Gripla XVII (2006):7–35
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Det Kongelige Bibliotek the Royal Library
Digitaliseret af | Digitised by det kongelige bibliotek the royal library København | Copenhagen DK Digitaliserede udgaver af materiale fra Det Kongelige Biblioteks samlinger må ikke sælges eller gøres til genstand for nogen form for kommerciel udnyttelse. For oplysninger om ophavsret og brugerrettigheder, se venligst www.kb.dk UK Digitised versions of material from the Royal Librarys collections may not be sold or be subject to any form for commercial use. For information on copyright and user rights, please consult www.kb.dk / f K \ ‘■t \ I ' v / i \ \ * N C * -/ m j •• DET KONGELIGE BIBLIOTEK f;HM '■■:■. '■■■. % - t .A •»? h 130022042761 yjfc HEIMSKRINGLA SOGVR NOREGS KONE KGA SNORRA STURLUSONAR. I UPPSALA, W. S C H U L T Z, » © ■1 © U PPSA LA , 1870. AKADEMISKA BOKTRYCKERIET, * ED. BERLING. K \ • .y/, V YNGLINGA SAGA. SAGA HÅLFDANAR SVARTA. HARALDS SAGA HINS HARFAGRA. SAGA HÅKONAR GODA. SAGAN AF HARALDI KONUNGI GRAFELD OK HÅKONI JARLI. SAGA OLAFS TRYGGYASONAR. HEIMSKRINGLA. Prologus. i A b6k pessi lét ek rita fråsagnir um hhfdingja, på er nki hafa haft å nordrlondum ok å danska tungu hafa 5 mælt, svå sem ek hefi heyrt froda menn segja, svå ok ♦ nokkurar kynkvislir peira, eptir pvi sem mér hefir kent - verit; sumt pat er finnst i langfedgatali, pvi er konungar i_ ! hafa rakit kyn sitt, eda adrir storættadir menn, en sumt j er ritat eptir fornum kvædum e8a soguljodum, er menn [ 10 hafa haft til skemtanar sér. En p6 at vér vitim eigi j sannyndi å pvi, [>å vitum vér dæmi til pess, at gamlir } frædimenn hafa slikt fyrir satt haft. Pjodolfr or Hvini var skåld Haraids hins hårfagra; hann orti ok um Rhgn- vald konung heidum-hæra kvædi pat, er kaliat er Yngl-"1. -
Nú Mun Hon Sökkvask
Lauren Hamm Kt. 290191-5219 MA in Old Nordic Religions: Thesis Autumn 2019 Nú mun hon sökkvask: The Connection between Prophetic Magic and the Feminine in Old Nordic Religion Lauren Hamm Lokaverkefni til MA–gráðu í Norrænni trú Leiðbeinandi: Terry Gunnell Útskriftarmánuður: Október 2019 Lauren Hamm Kt. 290191-5219 MA in Old Nordic Religions: Thesis Autumn 2019 Nú mun hon sökkvask The Connection between Prophetic Magic and the Feminine in Old Nordic Religion Lauren Hamm Lokaverkefni til MA–gráðu í Norrænni trú Leiðbeinandi: Terry Gunnell Félags - og mannvísindadeild Félagsvísindasvið Háskóla Íslands Október 2019 Lauren Hamm Kt. 290191-5219 MA in Old Nordic Religions: Thesis Autumn 2019 Nú mun hon sökkvask: The Connection between Prophetic Magic and the Feminine in Old Nordic Religion Ritgerð þessi er lokaverkefni til MA – gráðu í Norrænni trú og er óheimilt að afrita ritgerðina á nokkurn hátt nema með leyfi rétthafa. © Lauren Hamm, 2019 Prentun: Háskólaprent Reykjavík, Ísland, 2019 Lauren Hamm Kt. 290191-5219 MA in Old Nordic Religions: Thesis Autumn 2019 Acknowledgements This thesis would not have been possible if it were not for the endless kindness and patience of my thesis advisor, Dr. Terry Gunnell. I truly do not have words eloquent enough to iterate how very much he deeply cares about his work and the work of his students nor how much this meant to me personally. The year of waking up to 6:00 AM skype meetings every Tuesday with Terry provided a gentle reminder of my duties and passion for this topic as well as a sense of stability and purpose I badly needed during a tumultuous time in my life. -
Nordic Magic Healing 1:Healing Galdr, Healing Runes
Nordic Magic Healing 1:Healing galdr, healing runes Yves Kodratoff Universal Publishers USA • 2003 Nordic Magic Healing: 1:Healing galdr, healing runes Copyright © 2003 Yves Kodratoff All rights reserved. Universal Publishers/uPUBLISH.com USA • 2003 ISBN: 1-58112-573-9 www.uPUBLISH.com/books/kodratoff.htm Nordic Magic Healing Nordic Magic Healing is made of three books. Book 1: Healing galdr, healing runes Book 2: Screaming, I gathered them Book 3: Hand healing, Shiatsu and Seið: a spiritual journey These books illustrate my deep belief that healing must harmoniously merge rationalism and mysticism. Nordic Heathen magic and Shiatsu are very good examples of such a merger. Our primitive being is hidden but ever present in our life, showing its demands in very strange and unexpected ways. We have to recognize and to heal the wounds that this primitive part of ourselves bears. That is what I call ‘healing magic’: it relies on deep superstitions and magical techniques. These books share my experience in healing using galdr, runes, and shiatsu. They present a new healing technique that incorporates both the Japanese and Nordic approaches. Although they are far from each other physically, they are quite close in spirit. Acknowledgments Thanks and love to Lise Fontaine for her comments and questions which helped me so much in making this final version more precise than any original I have been writing. 2 Table of Contents The cover of this volume shows the tree of the world, Yggdrasil, “High tree, splattered with white mud” as I naively see it - many colored - through the prism of my eyes. -
Gylfaginning Codex Regius, F
Snorri Sturluson Edda Prologue and Gylfaginning Codex Regius, f. 7v (reduced) (see pp. 26/34–28/1) Snorri Sturluson Edda Prologue and Gylfaginning Edited by ANTHONY FAULKES SECOND EDITION VIKING SOCIETY FOR NORTHERN RESEARCH UNIVERSITY COLLEGE LONDON 2005 © Anthony Faulkes 1982/2005 Second Edition 2005 First published by Oxford University Press in 1982 Reissued by Viking Society for Northern Research 1988, 2000 Reprinted 2011 ISBN 978 0 903521 64 2 Printed by Short Run Press Limited, Exeter Contents Codex Regius, fol. 7v ..........................................................Frontispiece Abbreviated references ....................................................................... vii Introduction ..........................................................................................xi Synopsis ..........................................................................................xi The author ..................................................................................... xii The title ....................................................................................... xvii The contents of Snorri’s Edda ................................................... xviii Models and sources ........................................................................ xx Manuscripts .............................................................................. xxviii Bibliography ...............................................................................xxxi Text ....................................................................................................... -
The Editing of Eddic Poetry Judy Quinn
A HANDBOOK TO EDDIC POETRY This is the first comprehensive and accessible survey in English of Old Norse eddic poetry: a remarkable body of literature rooted in the Viking Age, which is a critical source for the study of early Scandinavian myths, poetics, culture, and society. Dramatically recreating the voices of the legendary past, eddic poems distil moments of high emotion as human heroes and supernatural beings alike grapple with betrayal, loyalty, mortality, and love. These poems relate the most famous deeds of gods such as Óðinn and Þórr with their adversaries the giants; they bring to life the often fraught interactions between kings, queens, and heroes as well as their encounters with valkyries, elves, dragons, and dwarfs. Written by leading international scholars, the chapters in this volume showcase the poetic riches of the eddic corpus and reveal its relevance to the history of poetics, gender studies, pre-Christian religions, art history, and archaeology. carolyne larrington is Official Fellow and Tutor at St John’s College, University of Oxford. judy quinn is Reader in Old Norse Literature in the Department of Anglo-Saxon, Norse and Celtic at the University of Cambridge. brittany schorn is a Research Associate in the Department of Anglo-Saxon, Norse and Celtic at the University of Cambridge. A HANDBOOK TO EDDIC POETRY Myths and Legends of Early Scandinavia CAROLYNE LARRINGTON University of Oxford JUDY QUINN University of Cambridge BRITTANY SCHORN University of Cambridge University Printing House, Cambridge cb2 8bs, United Kingdom Cambridge University Press is part of the University of Cambridge. It furthers the University’s mission by disseminating knowledge in the pursuit of education, learning, and research at the highest international levels of excellence. -
Skaldic Slam: Performance Poetry in the Norwegian Royal Court
Lokaverkefni til MA–gráðu í Norrænni trú Félagsvísindasvið Skaldic Slam: Performance Poetry in the Norwegian Royal Court Anna Millward Leiðbeinandi: Terry Gunnell Félags- og mannvísindadeild Félagsvísindasvið Háskóla Íslands December 2014 Norrænn trú Félags- og mannvísindadeild 1 Anna Millward MA in Old Nordic Religions: Thesis MA Kennitala: 150690-3749 Winter 2014 DEDICATION AND DISCLAIMER I owe special thanks to Prof. Terry Gunnell for his continued encouragement, help and enthusiasm throughout the process of researching and writing this dissertation. Many of the ideas put forward in this dissertation are borne out of interesting conversations and discussions with Prof. Gunnell, whose own work inspired me to take up this subject in the first place. It is through Prof. Gunnell’s unwavering support that this thesis came into being and, needless to say, any mistakes or errors are mine entirely. Ritgerð þessi er lokaverkefni til MA–gráðu í Norrænni Trú og er óheimilt að afrita ritgerðina á nokkurn hátt nema með leyfi rétthafa. © Anna Millward, 2014 Reykjavík, Ísland 2014 2 Anna Millward MA in Old Nordic Religions: Thesis MA Kennitala: 150690-3749 Winter 2014 CONTENTS Introduction pp. 5-13 Chapter 1. Skálds, Scholar, and the Problem of the Pen 1.1. What is Skaldic Poetry? pp. 14-15 1.2. Form and Function pp. 15-22 1.3. Preservation Context pp. 22-24 1.4. Scholarly Approaches to Skaldic Verse p. 25 1.5. Skaldic Scholarship: post-1970s pp. 26-31 1.6. Early Skaldic Scholarship: pre-1970s pp. 31-36 1.7. Skaldic as Oral Poetry, Oral Poetry as Performance pp. 36-43 1.8. -
Progression and Return in Västanå Theatre’S Retelling of the Edda (2019)
Progression and Return in Västanå Theatre’s Retelling of the Edda (2019) Anna Swärdh, Stockholm University, Sweden Abstract In 2019, Västanå Theatre staged Jon Fosse’s Edda, a theatrical adaptation of myths from the Poetic Edda. This essay focuses on a number of formal devices used to adapt the Norse myths at Västanå, the dumb show convention perhaps offering the most stylized form of expression of these. The essay shows how the production helped the audience negotiate between a linear and a circular understanding of time, through formal and structural means: staging, selection and ordering of episodes signalled a strong initial focus on the inevitability of Ragnarök, while circularity and return were highlighted through the ending in which the world was reborn, but also through other features that stressed repetition and retelling. The essay argues that the dumb show convention could be taken as emblematic of the production’s negotiation between the two timelines, but it also shows how the device helped adapt female characters into more powerful agents, how it added hope in the form of young love, and how it functioned to draw attention to narration, words, and poetry. Keywords: Jon Fosse; Edda; Poetic Edda; Västanå Theatre (Västanå Teater); adaptation; dumb show It has been suggested that the dumb show—‘a passage of silently mimed action’ (Dobson 2013: 398)—is ‘no longer a meaningful theatrical convention’ (Lopez 2017: 305), but Västanå Theatre’s (Västanå Teater) 2019 production of the Edda showed that it is a device that can still be -
Grettis Saga
Durham E-Theses Engi maðr skapar sik sjálfr: Individual agency and the communal creation of outsiders in Íslendingasögur outlaw narratives WILSON, ALEXANDER,JAMES How to cite: WILSON, ALEXANDER,JAMES (2017) Engi maðr skapar sik sjálfr: Individual agency and the communal creation of outsiders in Íslendingasögur outlaw narratives, Durham theses, Durham University. Available at Durham E-Theses Online: http://etheses.dur.ac.uk/12627/ Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in Durham E-Theses • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full Durham E-Theses policy for further details. Academic Support Oce, Durham University, University Oce, Old Elvet, Durham DH1 3HP e-mail: [email protected] Tel: +44 0191 334 6107 http://etheses.dur.ac.uk 2 Engi maðr skapar sik sjálfr: Individual Agency and the Communal Creation of Outsiders in Íslendingasögur Outlaw Narratives Alexander James Wilson Abstract. This thesis examines how Íslendingasögur outlaw narratives engage with socio-political concepts of community and the individual. It demonstrates that the sagas discussed share key anxieties over the deep structural problems in society, which are shown to restrict the individual agency of their protagonists, a restriction that motivates the transgressive behaviour of these individuals. -
Representations of Christ in Christian Skaldic Poetry Ruth Elizabeth
1 Representations of Christ in Christian Skaldic Poetry Ruth Elizabeth Cheadle UCL PhD 2 I, Ruth Elizabeth Cheadle, confirm that the work presented in this thesis is my own. Where information has been derived from other sources, I confirm that this has been indicated in the thesis. 3 Abstract This thesis aims to demonstrate that, through use of literary genre, vocabulary, and emphasis of detail, the authors of Christian skaldic verse in the twelfth to fifteenth centuries continually reshaped a specific set of representations for Christ to suit each poem’s individual purpose, its audience, and the literary tastes of the periods in which they were written. In order to show how Christ’s portrayal changes over time and according to each poem’s overarching purpose, I have selected the following five Christian skaldic poems and made each the focus of a chapter: Einarr Skúlason’s Geisli, Gamli kanóki’s Harmsól, and the anonymously-composed poems Leiðarvísan, Líknarbraut, and Lilja. Within each chapter I provide an overview of the poem, selecting stanzas that highlight features of Christ that are prevalent or striking in some way, and analyse how these representations not only influence the poem itself, but also shape perceptions of Christ’s relationship with humanity. Each chapter leads to an overall consideration both of the image of Christ as this has been represented, and of the degree to which this has been influenced by biblical and patristic writings, Old Norse literature and culture, or by a combination of these elements. In the concluding chapter I identify the prevailing representations of Christ throughout these five poems, dividing these characterisations into five categories: Christ as Warrior Chieftain, as Healer and Abundant Nourisher, as Legal Authority, as Beguiler, and as Light. -
Tímarit Um Óðfræði
SÓN TÍMARIT UM ÓÐFRÆÐI 8. HEFTI RITSTJÓRAR KRISTJÁN EIRÍKSSON RÓSA ÞORSTEINSDÓTTIR ÞÓRÐUR HELGASON REYKJAVÍK 2010 Són er helguð óðfræði og ljóðlist ÚTGEFENDUR OG RITSTJÓRAR Kristján Eiríksson Drafnarstíg 2 — 101 Reykjavík Sími: 551 0545. Netfang: [email protected] Rósa Þorsteinsdóttir Bárugötu 37 — 101 Reykjavík Sími: 562 7067. Netfang: [email protected] Þórður Helgason Hamraborg 26 — 200 Kópavogi Sími: 891 6133. Netfang: [email protected] RITNEFND Kristján Árnason og Ragnar Ingi Aðalsteinsson YFIRLESTUR EINSTAKRA GREINA Kristján Árnason, Kristján Eiríksson, Rósa Þorsteinsdóttir og Þórður Helgason PRENTLÖGN Pétur Yngvi Gunnlaugsson PRENTUN OG BÓKBAND Litlaprent © Höfundar MYND Á KÁPU Þórður Helgason ISSN 1670–3723 Efni Sónarljóð . 4 Til lesenda . 5 Höfundar efnis . 6 Þorgeir Sigurðsson: Þróun dróttkvæða og vísuorðhlutar að hætti Hans Kuhn. 9 Ingunn Snædal: Fimm ljóð . 22 Heimir Pálsson: Fyrstu leirskáldin . 25 Eyþór Árnason: Fjögur ljóð. 38 Haukur Þorgeirsson: Hlíðarenda-Edda . 41 Konstantinos Kavafis: Tvö ljóð . 44 Úlfar Bragason: Mirsa-vitran; Rímur kveðnar af Hólmfríði Indriðadóttur á Hafralæk . 47 Hólmfríður Indriðadóttir: Rímur af Mirsa-vitran . 53 Þórður Helgason: Thekla leggur land undir fót . 71 Stefán Snævarr: Sjö ljóð. 90 Jón B. Guðlaugsson og Kristján Eiríksson: „Smiður bæði á orð og verk“. 95 Stephan G. Stephansson: „Eloi lamma sabakhthani!“ . 113 Gunnar Skarphéðinsson: Um ljóðið „Eloi lamma sabakhtani!“ eftir Stefán G. 117 Bjarni Gunnarsson: Níu ljóð . 132 Kristján Árnason: Um formgildi og tákngildi íslenskra ljóðstafa . 137 Iskra Peneva: -
The 15Th International Saga Conference Sagas and the Use of the Past 5Th –11Th August 2012, Aarhus University Preprint of Abstracts
The 15th International Saga Conference Sagas and the Use of the Past 5th –11th August 2012, Aarhus University Preprint of Abstracts Edited by A. Mathias Valentin Nordvig and Lisbeth H. Torfing with Pernille Hermann, Jens Peter Schjødt and Ulla Loumand Sponsored by: A.P. Møller og Hustru Chastine Mc-Kinney Møllers Fond til almene Formaal; 15. juni Fonden; Forskningsrådet for Kultur og Kommuni- kation (FKK); Kungl. Gustav Adolfs Akademien för svensk folkkultur; Letterstedtska Föreningen; Faculty of Arts, Aarhus University; The De- partment of Aesthetics and Communication, Aarhus University; The Department of Culture and Society, Aarhus University; Salling; Bryg- geriet Sct. Clemens. MB Published by Department of Aesthetics and Communication Department of Culture and Society Faculty of Arts SUN-Tryk Fællestrykkeriet for Sundhedsvidenskab og Humaniora, Aarhus Universitet All rights reserved. Copyright © 2012, the Contributors. ISBN: 978-87-995444-0-0 http://sagaconference.au.dk/fileadmin/sagaconference/Pre-print.pdf The cover image is the so-called “Aarhus Mask”, a depiction on a ru- nestone found in the district of Hasle in Aarhus. It has been dated to the period 970-1020. Design by Nichlas Tougaard, Det Nye Sort. Preface The theme of the 15th International Saga Conference, the 5th to the 11th of August, 2012, Aarhus University, is Sagas and the Use of the Past. Papers at the conference will be presented in one of the following categories: Memory and Fiction, Myth and Reality, Textuality and Manuscript Transmission, Genre and Concepts of History, Oral Tradi- tion, The Christianisation of Denmark and Eastern Scandinavia, The Use of Sagas and Eddas in the 21st Century and Open Session Apart from the keynote lectures, orally-presented papers are organized in up to 6 parallel sessions on each day of the conference, in addition to which there are poster presentations, which are presented on Thursday afternoon. -
Handbook for the Deceased: Re-Evaluating Literature and Folklore
HANDBOOK FOR THE DECEASED: RE-EVALUATING LITERATURE AND FOLKLORE IN ICELANDIC ARCHAEOLOGY by BRENDA PREHAL A dissertation submitted to the Graduate Faculty in Anthropology in partial fulfillment of the requirements for the degree of Doctor of Philosophy, The City University of New York. 2021 © 2020 BRENDA PREHAL All rights reserved. ii Handbook for the Deceased: Re-evaluating Literature and Folklore in Icelandic Archaeology by Brenda Prehal This manuscript has been read and accepted for the Graduate Faculty in Anthropology in satisfaction of the dissertation requirement for the degree of Doctor of Philosophy. Date Thomas McGovern Chair of Examining Committee Date Jeff Maskovsky Executive Officer Supervisory Committee: Timothy Pugh Astrid Ogilvie Adolf Frðriksson THE CITY UNIVERSITY OF NEW YORK iii ABSTRACT Handbook for the Deceased: Re-Evaluating Literature and Folklore in Icelandic Archaeology by Brenda Prehal Advisor: Thomas McGovern The rich medieval Icelandic literary record, comprised of mythology, sagas, poetry, law codes and post-medieval folklore, has provided invaluable source material for previous generations of scholars attempting to reconstruct a pagan Scandinavian Viking Age worldview. In modern Icelandic archaeology, however, the Icelandic literary record, apart from official documents such as censuses, has not been considered a viable source for interpretation since the early 20th century. Although the Icelandic corpus is problematic in several ways, it is a source that should be used in Icelandic archaeological interpretation, if used properly with source criticism. This dissertation aims to advance Icelandic archaeological theory by reintegrating the medieval and post-medieval Icelandic literary corpus back into archaeological interpretation. The literature can help archaeologists working in Iceland to find pagan religious themes that span time and place.