Celebrating Architecture, Urban Design and the Built Environment 2 Oh! San Diego
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HISTORICAL NOMINATION of the Enrique and Esperanza Aldrete / Carl B
HISTORICAL NOMINATION of the Enrique and Esperanza Aldrete / Carl B. Hays House 5232 Marlborough Drive ~ Kensington Neighborhood San Diego, California Ronald V. May, RPA Kiley Wallace Legacy 106, Inc. P.O. Box 15967 San Diego, CA 92175 (619) 269-3924 www.legacy106.com February 2016 1 HISTORIC HOUSE RESEARCH Ronald V. May, RPA, President and Principal Investigator Kiley Wallace, Vice President and Architectural Historian P.O. Box 15967 • San Diego, CA 92175 Phone (619) 269-3924 • http://www.legacy106.com 2 3 State of California – The Resources Agency Primary # ___________________________________ DEPARTMENT OF PARKS AND RECREATION HRI # ______________________________________ PRIMARY RECORD Trinomial __________________________________ NRHP Status Code 3S Other Listings ___________________________________________________________ Review Code _____ Reviewer ____________________________ Date __________ Page 3 of 38 *Resource Name or #: The Enrique and Esperanza Aldrete / Carl B. Hays House P1. Other Identifier: 5232 Marlborough Drive, San Diego, CA 92116 *P2. Location: Not for Publication Unrestricted *a. County: San Diego and (P2b and P2c or P2d. Attach a Location Map as necessary.) *b. USGS 7.5' Quad: La Mesa Date: 1997 Maptech, Inc.T ; R ; ¼ of ¼ of Sec ; M.D. B.M. c. Address: 5232 Marlborough Dr. City: San Diego Zip: 92116 d. UTM: Zone: 11 ; mE/ mN (G.P.S.) e. Other Locational Data: (e.g., parcel #, directions to resource, elevation, etc.) Elevation: 380 feet Legal Description: Lots Three Hundred Twenty-three and Three Hundred Twenty-four of KENSINGTON HEIGHTS UNIT NO. 3, according to Map thereof No. 1948, filed in the Office of the County Recorder, San Diego County, September 28, 1926. It is APN # 440-044-08-00 and 440-044-09-00. -
Arciiltecture
· BALBOA PARK· CENTRAL MESA PRECISE PLAN Precise Plan • Architecture ARCIIlTECTURE The goal of this section is to rehabilitate and modify the architecture of the Central Mesa ina manner which preserves its historic and aesthetic significance while providing for functional needs. The existing structures built for the 1915 and the 1935 Expositions are both historically and architecturally significant and should be reconstructed or rehabilitated. Not only should the individual structures be preserved, but the entire ensemble in its original composition should be preserved and restored wherever possible. It is the historic relationship between the built and the outdoor environment that is the hallmark of the two Expositions. Because each structure affects its site context to such a great degree, it is vital to the preservation of the historic district that every effort be made to preserve and restore original Exposition building footprints and elevations wherever possible. For this reason, emphasis has been placed on minimizing architectural additions unless they are reconstructions of significant historical features. Five major types of architectural modifications are recommended for the Central Mesa and are briefly described below. 1. Preservation and maintenance of existing structures. In the case of historically significant architecture, this involves preserving the historical significance of the structure and restoring lost historical features wherever possible. Buildings which are not historically significant should be preserved and maintained in good condition. 2. Reconstructions . This type of modification involves the reconstruction of historic buildings that have deteriorated to a point that prevents rehabilitation of the existing structure. This type of modification also includes the reconstruction of historically significant architectural features that have been lost. -
Inspired by Mexico: Architect Bertram Goodhue Introduces Spanish Colonial Revival Into Balboa Park
Inspired by Mexico: Architect Bertram Goodhue Introduces Spanish Colonial Revival into Balboa Park By Iris H.W. Engstrand G. Aubrey Davidson’s laudatory address to an excited crowd attending the opening of the Panama-California Exposition on January 1, 1915, gave no inkling that the Spanish Colonial architectural legacy that is so familiar to San Diegans today was ever in doubt. The buildings of this exposition have not been thrown up with the careless unconcern that characterizes a transient pleasure resort. They are part of the surroundings, with the aspect of permanence and far-seeing design...Here is pictured this happy combination of splendid temples, the story of the friars, the thrilling tale of the pioneers, the orderly conquest of commerce, coupled with the hopes of an El Dorado where life 1 can expand in this fragrant land of opportunity. G Aubrey Davidson, ca. 1915. ©SDHC #UT: 9112.1. As early as 1909, Davidson, then president of the Chamber of Commerce, had suggested that San Diego hold an exposition in 1915 to celebrate the opening of the Panama Canal. When City Park was selected as the site in 1910, it seemed appropriate to rename the park for Spanish explorer Vasco Nuñez de Balboa, who had discovered the Pacific Ocean and claimed the Iris H. W. Engstrand, professor of history at the University of San Diego, is the author of books and articles on local history including San Diego: California’s Cornerstone; Reflections: A History of the San Diego Gas and Electric Company 1881-1991; Harley Knox; San Diego’s Mayor for the People and “The Origins of Balboa Park: A Prelude to the 1915 Exposition,” Journal of San Diego History, Summer 2010. -
The Making of the Panama-California Exposition, 1909-1915 by Richard W
The Journal of San Diego History SAN DIEGO HISTORICAL SOCIETY QUARTERLY Winter 1990, Volume 36, Number 1 Thomas L. Scharf, Editor The Making of the Panama-California Exposition, 1909-1915 by Richard W. Amero Researcher and Writer on the history of Balboa Park Images from this article On July 9, 1901, G. Aubrey Davidson, founder of the Southern Trust and Commerce Bank and Commerce Bank and president of the San Diego Chamber of Commerce, said San Diego should stage an exposition in 1915 to celebrate the completion of the Panama Canal. He told his fellow Chamber of Commerce members that San Diego would be the first American port of call north of the Panama Canal on the Pacific Coast. An exposition would call attention to the city and bolster an economy still shaky from the Wall Street panic of 1907. The Chamber of Commerce authorized Davidson to appoint a committee to look into his idea.1 Because the idea began with him, Davidson is called "the father of the exposition."2 On September 3, 1909, a special Chamber of Commerce committee formed the Panama- California Exposition Company and sent articles of incorporation to the Secretary of State in Sacramento.3 In 1910 San Diego had a population of 39,578, San Diego County 61,665, Los Angeles 319,198 and San Francisco 416,912. San Diego's meager population, the smallest of any city ever to attempt holding an international exposition, testifies to the city's extraordinary pluck and vitality.4 The Board of Directors of the Panama-California Exposition Company, on September 10, 1909, elected Ulysses S. -
Biographies of Established Masters
Biographies of Established Masters Historical Resources Board Jennifer Feeley Tricia Olsen, MCP Ricki Siegel Ginger Weatherford, MPS Historical Resources Board Staff 2011 i Master Architects Frank Allen Lincoln Rodgers George Adrian Applegarth Lloyd Ruocco Franklin Burnham Charles Salyers Comstock and Trotshe Rudolph Schindler C. E. Decker Thomas Shepherd Homer Delawie Edward Sibbert Edward Depew John Siebert Roy Drew George S. Spohr Russell Forester * John B. Stannard Ralph L. Frank Frank Stevenson George Gans Edgar V. Ullrich Irving Gill * Emmor Brooke Weaver Louis Gill William Wheeler Samuel Hamill Carleton Winslow William Sterling Hebbard John Lloyd Wright Henry H. Hester Eugene Hoffman Frank Hope, Sr. Frank L. Hope Jr. Clyde Hufbauer Herbert Jackson William Templeton Johnson Walter Keller Henry J. Lange Ilton E. Loveless Herbert Mann Norman Marsh Clifford May Wayne McAllister Kenneth McDonald, Jr. Frank Mead Robert Mosher Dale Naegle Richard Joseph Neutra O’Brien Brothers Herbert E. Palmer John & Donald B. Parkinson Wilbur D. Peugh Henry Harms Preibisius Quayle Brothers (Charles & Edward Quayle) Richard S. Requa Lilian Jenette Rice Sim Bruce Richards i Master Builders Juan Bandini Philip Barber Brawner and Hunter Carter Construction Company William Heath Davis The Dennstedt Building Company (Albert Lorenzo & Aaron Edward Dennstedt) David O. Dryden Jose Antonio Estudillo Allen H. Hilton Morris Irvin Fred Jarboe Arthur E. Keyes Juan Manuel Machado Archibald McCorkle Martin V. Melhorn Includes: Alberta Security Company & Bay City Construction Company William B. Melhorn Includes: Melhorn Construction Company Orville U. Miracle Lester Olmstead Pacific Building Company Pear Pearson of Pearson Construction Company Miguel de Pedroena, Jr. William Reed Nathan Rigdon R.P. -
Parker H. Jackson Personal Papers SDASM.SC.10078
http://oac.cdlib.org/findaid/ark:/13030/c8cz39h5 Online items available The Descriptive Finding Guide for the Parker H. Jackson Personal Papers SDASM.SC.10078 Alan Renga San Diego Air and Space Museum Library and Archives 10/23/2014 2001 Pan American Plaza, Balboa Park San Diego 92101 URL: http://www.sandiegoairandspace.org/ The Descriptive Finding Guide for SDASM.SC.10078 1 the Parker H. Jackson Personal Papers SDASM.SC.10078 Language of Material: English Contributing Institution: San Diego Air and Space Museum Library and Archives Title: Parker H. Jackson Personal Papers source: Jackson, Parker H. Identifier/Call Number: SDASM.SC.10078 Physical Description: 0.36 Cubic FeetOne Box Date (inclusive): 1913-2014 Abstract: Parker H. Jackson was the biographer Richard S. Requa, the master architect of the California Pacific International Exposition in 1935. This Collection includes documents from Jackson's studies of Requa. Conditions Governing Access The collection is open to researchers by appointment. Conditions Governing Use Some copyright may be reserved. Consult with the library director for more information. Preferred Citation [Item], [Filing Unit], [Series Title], [Subgroups], [Record Group Title and Number], [Repository “San Diego Air & Space Museum Library & Archives”] Immediate Source of Acquisition The materials in this collection were donated to the San Diego Air & Space Museum. The collection has been processed and is open for research. Biographical / Historical Parker H. Jackson was the biographer Richard S. Requa, the master architect of the California Pacific International Exposition in 1935. Jackson became fascinated with Requa and his influence on architectural design after purchasing a home designed by Requa located in the community of Kensington, in San Diego. -
Alcazar Garden Sign
Alcázar Garden - Balboa Park Richard Smith Requa 1881 - 1941 Seventy years later, the Moorish tiles were beginning to show their age. Tiles were cracked, chipped, and had chunks missing. In 2008, the garden was reconstructed to replicate the 1935 design by San Diego architect Richard Requa. During the restoration they found that moisture had seeped through, as tiles are porous and grout isn't perfect. With $50,000 in donations, the Committee of One Hundred, a nonprofit group dedicated to the park's Spanish Colonial architecture, replaced the damaged tiles and renovated the water fountains to their original grace and glory. The group commissioned 1,800 tiles that replicate the originals. Richard Smith Requa was an American architect, largely During the 1915 Panama-California Exhibition, this garden was T h e y e x p e c t t h i s known for his work in San Diego, California. Requa was the originally named Los Jardines de Montezuma (Montezuma Garden). renovation will last 20 Master Architect for the California Pacific International Exposition held in Balboa Park in 1935-36. He improved and In 1935, architect Richard Requa modified the garden by adding two years or so, but bought extended many of the already existing buildings from the delightful water fountains and eight tile benches. The garden was extra tiles for future patch 1915 Panama-California Exposition, as well as created new facilities including the Old Globe Theater. renamed Alcázar because its design is patterned after the courtyard work. His own designs were predominantly in the Spanish gardens of Alcázar Palace in Seville, Spain. -
San Diego History Center Is a Museum, Education Center, and Research Library Founded As the San Diego Historical Society in 1928
The Journal of San Diego Volume 61 Winter 2015 Numbers 1 • The Journal of San Diego History Diego San of Journal 1 • The Numbers 2015 Winter 61 Volume History Publication of The Journal of San Diego History is underwritten by a major grant from the Quest for Truth Foundation, established by the late James G. Scripps. Additional support is provided by “The Journal of San Diego History Fund” of the San Diego Foundation and private donors. The San Diego History Center is a museum, education center, and research library founded as the San Diego Historical Society in 1928. Its activities are supported by: the City of San Diego’s Commission for Arts and Culture; the County of San Diego; individuals; foundations; corporations; fund raising events; membership dues; admissions; shop sales; and rights and reproduction fees. Articles appearing in The Journal of San Diego History are abstracted and indexed in Historical Abstracts and America: History and Life. The paper in the publication meets the minimum requirements of American National Standard for Information Science-Permanence of Paper for Printed Library Materials, ANSI Z39.48-1984. Front Cover: Clockwise: Casa de Balboa—headquarters of the San Diego History Center in Balboa Park. Photo by Richard Benton. Back Cover: San Diego & Its Vicinity, 1915 inside advertisement. Courtesy of SDHC Research Archives. Design and Layout: Allen Wynar Printing: Crest Offset Printing Editorial Assistants: Travis Degheri Cynthia van Stralen Joey Seymour The Journal of San Diego History IRIS H. W. ENGSTRAND MOLLY McCLAIN Editors THEODORE STRATHMAN DAVID MILLER Review Editors Published since 1955 by the SAN DIEGO HISTORICAL SOCIETY 1649 El Prado, Balboa Park, San Diego, California 92101 ISSN 0022-4383 The Journal of San Diego History VOLUME 61 WINTER 2015 NUMBER 1 Editorial Consultants Published quarterly by the San Diego History Center at 1649 El Prado, Balboa MATTHEW BOKOVOY Park, San Diego, California 92101. -
1935 California Pacific International Exposition Excerpts from San Diego’S Balboa Park by David Marshall, AIA February 17, 2009
1935 California Pacific International Exposition Excerpts from San Diego’s Balboa Park by David Marshall, AIA February 17, 2009 ■ Summary Still feeling the effects from the Great Depression in 1933, San Diego’s civic boosters be lieved that another expo sition in Balboa Park would help the economy and promote the city as a business and tourist destination. The 1935 California Pacific International Exposition, also known as America’s Exposition, was born. The new buildings were paid for in part by the first WPA funds allocated to an American city. Balboa Park was re-configured by San Diego architect Richard S. Requa who also oversaw the design and construction of many new buildings. The second exposition left behind a legacy of colorful stories with its odd and controversial exhibits and sideshow entertainment. America’s Exposition also provided visitors with early glimpses of a walking silver robo t and a strange electrical device known as a “television.” Only two years after it was first conceived, the 1935 California Pacific International Exposition opened on May 29, 1935. Like the first exposition, the 1935 fair was so successful it was extended for a second year. Opening ceremonies for the second season began when President Franklin D. Roosevelt pressed a gold t elegraph ke y in the White House to turn on the exposition’s lights. When the final numbers were tallied, the 1935-1936 event counted 6.7 million visitors – almost double the total of the 1915-1916 exposition. ■ Buildings Constructed for the 1935 Exposition House of Hospitality Courtyard. For this popular patio, architect Richard Requa literally carved o ut the center of the hangar-like 1915 Foreign Arts Building and opened it to the sky. -
The San Diego Expositions and Modern Spanish Heritage in the Southwest, 1880–1940
New Mexico Historical Review Volume 78 Number 4 Article 2 10-1-2003 Peers of their White Conquerors: The San Diego Expositions and Modern Spanish Heritage in the Southwest, 1880–1940 Matthew Bokovoy Follow this and additional works at: https://digitalrepository.unm.edu/nmhr Recommended Citation Bokovoy, Matthew. "Peers of their White Conquerors: The San Diego Expositions and Modern Spanish Heritage in the Southwest, 1880–1940." New Mexico Historical Review 78, 4 (2003). https://digitalrepository.unm.edu/nmhr/vol78/iss4/2 This Article is brought to you for free and open access by UNM Digital Repository. It has been accepted for inclusion in New Mexico Historical Review by an authorized editor of UNM Digital Repository. For more information, please contact [email protected]. Peers of Their White Conquerors THE SAN DIEGO EXPOSITIONS AND MODERN SPANISH HERITAGE IN THE SOUTHWEST, 1880-1940 Matthew Bokovoy , n interest in mission ruins and Indian relics has been known to lead to Aan interest in Mexicans and Indians," wrote Carey McWilliams with some despair in North From Mexico: The Spanish-Speaking People of the United States, his 1949 book about the U.S.-Mexican Borderlands. He be lieved a southwestern cultural history could become an agent for national civil rights and cultural pluralism.! In this intriguing statement, McWilliams referred to the public culture in southern California and the Southwest, a regional tradition he defined as the Spanish "fantasy heritage." That cul tural construction was the myth created by White Californians to interpret the historical legacy of Indians, Spaniards, and Mexicans in the Southwest. Mostly inaccurate, ahistorical, and suffused with excessive sentimentality and romanticism, the fantasy heritage was the cultural gloss for the eco nomic development and promotion of southern California. -
San Diego Invites the World to Balboa Park a Second Time by Richard W
The Journal of San Diego History SAN DIEGO HISTORICAL SOCIETY QUARTERLY Fall 1985, Volume 31, Number 4 Thomas L. Scharf, Editor San Diego Invites the World to Balboa Park a Second Time by Richard W. Amero First Prize, Copley Award San Diego History Center 1985 Institute of History Images from this article THE California-Pacific International Exposition, held in Balboa Park in 1935-36, was a milepost in San Diego's history. Of the people who backed the exposition, architect-in-charge Richard Requa did the most to determine its final shape.1 Talk of holding a second exposition had begun before the 1915-16 Panama-California Exposition had closed. Instead of being torn down, as the exposition's master architect Bertram Grosvenor Goodhue had advised, the temporary buildings on Balboa Park's main avenue, El Prado, had been patched up in 1922 and again in 1933.2 In August 1933, Frank Drugan, former field representative for the Scripps-Howard newspaper chain, visited the renovated El Prado, admired its appearance, and suggested to San Diego businessmen that they use the buildings as the nucleus for a second exposition.3 As dynamic promoter for the second exposition, Drugan assumed the role Colonel "Charlie" Collier had taken for the first. Chicago's 1933-34 Century of Progress Exposition was in its final year. Many of its exhibits could be transported easily to San Diego. The exposition's promise of a happy and prosperous future had appealed to people beleaguered by the Great Depression.4 Frank G. Belcher, assistant cashier and vice president of the First National Trust and Savings Bank of San Diego, became the second exposition's president, the office G. -
The Art Traveler Guide: a Portrait of Balboa Park Copyright ©2016 Save Our Heritage Organisation Edited by Alana Coons.Text by Ann Jarmusch
THE ART TRAVELER GUIDE A PORTRAIT OF BALBOA PARK 1 THE ART TRAVELER GUIDE A PORTRAIT OF BALBOA PARK ON THE COVER: “Mr. Goodhue’s Dream” (detail of Cabrillo Bridge and the California State Building) by RD Riccoboni®, a.k.a. the Art Traveler. He created all the paintings reproduced in this guide in acrylic on canvas or paper, working in Balboa Park and his San Diego studio (2006-2014). Paintings from Beacon Artworks Collection, ©RD Riccoboni. www.rdriccoboni.com MR. GOODHUE’S DREAM Acrylic on canvas, 2012 | 16 x 20 inches The Art Traveler Guide: A Portrait of Balboa Park Copyright ©2016 Save Our Heritage Organisation Edited by Alana Coons.Text by Ann Jarmusch. All rights reserved. No part of this book, either text or image may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage and retrieval system, without prior written permission of the publisher. Published by Our Heritage Press, 2476 San Diego Avenue, San Diego, CA 92110 ISBN-13 978-0-9800950-5-0 ISBN-10 0-9800950-5-0 THE ART TRAVELER GUIDE A PORTRAIT OF BALBOA PARK Paintings by RD Riccoboni Forward✥ by ✥ Bruce ✥ Coons Executive Director, Save Our Heritage Organisation Alana Coons, Editor Ann Jarmusch, Writer Martina Schimitschek, Designer Will Chandler and Michael Kelly, Editorial Consultants Second Edition An Our Heritage Press publication to commemorate the Centennial of the 1915 Panama-California Exposition, and to promote the preservation and celebration of historic Balboa Park in the heart of San Diego. Table of Contents Forward by Bruce Coons, Executive Director, Save Our Heritage Organisation ........