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Index, BYU Studies BYU Studies Quarterly Volume 43 Issue 4 Article 14 10-1-2004 Index, BYU Studies BYU Studies Follow this and additional works at: https://scholarsarchive.byu.edu/byusq Recommended Citation Studies, BYU (2004) "Index, BYU Studies," BYU Studies Quarterly: Vol. 43 : Iss. 4 , Article 14. Available at: https://scholarsarchive.byu.edu/byusq/vol43/iss4/14 This Index is brought to you for free and open access by the Journals at BYU ScholarsArchive. It has been accepted for inclusion in BYU Studies Quarterly by an authorized editor of BYU ScholarsArchive. For more information, please contact [email protected], [email protected]. Studies: Index, BYU Studies X BYU Studies, Volume 43 These indexes will be added to our cumulative indexes, available on our ;i: website at http://byustudies.byu.edu. Authors Allen, James B., review of An Insider's View of Mormon Origins, by Grant H. Palmer, 43:2:175-89. Barsch, Wulf, "To Depict Infinity: The Artwork of Wulf Barsch," 43:4:33-38. Bessey, Kent A., "To Journey Beyond Infinity," 43:4:23-32. Brady, Jane D., "Falling Leaves," 43:4:137-39. Burton, Gideon O., "Mormons, Opera, and Mozart," 43:3:23-29. Chadwick, Bruce A. See McClendon, Richard J. Crandall, David P., "Monostatos, the Moor," 43:3:170-79. Cutler, Edward S., review of By the Hand of Mormon: The American Scrip­ ture That Launched a World Religion, by Terryl L. Givens, 43:4:150-56. Dalton, Aaron, "Diese Aufnahme ist bezaubernd schon: Deutsche Grammo- phon's 1964 Recording of The Magic Flute," 43:3:251-69. Duncan, Dean, "Adaptation, Enactment, and Ingmar Bergman's Magic Flute," 43:3:229-50. Edwards, Boyd F., and W. Farrell Edwards, "Does Chiasmus Appear in the Book of Mormon by Chance?" 43:2:103-30. Edwards, W. Farrell. See Edwards, Boyd F. Evenden, Michael, "Sarastro's Repentance: One Dramaturg's Advice on The Magic Flute," 43:3:162-69. Faulring, Scott H., "An Examination of the 1829 Articles of the Church of Christ' in Relation to Section 20 of the Doctrine and Covenants," 43:4:57-9i- Fowles, John B., "From Arcadia to Elysium in The Magic Flute and Weimar Classicism: The Plan of Salvation and Eighteenth-Century Views of Moral Progression," 43:3:84-103. Frost, David, "Ornament Gold," 43:2:166. Gee, John, "Notes on the Egyptian Motifs in Mozart's Magic Flute," 43:3:149-60. Gillum, Gary P., review of Hugh Nibley: A Consecrated Life, by Boyd Jay Peterson, 43:2:167-70. Gooren, Henri, review of Evangelicals and Politics in Asia, Africa and Latin America, by Paul Freston, 43:2:171-74. Groberg, Joseph H. See Woodger, Mary Jane. Hansen, Lorin K., "'Every Book. .. Has Been Read Through': The Brooklyn Saints and Harper's Family Library," 43:4:39-56. Hanson, Kaye Terry, "A Magic Summer with The Magic Flute," 43:3:30-35. Hicks, Michael, "Museum of Ancient Life," 43:2:102. 166 BYU Studies 43, no. 4 (2004) Published by BYU ScholarsArchive, 2004 1 BYU Studies Quarterly, Vol. 43, Iss. 4 [2004], Art. 14 Index, Volume 43.4 <—< 167 Keele, Alan F., "Toward an Anthropology of Apotheosis in Mozart's Magic Flute: A Demonstration of the Artistic Universality and Vitality of Certain 'Peculiar' Latter-day Saint Doctrines," 43:3:43-83. Kelling, Hans-Wilhelm, "A Chronology of Mozart and His Times," 43:3:9-20. Kerry, Paul E., "'Initiates of Isis Now, Come, Enter into the Temple!': Masonic and Enlightenment Thought in The Magic Flute," 43:3:104-36. , "Preface [to issue on Mozart's Magic Flute)" 43:3:4-8. Landon, Michael N., '"We Navigated by Pure Understanding': Bishop George T. Sevey's Account of the 1912 Exodus from Mexico," 43:2:63-101. Larsen, Lance, review of Enduring Ties: Poems of Family Relationships, ed. Grant Hardy, 43:4:161-64. Lyon, Michael, "Set Design for the Final Scene in The Magic Flute," 43:3:270-72. Madsen, Gordon A., "Joseph Smith and the Missouri Court of Inquiry: Austin A. King's Quest for Hostages," 43:4:92-136. Maffly-Kipp, Laurie F., review of Under the Banner of Heaven: A Story of Violent Faith, by Jon Krakauer, 43:4:157-60. Malzl, Philipp B., "An Allegory of Eden: Marc Chagall's Magic Flute Poster," 43:3:218-28. McClendon, Richard J., and Bruce A. Chadwick, "Latter-day Saint Returned Missionaries in the United States: A Survey on Religious Activity and Postmission Adjustment," 43:2:131-57. McFarland, Robert B., 'Mann und Weib, and Baby Makes Two: Gender and Family in Johann Wolfgang von Goethe's Sequel to The Magic Flute," 43:3:206-17. Mouw, Richard J., "What Does God Think about America? Some Challenges for Evangelicals and Mormons," 43:4:4-22. Muhlestein, Kerry, "European Views of Egyptian Magic and Mystery: A Cultural Context for The Magic Flute," 43:3:137-48. Peterson, Daniel C, review of By the Hand of Mormon: The American Scrip­ ture That Launched a World Religion, by Terryl L. Givens, 43:4:140-49. Powley, Harrison, "Die Zauberflote: What's in a Title?" 43:3:189-204. Taylor, Sally T, "The Fellowship of Christ's Sufferings as Reflected in Lear and Life," 43:2:47-62. Vincent, Lawrence P., "A Performer's Reflections on Die Zauberflote," 43:3:36-40. Walker, Ronald W., "Qualities That Count: Heber J. Grant as Businessman, Missionary, and Apostle," 43:1:1-300. Warnick, Melody, "Kindling," 43:2:159-65. Warnick, Quinn, "On Grandmother's Couch," 43:2:158. Webb, Victoria A., "The Queen of the Night: A Mother Betrayed," 43:3:180-88. Woodger, Mary Jane, and Joseph H. Groberg, "George H. Brimhall's Legacy of Service to Brigham Young University," 43:2:4-46. https://scholarsarchive.byu.edu/byusq/vol43/iss4/14 2 Studies: Index, BYU Studies 168 •--• BYU Studies Articles and Essays "Adaptation, Enactment, and Ingmar Bergman's Magic Flute," by Dean Duncan, 43:3:229-50. "An Allegory of Eden: Marc Chagall's Magic Flute Poster," by Philipp B. Malzl, 43:3:218-28. "A Chronology of Mozart and His Times," by Hans-Wilhelm Kelling, 43:3:9-20. "Diese Aufnahme ist bezaubernd schon: Deutsche Grammophon's 1964 Recording of The Magic Flute," by Aaron Dalton, 43:3:251-69. "Die Zauberflote: What's in a Title?" by Harrison Powley, 43:3:189-204. "Does Chiasmus Appear in the Book of Mormon by Chance?" by Boyd F. Edwards and W. Farrell Edwards, 43:2:103-30. "European Views of Egyptian Magic and Mystery: A Cultural Context for The Magic Flute," by Kerry Muhlestein, 43:3:137-48. "'Every Book... Has Been Read Through': The Brooklyn Saints and Harper's Family Library," by Lorin K. Hansen, 43:4:39-56. "An Examination of the 1829 'Articles of the Church of Christ' in Relation to Section 20 of the Doctrine and Covenants," by Scott H. Faulring, 43:4:57-9i- "Falling Leaves," by Jane D. Brady, 43:4:137-39. "The Fellowship of Christ's Sufferings as Reflected in Lear and Life," by Sally T. Taylor, 43:2:47-62. "From Arcadia to Elysium in The Magic Flute and Weimar Classicism: The Plan of Salvation and Eighteenth-Century Views of Moral Progres­ sion," by John B. Fowles, 43:3:84-103. "George H. Brimhall's Legacy of Service to Brigham Young University," by Mary Jane Woodger and Joseph H. Groberg, 43:2:4-46. "'Initiates of Isis Now, Come, Enter into the Temple!': Masonic and Enlight­ enment Thought in The Magic Flute," by Paul E. Kerry, 43:3:104-36. "Joseph Smith and the Missouri Court of Inquiry: Austin A. King's Quest for Hostages," by Gordon A. Madsen, 43:4:92-136. "Kindling," Melody Warnick, 43:2:159-65. "Latter-day Saint Returned Missionaries in the United States: A Survey on Religious Activity and Postmission Adjustment," by Richard J. McClendon and Bruce A. Chadwick, 43:2:131-57. "A Magic Summer with The Magic Flute," by Kaye Terry Hanson, 43:3:30-35. 'Mann und Weib, and Baby Makes Two: Gender and Family in Johann Wolfgang von Goethe's Sequel to The Magic Flute," by Robert B. McFarland, 43:3:206-17. "Monostatos, the Moor," by David P. Crandall, 43:3:170-79. "Mormons, Opera, and Mozart," by Gideon O. Burton, 43:3:23-29. "Notes on the Egyptian Motifs in Mozart's Magic Flute," by John Gee, 43:3:149-60. Published by BYU ScholarsArchive, 2004 3 BYU Studies Quarterly, Vol. 43, Iss. 4 [2004], Art. 14 Index, Volume 43.4 •—-> 169 "A Performer's Reflections on Dze Zauberflote," by Lawrence P. Vincent, 43:3:36-40. "Preface [to issue on Mozart's Magic Flute]," by Paul E. Kerry, 43:3:4-8. "Qualities That Count: Heber J. Grant as Businessman, Missionary, and Apostle," by Ronald W. Walker, 43:1:1-300. "The Queen of the Night: A Mother Betrayed," by Victoria A. Webb, 43:3:180-88. "Sarastro's Repentance: One Dramaturg's Advice," by Michael Evenden, 43:3:162-69. "Set Design for the Final Scene in The Magic Flute," by Michael Lyon, 43:3:270-72. "To Depict Infinity: The Artwork of Wulf Barsch," by Wulf Barsch, 43:4:33-38. "To Journey Beyond Infinity," by Kent A. Bessey, 43:4:23-32. "Toward an Anthropology of Apotheosis in Mozart's Magic Flute: A Dem­ onstration of the Artistic Universality and Vitality of Certain 'Pecu­ liar' Latter-day Saint Doctrines," by Alan F. Keele, 43:3:43-83. "'We Navigated by Pure Understanding': Bishop George T. Sevey's Account of the 1912 Exodus from Mexico," by Michael N.
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