Grettis Saga
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5 BETWEEN FICTION AND FALSEHOOD: THE ETHICS OF LYING IN THE SAGAS OF ICELANDERS ENTRE FICTION ET FAUSSETÉ: L'ETHIQUE DU MENSONGE DANS LES SAGAS D'ISLANDAIS Dr. Brian McMahon1 Abstract: This paper discusses a series of episodes from the Sagas of Icelanders in which one character attempts to deceive another. In each case the presentation of the incident is explored to establish whether the deception can be justified according to the internal ethics of the semi-fictionalised Saga Age depicted. On the basis of these examples, drawn from a range of sagas but with a particular emphasis on Grettis saga and Njáls saga, it goes on to argue that the saga authors consistently distinguish between the ethical justification for different attempts to deceive based on: the circumstances in which they take place, the degree to which they might be described as audacious, and the level of success which their instigators enjoy. It posits a distinction between “active” deception (incorporating slander, oath-breaking and níð) and “passive” deception (entrapping an interlocutor into deceiving himself), and concludes with a comparison of the saga hero's skill in bending the truth and the saga author's attempt to be truthful to his source material while also sustaining his reader's interest. Keywords: Truth, Lies, Fictionality, Sagas. Resumé: Cet article traite d'une série d'épisodes des Sagas d'Islandais dans laquelle un personnage tente de tromper un autre. Dans chaque cas, la présentation de l'incident est explorée pour établir si la tromperie peut être justifiée en fonction de l'éthique interne de l'Age Saga semi-fictionnalisé représenté. -
Old Norse/Icelandic Myth in Relation to Grettis Saga
Old Norse/Icelandic Myth in Relation to Grettis saga Russell Poole Massey University 1. Grettis saga is exceptionally rich in both psychological and mythological terms. Its account of the protagonist shows a diversity of forces combating within him (Vi›ar Hreinsson 1992:105). Equally, it is replete with allusions to mythological figures. In this respect Grettir is notably polysemous (cf. Hastrup 1986:310), having in his composition something of Ó›inn, something of fiórr, something of Loki, something of the giants. The proposition that the pre-Christian mythic world continued to form an implicit frame of reference for medieval Icelanders as they sought to understand and represent human life and behaviour (Clunies Ross 1998:23; cf. Gu›rún Nordal 1998:221) can readily be supported with reference to this saga. Just like the gods and giants upon whom he is styled, Grettir behaves in ways that are more extreme and more flamboyant than people allowed themselves in their quotidian existence (cf. Clunies Ross 1998:24). The story of Grettir, in its extant realizations, can be understood, I shall argue, as a fourteenth-century mythicization of tensions and pressures, fears and 398 11th International Saga Conference 399 desires, within Icelandic culture.1 Here I propose to concentrate on familial relationships within Grettir’s “primary group”, developing the proposition that the figure of Glámr personifies crucial aspects of that dynamic.2 2. The unfolding of Glámr’s character within the story can be summed up if we describe him as at first a merely reckless and godless Swedish stranger, come to labour on the farm of one fiorhallr; then an “undead” who disrupts property and lives; and finally the pronouncer of a decisive curse upon Grettir. -
Nú Mun Hon Sökkvask
Lauren Hamm Kt. 290191-5219 MA in Old Nordic Religions: Thesis Autumn 2019 Nú mun hon sökkvask: The Connection between Prophetic Magic and the Feminine in Old Nordic Religion Lauren Hamm Lokaverkefni til MA–gráðu í Norrænni trú Leiðbeinandi: Terry Gunnell Útskriftarmánuður: Október 2019 Lauren Hamm Kt. 290191-5219 MA in Old Nordic Religions: Thesis Autumn 2019 Nú mun hon sökkvask The Connection between Prophetic Magic and the Feminine in Old Nordic Religion Lauren Hamm Lokaverkefni til MA–gráðu í Norrænni trú Leiðbeinandi: Terry Gunnell Félags - og mannvísindadeild Félagsvísindasvið Háskóla Íslands Október 2019 Lauren Hamm Kt. 290191-5219 MA in Old Nordic Religions: Thesis Autumn 2019 Nú mun hon sökkvask: The Connection between Prophetic Magic and the Feminine in Old Nordic Religion Ritgerð þessi er lokaverkefni til MA – gráðu í Norrænni trú og er óheimilt að afrita ritgerðina á nokkurn hátt nema með leyfi rétthafa. © Lauren Hamm, 2019 Prentun: Háskólaprent Reykjavík, Ísland, 2019 Lauren Hamm Kt. 290191-5219 MA in Old Nordic Religions: Thesis Autumn 2019 Acknowledgements This thesis would not have been possible if it were not for the endless kindness and patience of my thesis advisor, Dr. Terry Gunnell. I truly do not have words eloquent enough to iterate how very much he deeply cares about his work and the work of his students nor how much this meant to me personally. The year of waking up to 6:00 AM skype meetings every Tuesday with Terry provided a gentle reminder of my duties and passion for this topic as well as a sense of stability and purpose I badly needed during a tumultuous time in my life. -
Nordic Magic Healing 1:Healing Galdr, Healing Runes
Nordic Magic Healing 1:Healing galdr, healing runes Yves Kodratoff Universal Publishers USA • 2003 Nordic Magic Healing: 1:Healing galdr, healing runes Copyright © 2003 Yves Kodratoff All rights reserved. Universal Publishers/uPUBLISH.com USA • 2003 ISBN: 1-58112-573-9 www.uPUBLISH.com/books/kodratoff.htm Nordic Magic Healing Nordic Magic Healing is made of three books. Book 1: Healing galdr, healing runes Book 2: Screaming, I gathered them Book 3: Hand healing, Shiatsu and Seið: a spiritual journey These books illustrate my deep belief that healing must harmoniously merge rationalism and mysticism. Nordic Heathen magic and Shiatsu are very good examples of such a merger. Our primitive being is hidden but ever present in our life, showing its demands in very strange and unexpected ways. We have to recognize and to heal the wounds that this primitive part of ourselves bears. That is what I call ‘healing magic’: it relies on deep superstitions and magical techniques. These books share my experience in healing using galdr, runes, and shiatsu. They present a new healing technique that incorporates both the Japanese and Nordic approaches. Although they are far from each other physically, they are quite close in spirit. Acknowledgments Thanks and love to Lise Fontaine for her comments and questions which helped me so much in making this final version more precise than any original I have been writing. 2 Table of Contents The cover of this volume shows the tree of the world, Yggdrasil, “High tree, splattered with white mud” as I naively see it - many colored - through the prism of my eyes. -
Gylfaginning Codex Regius, F
Snorri Sturluson Edda Prologue and Gylfaginning Codex Regius, f. 7v (reduced) (see pp. 26/34–28/1) Snorri Sturluson Edda Prologue and Gylfaginning Edited by ANTHONY FAULKES SECOND EDITION VIKING SOCIETY FOR NORTHERN RESEARCH UNIVERSITY COLLEGE LONDON 2005 © Anthony Faulkes 1982/2005 Second Edition 2005 First published by Oxford University Press in 1982 Reissued by Viking Society for Northern Research 1988, 2000 Reprinted 2011 ISBN 978 0 903521 64 2 Printed by Short Run Press Limited, Exeter Contents Codex Regius, fol. 7v ..........................................................Frontispiece Abbreviated references ....................................................................... vii Introduction ..........................................................................................xi Synopsis ..........................................................................................xi The author ..................................................................................... xii The title ....................................................................................... xvii The contents of Snorri’s Edda ................................................... xviii Models and sources ........................................................................ xx Manuscripts .............................................................................. xxviii Bibliography ...............................................................................xxxi Text ....................................................................................................... -
Studies in English Language and Early Literature in Honour of Paul Christophersen
No. 8 August 1981 Studies in English Language and Early Literature in Honour of Paul Christophersen Edited by P.M. Tilling The New University of Ulster ISSN 0308 - 2075 ] D.J. Beard 13 A >A BITU ENGI JARN A Brief Note on the Concept of Invulnerability in the Old Norse Sagas D. J. Beard During his description of the battle of Hafrsf jord, the author of Grettis saga writes: Haraldr konungr Iag3i at skipi )joris haklangs, J?vi at J>orir var inn mesti berserkr ok fullhugi. Var pai in haröasta orrosta af hvarumtveggjum. ba het konungr a berserki sina til framgöngu. beir varu kallaäir ulfheBnar, en a ba bitu engi j arn, en er beir geystust fram, ba heizt ekki viö. (Grettis sagaf eh. 2) . The use of a very similar phrase to describe the invulnerability of King Harald's berserks in the description of the battle of Hafrsfjord contained in Egils saga may possibly be due to both descriptions being taken from a common source, but the fact remains that the idea that 'iron could not bite1 on a berserk is very common in the Sagas. This type of invulnerability is also associated with 'semi-troll' men and certain heroes. The idea of a warrior such äs a berserk, who fought in a state of frenzy, being accredited with invulnerability is hardly surprising. During a frenzied fighting fit (berserksgang) such a warrior would likely be unaware 14 D.J. Bearä of pain; and it is a short step from the idea of a warrior who cannot feel pain inflicted by weapons to the idea of a warrior who cannot be harmed by weapons. -
The Editing of Eddic Poetry Judy Quinn
A HANDBOOK TO EDDIC POETRY This is the first comprehensive and accessible survey in English of Old Norse eddic poetry: a remarkable body of literature rooted in the Viking Age, which is a critical source for the study of early Scandinavian myths, poetics, culture, and society. Dramatically recreating the voices of the legendary past, eddic poems distil moments of high emotion as human heroes and supernatural beings alike grapple with betrayal, loyalty, mortality, and love. These poems relate the most famous deeds of gods such as Óðinn and Þórr with their adversaries the giants; they bring to life the often fraught interactions between kings, queens, and heroes as well as their encounters with valkyries, elves, dragons, and dwarfs. Written by leading international scholars, the chapters in this volume showcase the poetic riches of the eddic corpus and reveal its relevance to the history of poetics, gender studies, pre-Christian religions, art history, and archaeology. carolyne larrington is Official Fellow and Tutor at St John’s College, University of Oxford. judy quinn is Reader in Old Norse Literature in the Department of Anglo-Saxon, Norse and Celtic at the University of Cambridge. brittany schorn is a Research Associate in the Department of Anglo-Saxon, Norse and Celtic at the University of Cambridge. A HANDBOOK TO EDDIC POETRY Myths and Legends of Early Scandinavia CAROLYNE LARRINGTON University of Oxford JUDY QUINN University of Cambridge BRITTANY SCHORN University of Cambridge University Printing House, Cambridge cb2 8bs, United Kingdom Cambridge University Press is part of the University of Cambridge. It furthers the University’s mission by disseminating knowledge in the pursuit of education, learning, and research at the highest international levels of excellence. -
Masking Moments the Transitions of Bodies and Beings in Late Iron Age Scandinavia Ing-Marie Back Danielsson
Masking Moments The Transitions of Bodies and Beings in Late Iron Age Scandinavia Ing-Marie Back Danielsson Masking Moments The Transitions of Bodies and Beings in Late Iron Age Scandinavia Ing-Marie Back Danielsson Stockholm University Doctoral dissertation 2007 Department of Archaeology and Classical Studies Stockholm University 106 91 STOCKHOLM MASKING MOMENTS The Transitions of Bodies and Beings in Late Iron Age Scandinavia Ing-Marie Back Danielsson BA in Archaeology and BSc in Economics and Business Administration Maskerade ögonblick. Förvandlingar av kroppar och väsen i skandinavisk yngre järnålder. (Med en svensk sammanfattning). Abstract This thesis explores bodily representations in Late Iron Age Scandinavia (400–1050 AD). Non-human bodies, such as gold foil figures, and human bodies are analysed. The work starts with an examination and deconstruction of the sex/gender catego- ries to the effect that they are considered to be of minor value for the purposes of the thesis. Three analytical concepts – masks, miniature, and metaphor – are de- ployed in order to interpret how and why the chosen bodies worked within their prehistoric contexts. The manipulations the figures sometimes have undergone are referred to as mask- ing practices, discussed in Part One. It is shown that masks work and are powerful by being paradoxical; that they are vehicles for communication; and that they are, in effect, transitional objects bridging gaps that arise in continuity as a result of events such as symbolic or actual deaths. In Part Two miniaturization is discussed. Miniaturization contributes to making worlds intelligible, negotiable and communicative. Bodies in miniatures in compari- son to other miniature objects are particularly potent. -
Skaldic Slam: Performance Poetry in the Norwegian Royal Court
Lokaverkefni til MA–gráðu í Norrænni trú Félagsvísindasvið Skaldic Slam: Performance Poetry in the Norwegian Royal Court Anna Millward Leiðbeinandi: Terry Gunnell Félags- og mannvísindadeild Félagsvísindasvið Háskóla Íslands December 2014 Norrænn trú Félags- og mannvísindadeild 1 Anna Millward MA in Old Nordic Religions: Thesis MA Kennitala: 150690-3749 Winter 2014 DEDICATION AND DISCLAIMER I owe special thanks to Prof. Terry Gunnell for his continued encouragement, help and enthusiasm throughout the process of researching and writing this dissertation. Many of the ideas put forward in this dissertation are borne out of interesting conversations and discussions with Prof. Gunnell, whose own work inspired me to take up this subject in the first place. It is through Prof. Gunnell’s unwavering support that this thesis came into being and, needless to say, any mistakes or errors are mine entirely. Ritgerð þessi er lokaverkefni til MA–gráðu í Norrænni Trú og er óheimilt að afrita ritgerðina á nokkurn hátt nema með leyfi rétthafa. © Anna Millward, 2014 Reykjavík, Ísland 2014 2 Anna Millward MA in Old Nordic Religions: Thesis MA Kennitala: 150690-3749 Winter 2014 CONTENTS Introduction pp. 5-13 Chapter 1. Skálds, Scholar, and the Problem of the Pen 1.1. What is Skaldic Poetry? pp. 14-15 1.2. Form and Function pp. 15-22 1.3. Preservation Context pp. 22-24 1.4. Scholarly Approaches to Skaldic Verse p. 25 1.5. Skaldic Scholarship: post-1970s pp. 26-31 1.6. Early Skaldic Scholarship: pre-1970s pp. 31-36 1.7. Skaldic as Oral Poetry, Oral Poetry as Performance pp. 36-43 1.8. -
Animal Umwelten in a Changing World
Tartu Semiotics Library 18 Tartu Tartu Semiotics Library 18 Animal umwelten in a changing world: Zoosemiotic perspectives represents a clear and concise review of zoosemiotics, present- ing theories, models and methods, and providing interesting examples of human–animal interactions. The reader is invited to explore the umwelten of animals in a successful attempt to retrieve the relationship of people with animals: a cornerstone of the past common evolutionary processes. The twelve chapters, which cover recent developments in zoosemiotics and much more, inspire the reader to think about the human condition and about ways to recover our lost contact with the animal world. Written in a clear, concise style, this collection of articles creates a wonderful bridge between Timo Maran, Morten Tønnessen, human and animal worlds. It represents a holistic approach Kristin Armstrong Oma, rich with suggestions for how to educate people to face the dynamic relationships with nature within the conceptual Laura Kiiroja, Riin Magnus, framework of the umwelt, providing stimulus and opportuni- Nelly Mäekivi, Silver Rattasepp, ties to develop new studies in zoosemiotics. Professor Almo Farina, CHANGING WORLD A IN UMWELTEN ANIMAL Paul Thibault, Kadri Tüür University of Urbino “Carlo Bo” This important book offers the first coherent gathering of perspectives on the way animals are communicating with each ANIMAL UMWELTEN other and with us as environmental change requires increasing adaptation. Produced by a young generation of zoosemiotics scholars engaged in international research programs at Tartu, IN A CHANGING this work introduces an exciting research field linking the biological sciences with the humanities. Its key premises are that all animals participate in a dynamic web of meanings WORLD: and signs in their own distinctive styles, and all animal spe- cies have distinctive cultures. -
Grettir's Saga
Grettir’s Saga Grettir’s Saga 1914 translation into English by G. H. Hight from the original Icelandic ’Grettis saga’. Chapter 1 - Family and early wars of Onund the son of Ofeig There was a man named Onund, the son of Ofeig Clumsyfoot, who was the son of Ivar Horsetail. Onund was the brother of Gudbjorg, the mother of Gudbrand Knob, the father of Asta, the mother of King Olaf the Saint. His mother came from the Upplands, while his father’s relations were mostly in Rogaland and Hordland. He was a great viking and used to harry away in the West over the sea. He was accompanied on these expeditions by one Balki, the son of Blaeing from Sotanes, and by Orm the Wealthy. Another comrade of theirs was named Hallvard. They had five ships, all well equipped. They plundered the Hebrides, reaching the Barra Isles, where there ruled a king named Kjarval, who also had five ships. These they attacked; there was a fierce battle between them, in which Onund’s men fought with the utmost bravery. After many had fallen on both sides, the battle ended with the king taking to flight with a single ship; the rest were captured by Onund’s force, along with much booty. They stayed there for the winter, and spent the succeeding three summers harrying the coasts of Ireland and Scotland, after which they returned to Norway. Chapter 2 - Battle of Hafrsfjord At that time Norway was very disturbed. Harald Shockhead, the son of Halfdan the Black, till then king of the Upplands, was aiming at the supreme kingship. -
Fifth Annual Colloquium on Thinking About Mythology in the 21St Century
Fifth Annual Colloquium on Thinking about Mythology in the 21st Century University of Edinburgh 10th–11th November 2017 Room locations: GS – 50 George Square DHT – David Hume Tower ii Abstracts Some Scandinavian and Celtic Magical Texts and Practices Friday 9.45am Stephen Mitchell GS 1.06 Harvard University Throughout his career, the doyen of Old Norse studies, Einar Ól. Sveinsson, promoted the likely connection between Irish and Icelandic literary traditions (e.g., 1929, 1975). Revisited by many other fine scholars over the decades, this question of Hyperborean literary relations was carefully reviewed with respect to the broad spectrum of Celtic traditions, modern as well as ancient, by Rosemary Powers (1987), who specifically focussed on the use of spells (gaesa and álög). One interesting ‘pair’ of this sort, but not part of her corpus, was noted at least as early as 1928 by Jöran Sahlgren (and later, in 1939, by Konstantin Reichardt); it consists of the many points of comparison, including the use of magic, between the Old Irish ‘The Adventures of Connla the Fair’ (Echtrae Chonnlai) and the Old Icelandic eddic poem ‘Skírnir’s Journey’ (Fo˛r Scírnis), and appears to provide a further use- ful aperture for such a comparison. In my paper, I will build on previous work in the area (e.g., Harris 1975; Larrington 1992; Gunnell 1993; Mitchell 2007, 2011), looking to examine taxonomic, rather than phylogenetic, comparisons between these and similar texts, centering on how magic is used in such situations. Primary works: Echtrae Chonnlai and the Beginnings of Vernacular Narrative Writing in Ireland: A Critical Edition with Introduction, Notes, Bibliography, and Vocabulary.