HISTORICAL NOMINATION of the Enrique and Esperanza Aldrete / Carl B

Total Page:16

File Type:pdf, Size:1020Kb

HISTORICAL NOMINATION of the Enrique and Esperanza Aldrete / Carl B HISTORICAL NOMINATION of the Enrique and Esperanza Aldrete / Carl B. Hays House 5232 Marlborough Drive ~ Kensington Neighborhood San Diego, California Ronald V. May, RPA Kiley Wallace Legacy 106, Inc. P.O. Box 15967 San Diego, CA 92175 (619) 269-3924 www.legacy106.com February 2016 1 HISTORIC HOUSE RESEARCH Ronald V. May, RPA, President and Principal Investigator Kiley Wallace, Vice President and Architectural Historian P.O. Box 15967 • San Diego, CA 92175 Phone (619) 269-3924 • http://www.legacy106.com 2 3 State of California – The Resources Agency Primary # ___________________________________ DEPARTMENT OF PARKS AND RECREATION HRI # ______________________________________ PRIMARY RECORD Trinomial __________________________________ NRHP Status Code 3S Other Listings ___________________________________________________________ Review Code _____ Reviewer ____________________________ Date __________ Page 3 of 38 *Resource Name or #: The Enrique and Esperanza Aldrete / Carl B. Hays House P1. Other Identifier: 5232 Marlborough Drive, San Diego, CA 92116 *P2. Location: Not for Publication Unrestricted *a. County: San Diego and (P2b and P2c or P2d. Attach a Location Map as necessary.) *b. USGS 7.5' Quad: La Mesa Date: 1997 Maptech, Inc.T ; R ; ¼ of ¼ of Sec ; M.D. B.M. c. Address: 5232 Marlborough Dr. City: San Diego Zip: 92116 d. UTM: Zone: 11 ; mE/ mN (G.P.S.) e. Other Locational Data: (e.g., parcel #, directions to resource, elevation, etc.) Elevation: 380 feet Legal Description: Lots Three Hundred Twenty-three and Three Hundred Twenty-four of KENSINGTON HEIGHTS UNIT NO. 3, according to Map thereof No. 1948, filed in the Office of the County Recorder, San Diego County, September 28, 1926. It is APN # 440-044-08-00 and 440-044-09-00. *P3a. Description: (Describe resource and its major elements. Include design, materials, condition, alterations, size, setting, and boundaries) This house, located in the Kensington neighborhood of San Diego, is a large two-story example of the Spanish Revival/ Eclectic style built in 1929. It has a low pitched gable, hipped and shed red tile roof. The east (front) elevation faces Marlborough Drive and utilizes an asymmetrical façade with a repeating arched front porch and porte-cochère and upper level balcony. A single story gabled front wing extends out on the northern side with a large arching focal window. The raised arching front porch maintains the original arching front doorway and iron porch railing. An upper level corner balcony sits beneath the principle hipped roofline of the home (See Continuation Sheet). *P3b. Resource Attributes: (List attributes and codes) (HP2) Single family property *P4. Resources Present: Building Structure Object Site District Element of District P5b. Description of Photo: (View, date, accession #) View of east (front) elevation. Photo by Kiley Wallace, February 2016. *P6. Date Constructed/Age and Sources: Historic Prehistoric Both Tax Assessor’s Residential Building Record, 1929 Water record is dated November 27, 1928 signed by builder Carl B. Hays. San Diego Union article and photo May 12, 1929 completed with builders listed as Donahue and Hays. San Diego Union article and photo January 5, 1929 show home under construction. Index to Property (Lot Book), assessed in 1930 *P7. Owner and Address: Devin and DeLayne Harmon 5232 Marlborough Drive San Diego, CA 92116 *P8. Recorded by: (Name, affiliation, and address) Ronald V. May, RPA and Kiley Wallace, Legacy 106, Inc., P.O. Box 15967, San Diego, CA 92175 *P9. Date Recorded: February 2016 *P10. Survey Type: (Describe) Intensive *P11. Report Citation: (Cite survey report and other sources, or enter "none.") Historical Nomination of the Enrique and Esperanza Aldrete / Carl B. Hays House, San Diego, California for the City of San Diego, Historical Resources Board, by Ronald V. May, RPA and Kiley Wallace, Legacy 106, Inc., February 2016. Legacy 106, Inc. is indebted to Alexandra Wallace for extensive research, and other assistance with the preparation of this report. *Attachments: NONE Location Map Sketch Map Continuation Sheet Building, Structure, and Object Record Archaeological Record District Record Linear Feature Record Milling Station Record Rock Art Record Artifact Record Photograph Record Other (List): DPR 523A *Required Information 4 State of California The Resources Agency Primary # DEPARTMENT OF PARKS AND RECREATION HRI# CONTINUATION SHEET Trinomial Page 4 of 38 *Resource Name or #: The Enrique and Esperanza Aldrete / Carl B. Hays House *Recorded by: Ronald V. May, RPA and Kiley Wallace *Date: February 2016 Continuation Update *P3a. Description: (Describe resource and its major elements. Include design, materials, condition, alterations, size, setting, and boundaries) (Continued): (See Attachment D, Photographs) The subject property at 5232 Marlborough Drive is a two story Spanish Revival/Eclectic style home with an asymmetrical façade and a compound irregular floor plan. The home was originally built on a triple lot with walled garden to the north and tennis court to the south. The southern lot was sold with a home later added circa 1950. The adjoining walled northern lot has never had separate ownership and recently had a small detached guest house added as the owners did not want to disturb the historic residence with an attached addition. The home features a variety of roof styles and varied heights and massing helping to break up the massing of this large single family home. This varied composition is a character defining feature of the Spanish style and helps create the feeling of grouping of structures added to over time. The front façade features three repeating arches on the first level, that form the covered front porch and covered porte-cochère with shed roof. A matching arched fixed focal window opening is seen to the right (north) completing the rhythmic design of repeating arches on the arcade first level. The main dominant feature of the upper level is a central strap iron covered balcony above the first level arched entryway covered porch. this upper level balcony is supported by rustic square wooden beams with corbels and is fronted with a iron strap style railing. The home sits on a lightly sloping hillside with the original meandering walkway connecting the sidewalk with the front porch and entryway. The house has a low pitched fired tile roof with minimal eave overhang and decorative rafter tails on the eave ends below the roofline. The gable ends feature the classic three round clay tile attic vents with the added elaboration of verge boards with overlapping tiles and extending wood purlin beams. The low pitched gable and hipped roof eaves display these subtle wooden rafter tails. Fenestration consists of mostly three light double casement wood window groupings which have been carefully restored in-kind or are original. The home retains its original deep inset arched entryway with original paneled door with original arched viewing port and wrought iron grille. The home's clay roof tile pattern matches the layering of tiles seen in historic photos. The home features stucco wall surfacing throughout which has been restored matching the original stucco. The home has the characteristic defining architectural features of the Spanish Revival/Eclectic or "California Style" home, as local architect Richard S. Requa referred to it. These include the asymmetrical façade, low pitched red tile roof, eaves with shallow overhangs, stucco surfacing, and arches on principle windows and porch supports. The home also exhibits some interesting features of the style including its use of the front porch colonnade with repeating archways and its covered upper level balcony with iron strap work balustrade. A large brick topped stucco chimney is seen on the front and northern façade. Windows are forest green painted wood unless otherwise noted. The house has just undergone an extensive multiyear restoration and displays excellent architectural integrity. The Spanish Eclectic, also known as the Spanish Revival style, became popular in 1915 with the creation of the California pavilion and other buildings for the Panama California Exposition in San Diego. At the exposition, architect Bertram Goodhue built upon earlier Mission Revival styles and added a more varied representation of original 16th century Spanish buildings. This romantic, sophisticated style borrowed from a broader rich vocabulary of Moorish, Spanish Baroque, Renaissance and Mediterranean architectural traditions with detailing often based on actual prototypes in Spain. Many important architects of the style traveled to Spain for inspiration. The San Diego exposition, along with Goodhue and other designers, promoted the style's popularity and it became a craze in California in the late 1920's. East (Front) Elevation – The second level displays a combined hipped and gable roof that follows to the back of the home utilizing fired Mission half barrel tiles in a hand laid pattern with short wooden rafter tails below the eave ends. The crossing gable and hipped roofs shelter the house and continue back the length of the house as opposed to the more common (and less expensive) flat roofs, fronted by shed roofs or decorative gable ends which are more commonly seen on more modest Spanish Eclectic homes 5 State of California The Resources Agency Primary # DEPARTMENT OF PARKS AND RECREATION HRI# CONTINUATION SHEET Trinomial Page 5 of 38 *Resource Name or #: The Enrique and Esperanza Aldrete / Carl B. Hays House *Recorded by: Ronald V. May, RPA and Kiley Wallace *Date: February 2016 Continuation Update *P3a. Description (continued): of the period. The home's varied heights and combination of roof types is typical of larger high style "landmark" examples of the Spanish Eclectic / Revival style which replicates the informal irregular designs of Spanish villages. The front façade displays a forward facing two story hipped wing with a lower secondary one story gable roofed wing protruding to the right, finally each end of the front façade of the home is flanked by shed roof side wings with the arched porte-cochère seen to the left and a raised covered patio seen to the right supported by large square columns.
Recommended publications
  • Arciiltecture
    · BALBOA PARK· CENTRAL MESA PRECISE PLAN Precise Plan • Architecture ARCIIlTECTURE The goal of this section is to rehabilitate and modify the architecture of the Central Mesa ina manner which preserves its historic and aesthetic significance while providing for functional needs. The existing structures built for the 1915 and the 1935 Expositions are both historically and architecturally significant and should be reconstructed or rehabilitated. Not only should the individual structures be preserved, but the entire ensemble in its original composition should be preserved and restored wherever possible. It is the historic relationship between the built and the outdoor environment that is the hallmark of the two Expositions. Because each structure affects its site context to such a great degree, it is vital to the preservation of the historic district that every effort be made to preserve and restore original Exposition building footprints and elevations wherever possible. For this reason, emphasis has been placed on minimizing architectural additions unless they are reconstructions of significant historical features. Five major types of architectural modifications are recommended for the Central Mesa and are briefly described below. 1. Preservation and maintenance of existing structures. In the case of historically significant architecture, this involves preserving the historical significance of the structure and restoring lost historical features wherever possible. Buildings which are not historically significant should be preserved and maintained in good condition. 2. Reconstructions . This type of modification involves the reconstruction of historic buildings that have deteriorated to a point that prevents rehabilitation of the existing structure. This type of modification also includes the reconstruction of historically significant architectural features that have been lost.
    [Show full text]
  • Parker H. Jackson Personal Papers SDASM.SC.10078
    http://oac.cdlib.org/findaid/ark:/13030/c8cz39h5 Online items available The Descriptive Finding Guide for the Parker H. Jackson Personal Papers SDASM.SC.10078 Alan Renga San Diego Air and Space Museum Library and Archives 10/23/2014 2001 Pan American Plaza, Balboa Park San Diego 92101 URL: http://www.sandiegoairandspace.org/ The Descriptive Finding Guide for SDASM.SC.10078 1 the Parker H. Jackson Personal Papers SDASM.SC.10078 Language of Material: English Contributing Institution: San Diego Air and Space Museum Library and Archives Title: Parker H. Jackson Personal Papers source: Jackson, Parker H. Identifier/Call Number: SDASM.SC.10078 Physical Description: 0.36 Cubic FeetOne Box Date (inclusive): 1913-2014 Abstract: Parker H. Jackson was the biographer Richard S. Requa, the master architect of the California Pacific International Exposition in 1935. This Collection includes documents from Jackson's studies of Requa. Conditions Governing Access The collection is open to researchers by appointment. Conditions Governing Use Some copyright may be reserved. Consult with the library director for more information. Preferred Citation [Item], [Filing Unit], [Series Title], [Subgroups], [Record Group Title and Number], [Repository “San Diego Air & Space Museum Library & Archives”] Immediate Source of Acquisition The materials in this collection were donated to the San Diego Air & Space Museum. The collection has been processed and is open for research. Biographical / Historical Parker H. Jackson was the biographer Richard S. Requa, the master architect of the California Pacific International Exposition in 1935. Jackson became fascinated with Requa and his influence on architectural design after purchasing a home designed by Requa located in the community of Kensington, in San Diego.
    [Show full text]
  • Alcazar Garden Sign
    Alcázar Garden - Balboa Park Richard Smith Requa 1881 - 1941 Seventy years later, the Moorish tiles were beginning to show their age. Tiles were cracked, chipped, and had chunks missing. In 2008, the garden was reconstructed to replicate the 1935 design by San Diego architect Richard Requa. During the restoration they found that moisture had seeped through, as tiles are porous and grout isn't perfect. With $50,000 in donations, the Committee of One Hundred, a nonprofit group dedicated to the park's Spanish Colonial architecture, replaced the damaged tiles and renovated the water fountains to their original grace and glory. The group commissioned 1,800 tiles that replicate the originals. Richard Smith Requa was an American architect, largely During the 1915 Panama-California Exhibition, this garden was T h e y e x p e c t t h i s known for his work in San Diego, California. Requa was the originally named Los Jardines de Montezuma (Montezuma Garden). renovation will last 20 Master Architect for the California Pacific International Exposition held in Balboa Park in 1935-36. He improved and In 1935, architect Richard Requa modified the garden by adding two years or so, but bought extended many of the already existing buildings from the delightful water fountains and eight tile benches. The garden was extra tiles for future patch 1915 Panama-California Exposition, as well as created new facilities including the Old Globe Theater. renamed Alcázar because its design is patterned after the courtyard work. His own designs were predominantly in the Spanish gardens of Alcázar Palace in Seville, Spain.
    [Show full text]
  • 1935 California Pacific International Exposition Excerpts from San Diego’S Balboa Park by David Marshall, AIA February 17, 2009
    1935 California Pacific International Exposition Excerpts from San Diego’s Balboa Park by David Marshall, AIA February 17, 2009 ■ Summary Still feeling the effects from the Great Depression in 1933, San Diego’s civic boosters be lieved that another expo sition in Balboa Park would help the economy and promote the city as a business and tourist destination. The 1935 California Pacific International Exposition, also known as America’s Exposition, was born. The new buildings were paid for in part by the first WPA funds allocated to an American city. Balboa Park was re-configured by San Diego architect Richard S. Requa who also oversaw the design and construction of many new buildings. The second exposition left behind a legacy of colorful stories with its odd and controversial exhibits and sideshow entertainment. America’s Exposition also provided visitors with early glimpses of a walking silver robo t and a strange electrical device known as a “television.” Only two years after it was first conceived, the 1935 California Pacific International Exposition opened on May 29, 1935. Like the first exposition, the 1935 fair was so successful it was extended for a second year. Opening ceremonies for the second season began when President Franklin D. Roosevelt pressed a gold t elegraph ke y in the White House to turn on the exposition’s lights. When the final numbers were tallied, the 1935-1936 event counted 6.7 million visitors – almost double the total of the 1915-1916 exposition. ■ Buildings Constructed for the 1935 Exposition House of Hospitality Courtyard. For this popular patio, architect Richard Requa literally carved o ut the center of the hangar-like 1915 Foreign Arts Building and opened it to the sky.
    [Show full text]
  • Celebrating Architecture, Urban Design and the Built Environment 2 Oh! San Diego
    CELEBRATING ARCHITECTURE, URBAN DESIGN AND THE BUILT ENVIRONMENT 2 OH! SAN DIEGO PacificSothebysRealty.com Sotheby’s International Realty® is a registered trademark licensed to Sotheby’s International Realty Affiliates LLC. An Equal Opportunity Company. Equal Housing Opportunity. Each Office is Independently Owned And Operated. CalBRE #01767484 THE SAN DIEGO ARCHITECTURAL FOUNDATION and our Title Sponsor PACIFIC SOTHEBY’S INTERNATIONAL REALTY present OH! SAN DIEGO™ MARCH 25 – 26, 2017 CELEBRATING ARCHITECTURE, URBAN DESIGN AND THE BUILT ENVIRONMENT. San Diego is proud to become the third city in the United States designated an official Open House Worldwide City, joining New York and Chicago. 4 OH! SAN DIEGO OH! SAN DIEGO 2017 HONORARY CO–CHAIRS WELCOME TO OH! SAN DIEGO Mary M. Lydon March 25, 2017 Principal at Lydon Associates With 20 years of experience in On behalf of the citizens of San Diego, I would like to welcome you to Open Smart Growth land use planning, House San Diego 2017. It is a pleasure to welcome the urban design and real estate markets, community and architectural community to our thriving downtown. I am proud that San stakeholder participation, and economic Diego is just the third city in the United States to be designated an official development strategies, Mary has held Open House Worldwide City. key leadership roles within the Urban Land Institute, the Downtown San Diego Partnership and several nonprofit Throughout the weekend, you will have unparalleled access to unique boards. She is a former Planning architectural sites in and around downtown San Diego. From Barrio Logan Commissioner for the City of San Diego.
    [Show full text]
  • The San Diego Expositions and Modern Spanish Heritage in the Southwest, 1880–1940
    New Mexico Historical Review Volume 78 Number 4 Article 2 10-1-2003 Peers of their White Conquerors: The San Diego Expositions and Modern Spanish Heritage in the Southwest, 1880–1940 Matthew Bokovoy Follow this and additional works at: https://digitalrepository.unm.edu/nmhr Recommended Citation Bokovoy, Matthew. "Peers of their White Conquerors: The San Diego Expositions and Modern Spanish Heritage in the Southwest, 1880–1940." New Mexico Historical Review 78, 4 (2003). https://digitalrepository.unm.edu/nmhr/vol78/iss4/2 This Article is brought to you for free and open access by UNM Digital Repository. It has been accepted for inclusion in New Mexico Historical Review by an authorized editor of UNM Digital Repository. For more information, please contact [email protected]. Peers of Their White Conquerors THE SAN DIEGO EXPOSITIONS AND MODERN SPANISH HERITAGE IN THE SOUTHWEST, 1880-1940 Matthew Bokovoy , n interest in mission ruins and Indian relics has been known to lead to Aan interest in Mexicans and Indians," wrote Carey McWilliams with some despair in North From Mexico: The Spanish-Speaking People of the United States, his 1949 book about the U.S.-Mexican Borderlands. He be­ lieved a southwestern cultural history could become an agent for national civil rights and cultural pluralism.! In this intriguing statement, McWilliams referred to the public culture in southern California and the Southwest, a regional tradition he defined as the Spanish "fantasy heritage." That cul­ tural construction was the myth created by White Californians to interpret the historical legacy of Indians, Spaniards, and Mexicans in the Southwest. Mostly inaccurate, ahistorical, and suffused with excessive sentimentality and romanticism, the fantasy heritage was the cultural gloss for the eco­ nomic development and promotion of southern California.
    [Show full text]
  • San Diego Invites the World to Balboa Park a Second Time by Richard W
    The Journal of San Diego History SAN DIEGO HISTORICAL SOCIETY QUARTERLY Fall 1985, Volume 31, Number 4 Thomas L. Scharf, Editor San Diego Invites the World to Balboa Park a Second Time by Richard W. Amero First Prize, Copley Award San Diego History Center 1985 Institute of History Images from this article THE California-Pacific International Exposition, held in Balboa Park in 1935-36, was a milepost in San Diego's history. Of the people who backed the exposition, architect-in-charge Richard Requa did the most to determine its final shape.1 Talk of holding a second exposition had begun before the 1915-16 Panama-California Exposition had closed. Instead of being torn down, as the exposition's master architect Bertram Grosvenor Goodhue had advised, the temporary buildings on Balboa Park's main avenue, El Prado, had been patched up in 1922 and again in 1933.2 In August 1933, Frank Drugan, former field representative for the Scripps-Howard newspaper chain, visited the renovated El Prado, admired its appearance, and suggested to San Diego businessmen that they use the buildings as the nucleus for a second exposition.3 As dynamic promoter for the second exposition, Drugan assumed the role Colonel "Charlie" Collier had taken for the first. Chicago's 1933-34 Century of Progress Exposition was in its final year. Many of its exhibits could be transported easily to San Diego. The exposition's promise of a happy and prosperous future had appealed to people beleaguered by the Great Depression.4 Frank G. Belcher, assistant cashier and vice president of the First National Trust and Savings Bank of San Diego, became the second exposition's president, the office G.
    [Show full text]
  • The Art Traveler Guide: a Portrait of Balboa Park Copyright ©2016 Save Our Heritage Organisation Edited by Alana Coons.Text by Ann Jarmusch
    THE ART TRAVELER GUIDE A PORTRAIT OF BALBOA PARK 1 THE ART TRAVELER GUIDE A PORTRAIT OF BALBOA PARK ON THE COVER: “Mr. Goodhue’s Dream” (detail of Cabrillo Bridge and the California State Building) by RD Riccoboni®, a.k.a. the Art Traveler. He created all the paintings reproduced in this guide in acrylic on canvas or paper, working in Balboa Park and his San Diego studio (2006-2014). Paintings from Beacon Artworks Collection, ©RD Riccoboni. www.rdriccoboni.com MR. GOODHUE’S DREAM Acrylic on canvas, 2012 | 16 x 20 inches The Art Traveler Guide: A Portrait of Balboa Park Copyright ©2016 Save Our Heritage Organisation Edited by Alana Coons.Text by Ann Jarmusch. All rights reserved. No part of this book, either text or image may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage and retrieval system, without prior written permission of the publisher. Published by Our Heritage Press, 2476 San Diego Avenue, San Diego, CA 92110 ISBN-13 978-0-9800950-5-0 ISBN-10 0-9800950-5-0 THE ART TRAVELER GUIDE A PORTRAIT OF BALBOA PARK Paintings by RD Riccoboni Forward✥ by ✥ Bruce ✥ Coons Executive Director, Save Our Heritage Organisation Alana Coons, Editor Ann Jarmusch, Writer Martina Schimitschek, Designer Will Chandler and Michael Kelly, Editorial Consultants Second Edition An Our Heritage Press publication to commemorate the Centennial of the 1915 Panama-California Exposition, and to promote the preservation and celebration of historic Balboa Park in the heart of San Diego. Table of Contents Forward by Bruce Coons, Executive Director, Save Our Heritage Organisation ........
    [Show full text]
  • Historic Designation Criteria Guidelines
    Historic Designation Criteria Guidelines Adopted by the Coronado City Council on October 4, 2011 Amended December 5, 2018 City of Coronado Fostering civic pride through historic preservation TABLE OF CONTENTS Introducon 3 Historic Designaon Criteria 4 Historic Resource Evaluaon Resource Types 5 Research and Documentaon 6 Historic Context 7 Designaon Criteria Guidelines Criterion A 8 Criterion B 10 Criterion C 13 Criterion D 16 Criterion E 19 Criterion F 20 Historic Integrity 21 Addional Consideraons 24 2 INTRODUCTION The purpose of the Historic Designaon Criteria Guidelines is to assist in the understanding and applicaon of Coronado’s Historic Designaon Criteria. These Guidelines shall be used when evaluang a property’s eligibility as a Historic Resource in associaon with a Deter- minaon of Historic Significance applicaon. The informaon contained herein is rooted firmly in Federal guidance found in Naonal Register Bullens, parcularly Naonal Register Bullen #15. Naonal Register Bullens are published by the Naonal Park Service and provide recognized and accepted guidance principles for historic resource evaluaon. Naonal Register Bullens may be consulted for addional informaon or background on historic resource evaluaon. City of Coronado Municipal Code Chapter 84.10 idenfies the criteria by which a resource may be designated as a Historic Resource. It states that an object, building, structure, or site, may be designated as Historic Resource by the City of Coronado Historic Resource Com- mission if it meets two or more of the adopted designaon criteria. Age Requirement In order to be nominated for designaon as a Historic Re- source, a resource must be 75 years old, or have gained historic signifi- cance within the last 75 years.
    [Show full text]
  • Historic Preservation Element – JANUARY 2016 MS Word Version – Edited Without Tables and Graphics
    HISTORIC PRESERVATION 10.1 PREHISTORIC AND HISTORIC CONTEXT 10.2 IDENTIFICATION AND PRESERVATION OF HISTORICAL RESOURCES 10.3 EDUCATIONAL OPPORTUNITIES AND INCENTIVES RELATED TO HISTORICAL RESOURCES Introduction The purpose of the City of San Diego General Plan Historic Preservation Element is to preserve, protect, restore and rehabilitate historical and cultural resources throughout the City of San Diego. It is also the intent of the element to improve the quality of the built environment, encourage appreciation for the City’s history and culture, maintain the character and identity of communities, and contribute to the City’s economic vitality through historic preservation. The element’s goals for achieving this include identifying and preserving historical resources, and educating citizens about the benefits of, and incentives for, historic preservation. The Uptown Historic Preservation Element contains specific goals and recommendations to address the history and cultural resources unique to Uptown in order to encourage appreciation of the community’s history and culture. These policies along with the General Plan policies provide a comprehensive historic preservation strategy for Uptown. The Uptown Historic Preservation Element was developed utilizing technical studies prepared by qualified experts, as well as extensive outreach and collaboration with Native American Tribes, community planning groups and preservation groups. The Archaeological Study describes the pre‐history of the Uptown Area; identifies known significant archaeological resources; provides guidance on the identification of possible new resources; and includes recommendations for proper treatment. The Historic Survey Report (consisting of a Historic Context Statement and reconnaissance survey) provides information regarding the significant historical themes in the development of Uptown, the property types associated with those themes, and the location of potential historic resources.
    [Show full text]
  • ~ IO·~V~'I'f PRIMARY RECORD Triaomial: ·NR.BP· Stal:Ll• Cl!D~ 5Sl Other .Tjstjjlg,: 0 Vpdate O., Supplemj!Ltt Review C~Jdt: Revkwer: Date
    State ofCalifomia- The Resources Agency ~l'i!naryl#: D$PARTMENT OF PAJU{S AND RECREATION HRII#; ~ IO·~V~'I'f PRIMARY RECORD Triaomial: ·NR.BP· Stal:ll• Cl!d~ 5Sl Other .tJstjJlg,: 0 Vpdate o., supplemj!ltt Review C~Jdt: Revkwer: Date: . Sept. 15, 1999 Page 1 of 4 'ROs..._N.t.,.oi'Niuahor(Aulgnolllil'll<cOnkt'): George H. PruddenHouse P). Otbet- Iolondfior. Parker. H. J.ackson House ~ L- fl!lNotto;,~0UIIf!OIIr!elod •o. ~ *1>.. USGS 1.5' Qoadt Dale< ;T .;R ll of lhi'S.... !liM. <. Add.... : 5159 1\!arfbor'OUIJh Or. City: san Diego Zip: 92116 d. :IJTM:(<;Iftmore .•_.fo<lup.....,w.llaeu~).r-' ;POINT A: mEl IDN POJNT B: 1IIEI mNPOINT C: mEl IIIN. POINf 0, mEl IDN cr l.ti'M Coot<titmtes delmllinod ,.;lit Gloi>ofPooitioning $yso,m <. Other L-U..ta (o.g.,,..,....ll, .n...:u-te .._oimotlolf,-. •~>oa·•pp.... rille): APN; 440o180'1500: .Lot 1, f!ll< 8, Kensington Heights.Unil1, MaP·1875 The George H. Prudden Ho..,_- Ma<lborough Or; on the West, With a 30' laWn 1rorltag$·~ <:Oncrete si<lewalk and 7' grass parkway. In aac:litiQn toe. house.sits 4' above the a1reet grade, The light red tinted <;ui'Vlng $1~1k & steps from. the street to the front.door """original. The brick pattern on th$ --stDop iS .a Requa 'tl'edemlilrk'. The patto and .South fScade face Middlesex Or. A hadge & ced• bOard fence separates It frOm the property onth$1110!jh, A small patio & fountain sits on the NIW corner cf the house. Jtand the North CC>UI1)'aA:l hElve r.a;saton brief< pmring.
    [Show full text]
  • History of Oil Drilling in La Jolla • Secret Garden Tour Blooms in May
    TIMEKEEPER THE LA JOLLA HISTORICAL SOCIETY MAGAZINE SPRING 2015 Volume 34, No1 History of Oil Drilling in La Jolla • Secret Garden Tour Blooms in May Concours d’Elegance at the Cove LA JOLLA HISTORICAL SOCIETY “The Society’s Annual Appeal MISSION STATEMENT The La Jolla Historical Society is dedicated to the discovery, 2014 fundraising campaign collection and preservation of La Jolla’s heritage. Through our collections, programs and advocacy, we carry out our Executive Director’s Message mission by discovering, recording and sharing La Jolla’s his- was extremely successful (and tory; preserving La Jolla’s historical objects, sites and structures; and increasing community awareness of the he springtime wisteria This summer is still in progress!) and we are value of our heritage. Tbloom is wonderfully we also celebrate successful this year, marking the 100th anniver- very grateful to all of our BOARD OF DIRECTORS (2013-2014) the season of our largest and sary of the La Jolla Ellen Brown Merewether, President members and supporters who Seonaid “Shona” McArthur Vice President most popular community Recreation Center James Alcorn, Vice President events. The 11th annual La with a presentation gave so generously! Your support Secretary Judith Haxo, Jolla Concours D’Elégance & by Molly McClain, Donald Quackenbush, Treasurer is crucial to the programs and Motor Car Classic, is scheduled Ph.D., professor of Lisa Albanez Diane Kane Nick Agelidis Donna Medrea this year the second weekend history at the activities of the Society, and we Elizabeth Thiele Barkett Carol McCabe of April, with the main University of San Ruth Covell Molly McClain are very appreciative.“ Laura DuCharme-Conboy John Peek event on Sunday, April 12th Diego, and a Tony Crisafi Nell Waltz at Scripps Park.
    [Show full text]