Historic Designation Criteria Guidelines
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HISTORICAL NOMINATION of the Enrique and Esperanza Aldrete / Carl B
HISTORICAL NOMINATION of the Enrique and Esperanza Aldrete / Carl B. Hays House 5232 Marlborough Drive ~ Kensington Neighborhood San Diego, California Ronald V. May, RPA Kiley Wallace Legacy 106, Inc. P.O. Box 15967 San Diego, CA 92175 (619) 269-3924 www.legacy106.com February 2016 1 HISTORIC HOUSE RESEARCH Ronald V. May, RPA, President and Principal Investigator Kiley Wallace, Vice President and Architectural Historian P.O. Box 15967 • San Diego, CA 92175 Phone (619) 269-3924 • http://www.legacy106.com 2 3 State of California – The Resources Agency Primary # ___________________________________ DEPARTMENT OF PARKS AND RECREATION HRI # ______________________________________ PRIMARY RECORD Trinomial __________________________________ NRHP Status Code 3S Other Listings ___________________________________________________________ Review Code _____ Reviewer ____________________________ Date __________ Page 3 of 38 *Resource Name or #: The Enrique and Esperanza Aldrete / Carl B. Hays House P1. Other Identifier: 5232 Marlborough Drive, San Diego, CA 92116 *P2. Location: Not for Publication Unrestricted *a. County: San Diego and (P2b and P2c or P2d. Attach a Location Map as necessary.) *b. USGS 7.5' Quad: La Mesa Date: 1997 Maptech, Inc.T ; R ; ¼ of ¼ of Sec ; M.D. B.M. c. Address: 5232 Marlborough Dr. City: San Diego Zip: 92116 d. UTM: Zone: 11 ; mE/ mN (G.P.S.) e. Other Locational Data: (e.g., parcel #, directions to resource, elevation, etc.) Elevation: 380 feet Legal Description: Lots Three Hundred Twenty-three and Three Hundred Twenty-four of KENSINGTON HEIGHTS UNIT NO. 3, according to Map thereof No. 1948, filed in the Office of the County Recorder, San Diego County, September 28, 1926. It is APN # 440-044-08-00 and 440-044-09-00. -
Arciiltecture
· BALBOA PARK· CENTRAL MESA PRECISE PLAN Precise Plan • Architecture ARCIIlTECTURE The goal of this section is to rehabilitate and modify the architecture of the Central Mesa ina manner which preserves its historic and aesthetic significance while providing for functional needs. The existing structures built for the 1915 and the 1935 Expositions are both historically and architecturally significant and should be reconstructed or rehabilitated. Not only should the individual structures be preserved, but the entire ensemble in its original composition should be preserved and restored wherever possible. It is the historic relationship between the built and the outdoor environment that is the hallmark of the two Expositions. Because each structure affects its site context to such a great degree, it is vital to the preservation of the historic district that every effort be made to preserve and restore original Exposition building footprints and elevations wherever possible. For this reason, emphasis has been placed on minimizing architectural additions unless they are reconstructions of significant historical features. Five major types of architectural modifications are recommended for the Central Mesa and are briefly described below. 1. Preservation and maintenance of existing structures. In the case of historically significant architecture, this involves preserving the historical significance of the structure and restoring lost historical features wherever possible. Buildings which are not historically significant should be preserved and maintained in good condition. 2. Reconstructions . This type of modification involves the reconstruction of historic buildings that have deteriorated to a point that prevents rehabilitation of the existing structure. This type of modification also includes the reconstruction of historically significant architectural features that have been lost. -
Parker H. Jackson Personal Papers SDASM.SC.10078
http://oac.cdlib.org/findaid/ark:/13030/c8cz39h5 Online items available The Descriptive Finding Guide for the Parker H. Jackson Personal Papers SDASM.SC.10078 Alan Renga San Diego Air and Space Museum Library and Archives 10/23/2014 2001 Pan American Plaza, Balboa Park San Diego 92101 URL: http://www.sandiegoairandspace.org/ The Descriptive Finding Guide for SDASM.SC.10078 1 the Parker H. Jackson Personal Papers SDASM.SC.10078 Language of Material: English Contributing Institution: San Diego Air and Space Museum Library and Archives Title: Parker H. Jackson Personal Papers source: Jackson, Parker H. Identifier/Call Number: SDASM.SC.10078 Physical Description: 0.36 Cubic FeetOne Box Date (inclusive): 1913-2014 Abstract: Parker H. Jackson was the biographer Richard S. Requa, the master architect of the California Pacific International Exposition in 1935. This Collection includes documents from Jackson's studies of Requa. Conditions Governing Access The collection is open to researchers by appointment. Conditions Governing Use Some copyright may be reserved. Consult with the library director for more information. Preferred Citation [Item], [Filing Unit], [Series Title], [Subgroups], [Record Group Title and Number], [Repository “San Diego Air & Space Museum Library & Archives”] Immediate Source of Acquisition The materials in this collection were donated to the San Diego Air & Space Museum. The collection has been processed and is open for research. Biographical / Historical Parker H. Jackson was the biographer Richard S. Requa, the master architect of the California Pacific International Exposition in 1935. Jackson became fascinated with Requa and his influence on architectural design after purchasing a home designed by Requa located in the community of Kensington, in San Diego. -
Alcazar Garden Sign
Alcázar Garden - Balboa Park Richard Smith Requa 1881 - 1941 Seventy years later, the Moorish tiles were beginning to show their age. Tiles were cracked, chipped, and had chunks missing. In 2008, the garden was reconstructed to replicate the 1935 design by San Diego architect Richard Requa. During the restoration they found that moisture had seeped through, as tiles are porous and grout isn't perfect. With $50,000 in donations, the Committee of One Hundred, a nonprofit group dedicated to the park's Spanish Colonial architecture, replaced the damaged tiles and renovated the water fountains to their original grace and glory. The group commissioned 1,800 tiles that replicate the originals. Richard Smith Requa was an American architect, largely During the 1915 Panama-California Exhibition, this garden was T h e y e x p e c t t h i s known for his work in San Diego, California. Requa was the originally named Los Jardines de Montezuma (Montezuma Garden). renovation will last 20 Master Architect for the California Pacific International Exposition held in Balboa Park in 1935-36. He improved and In 1935, architect Richard Requa modified the garden by adding two years or so, but bought extended many of the already existing buildings from the delightful water fountains and eight tile benches. The garden was extra tiles for future patch 1915 Panama-California Exposition, as well as created new facilities including the Old Globe Theater. renamed Alcázar because its design is patterned after the courtyard work. His own designs were predominantly in the Spanish gardens of Alcázar Palace in Seville, Spain. -
1935 California Pacific International Exposition Excerpts from San Diego’S Balboa Park by David Marshall, AIA February 17, 2009
1935 California Pacific International Exposition Excerpts from San Diego’s Balboa Park by David Marshall, AIA February 17, 2009 ■ Summary Still feeling the effects from the Great Depression in 1933, San Diego’s civic boosters be lieved that another expo sition in Balboa Park would help the economy and promote the city as a business and tourist destination. The 1935 California Pacific International Exposition, also known as America’s Exposition, was born. The new buildings were paid for in part by the first WPA funds allocated to an American city. Balboa Park was re-configured by San Diego architect Richard S. Requa who also oversaw the design and construction of many new buildings. The second exposition left behind a legacy of colorful stories with its odd and controversial exhibits and sideshow entertainment. America’s Exposition also provided visitors with early glimpses of a walking silver robo t and a strange electrical device known as a “television.” Only two years after it was first conceived, the 1935 California Pacific International Exposition opened on May 29, 1935. Like the first exposition, the 1935 fair was so successful it was extended for a second year. Opening ceremonies for the second season began when President Franklin D. Roosevelt pressed a gold t elegraph ke y in the White House to turn on the exposition’s lights. When the final numbers were tallied, the 1935-1936 event counted 6.7 million visitors – almost double the total of the 1915-1916 exposition. ■ Buildings Constructed for the 1935 Exposition House of Hospitality Courtyard. For this popular patio, architect Richard Requa literally carved o ut the center of the hangar-like 1915 Foreign Arts Building and opened it to the sky. -
Celebrating Architecture, Urban Design and the Built Environment 2 Oh! San Diego
CELEBRATING ARCHITECTURE, URBAN DESIGN AND THE BUILT ENVIRONMENT 2 OH! SAN DIEGO PacificSothebysRealty.com Sotheby’s International Realty® is a registered trademark licensed to Sotheby’s International Realty Affiliates LLC. An Equal Opportunity Company. Equal Housing Opportunity. Each Office is Independently Owned And Operated. CalBRE #01767484 THE SAN DIEGO ARCHITECTURAL FOUNDATION and our Title Sponsor PACIFIC SOTHEBY’S INTERNATIONAL REALTY present OH! SAN DIEGO™ MARCH 25 – 26, 2017 CELEBRATING ARCHITECTURE, URBAN DESIGN AND THE BUILT ENVIRONMENT. San Diego is proud to become the third city in the United States designated an official Open House Worldwide City, joining New York and Chicago. 4 OH! SAN DIEGO OH! SAN DIEGO 2017 HONORARY CO–CHAIRS WELCOME TO OH! SAN DIEGO Mary M. Lydon March 25, 2017 Principal at Lydon Associates With 20 years of experience in On behalf of the citizens of San Diego, I would like to welcome you to Open Smart Growth land use planning, House San Diego 2017. It is a pleasure to welcome the urban design and real estate markets, community and architectural community to our thriving downtown. I am proud that San stakeholder participation, and economic Diego is just the third city in the United States to be designated an official development strategies, Mary has held Open House Worldwide City. key leadership roles within the Urban Land Institute, the Downtown San Diego Partnership and several nonprofit Throughout the weekend, you will have unparalleled access to unique boards. She is a former Planning architectural sites in and around downtown San Diego. From Barrio Logan Commissioner for the City of San Diego. -
The San Diego Expositions and Modern Spanish Heritage in the Southwest, 1880–1940
New Mexico Historical Review Volume 78 Number 4 Article 2 10-1-2003 Peers of their White Conquerors: The San Diego Expositions and Modern Spanish Heritage in the Southwest, 1880–1940 Matthew Bokovoy Follow this and additional works at: https://digitalrepository.unm.edu/nmhr Recommended Citation Bokovoy, Matthew. "Peers of their White Conquerors: The San Diego Expositions and Modern Spanish Heritage in the Southwest, 1880–1940." New Mexico Historical Review 78, 4 (2003). https://digitalrepository.unm.edu/nmhr/vol78/iss4/2 This Article is brought to you for free and open access by UNM Digital Repository. It has been accepted for inclusion in New Mexico Historical Review by an authorized editor of UNM Digital Repository. For more information, please contact [email protected]. Peers of Their White Conquerors THE SAN DIEGO EXPOSITIONS AND MODERN SPANISH HERITAGE IN THE SOUTHWEST, 1880-1940 Matthew Bokovoy , n interest in mission ruins and Indian relics has been known to lead to Aan interest in Mexicans and Indians," wrote Carey McWilliams with some despair in North From Mexico: The Spanish-Speaking People of the United States, his 1949 book about the U.S.-Mexican Borderlands. He be lieved a southwestern cultural history could become an agent for national civil rights and cultural pluralism.! In this intriguing statement, McWilliams referred to the public culture in southern California and the Southwest, a regional tradition he defined as the Spanish "fantasy heritage." That cul tural construction was the myth created by White Californians to interpret the historical legacy of Indians, Spaniards, and Mexicans in the Southwest. Mostly inaccurate, ahistorical, and suffused with excessive sentimentality and romanticism, the fantasy heritage was the cultural gloss for the eco nomic development and promotion of southern California. -
San Diego Invites the World to Balboa Park a Second Time by Richard W
The Journal of San Diego History SAN DIEGO HISTORICAL SOCIETY QUARTERLY Fall 1985, Volume 31, Number 4 Thomas L. Scharf, Editor San Diego Invites the World to Balboa Park a Second Time by Richard W. Amero First Prize, Copley Award San Diego History Center 1985 Institute of History Images from this article THE California-Pacific International Exposition, held in Balboa Park in 1935-36, was a milepost in San Diego's history. Of the people who backed the exposition, architect-in-charge Richard Requa did the most to determine its final shape.1 Talk of holding a second exposition had begun before the 1915-16 Panama-California Exposition had closed. Instead of being torn down, as the exposition's master architect Bertram Grosvenor Goodhue had advised, the temporary buildings on Balboa Park's main avenue, El Prado, had been patched up in 1922 and again in 1933.2 In August 1933, Frank Drugan, former field representative for the Scripps-Howard newspaper chain, visited the renovated El Prado, admired its appearance, and suggested to San Diego businessmen that they use the buildings as the nucleus for a second exposition.3 As dynamic promoter for the second exposition, Drugan assumed the role Colonel "Charlie" Collier had taken for the first. Chicago's 1933-34 Century of Progress Exposition was in its final year. Many of its exhibits could be transported easily to San Diego. The exposition's promise of a happy and prosperous future had appealed to people beleaguered by the Great Depression.4 Frank G. Belcher, assistant cashier and vice president of the First National Trust and Savings Bank of San Diego, became the second exposition's president, the office G. -
The Art Traveler Guide: a Portrait of Balboa Park Copyright ©2016 Save Our Heritage Organisation Edited by Alana Coons.Text by Ann Jarmusch
THE ART TRAVELER GUIDE A PORTRAIT OF BALBOA PARK 1 THE ART TRAVELER GUIDE A PORTRAIT OF BALBOA PARK ON THE COVER: “Mr. Goodhue’s Dream” (detail of Cabrillo Bridge and the California State Building) by RD Riccoboni®, a.k.a. the Art Traveler. He created all the paintings reproduced in this guide in acrylic on canvas or paper, working in Balboa Park and his San Diego studio (2006-2014). Paintings from Beacon Artworks Collection, ©RD Riccoboni. www.rdriccoboni.com MR. GOODHUE’S DREAM Acrylic on canvas, 2012 | 16 x 20 inches The Art Traveler Guide: A Portrait of Balboa Park Copyright ©2016 Save Our Heritage Organisation Edited by Alana Coons.Text by Ann Jarmusch. All rights reserved. No part of this book, either text or image may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage and retrieval system, without prior written permission of the publisher. Published by Our Heritage Press, 2476 San Diego Avenue, San Diego, CA 92110 ISBN-13 978-0-9800950-5-0 ISBN-10 0-9800950-5-0 THE ART TRAVELER GUIDE A PORTRAIT OF BALBOA PARK Paintings by RD Riccoboni Forward✥ by ✥ Bruce ✥ Coons Executive Director, Save Our Heritage Organisation Alana Coons, Editor Ann Jarmusch, Writer Martina Schimitschek, Designer Will Chandler and Michael Kelly, Editorial Consultants Second Edition An Our Heritage Press publication to commemorate the Centennial of the 1915 Panama-California Exposition, and to promote the preservation and celebration of historic Balboa Park in the heart of San Diego. Table of Contents Forward by Bruce Coons, Executive Director, Save Our Heritage Organisation ........ -
Historic Preservation Element – JANUARY 2016 MS Word Version – Edited Without Tables and Graphics
HISTORIC PRESERVATION 10.1 PREHISTORIC AND HISTORIC CONTEXT 10.2 IDENTIFICATION AND PRESERVATION OF HISTORICAL RESOURCES 10.3 EDUCATIONAL OPPORTUNITIES AND INCENTIVES RELATED TO HISTORICAL RESOURCES Introduction The purpose of the City of San Diego General Plan Historic Preservation Element is to preserve, protect, restore and rehabilitate historical and cultural resources throughout the City of San Diego. It is also the intent of the element to improve the quality of the built environment, encourage appreciation for the City’s history and culture, maintain the character and identity of communities, and contribute to the City’s economic vitality through historic preservation. The element’s goals for achieving this include identifying and preserving historical resources, and educating citizens about the benefits of, and incentives for, historic preservation. The Uptown Historic Preservation Element contains specific goals and recommendations to address the history and cultural resources unique to Uptown in order to encourage appreciation of the community’s history and culture. These policies along with the General Plan policies provide a comprehensive historic preservation strategy for Uptown. The Uptown Historic Preservation Element was developed utilizing technical studies prepared by qualified experts, as well as extensive outreach and collaboration with Native American Tribes, community planning groups and preservation groups. The Archaeological Study describes the pre‐history of the Uptown Area; identifies known significant archaeological resources; provides guidance on the identification of possible new resources; and includes recommendations for proper treatment. The Historic Survey Report (consisting of a Historic Context Statement and reconnaissance survey) provides information regarding the significant historical themes in the development of Uptown, the property types associated with those themes, and the location of potential historic resources. -
~ IO·~V~'I'f PRIMARY RECORD Triaomial: ·NR.BP· Stal:Ll• Cl!D~ 5Sl Other .Tjstjjlg,: 0 Vpdate O., Supplemj!Ltt Review C~Jdt: Revkwer: Date
State ofCalifomia- The Resources Agency ~l'i!naryl#: D$PARTMENT OF PAJU{S AND RECREATION HRII#; ~ IO·~V~'I'f PRIMARY RECORD Triaomial: ·NR.BP· Stal:ll• Cl!d~ 5Sl Other .tJstjJlg,: 0 Vpdate o., supplemj!ltt Review C~Jdt: Revkwer: Date: . Sept. 15, 1999 Page 1 of 4 'ROs..._N.t.,.oi'Niuahor(Aulgnolllil'll<cOnkt'): George H. PruddenHouse P). Otbet- Iolondfior. Parker. H. J.ackson House ~ L- fl!lNotto;,~0UIIf!OIIr!elod •o. ~ *1>.. USGS 1.5' Qoadt Dale< ;T .;R ll of lhi'S.... !liM. <. Add.... : 5159 1\!arfbor'OUIJh Or. City: san Diego Zip: 92116 d. :IJTM:(<;Iftmore .•_.fo<lup.....,w.llaeu~).r-' ;POINT A: mEl IDN POJNT B: 1IIEI mNPOINT C: mEl IIIN. POINf 0, mEl IDN cr l.ti'M Coot<titmtes delmllinod ,.;lit Gloi>ofPooitioning $yso,m <. Other L-U..ta (o.g.,,..,....ll, .n...:u-te .._oimotlolf,-. •~>oa·•pp.... rille): APN; 440o180'1500: .Lot 1, f!ll< 8, Kensington Heights.Unil1, MaP·1875 The George H. Prudden Ho..,_- Ma<lborough Or; on the West, With a 30' laWn 1rorltag$·~ <:Oncrete si<lewalk and 7' grass parkway. In aac:litiQn toe. house.sits 4' above the a1reet grade, The light red tinted <;ui'Vlng $1~1k & steps from. the street to the front.door """original. The brick pattern on th$ --stDop iS .a Requa 'tl'edemlilrk'. The patto and .South fScade face Middlesex Or. A hadge & ced• bOard fence separates It frOm the property onth$1110!jh, A small patio & fountain sits on the NIW corner cf the house. Jtand the North CC>UI1)'aA:l hElve r.a;saton brief< pmring. -
History of Oil Drilling in La Jolla • Secret Garden Tour Blooms in May
TIMEKEEPER THE LA JOLLA HISTORICAL SOCIETY MAGAZINE SPRING 2015 Volume 34, No1 History of Oil Drilling in La Jolla • Secret Garden Tour Blooms in May Concours d’Elegance at the Cove LA JOLLA HISTORICAL SOCIETY “The Society’s Annual Appeal MISSION STATEMENT The La Jolla Historical Society is dedicated to the discovery, 2014 fundraising campaign collection and preservation of La Jolla’s heritage. Through our collections, programs and advocacy, we carry out our Executive Director’s Message mission by discovering, recording and sharing La Jolla’s his- was extremely successful (and tory; preserving La Jolla’s historical objects, sites and structures; and increasing community awareness of the he springtime wisteria This summer is still in progress!) and we are value of our heritage. Tbloom is wonderfully we also celebrate successful this year, marking the 100th anniver- very grateful to all of our BOARD OF DIRECTORS (2013-2014) the season of our largest and sary of the La Jolla Ellen Brown Merewether, President members and supporters who Seonaid “Shona” McArthur Vice President most popular community Recreation Center James Alcorn, Vice President events. The 11th annual La with a presentation gave so generously! Your support Secretary Judith Haxo, Jolla Concours D’Elégance & by Molly McClain, Donald Quackenbush, Treasurer is crucial to the programs and Motor Car Classic, is scheduled Ph.D., professor of Lisa Albanez Diane Kane Nick Agelidis Donna Medrea this year the second weekend history at the activities of the Society, and we Elizabeth Thiele Barkett Carol McCabe of April, with the main University of San Ruth Covell Molly McClain are very appreciative.“ Laura DuCharme-Conboy John Peek event on Sunday, April 12th Diego, and a Tony Crisafi Nell Waltz at Scripps Park.