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Pandoras Box CD-List 06-2006 Short
Pandoras Box CD-list 06-2006 short.xls Form ARTIST TITLE year No Label price CD 2066 & THEN Reflections !! 1971 SB 025 Second Battle 15,00 € CD 3 HUEREL 3 HUEREL 1970-75 WPC6 8462 World Psychedelic 17,00 € CD 3 HUEREL Huerel Arisivi 1970-75 WPC6 8463 World Psychedelic 17,00 € CD 3SPEED AUTOMATIC no man's land 2004 SA 333 Nasoni 15,00 € CD 49 th PARALLELL 49 th PARALLELL 1969 Flashback 008 Flashback 11,90 € CD 49TH PARALLEL 49TH PARALLEL 1969 PACELN 48 Lion / Pacemaker 17,90 € CD 50 FOOT HOSE Cauldron 1968 RRCD 141 Radioactive 14,90 € CD 7 th TEMPLE Under the burning sun 1978 RRCD 084 Radioactive 14,90 € CD A - AUSTR Music from holy Ground 1970 KSG 014 Kissing Spell 19,95 € CD A BREATH OF FRESH AIR A BREATH OF FRESH AIR 196 RRCD 076 Radioactive 14,90 € CD A CID SYMPHONY FISCHBACH AND EWING - (21966CD) -67 GF-135 Gear Fab 14,90 € CD A FOOT IN COLDWATER A Foot in coldwater 1972 AGEK-2158 Unidisc 15,00 € CD A FOOT IN COLDWATER All around us 1973 AGEK-2160 Unidisc 15,00 € CD A FOOT IN COLDWATER best of - Vol. 1 1973 BEBBD 25 Bei 9,95 € CD A FOOT IN COLDWATER best of - Vol. 2 1973 BEBBD 26 Bei 9,95 € CD A FOOT IN COLDWATER The second foot in coldwater 1973 AGEK-2159 Unidisc 15,00 € CD A FOOT IN COLDWATER best of - (2CD) 1972-73 AGEK2-2161 Unidisc 17,90 € CD A JOINT EFFORT FINAL EFFORT 1968 RRCD 153 Radioactive 14,90 € CD A PASSING FANCY A Passing Fancy 1968 FB 11 Flashback 15,00 € CD A PASSING FANCY A Passing Fancy - (Digip.) 1968 PACE-034 Pacemaker 15,90 € CD AARDVARK Aardvark 1970 SRMC 0056 Si-Wan 19,95 € CD AARDVARK AARDVARK - (lim. -
PARENT CARDS Puggles: Big Truths for Kids to Know!
PARENT CARDS Puggles: Big Truths for Kids to Know! Welcome to Puggles: Puggles Parent Cards These cards are the tool to explore more about the main topics and Bible Puggles® is a program to introduce young children to stories in Puggles with your child. Each of the cards gives you an easy scripted what they need to know most about God and His love! It way to talk about the picture on the front of the card, share a Bible story, and communicates the four Big Truths from the Bible that form pray a short prayer with your child. There are also three simple activity choices a strong first impression of God, His love for us, and our for you and your child to complete together. Once you have read the scripted response to His love. Children will learn the Big Truths and the sections, and, have done at least one activity, help your child check the box on Bible verses that go with them. the card to mark your progress. Tips for Using the Parent Cards: Puggles Big Truths for Kids to Know • Make sure your child can see the image on the front of the card. • Read the scripted sections slowly and with enthusiasm (these appear in Big Truth 1: God made everything! (Acts 17:24) bold text and tell you what to say). Big Truth 2: God is great! (Psalm 48:1) • Pause as needed to make eye contact and regain your child’s attention as Big Truth 3: God loves us! (1 John 4:16) you read. -
Song & Music in the Movement
Transcript: Song & Music in the Movement A Conversation with Candie Carawan, Charles Cobb, Bettie Mae Fikes, Worth Long, Charles Neblett, and Hollis Watkins, September 19 – 20, 2017. Tuesday, September 19, 2017 Song_2017.09.19_01TASCAM Charlie Cobb: [00:41] So the recorders are on and the levels are okay. Okay. This is a fairly simple process here and informal. What I want to get, as you all know, is conversation about music and the Movement. And what I'm going to do—I'm not giving elaborate introductions. I'm going to go around the table and name who's here for the record, for the recorded record. Beyond that, I will depend on each one of you in your first, in this first round of comments to introduce yourselves however you wish. To the extent that I feel it necessary, I will prod you if I feel you've left something out that I think is important, which is one of the prerogatives of the moderator. [Laughs] Other than that, it's pretty loose going around the table—and this will be the order in which we'll also speak—Chuck Neblett, Hollis Watkins, Worth Long, Candie Carawan, Bettie Mae Fikes. I could say things like, from Carbondale, Illinois and Mississippi and Worth Long: Atlanta. Cobb: Durham, North Carolina. Tennessee and Alabama, I'm not gonna do all of that. You all can give whatever geographical description of yourself within the context of discussing the music. What I do want in this first round is, since all of you are important voices in terms of music and culture in the Movement—to talk about how you made your way to the Freedom Singers and freedom singing. -
THE PRETTY THINGS 26. September 2017 Stuttgart Goldmark's 1964 War Ein Magisches Jahr Für Die Rockmusik. Jugendrevolte, Beat
THE PRETTY THINGS 26. September 2017 Stuttgart Goldmark‘s 1964 war ein magisches Jahr für die Rockmusik. Jugendrevolte, Beatmusik, lange Haare, Minirock; aus den düsteren Kellern der englischen Großstadtklitschen steigen über Nacht junge Musiker zu internationalen Stars auf - die Beatles, Rolling Stones, Animals, Who und Yardbirds verschreiben sich jeweils auf ihre eigene unverwechselbare Art dem Rock & Roll und dem Rhythm & Blues. Eine Band aber war mit Abstand die Lauteste, Wildeste und Ungezogenste: THE PRETTY THINGS mit ihrem langhaarigen Sänger Phil May und ihrem fingerfertigen Gitarristen Dick Taylor der zuvor einer Band angehörte, die sich ,,The Rolling Stones" nannte und die er mitbegründete. Kein Mensch, der die wüste Truppe in den Sixties auf der Bühne sah, hätte sich vorstellen können, daß diese Band anno 2013 immer noch existiert und spielfreudig und kompetent, aber immer noch ungezügelt und motiviert einen Livequerschnitt über ihre lange und steinige Karriere gibt. Und die bösen Buben sind immer noch schweinegut! Zunächst hatten THE PRETTY THINGS keine Schwierigkeiten, mit ihrem knallharten und kompromisslosen Sound sich aus der Masse der R & B - Bands hervorzuheben. Noch heute zählt ihr Debut-Album ,,The Pretty Things" zu den allerbesten Machwerken der Beat-Ära. Ihre Gigs jedoch - unvergessen, da auch in den letzten Jahren oft im TV wiederholt - bleibt ihr sagenhafter Beat-Club - Auftritt -endeten damals oft im Chaos. Dennoch hatten THE PRETTY THINGS damals Hit auf Hit: ,,Rosalyn" , ,,Don't bring me down"' ,,Road Runnner"' ,,Big boss man", ,,Midnight to six men" und einige mehr schafften die Top 20. Mit ihrer zweiten LP ,,Get The Picture" kam erstmals Melodie ins Spiel. -
WARNER BROS. / WEA RECORDS 1970 to 1982
AUSTRALIAN RECORD LABELS WARNER BROS. / WEA RECORDS 1970 to 1982 COMPILED BY MICHAEL DE LOOPER © BIG THREE PUBLICATIONS, APRIL 2019 WARNER BROS. / WEA RECORDS, 1970–1982 A BRIEF WARNER BROS. / WEA HISTORY WIKIPEDIA TELLS US THAT... WEA’S ROOTS DATE BACK TO THE FOUNDING OF WARNER BROS. RECORDS IN 1958 AS A DIVISION OF WARNER BROS. PICTURES. IN 1963, WARNER BROS. RECORDS PURCHASED FRANK SINATRA’S REPRISE RECORDS. AFTER WARNER BROS. WAS SOLD TO SEVEN ARTS PRODUCTIONS IN 1967 (FORMING WARNER BROS.-SEVEN ARTS), IT PURCHASED ATLANTIC RECORDS AS WELL AS ITS SUBSIDIARY ATCO RECORDS. IN 1969, THE WARNER BROS.-SEVEN ARTS COMPANY WAS SOLD TO THE KINNEY NATIONAL COMPANY. KINNEY MUSIC INTERNATIONAL (LATER CHANGING ITS NAME TO WARNER COMMUNICATIONS) COMBINED THE OPERATIONS OF ALL OF ITS RECORD LABELS, AND KINNEY CEO STEVE ROSS LED THE GROUP THROUGH ITS MOST SUCCESSFUL PERIOD, UNTIL HIS DEATH IN 1994. IN 1969, ELEKTRA RECORDS BOSS JAC HOLZMAN APPROACHED ATLANTIC'S JERRY WEXLER TO SET UP A JOINT DISTRIBUTION NETWORK FOR WARNER, ELEKTRA, AND ATLANTIC. ATLANTIC RECORDS ALSO AGREED TO ASSIST WARNER BROS. IN ESTABLISHING OVERSEAS DIVISIONS, BUT RIVALRY WAS STILL A FACTOR —WHEN WARNER EXECUTIVE PHIL ROSE ARRIVED IN AUSTRALIA TO BEGIN SETTING UP AN AUSTRALIAN SUBSIDIARY, HE DISCOVERED THAT ONLY ONE WEEK EARLIER ATLANTIC HAD SIGNED A NEW FOUR-YEAR DISTRIBUTION DEAL WITH FESTIVAL RECORDS. IN MARCH 1972, KINNEY MUSIC INTERNATIONAL WAS RENAMED WEA MUSIC INTERNATIONAL. DURING THE 1970S, THE WARNER GROUP BUILT UP A COMMANDING POSITION IN THE MUSIC INDUSTRY. IN 1970, IT BOUGHT ELEKTRA (FOUNDED BY HOLZMAN IN 1950) FOR $10 MILLION, ALONG WITH THE BUDGET CLASSICAL MUSIC LABEL NONESUCH RECORDS. -
Forma Y Fondo En El Rock Progresivo
Forma y fondo en el rock progresivo Trabajo de fin de grado Alumno: Antonio Guerrero Ortiz Tutor: Juan Carlos Fernández Serrato Grado en Periodismo Facultad de Comunicación Universidad de Sevilla CULTURAS POP Índice Resumen 3 Palabras clave 3 1. Introducción. Justificación del trabajo. Importancia del objeto de investigación 4 1.1. Introducción 4 1.2. Justificación del trabajo 6 1.3. Importancia del objeto de investigación 8 2. Objetivos, enfoque metodológico e hipótesis de partida del trabajo 11 2.1. Objetivos generales y específicos 11 2.1.1. Objetivos generales 11 2.1.2. Objetivos específicos 11 2.2. Enfoque metodológico 11 2.3. Hipótesis de partida 11 3. El rock progresivo como tendencia estética dentro de la música rock 13 3.1. La música rock como denostado fenómeno de masas 13 3.2. Hacia una nueva calidad estética 16 3.3. Los orígenes del rock progresivo 19 3.4. La difícil definición (intensiva) del rock progresivo 25 3.5. Hacia una definición extensiva: las principales bandas de rock progresivo 27 3.6. Las principales escenas del rock progresivo 30 3.7. Evoluciones ulteriores 32 3.8. El rock progresivo hoy en día 37 3.9. Algunos nombres propios 38 3.10. Discusión y análisis final 40 4. Conclusiones 42 5. Bibliografía 44 5.1. De carácter teórico-metodológico (fuentes secundarias) 44 5.2. General: textos sobre pop y rock 45 5.3. Específica: rock progresivo 47 ANEXO I. Relación de documentos audiovisuales de interés 50 ANEXO II. PROGROCKSAMPLER 105 2 Resumen Este trabajo, que constituye un ejercicio de periodismo cultural, en el que se han puesto en práctica conocimientos diversos adquiridos en distintas asignaturas del Grado de Periodismo, trata de definir el concepto de rock progresivo desde dos perspectivas complementarias: una interna y otra externa. -
SMA * S Photo and Video Action Planner
SMA * s Photo and Video Action Planner A guide to help you get beautiful visuals at your next important event. page 1 of 37 Survival Media Agency.com Table of Contents PHOTOGRAPHY VIDEOGRAPHY Before The Action [p.3] - Do’s and Don’ts - Work with the photographer early - Clear goals, audience, message Before The Action (pre-production) [p.19] - Scouting - Get in contact with the organizers - Shot list. - Give yourself enough time - Permission and security. - Discuss division of labor, timelines - Script Writing and uploading procedures - Shot List - Division of labor - Tools of the Trade - Prep your equipment During the Action [p.8] - Equipment Checklist - Reminders. - How to Dress - Avoid overall pictures of the scene. - Release Form - Show motion and emotion. - Simplify! During the Action (production) [p.25] - Check the background. - Show up early, test your gear - Pick backgrounds and foregrounds - Set Up your microphones as props. - Offset your subject. - Situations that are ideal and not - Take vertical-format photos as well. - Getting the Coverage You Need - Experiment with fresh angles. - Footage for different Outlets - Avoid stereotypical imagery. - Get their feet! - b-roll - Don’t be afraid to talk with people. - Framing - Photo Ops & Groups. - Lighting - Think Negative Space. - Iphone / Instagram / DSLR tips - Interviews - Coordination. - Collecting Footage - Technical settings. - Settings After the Action [p.14] - Choosing your images - Troubleshooting - Editing After the Event (post-production) [p.37] - Watermarks - Workflow - Posting on Social Media - Storage - Quick Turnarounds - Credits / Accuracy Check - Editing - Tracking - Example Videos - Debriefing - Flickr Tips - Music - Special Things to Keep in Mind page 2 of 37 Survival Media Agency.com Photography Using photos to tell the story of your action or event is a powerful tool to engage your base. -
[email protected] E-Mail
tel: +38(097)725-56-34 tel: +38(099)166-90-06 tel: +38(063)804-46-48 e-mail: [email protected] e-mail: [email protected] icq: 550-846-545 skype: doowopteenagedreams viber: +38(063)804-46-48 telegram: +38(063)804-46-48 web: http://jdream.dp.ua ПРИМЕЧАНИЕ: Информация по интересующей Вас позиции (ссылка на прослушивание / номер по каталогу / штрих-код издания) выдается по дополнительному запросу ВНИМАНИЕ: Наш электронный адрес <[email protected]> может не работать с российскими почтовыми серверами / пишите на <[email protected]> CAT ORDER PRICE ITEM CNF ARTIST ALBUM LABEL REL G-248 $27,14 1 DVD Adrian Belew Live At Rockpalast [DE-Version, Regio 2/B] Repertoire 05.Jun.2015 G-248 $40,50 1 LP Affinity Affinity Repertoire 05.Dec.2014 G-248 $15,62 1 CD Affinity Affinity Repertoire 19.Oct.2012 G-248 $17,19 1 CD Al Kooper The Kooper Sessions Repertoire 16.Mar.2007 G-248 $15,62 1 CD Alvin Lee Free Fall Repertoire 03.Jan.2005 G-248 $38,06 1 LP Alvin Lee In Flight Repertoire 13.Nov.2015 G-248 $15,49 1 CD Alvin Lee In Flight Repertoire 03.Jan.2005 G-248 $32,71 1 LP Alvin Lee Let It Rock Repertoire 25.Nov.2016 G-248 $39,28 1 LP Alvin Lee Pump Iron Repertoire 25.Nov.2016 G-248 $15,49 1 CD Alvin Lee Pump Iron Repertoire 03.Jan.2005 G-248 $34,65 1 LP Alvin Lee Rocket Fuel Repertoire 25.Nov.2016 G-248 $15,62 1 CD Alvin Lee Rx5 Repertoire 03.Jan.2005 G-248 $15,49 1 CD Alvin Lee The Anthology Repertoire 03.Jan.2005 G-248 $15,49 1 CD Alvin Lee The Best Of Alvin Lee Repertoire 19.Oct.2012 G-248 $15,62 1 CD Alvin Lee Zoom Repertoire 13.Aug.2010 G-248 $15,62 1 CD Alvin Lee & Co. -
Senior Year Before the Tarkio by Hayley Football Game
April 29, 2010 Page 12 Atchison County MAIL Blue Jay Corner religious, trustworthy, and de- pendable. “Something most Tayha Drew people don’t know about me is that I’m very shy and I don’t talk Ellison much at school,” Drew said. Lawson Drew’s most embarrassing moment is being close lined by the cheerleaders his sophomore year before the Braymer game. Drew’s advice to underclass- men is stay in school. The best piece of advice Drew has ever received was from Mr. Skillen By his senior year before the Tarkio By Hayley Football game. Mr. Skillen told Josie Crow Christian the boys to go out and play “Roughly very roughly,” and that’s what they did. Something crazy Drew would like to do is go to the moon. “It Tayha Lawson: a hard worker, extremely proud of staying in “When I leave Rock Port, I friend because he would make a would be cool to be away from a good listener, and a very pa- band all four years, “even though will miss the sports. They have great boyfriend,” Elyssa said. earth,” Drew said. tient person. “Something people it got really hard at times.” been a big part of my life,” se- When asked what Drew’s big- Drew’s role model is his don’t know about me is that Tayha hopes to go to North- nior Drew Ellison said. Drew gest pet peeve is, his mom re- Grandpa Ernie because he’s a I’m really shy and I hate being west Missouri State University was born on February 1, 1992 plied, “He’s very easygoing and great man and he looks up to around lots of people,” she said. -
Nathan Lamar Watts
Nathan Lamar Watts (Approfondimento sul bassista di Stevie Wonder a cura di Claudio De Cesaris) 2016/2017 Pagina 2 di 33 Sommario/Indice Prefazione ..………………………………………………………………………………………………………… Pag. 4 Chi sono ….………………………………………………………………………………………………………….. Pag. 5 Inizio / Biografia ..……………………………………………………………………………………………….. Pag. 6/ 7 Detroit: Il motore musicale della città, ed un piccolo Watts ……………………………….. Pag. 8 Stevie Wonder (breve accenno) ……………………………………….…………………………………. Pag. 9 Una chiamata da Stevie Wonder .……………………………………………………………………….. Pag. 10/11 Direttore musicale della Band di Stevie Wonder ..……………………………………………….. Pag. 11 Influenze ..…………………………………………………………………………………………………………… Pag. 12 L’avvicinamento a James Jamerson ..…………………………………………………………………… Pag. 13 Premi ..………………………………………………………………………………………………………………… Pag. 13 Altre collaborazioni ..…………………………………………………………………………………………… Pag. 14 Equipaggio bassistico ..………………………………………………………………………………………… Pag. 15 Tecnica e sviluppo dello stile ..……………………………………………………………………………… Pag. 16/17 Analisi stilistica ….……………………………………………………………………………………………….. Pag. 18 a 30 Stevie Wonder – I Wish ..………………………………………………………………………….. Pag. 18/19 Stevie Wonder – Sir Duke ..……………………………………………………………………….. Pag. 20/21/22 Stevie Wonder – Master Blaster (Jammin) ..……………………………………………… Pag. 23/24 Stevie Wonder – Do I do ..…………………………………………………………………………. Pag. 25/26 Stevie Wonder – Isn’t She Lovely .…………………………………………………………….. Pag. 27/28 The Jacksons – All Night Dancin' ………………………………………………………..…… Pag. 29/30 Discografia ..…………………………………………………………………………………………………………. -
Rock Album Discography Last Up-Date: September 27Th, 2021
Rock Album Discography Last up-date: September 27th, 2021 Rock Album Discography “Music was my first love, and it will be my last” was the first line of the virteous song “Music” on the album “Rebel”, which was produced by Alan Parson, sung by John Miles, and released I n 1976. From my point of view, there is no other citation, which more properly expresses the emotional impact of music to human beings. People come and go, but music remains forever, since acoustic waves are not bound to matter like monuments, paintings, or sculptures. In contrast, music as sound in general is transmitted by matter vibrations and can be reproduced independent of space and time. In this way, music is able to connect humans from the earliest high cultures to people of our present societies all over the world. Music is indeed a universal language and likely not restricted to our planetary society. The importance of music to the human society is also underlined by the Voyager mission: Both Voyager spacecrafts, which were launched at August 20th and September 05th, 1977, are bound for the stars, now, after their visits to the outer planets of our solar system (mission status: https://voyager.jpl.nasa.gov/mission/status/). They carry a gold- plated copper phonograph record, which comprises 90 minutes of music selected from all cultures next to sounds, spoken messages, and images from our planet Earth. There is rather little hope that any extraterrestrial form of life will ever come along the Voyager spacecrafts. But if this is yet going to happen they are likely able to understand the sound of music from these records at least. -
11469 Songs, 35.2 Days, 75.18 GB
Page 1 of 54 Music 11469 songs, 35.2 days, 75.18 GB Artist Album # Items Total Time Bryan Adams So Far So Good 13 59:05 Ryan Adams Easy Tiger 13 38:58 Adele 21 12 51:40 Aerosmith Aerosmith 8 35:51 Aerosmith Draw The Line 9 35:18 Aerosmith Get Your Wings 8 38:04 Aerosmith Honkin' On Bobo 12 43:55 Aerosmith Just Push Play 12 50:49 Aerosmith Pump 10 47:46 Aerosmith Toys In The Attic 9 37:11 Jan Akkerman Blues Root 1 3:03 Alice Cooper Welcome To My Nightmare 11 43:24 Luther Allison Blue Streak 12 53:32 Mose Allison Seventh Son 1 2:50 The Allman Brothers Band The Allman Brothers Band 6 33:23 The Allman Brothers Band Brothers And Sisters 7 38:24 The Allman Brothers Band Dreams [Disc 2] 10 1:16:00 The Allman Brothers Band Eat A Peach 9 1:09:56 The Allman Brothers Band An Evening With The Allman Brothers Band [1st Set] 9 1:14:08 The Allman Brothers Band An Evening With The Allman Brothers Band [2nd Set] 8 1:11:55 The Allman Brothers Band The Fillmore Concerts 2 41:36 The Allman Brothers Band Hittin' The Note 11 1:15:01 Music Page 2 of 54 Artist Album # Items Total Time The Allman Brothers Band Idlewild South 7 30:54 The Allman Brothers Band Live at the Fillmore East 10 1:32:44 The Allman Brothers Band Shades Of Two Worlds 8 52:36 The Allman Brothers Band Where It All Begins 10 56:02 Gregg Allman Laid Back 8 36:01 America Here & Now [Disc 1] 12 44:16 America Here & Now [Disc 2] 12 40:38 Tori Amos Crucify 1 3:11 Trey Anastasio Trey Anastasio 12 1:00:07 Eric Andersen Blue River 11 46:54 Ian Anderson The Secret Language Of Birds [Bonus Tracks] 18