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Bluesrock Vom Feinsten
© Paul D. Bartsch, Halle (Saale), 2017 LIVERILLEN No. 03 Bluesrock vom Feinsten 00 Jingle + Begrüßung: 03:00 ➢ Und damit herzlich Willkommen zur dritten Sendung der LIVERILLEN hier auf Radio CORAX auf UKW 95,9 und weltweit im Netz – einen guten Tag wünscht Paul Bartsch! ➢ Wie stets gibt’s ausschließlich Konzertmitschnitte direkt von Vinyl, mit Knistern und Knacken > analoger Hörgenuss im digitalen Zeitalter! ➢ Heute lautet das Motto: Bluesrock vom Feinsten / ein Musikstil also, der ganz gegensätzliche Reaktionen hervorruft: Die Einen fühlen sich gelangweilt vom angeblich immer gleichen 12-Takt- Blues-Schema, und die anderen sind gerade von dieser zeitlosen Kraft und Urwüchsigkeit fasziniert! ➢ Ich persönlich gestehe, zu Letzteren zu gehören, zumal schon durch die jeweilige Spielweise der Protagonisten eine große Vielfalt entsteht, was auch die heutige Sendung mit ihren ausgewählten Liveaufnahmen sicher zeigen wird. ➢ Und da geht’s zunächst ganz tief in die Mottenkiste der populären Musik, ohne dass ich nun die Bluesgeschichte in Gänze aufrollen werde. Aber dieser schwarze Musiker ist nicht wegzudenken für das, was seit den 1960er Jahren dann als Bluesrock firmierte. Musiker wie Keith Richards, John Mayall oder auch Eric Clapton sind vor dieser Gitarre ehrfürchtig niedergekniet, auch wenn die wenigen erhaltenen Aufnahmen Jahrzehnte zuvor entstanden waren – die Rede ist von Robert Johnson, dem 1911 im US-Staat Mississippi geborenen Gitarristen, Sänger und Komponisten, der nach nur 27 Jahren verstarb – Giftmord? Syphilis? Todesursache offen – die Legenden ranken. Dazu gleich mehr – hier ist Robert Johnson, der King des schwarzen Delta-Blues, mit seiner Komposition „Love In Vain“ – ein ziemlich bitteres Liebeslied, live eingespielt bei einer Aufnahmesession im Jahr 1937: 01 Robert Johnson: Love In vain 05:00 ➢ Robert Johnson – an ihm ist wohl keiner der später und bis heute dem Blues verfallenen Musiker vorbeigekommen. -
Pandoras Box CD-List 06-2006 Short
Pandoras Box CD-list 06-2006 short.xls Form ARTIST TITLE year No Label price CD 2066 & THEN Reflections !! 1971 SB 025 Second Battle 15,00 € CD 3 HUEREL 3 HUEREL 1970-75 WPC6 8462 World Psychedelic 17,00 € CD 3 HUEREL Huerel Arisivi 1970-75 WPC6 8463 World Psychedelic 17,00 € CD 3SPEED AUTOMATIC no man's land 2004 SA 333 Nasoni 15,00 € CD 49 th PARALLELL 49 th PARALLELL 1969 Flashback 008 Flashback 11,90 € CD 49TH PARALLEL 49TH PARALLEL 1969 PACELN 48 Lion / Pacemaker 17,90 € CD 50 FOOT HOSE Cauldron 1968 RRCD 141 Radioactive 14,90 € CD 7 th TEMPLE Under the burning sun 1978 RRCD 084 Radioactive 14,90 € CD A - AUSTR Music from holy Ground 1970 KSG 014 Kissing Spell 19,95 € CD A BREATH OF FRESH AIR A BREATH OF FRESH AIR 196 RRCD 076 Radioactive 14,90 € CD A CID SYMPHONY FISCHBACH AND EWING - (21966CD) -67 GF-135 Gear Fab 14,90 € CD A FOOT IN COLDWATER A Foot in coldwater 1972 AGEK-2158 Unidisc 15,00 € CD A FOOT IN COLDWATER All around us 1973 AGEK-2160 Unidisc 15,00 € CD A FOOT IN COLDWATER best of - Vol. 1 1973 BEBBD 25 Bei 9,95 € CD A FOOT IN COLDWATER best of - Vol. 2 1973 BEBBD 26 Bei 9,95 € CD A FOOT IN COLDWATER The second foot in coldwater 1973 AGEK-2159 Unidisc 15,00 € CD A FOOT IN COLDWATER best of - (2CD) 1972-73 AGEK2-2161 Unidisc 17,90 € CD A JOINT EFFORT FINAL EFFORT 1968 RRCD 153 Radioactive 14,90 € CD A PASSING FANCY A Passing Fancy 1968 FB 11 Flashback 15,00 € CD A PASSING FANCY A Passing Fancy - (Digip.) 1968 PACE-034 Pacemaker 15,90 € CD AARDVARK Aardvark 1970 SRMC 0056 Si-Wan 19,95 € CD AARDVARK AARDVARK - (lim. -
Smash Hits Volume 33
FORTNIGHTLY March 6-19 1980 i: fcMrstfjg i TH LYING LIZARDS .;! albums STS EDMUNDS )ur GRRk/£V£t/HlfLK HATES 7EEJM THAT TVf^ itav UGLYMONSTERS/ ^A \ / ^ / AAGHi. IF THERE'S ONE THING THATMAKES HULK REALLYAM6RY, IT'S PEOPLE WHO DON'T LOOK AFTER THEIRT€€TH! HULK GOES MAD UNLESS PEOPLE CLEAN THEIR TEETH THOROUGHLY EVERY DAY (ESPECIALLY LAST THING ATNIGHT). HE GOES SSRSfRK IFTHEY DON'T VISITTHE DENTIST REGULARLY! IF YOU D0N7 LOOKAFTER YOUR TEETH, SOMEBODY MAY COME BURSTING INTO YOUR HOUSE IN A TERRIBLE TEMPER AND IT WON'T BE THE MamAM...... 1 ! IF YOU WOULD LIKE A FREE COLOUR POSTER COPY OF THIS ADVERTISEMENT, FlU IN THE COUPON AND RETURN IT TO: HULK POSTER P.O BOX 1, SUDBURY, SUFFOLK COlO 6SL. tAeE(PUASETICKTHEAPPROPRIATEBOir)UNDERI3\Z\i3-l7\3lSANDOVER\JOFFERCLOSESONAPRIL30THmO.AUOW2SDAYSFORDELIVERY(sioaMPmisniA5l}l SH 1 uNAME ADDRESS X. i ^i J4 > March 6-19 1980 Vol 2 No. 5 Phew! Talk about moving ANIMATION mountains — we must have The Skids 4 shifted about six Everests' worth of paper this fortnight, what with ALABAMA SONG your voting forms and Walt David Bowie 4 Jabsco entries. With a bit of luck we'll have the poll results ready SPACE ODDITY forthe next issue but you'll find David Bowie 5 our Jabsco winners on page 26 of this issue. There's also an CUBA incredibly generous Ska Gibson Brothers 8 competition on page 24, not to mention our BIG NEWS! Turn to ALL NIGHT LONG the inside back page and find out Rainbow 14 what we mean . I'VE DONE EVERYTHING FOR YOU Sammy Hagar 14 Managing Editor HOT DOG Nick Logan Shakin' Stevens 17 Editor HOLDIN' -
(Fhmttttttntt Ilatuj Gkmjjub Serving Storrs Since 1896
(fhmttttttntt IlatUj GkmjJUB Serving Storrs Since 1896 VOL. LXXVII NO. 96 STORRS, CONNECTICUT MARCH 20, 1969 | Board of Trustees Meet: 250 Demonstrate; Support Professors Colfax Denied Tenure By RICH COHEN On* of the demonstrator: In a yester- STEVE FAGIN day's protest looks over the shoul- JIM CONROY der of Trustee Joseph R. McCormick. Approximately 50 demonstrators unanimously granted tenure to Colfax" Over the Table The demonstrators were protesting crowded into an open Board of Trustees and many thrust their arms upward with the Trustee's powers of deciding fa- meeting on the second floor of Gulley hands forming a phallic-fingered ges- culty tenure. Hall yesterday morning to protest the ture. Board's power to decide faculty tenure. The UConn Board of Trustees then Another estimated 200 persons wai- went to the Faculty Alumni Center, and ted downstairs and around the building. everyone else was denied entrance. A u*i Demonstrator s began gathering a- few demonstrators tried to open the round Gulley Hall at 9:30. The crowd doors, but they were locked. At 1:30, swelled to approximately 250. At 10:00, the Board left via a side exit, escorted • r* about 75 marchers circled the building by a handful of Security of'icers. once and then entered through the front No results of the executive meeting doors. One or two snowballs were thrown were released. Friedman later said the ^ by anti-demonstrators standing across normal procedure for granting tenure is the street, but no one was hit. Other through letters, which would be sent early ^pc groups of demonstrators, including fa- next week to the professors involved. -
Album Reviews
REVI EWS ALBUM REVIEWS ELVIS ARON PRESLEY - RCA CPL8-3699 - Producer: John GARDEN OF LOVE - Rick James - Gordy G8 -995M1 - Deary - List: 69.95 Producr: Rick James - List: 8.98 Like a set of rare, antique cutlery, comes this silver -bound, The man who busted out of L7 proves that there is more to his eight -album set from the RCA vaults. The limited edition music than punk funk, as he delivers a beautifully subtle and package should truly be treated as a family heirloom, as it subdued album with "Garden Of Love." The bouncy and joyous features 65 unreleased performances. Such hallowed moments "Big Time" is the perfect Friday night party song for B/C for- as an early years live show and monolog are captured on this mats, but the lush "Island Lady" ranks right up there with the collection, and never -before -seen photos adorn each separate best of Stevie Wonder. James has developed into an excellent disc. While this collection of King chestnuts will be found in the producer, and makes good use of sound effects on this sur- record bins. Elvis fans had better snap it up quick. prisingly diverse effort. CRIMES OF PASSION - Pat Benatar - Chrysalis CHE 1275 A MUSICAL AFFAIR - Ashford & Simpson - Warner Bros. - Producer: Keith Olsen - List: 8.98 - Bar Coded HS 3458 - Producers: Ashford and Simpson - List: 8.98 - The lovely Benatar was one of AOR radio's most pleasant Bar Coded surprises last year, as her streamlined hard rock sound was Ashford & Simpson remain R&B'sclassiestduo because they defined in the explosive "Heartbreaker." Her unique vocal style, don't clutter their urban soul sound with a lot of slick production which sounds alternately tough and tender, works best this time moves and synthesized arrangements. -
L a COLLABORAZIONE FUNZIONA FOTO © DAVID EDWARDS 012 013 Copertina
L A COLLABORAZIONE FUNZIONA FOTO © DAVID EDWARDS © DAVID FOTO 012 013 copertina FRANZ FERDINAND SPARKS di Giuseppe Zevolli L A Lo sfzio di un supergruppo o il debutto di una band COLLABORAZIONE alle prime armi? Durante un incontro londinese i Franz Ferdinand FUNZIONA e gli SparkS ci raccontano il “rock con la r minuscola” di FFS. uando esordirono nei primi Russell Ron e io proviamo sempre a lanciarci in Duemila i Franz Ferdinand qualcosa che possa stupire innanzitutto noi stessi. sembravano determinati a spaz- Intendiamo ogni progetto come un’impresa rinvigo- zare via i lasciti del britpop più rente. Formare un gruppo con i Franz da una parte è statico e atteggione, pur rievo- una mossa “illogica”, rischiosa, dall’altra è logica per il candone i momenti danzerec- nostro modo di operare. ci, quelli che neanche i più scettici erano riusciti a Alex Per noi è lo stesso. Con FFS non c’è il minimo Qscampare. Complice l’accattivante crooning di Alex desiderio di dimostrare un’evoluzione “credibile” o ri- Kapranos, immagine semiseria e determinazione badire l’appartenenza al mondo rock. Quello che degli nel rianimare il pubblico indie rock inglese con con- Sparks ci ha sempre ispirato è la capacità di fregarsene tagiosa ritmicità funk, gli scozzesi vennero rinomi- dei generi e fare a modo loro. nati da John Peel “i salvatori del rock and roll” ancor prima del successo internazionale del brano Take Che cosa possono aspettarsi i fan? Perlustrando una Me Out (2004). Nelle prime session i Franz non si manciata di forum, scopro che alcuni ammiratori dei ispiravano di certo all’animo nascostamente emo di Franz Ferdinand, nell’attesa, si sono persi nei meandri Brett Anderson o dei Gallagher. -
Giorgio Moroder Legendary Godfather of Electronica Announces Australian and New Zealand Headline Shows
GIORGIO MORODER LEGENDARY GODFATHER OF ELECTRONICA ANNOUNCES AUSTRALIAN AND NEW ZEALAND HEADLINE SHOWS Frontier Touring is delighted to confirm that iconic production pioneer Giorgio Moroder has announced three headline shows this month in Melbourne, Sydney and Auckland alongside his appearances as special guest for Kylie’s upcoming Kiss Me Once Australian tour. An Academy Awardwinning composer, superstar DJ, worldrecognized songwriter and prolific producer, Giorgio Moroder is one of the most influential and innovative artists of the 20th and 21st centuries. Having engineered the disco landscape of the seventies, Moroder brought electronic music to the mainstream with frequent collaborator Donna Summer and their anthemic hits ‘Love To Love You Baby’, ‘Hot Stuff’ and ‘I Feel Love’. As well as his title as godfather of dance, Moroder has composed some of the most recognizable film scores in cinema history, including The Never Ending Story, American Gigolo, Cat People, Superman III, Scarface, Rambo III, and Beverly Hills Cop II as well as hit soundtrack singles ‘Take My Breath Away’ by Berlin (Top Gun), ‘Flashdance’ by Irene Cara and ‘Call Me’ by Blondie (American Gigolo). His work for film has seen him win no less than three Academy Awards that sit proudly alongside his four Golden Globes, four Grammys and in 2004 was an inductee into the Dance Music Hall of Fame for his outstanding contribution to the music industry. As well as his own esteemed work as a solo artist Moroder has worked with a veritable who’s who of icons including Elton John, Cher, Janet Jackson, Freddy Mercury, David Bowie, Chaka Khan, Cheap Trick, and Pat Benatar. -
THE PRETTY THINGS 26. September 2017 Stuttgart Goldmark's 1964 War Ein Magisches Jahr Für Die Rockmusik. Jugendrevolte, Beat
THE PRETTY THINGS 26. September 2017 Stuttgart Goldmark‘s 1964 war ein magisches Jahr für die Rockmusik. Jugendrevolte, Beatmusik, lange Haare, Minirock; aus den düsteren Kellern der englischen Großstadtklitschen steigen über Nacht junge Musiker zu internationalen Stars auf - die Beatles, Rolling Stones, Animals, Who und Yardbirds verschreiben sich jeweils auf ihre eigene unverwechselbare Art dem Rock & Roll und dem Rhythm & Blues. Eine Band aber war mit Abstand die Lauteste, Wildeste und Ungezogenste: THE PRETTY THINGS mit ihrem langhaarigen Sänger Phil May und ihrem fingerfertigen Gitarristen Dick Taylor der zuvor einer Band angehörte, die sich ,,The Rolling Stones" nannte und die er mitbegründete. Kein Mensch, der die wüste Truppe in den Sixties auf der Bühne sah, hätte sich vorstellen können, daß diese Band anno 2013 immer noch existiert und spielfreudig und kompetent, aber immer noch ungezügelt und motiviert einen Livequerschnitt über ihre lange und steinige Karriere gibt. Und die bösen Buben sind immer noch schweinegut! Zunächst hatten THE PRETTY THINGS keine Schwierigkeiten, mit ihrem knallharten und kompromisslosen Sound sich aus der Masse der R & B - Bands hervorzuheben. Noch heute zählt ihr Debut-Album ,,The Pretty Things" zu den allerbesten Machwerken der Beat-Ära. Ihre Gigs jedoch - unvergessen, da auch in den letzten Jahren oft im TV wiederholt - bleibt ihr sagenhafter Beat-Club - Auftritt -endeten damals oft im Chaos. Dennoch hatten THE PRETTY THINGS damals Hit auf Hit: ,,Rosalyn" , ,,Don't bring me down"' ,,Road Runnner"' ,,Big boss man", ,,Midnight to six men" und einige mehr schafften die Top 20. Mit ihrer zweiten LP ,,Get The Picture" kam erstmals Melodie ins Spiel. -
WARNER BROS. / WEA RECORDS 1970 to 1982
AUSTRALIAN RECORD LABELS WARNER BROS. / WEA RECORDS 1970 to 1982 COMPILED BY MICHAEL DE LOOPER © BIG THREE PUBLICATIONS, APRIL 2019 WARNER BROS. / WEA RECORDS, 1970–1982 A BRIEF WARNER BROS. / WEA HISTORY WIKIPEDIA TELLS US THAT... WEA’S ROOTS DATE BACK TO THE FOUNDING OF WARNER BROS. RECORDS IN 1958 AS A DIVISION OF WARNER BROS. PICTURES. IN 1963, WARNER BROS. RECORDS PURCHASED FRANK SINATRA’S REPRISE RECORDS. AFTER WARNER BROS. WAS SOLD TO SEVEN ARTS PRODUCTIONS IN 1967 (FORMING WARNER BROS.-SEVEN ARTS), IT PURCHASED ATLANTIC RECORDS AS WELL AS ITS SUBSIDIARY ATCO RECORDS. IN 1969, THE WARNER BROS.-SEVEN ARTS COMPANY WAS SOLD TO THE KINNEY NATIONAL COMPANY. KINNEY MUSIC INTERNATIONAL (LATER CHANGING ITS NAME TO WARNER COMMUNICATIONS) COMBINED THE OPERATIONS OF ALL OF ITS RECORD LABELS, AND KINNEY CEO STEVE ROSS LED THE GROUP THROUGH ITS MOST SUCCESSFUL PERIOD, UNTIL HIS DEATH IN 1994. IN 1969, ELEKTRA RECORDS BOSS JAC HOLZMAN APPROACHED ATLANTIC'S JERRY WEXLER TO SET UP A JOINT DISTRIBUTION NETWORK FOR WARNER, ELEKTRA, AND ATLANTIC. ATLANTIC RECORDS ALSO AGREED TO ASSIST WARNER BROS. IN ESTABLISHING OVERSEAS DIVISIONS, BUT RIVALRY WAS STILL A FACTOR —WHEN WARNER EXECUTIVE PHIL ROSE ARRIVED IN AUSTRALIA TO BEGIN SETTING UP AN AUSTRALIAN SUBSIDIARY, HE DISCOVERED THAT ONLY ONE WEEK EARLIER ATLANTIC HAD SIGNED A NEW FOUR-YEAR DISTRIBUTION DEAL WITH FESTIVAL RECORDS. IN MARCH 1972, KINNEY MUSIC INTERNATIONAL WAS RENAMED WEA MUSIC INTERNATIONAL. DURING THE 1970S, THE WARNER GROUP BUILT UP A COMMANDING POSITION IN THE MUSIC INDUSTRY. IN 1970, IT BOUGHT ELEKTRA (FOUNDED BY HOLZMAN IN 1950) FOR $10 MILLION, ALONG WITH THE BUDGET CLASSICAL MUSIC LABEL NONESUCH RECORDS. -
Mick Taylor © Felix Aeppli 07-2020 / 08-2021
Blues Breaker Mick Taylor © Felix Aeppli 07-2020 / 08-2021 5001 January 17, 1949 (not 1948) Born in Welwyn Garden City, Hertfordshire: Michael Kevin (not James) Taylor. 5001A 1963 Hatfield, Hertfordshire, or London: THE STRANGERS, MEET THE STRANGERS (One-sided 10" acetate, 1963): 1. A Picture Of You (Beveridge, Oakman), 2. The Cruel Sea (Maxfield), 3. It’ll Be Me (Clement), 4. Saturday Night At The Duck Pond (Owen, based on a section from Tchaikovsky's Swan Lake) MT, Alan Shacklock: guitar; Malcolm Collins: vocals (1, 3); John Glass (later Glascock): bass; Brian Glass (later Glascock): drums. 5001B 1964 Hatfield, Hertfordshire, or London: THE JUNIORS, Single (Columbia DB 7339 [UK], Aug. 1964); MADE IN ENGLAND VOL. 2 – BRITISH BEAT SPECIAL 1964 - 69 (LCD 25-2, CD [France], Spring, 2000): 1. There’s A Pretty Girl (Webb), 2. Pocket Size (White) MT, Alan Shacklock: guitar; Malcolm Collins: vocals; John Glass (later Glascock): bass; Brian Glass (later Glascock): drums. 5002 May, 1967 Probably London THE GODS (THOR, HERMES, OLMPUS, MARS), Single (Polydor 56168 [UK], June, 1967): 1. Come On Down To My Boat Baby (Farrell, Goldstein), 2. Garage Man (Hensley) NOTES: Cuts 1, 2: MT’s participation in this session is very much open to speculation and his own interviews on the subject are full of contradictions; most likely MT had taken part in some live shows, but he never was in THE GODS’ actual line-up (Lee Kerslake: guitar; Ken Hensley: organ, vocals; John Glascock: bass, back-up vocals; Brian Glascock, perhaps alternating with Lee Kerslake: drums); – Nor is MT identical with MICK TAYLOR playing guitar and singing on a Single (CBS 201770 [UK], June, 1965), London Town, Hoboin’ (both Taylor - produced by Jimmy Duncan and Peter Eden); or involved in Cockleshells (Taylor), a track recorded by MARIANNE FAITHFULL (NORTH COUNTRY MAID, Decca LK 4778 [UK], Feb. -
Forma Y Fondo En El Rock Progresivo
Forma y fondo en el rock progresivo Trabajo de fin de grado Alumno: Antonio Guerrero Ortiz Tutor: Juan Carlos Fernández Serrato Grado en Periodismo Facultad de Comunicación Universidad de Sevilla CULTURAS POP Índice Resumen 3 Palabras clave 3 1. Introducción. Justificación del trabajo. Importancia del objeto de investigación 4 1.1. Introducción 4 1.2. Justificación del trabajo 6 1.3. Importancia del objeto de investigación 8 2. Objetivos, enfoque metodológico e hipótesis de partida del trabajo 11 2.1. Objetivos generales y específicos 11 2.1.1. Objetivos generales 11 2.1.2. Objetivos específicos 11 2.2. Enfoque metodológico 11 2.3. Hipótesis de partida 11 3. El rock progresivo como tendencia estética dentro de la música rock 13 3.1. La música rock como denostado fenómeno de masas 13 3.2. Hacia una nueva calidad estética 16 3.3. Los orígenes del rock progresivo 19 3.4. La difícil definición (intensiva) del rock progresivo 25 3.5. Hacia una definición extensiva: las principales bandas de rock progresivo 27 3.6. Las principales escenas del rock progresivo 30 3.7. Evoluciones ulteriores 32 3.8. El rock progresivo hoy en día 37 3.9. Algunos nombres propios 38 3.10. Discusión y análisis final 40 4. Conclusiones 42 5. Bibliografía 44 5.1. De carácter teórico-metodológico (fuentes secundarias) 44 5.2. General: textos sobre pop y rock 45 5.3. Específica: rock progresivo 47 ANEXO I. Relación de documentos audiovisuales de interés 50 ANEXO II. PROGROCKSAMPLER 105 2 Resumen Este trabajo, que constituye un ejercicio de periodismo cultural, en el que se han puesto en práctica conocimientos diversos adquiridos en distintas asignaturas del Grado de Periodismo, trata de definir el concepto de rock progresivo desde dos perspectivas complementarias: una interna y otra externa. -
Vinyls-Collection.Com Page 1/64 - Total : 2470 Vinyls Au 03/10/2021 Collection "Pop/Rock International" De Lolivejazz
Collection "Pop/Rock international" de lolivejazz Artiste Titre Format Ref Pays de pressage 220 Volt Mind Over Muscle LP 26254 Pays-Bas 50 Cent Power Of The Dollar Maxi 33T 44 79479 Etats Unis Amerique A-ha The Singles 1984-2004 LP Inconnu Aardvark Aardvark LP SDN 17 Royaume-Uni Ac/dc T.n.t. LP APLPA. 016 Australie Ac/dc Rock Or Bust LP 88875 03484 1 EU Ac/dc Let There Be Rock LP ALT 50366 Allemagne Ac/dc If You Want Blood You've Got I...LP ATL 50532 Allemagne Ac/dc Highway To Hell LP ATL 50628 Allemagne Ac/dc High Voltage LP ATL 50257 Allemagne Ac/dc High Voltage LP 50257 France Ac/dc For Those About To Rock We Sal...LP ATL 50851 Allemagne Ac/dc Fly On The Wall LP 781 263-1 Allemagne Ac/dc Flick Of The Switch LP 78-0100-1 Allemagne Ac/dc Dirty Deeds Done Dirt Cheap LP ATL 50 323 Allemagne Ac/dc Blow Up Your Video LP Inconnu Ac/dc Back In Black LP ALT 50735 Allemagne Accept Restless & Wild LP 810987-1 France Accept Metal Heart LP 825 393-1 France Accept Balls To The Walls LP 815 731-1 France Adam And The Ants Kings Of The Wild Frontier LP 84549 Pays-Bas Adam Ant Friend Or Foe LP 25040 Pays-Bas Adams Bryan Into The Fire LP 393907-1 Inconnu Adams Bryan Cuts Like A Knife LP 394 919-1 Allemagne Aerosmith Rocks LP 81379 Pays-Bas Aerosmith Live ! Bootleg 2LP 88325 Pays-Bas Aerosmith Get Your Wings LP S 80015 Pays-Bas Aerosmith Classics Live! LP 26901 Pays-Bas Aerosmith Aerosmith's Greatest Hits LP 84704 Pays-Bas Afrika Bambaataa & Soulsonic F..