PHILIPS 475 7655-6 (4 CDs) (2006) MusicWeb International p3 Prokofiev Symphonies Carlo Maria Giulini/Chicago Symphony Orchestra ( + Mussorgsky/Ravel: Pictures at an Exhibition) DEUTSCHE GRAMMOPHON 2530 783 (LP) (1977) Max Goberman/Vienna New Symphony Orchestra ( + Overture on Hebrew themes, Lieutenant Kije´: Suite and Love for Three Oranges: Suite) COLUMBIA ODYSSEY 32 16 0084 (LP) (1967) Vladimir Golschmann/St. Louis Symphony Orchestra (reissued on LP under pseudonym: "Schuyler Symphony Orchestra") (rec. 1943) ( + Khachaturian: Gayaneh - Ballet Suite,; Rimsky Korsakoff: Le Coq d'Or - Bridal Procession, Franck: Piece Héroïque, Monteux,; Chabrier: Joyous March and Delius: The Walk to Paradise Garden) RCA CAMDEN CAL-215 (LP) (c. 1955) Sir Eugene Goossens/Pro Arte Orchestra London ( + Tchikovsky: Symphony No. 4 and Scriabin: Rêverie) FIRST HAND RECORDS FHR 16 (2012) (original release: PYE CEC32032 (EP) (1959) Stephen Gunzenhauser/Slovak State Philharmonic Orchestra ( + Symphony No. 5) NAXOS 8.550237 (1992) Jascha Horenstein/Orchestre des Concerts Colonne ( + Symphony No. 5, Lieutenant Kijé: Suite and Chout: Suite) VOX LEGENDS VOX2 7810 (2 CDs) (2001) (original LP release: VOX PL-9170) (1955) Milan Horvat/Zagreb Philharmonic Orchestra ( + Khatchaturian: Spartacus - Adagio, Rachmaninov: Rhapsody on a Theme of Paganini, Stravinsky: Pétrouchka, Glinka: Russian and Ludmilla Overture, Borodin: In the Steppes of Central Asia and Rimsky-Korsakov: Sadko) PHILIPS 6780 755 (2 LPs) (1976) Neeme Järvi/Royal Scottish National Orchestra ( + Symphonies Nos. 2, 3, 4 (Opp. 47 and 112), 5, 6 and 7) CHANDOS CLASSICS CHAN 10500X (4 CDs) (2008) (original LP release: CHANDOS ABRD1137) (1985) Enrique Jordá/San Francisco Symphony Orchestra ( + Piano Concerto No. 3) RCA RED SEAL RB16037/RCA VICTOR LM-2138 (LP) (1957) Philippe Jordan/Orchestre de l'Opéra National de Paris ( + Mussorgsky/Ravel: Pictures at an Exhibition) ERATO 9029587791 (2017) David Josefowitz/Orchestre National de Monte Carlo ( + Lieutenant Kijé: Suite) GUILDE INTERNATIONALE DU DISQUE SMS 2.665 (LP) (c. 1968) MusicWeb International p4 Prokofiev Symphonies Kirill Karabits/Bournemouth Symphony Orchestra ( + Symphony No. 2, Sinfonietta and Autumnal) ONYX ONYX4139 (2014) Herbert von Karajan/Berlin Philharmonic Orchestra ( + Grieg: Holberg Suite, Mozart: Eine Kleine Nachtmusik DEUTSCHE GRAMMOPHON GALLERIA 437253 -2 (1982) (original LP release: DEUTSCHE GRAMMOPHON 2532 031) (1982) Kioi Sinfonietta Tokyo (w/o conductor) ( + Dvorák: Serenade for Strings and Bartók: Divertimento for Strings) EXTON OVCL-00206 (2005) Dmitri Kitayenko/Cologne Gürzenich Orchestra ( + Symphonies Nos. 2, 3, 4, 5, 6 and 7) PHOENIX EDITION 135 (5 CDs) (2008) Dmitri Kitayenko/Moscow Philharmonic Orchestra (rec. 1987) ( + Symphony No. 5) RCA VICTOR GOLD SEAL 74321-32042-2 (1996) (original CD release: MELODIYA SUCD 10-00052) (1990) Kiril Kondrashin/Dresden Staatskapelle (rec. 1955) ( + Mozart: Symphonies Nos. 36 and 38) BERLIN CLASSICS 90512 (1995) Kiril Kondrashin/Moscow Philharmonic Orchestra (rec. 1966) ( + Scythian Suite, Liszt: Piano Concerto No. 2 and B. Tchaikovsky: Variations for Orchestra) GLOBE GLO 6 006 (1991) Zdenek Košler/Czech Philharmonic Orchestra ( + Symphonies Nos. 2, 3, 4 (Op.112), 5, 6 and 7) SUPRAPHON SU 0091-2 014 (4 CDs) (1996) (original LP release: SUPRAPHON 1110 2457/PRO ARTE
Recommended publications
  • ARSC Journal, Spring 1992 69 Sound Recording Reviews
    SOUND RECORDING REVIEWS Chicago Symphony Orchestra: The First Hundred Years CS090/12 (12 CDs: monaural, stereo; ADD)1 Available only from the Chicago Symphony Orchestra, 220 S. Michigan Ave, Chicago, IL, for $175 plus $5 shipping and handling. The Centennial Collection-Chicago Symphony Orchestra RCA-Victor Gold Seal, GD 600206 (3 CDs; monaural, stereo, ADD and DDD). (total time 3:36:3l2). A "musical trivia" question: "Which American symphony orchestra was the first to record under its own name and conductor?" You will find the answer at the beginning of the 12-CD collection, The Chicago Symphony Orchestra: The First 100 Years, issued by the Chicago Symphony Orchestra (CSO). The date was May 1, 1916, and the conductor was Frederick Stock. 3 This is part of the orchestra's celebration of the hundredth anniversary of its founding by Theodore Thomas in 1891. Thomas is represented here, not as a conductor (he died in 1904) but as the arranger of Wagner's Triiume. But all of the other conductors and music directors are represented, as well as many guests. With one exception, the 3-CD set, The Centennial Collection: Chicago Symphony Orchestra, from RCA-Victor is drawn from the recordings that the Chicago Symphony made for that company. All were released previously, in various formats-mono and stereo, 78 rpm, 45 rpm, LPs, tapes, and CDs-as the technologies evolved. Although the present digital processing varies according to source, the sound is generally clear; the Reiner material is comparable to RCA-Victor's on-going reissues on CD of the legendary recordings produced by Richard Mohr.
    [Show full text]
  • ARSC Journal
    A Discography of the Choral Symphony by J. F. Weber In previous issues of this Journal (XV:2-3; XVI:l-2), an effort was made to compile parts of a composer discography in depth rather than breadth. This one started in a similar vein with the realization that SO CDs of the Beethoven Ninth Symphony had been released (the total is now over 701). This should have been no surprise, for writers have stated that the playing time of the CD was designed to accommodate this work. After eighteen months' effort, a reasonably complete discography of the work has emerged. The wonder is that it took so long to collect a body of information (especially the full names of the vocalists) that had already been published in various places at various times. The Japanese discographers had made a good start, and some of their data would have been difficult to find otherwise, but quite a few corrections and additions have been made and some recording dates have been obtained that seem to have remained 1.Dlpublished so far. The first point to notice is that six versions of the Ninth didn't appear on the expected single CD. Bl:lhm (118) and Solti (96) exceeded the 75 minutes generally assumed (until recently) to be the maximum CD playing time, but Walter (37), Kegel (126), Mehta (127), and Thomas (130) were not so burdened and have been reissued on single CDs since the first CD release. On the other hand, the rather short Leibowitz (76), Toscanini (11), and Busch (25) versions have recently been issued with fillers.
    [Show full text]
  • Csoa-Announces-November-2020
    For Immediate Release: Press Contacts: October 22, 2020 Eileen Chambers 312-294-3092 Dana Navarro 312-294-3090 CHICAGO SYMPHONY ORCHESTRA ASSOCIATION ANNOUNCES NOVEMBER 2020 DIGITAL PROGRAMS Highlights include Two New Episodes of CSO Sessions, Free Thanksgiving Day Digital Premiere of CSO/Solti Beethoven Fifth Symphony Archival Broadcast, Veteran’s Day Tribute Program from CSO Trumpet John Hagstrom, and More CSO Sessions Episode 7 features Former Solti Conducting Apprentice Erina Yashima Leading Stravinsky’s The Soldier’s Tale with Actor James Earl Jones II New On-Demand Recital from Symphony Center Presents features Pianist Jorge Federico Osorio NOVEMBER 5-29 CHICAGO—The Chicago Symphony Orchestra Association (CSOA) announces details for its November 2020 digital programs that provide audiences both locally and around the world a way to connect with the Chicago Symphony Orchestra online. Highlights include the premiere of two new episodes in the CSO Sessions series, two archival CSO television broadcast programs, a new piano recital from Symphony Center Presents and a Veteran’s Day digital premiere of a tribute to veterans that highlights the trumpet’s key role in military and orchestral music. Programs will be available via CSOtv, the new video portal for free and premium on-demand videos. A chronological list of November 2020 digital programs is available here. CSO Sessions The new digital series of on-demand, high-definition video recordings of chamber music and chamber orchestra concerts feature performances by Chicago Symphony Orchestra musicians filmed in Orchestra Hall at Symphony Center. Programs for the CSO Sessions series are developed with artistic guidance from Music Director Riccardo Muti.
    [Show full text]
  • Season 2014-2015
    27 Season 2014-2015 Thursday, May 7, at 8:00 Friday, May 8, at 2:00 The Philadelphia Orchestra Saturday, May 9, at 8:00 Cristian Măcelaru Conductor Sarah Chang Violin Ligeti Romanian Concerto I. Andantino— II. Allegro vivace— III. Adagio ma non troppo— IV. Molto vivace First Philadelphia Orchestra performances Beethoven Symphony No. 1 in C major, Op. 21 I. Adagio molto—Allegro con brio II. Andante cantabile con moto III. Menuetto (Allegro molto e vivace)—Trio— Menuetto da capo IV. Adagio—Allegro molto e vivace Intermission Dvořák Violin Concerto in A minor, Op. 53 I. Allegro ma non troppo—Quasi moderato— II. Adagio ma non troppo—Più mosso—Un poco tranquillo, quasi tempo I III. Finale: Allegro giocoso ma non troppo Enescu Romanian Rhapsody in A major, Op. 11, No. 1 This program runs approximately 1 hour, 50 minutes. The May 7 concert is sponsored by MedComp. The May 8 and 9 concerts are sponsored by the Blanche and Irving Laurie Foundation. designates a work that is part of the 40/40 Project, which features pieces not performed on subscription concerts in at least 40 years. Philadelphia Orchestra concerts are broadcast on WRTI 90.1 FM on Sunday afternoons at 1 PM. Visit www.wrti.org to listen live or for more details. 228 Story Title The Philadelphia Orchestra Jessica Griffin The Philadelphia Orchestra is one of the preeminent orchestras in the world, renowned for its distinctive sound, desired for its keen ability to capture the hearts and imaginations of audiences, and admired for a legacy of imagination and innovation on and off the concert stage.
    [Show full text]
  • Cds by Composer/Performer
    CPCC MUSIC LIBRARY COMPACT DISCS Updated May 2007 Abercrombie, John (Furs on Ice and 9 other selections) guitar, bass, & synthesizer 1033 Academy for Ancient Music Berlin Works of Telemann, Blavet Geminiani 1226 Adams, John Short Ride, Chairman Dances, Harmonium (Andriessen) 876, 876A Adventures of Baron Munchausen (music composed and conducted by Michael Kamen) 1244 Adderley, Cannonball Somethin’ Else (Autumn Leaves; Love For Sale; Somethin’ Else; One for Daddy-O; Dancing in the Dark; Alison’s Uncle 1538 Aebersold, Jamey: Favorite Standards (vol 22) 1279 pt. 1 Aebersold, Jamey: Favorite Standards (vol 22) 1279 pt. 2 Aebersold, Jamey: Gettin’ It Together (vol 21) 1272 pt. 1 Aebersold, Jamey: Gettin’ It Together (vol 21) 1272 pt. 2 Aebersold, Jamey: Jazz Improvisation (vol 1) 1270 Aebersold, Jamey: Major and Minor (vol 24) 1281 pt. 1 Aebersold, Jamey: Major and Minor (vol 24) 1281 pt. 2 Aebersold, Jamey: One Dozen Standards (vol 23) 1280 pt. 1 Aebersold, Jamey: One Dozen Standards (vol 23) 1280 pt. 2 Aebersold, Jamey: The II-V7-1 Progression (vol 3) 1271 Aerosmith Get a Grip 1402 Airs d’Operettes Misc. arias (Barbara Hendricks; Philharmonia Orch./Foster) 928 Airwaves: Heritage of America Band, U.S. Air Force/Captain Larry H. Lang, cond. 1698 Albeniz, Echoes of Spain: Suite Espanola, Op.47 and misc. pieces (John Williams, guitar) 962 Albinoni, Tomaso (also Pachelbel, Vivaldi, Bach, Purcell) 1212 Albinoni, Tomaso Adagio in G Minor (also Pachelbel: Canon; Zipoli: Elevazione for Cello, Oboe; Gluck: Dance of the Furies, Dance of the Blessed Spirits, Interlude; Boyce: Symphony No. 4 in F Major; Purcell: The Indian Queen- Trumpet Overture)(Consort of London; R,Clark) 1569 Albinoni, Tomaso Concerto Pour 2 Trompettes in C; Concerto in C (Lionel Andre, trumpet) (also works by Tartini; Vivaldi; Maurice André, trumpet) 1520 Alderete, Ignacio: Harpe indienne et orgue 1019 Aloft: Heritage of America Band (United States Air Force/Captain Larry H.
    [Show full text]
  • Multivalent Form in Gustav Mahlerʼs Lied Von Der Erde from the Perspective of Its Performance History
    Multivalent Form in Gustav Mahlerʼs Lied von der Erde from the Perspective of Its Performance History Christian Utz All content is licensed under a Creative Commons Attribution 4.0 International License. Received: 09/10/2017 Accepted: 19/11/2017 Published: 27/02/2018 Last updated: 27/02/2018 How to cite: Christian Utz, “Multivalent Form in Gustav Mahlerʼs Lied von der Erde from the Perspective of Its Performance History,” Musicologica Austriaca: Journal for Austrian Music Studies (February 27, 2018) Tags: 20th century; Analysis; Bernstein, Leonard; Das Lied von der Erde; Klemperer, Otto; Mahler, Gustav; Performance; Performance history; Rotational form; Sonata form; Strophic form; Walter, Bruno This essay is an expanded version of a paper presented at the symposiumGustav Mahler im Dialog, held at the Gustav Mahler Musikwochen in Toblach/Dobbiaco on July 18, 2017. The research was developed as part of the research project Performing, Experiencing and Theorizing Augmented Listening [PETAL]. Interpretation and Analysis of Macroform in Cyclic Musical Works (Austrian Science Fund (FWF): P 30058-G26; 2017–2020). I am grateful for advice received from Federico Celestini, Peter Revers, Thomas Glaser, and Laurence Willis. Files for download: Tables and Diagrams, Video examples 1-2, Video examples 3-4, Video examples 5-8, Video examples 9-10 Best Paper Award 2017 Abstract The challenge of reconstructing Gustav Mahlerʼs aesthetics and style of performance, which incorporated expressive and structuralist principles, as well as problematic implications of a post- Mahlerian structuralist performance style (most prominently developed by the Schoenberg School) are taken in this article as the background for a discussion of the performance history of Mahlerʼs Lied von der Erde with the aim of probing the model of “performance as analysis in real time” (Robert Hill).
    [Show full text]
  • 110991 Bk Menuhin 8/03/2005 02:15Pm Page 4
    110991 bk Menuhin 8/03/2005 02:15pm Page 4 Producer’s Note ADD The Mendelssohn D minor concerto, recorded two days after Menuhin gave the world première public performance Great Violinists • Menuhin 8.110991 of the work in Carnegie Hall, was apparently only released in the United States. Fourteen months later, EMI re-recorded it in London, this time with Adrian Boult at the podium. The earlier version (which marked Menuhin’s first conducting credit on records) disappeared, and has not been available in any form since the 1950s. It has been transferred here from the best portions of three first edition RCA LPs. Menuhin’s recording of the composer’s more famous E minor concerto with Furtwängler conducting has been more readily available in the succeeding decades; yet the master tape is fraught with problems that can be heard MENDELSSOHN from its first (1952) LP release on RCA Victor through EMI’s CDs. What sounds like a tape tracking or bias problem during the original recording session causes the highs to go in and out during the tuttis. In addition, Violin Concerto in E minor occasional grittiness and electronic clicks can be heard on all editions. EMI waited two years to release it in Europe, perhaps in the hope that Menuhin and Furtwängler would re-record it with better sonic results. This transfer was Violin Concerto in D minor made from a French EMI LP pressing. While this was Menuhin’s second recording of the Mendelssohn E minor, the version of the Bruch concerto presented here was already his third attempt on disc.
    [Show full text]
  • For Immediate Release September 14, 2009 Contact
    For Immediate Release September 14, 2009 Contact: Sung-Hee Park [email protected] 212.636.2680 CHRISTIE’S TO OFFER A RANGE OF EARLY 17TH CENTURY STRINGED INSTRUMENTS TO CONTEMPORARY GUITARS IN FINE MUSICAL INSTRUMENTS SALE IN OCTOBER Pieter Rombouts Ferdinando Gagliano Gibson Incorporated A Tenor Viola da Gamba A Violin, Naples, 1750 A Solid-Body Electric Guitar, Les Paul Custom Amsterdam, 1708 Estimate: $100,000-120,000 Kalamazoo, MI, circa 1953 Estimate: $10,000-15,000 Estimate: $15,000-25,000 Fine Musical Instruments October 13, 2009 New York- Christie's fall Fine Musical Instruments sale on October 13 will present an extensive range of instruments ranging from 17th century viols from the Erich Lachmann Collection to more contemporary guitars and amplifiers, including a rare C.F. Martin 000-42 model. The sale also offers a classical selection of violins, cellos and bows, leading with a 1750 violin by Ferdinando Gagliano of Naples, and a 1929 violoncello by Carl Becker of Chicago. Guitars Commencing the auction is an extensive range of classical to fretted guitars from recognized makers such as Fender, Gibson and C.F. Martin. Highlights will include an iconic Gibson solid-body electric guitar, Les Paul Custom, circa 1953 (illustrated above- estimate: $15,000-25,000); an early 1952 Fender solid-body electric guitar, Telecaster (estimate: $18,000-26,000); and a 1959 Fender electric guitar, Esquire (estimate: $10,000-15,000). In addition, the sale features a particularly strong selection of over 40 guitar amplifiers from Fender, Gibson and Valco dating from the 1930s to present today.
    [Show full text]
  • National Symphony Orchestra of Ukraine Theodore Kuchar, Conductor Alexei Grynyuk, Piano
    Sunday, March 26, 2017, 3pm Zellerbach Hall National Symphony Orchestra of Ukraine Theodore Kuchar, conductor Alexei Grynyuk, piano PROGRAM Giuseppe VERDI (1813 –1901) Overture to La forza del destino Sergei PROKOFIEV (1891 –1953) Piano Concerto No. 3 in C Major, Op. 26 Andante – Allegro Tema con variazioni Allegro, ma non troppo INTERMISSION Dmitri SHOSTAKOVICH (1906 –1975) Symphony No. 5 in D minor, Op. 47 Moderato – Allegro non troppo Allegretto Largo Allegro non troppo THE ORcHESTRA National Symphony Orchestra of Ukraine Volodymyr Sirenko, artistic director & chief conductor Theodore Kuchar, conductor laureate First Violins cellos Bassoons Markiyan Hudziy, leader Olena Ikaieva, principal Taras Osadchyi, principal Gennadiy Pavlov, sub-leader Liliia Demberg Oleksiy Yemelyanov Olena Pushkarska Sergii Vakulenko Roman Chornogor Svyatoslava Semchuk Tetiana Miastkovska Mykhaylo Zanko Bogdan Krysa Tamara Semeshko Anastasiya Filippochkina Mykola Dorosh Horns Roman Poltavets Ihor Yarmus Valentyn Marukhno, principal Oksana Kot Ievgen Skrypka Andriy Shkil Olena Poltavets Tetyana Dondakova Kostiantyn Sokol Valery Kuzik Kostiantyn Povod Anton Tkachenko Tetyana Pavlova Boris Rudniev Viktoriia Trach Basses Iuliia Shevchenko Svetlana Markiv Volodymyr Grechukh, principal Iurii Stopin Oleksandr Neshchadym Trumpets Viktor Andriiichenko Oleksandra Chaikina Viktor Davydenko, principal Oleksii Sechen Yuri і Kornilov Harps Grygorii Кozdoba Second Violins Nataliia Izmailova, principal Dmytro Kovalchuk Galyna Gornostai, principal Diana Korchynska Valentyna
    [Show full text]
  • Festival of Strings 2017 Flier
    Festival of Strings 2017 Five Consecutive days of Concerts and Master Classes with Internationally Recognized Artists and our own SHSU faculty Dylana Jenson (violin), The Solera String Quartet with Josu de Solaun (piano), The Kolonneh String Quartet (SHSU faculty) • Thursday, October 5, Concert Hall, 2:30-5:00 pm Master class with Dylana Jenson • Friday, October 6, Recital Hall 1:00-3:00 pm Master class with Dylana Jenson • Friday, October 6, Concert Hall, 7:30 pm SHSU Symphony Orchestra Concert with guest soloist Daniel Saenz (cello) VENUE CHANGE! • Saturday, October 7, Recital Hall, 7:30 pm University Heights Baptist Church Guest Artist Recital 2400 Sycamore Ave, Huntsville, TX 77340 Dylana Jenson, (violin) with Josu de Solaun (piano) •Sunday, October 8, Recital Hall, 3:30 pm Guest Artist Recital The Solera String Quartet with Josu de Solaun (piano) • Monday, October 9, Recital Hall, 7:30 pm The Kolonneh String Quartet www.shsu.edu/music/events Sam Houston State University Festival of Strings 2017 Guest Artists DYLANA JENSON Dylana Jenson has performed with most major orchestras in the United States and traveled to Europe, Australia, Japan and Latin America for concerts, recitals and recordings. After her triumphant success at the Tchaikovsky Competi- tion, where she became the youngest and first American woman to win the Silver Medal, she made her Carnegie Hall debut playing the Sibelius Concerto with Eugene Ormandy and the Philadelphia Orchestra. Following her most recent Carnegie Hall performance, Jenson again electrified both audience and critics in her per- formance of Karl Goldmark's violin concerto. According to Strad Magazine, "In Jenson's hands, even lyrical passages had an intense, tremulous quality..
    [Show full text]
  • Russian Museums Visit More Than 80 Million Visitors, 1/3 of Who Are Visitors Under 18
    Moscow 4 There are more than 3000 museums (and about 72 000 museum workers) in Russian Moscow region 92 Federation, not including school and company museums. Every year Russian museums visit more than 80 million visitors, 1/3 of who are visitors under 18 There are about 650 individual and institutional members in ICOM Russia. During two last St. Petersburg 117 years ICOM Russia membership was rapidly increasing more than 20% (or about 100 new members) a year Northwestern region 160 You will find the information aboutICOM Russia members in this book. All members (individual and institutional) are divided in two big groups – Museums which are institutional members of ICOM or are represented by individual members and Organizations. All the museums in this book are distributed by regional principle. Organizations are structured in profile groups Central region 192 Volga river region 224 Many thanks to all the museums who offered their help and assistance in the making of this collection South of Russia 258 Special thanks to Urals 270 Museum creation and consulting Culture heritage security in Russia with 3M(tm)Novec(tm)1230 Siberia and Far East 284 © ICOM Russia, 2012 Organizations 322 © K. Novokhatko, A. Gnedovsky, N. Kazantseva, O. Guzewska – compiling, translation, editing, 2012 [email protected] www.icom.org.ru © Leo Tolstoy museum-estate “Yasnaya Polyana”, design, 2012 Moscow MOSCOW A. N. SCRiAbiN MEMORiAl Capital of Russia. Major political, economic, cultural, scientific, religious, financial, educational, and transportation center of Russia and the continent MUSEUM Highlights: First reference to Moscow dates from 1147 when Moscow was already a pretty big town.
    [Show full text]
  • N E W S R E L E A
    N E W S R E L E A S E CONTACT: Katherine Blodgett Vice President of Public Relations and Communications Phone: 215.893.1939 E-mail: [email protected] Jesson Geipel Public Relations Manager FOR IMMEDIATE RELEASE Phone: 215.893.3136 DATE: October 18, 2012 E-mail: [email protected] YANNICK NÉZET-SÉGUIN’S INAUGURAL SEASON AS MUSIC DIRECTOR OF THE PHILADELPHIA ORCHESTRA BEGINS THURSDAY, OCTOBER 18, 2012, WITH A GALA CONCERT FEATURING THE INCOMPARABLE RENÉE FLEMING Opening Weeks of Nézet-Séguin’s Tenure to Feature Verdi’s Requiem, His Carnegie Hall Debut, and Concerts with Violinist Joshua Bell (Philadelphia, October 18, 2012)—Yannick Nézet-Séguin officially begins his tenure as The Philadelphia Orchestra’s eighth music director with a gala Opening Concert on October 18, 2012, two weeks of subscription concerts at the Orchestra’s home in Verizon Hall at the Kimmel Center, and with his Carnegie Hall debut on October 23 in New York City. Nézet-Séguin was named music director designate of the legendary ensemble in 2010. The gala concert, featuring soprano Renée Fleming, includes Ravel’s Shéhérazade, Brahms’s Symphony No. 4, and “Mein Elemer!” from Arabella by Richard Strauss. For the Orchestra’s first subscription series at the Kimmel Center and for his Carnegie Hall debut, Nézet-Séguin has chosen Verdi’s Requiem, featuring soprano Marina Poplavskaya, mezzo-soprano Christine Rice, tenor Rolando Villazón, bass Mikhail Petrenko, and the Westminster Symphonic Choir. Philadelphia Orchestra Association President and CEO Allison Vulgamore said, “This is the launch of a new chapter for The Philadelphia Orchestra. We have been anticipating this moment for what seems a very long time, and the entire organization couldn’t be more thrilled that it is finally upon us.
    [Show full text]