Trinity Will Host Student Conference

Total Page:16

File Type:pdf, Size:1020Kb

Trinity Will Host Student Conference The Vol. LXXXII, Issue 23 TRINITY COLLEGE, HARTFORD, CONNECTICUT Trinity Will Host Student Conference by Roger Epstein drew 1200 from more than 55 Western schools. In Connecticut, On Saturday, April 28, Trinity ConnPIRG, with chapters at will host the state wide student UCONN and TRinity, has taken conference on Voter Registration. the lead in organizing student A state-sized version of the enor- voter registration projects. Over mously successful National Stu- 50 Trinity students were registered dent Conference on Voter by ConnPIRG in just two days Registration, held in February at last month. Harvard, the Connecticut confer- Position are available this sum- ence will feature a keynote speech mer PIRGs and other groups dur- by Irving Stolberg, Speaker of the ing voter registration drives all Connecticut House of Represent- over the country. The NSCVR has ative, issue workshops, and an developed the "Volunteer! Vote!" evening party. campaign. Students pledge three Following Stolberg's address, hours or more per week during the scheduled for 10:30, there will be summer to assist registration a discussion on low income voter drives in their area. '"Volunteer! registration projects, which will be Vote!' gives students the chance conducted across the country this to put more life into our country's summer. Afternoon workshops, political process," says Cindy run by students, will address such Jacques, a senior at UMass at phutub/JcU' issues as student financial aid, acid Amherst and chairperson of the rain, toxic wastes, Central Amer- NSCVR Board of Directors. Occasional sunny days give Trin students an opportunity to relax with various and sundry athletic activities. ica, poverty in Connecticut, and the nuclear freeze. Evening festiv- ities will consist of dinner and a party featuring a five-piece stu- Proxmire Proposes Help For Economy dentjazz band. ' The Connecticut conference is by Stephen Drew (class of 1938), Harvard's Grad- such as house Duilding and auto- delicate, complex, and expensive one of many such events beini> Staff Writer uate School of Business (1940), motive (1 out of 6 jobs in Amer- [$300 million eachl" fighter Jjty-vajri's Mastsijjjjtejfree Pjcp-,, ica). ,Jhe,high interest jates .effect planes. To end, this ponton of the t! rParr6fTffe Nfaff6'ri*^a-' Sftfltajif ™'Wfffitrn " VroxrrrTfre"' grdrri, the WisconsfnState Assem- fM'fo-re'Jgn* fMIe""Tn*du"stries the lecture he'called fbr an end to the dent Campaign for Voter Regis- spoke at Trinity last Wednesday bly (1950), the United States hardest, destroying the balance of arms race. Projected savings of tration (NSCVR), a non-partisan evening to an audience of approx- Senate (1957-), the Senate Bank- trade with Japan and European $70 billion — is money all that project which hopes to register one imately 400 in the- Washington ing, Housing, and Urban Affairs markets (1984 predictions for the matters? million students and several mil- Room. He gave the annual Martin Committee, the Senate Appropri- adverse balance of trade is $100 "We can do a lot more on do- lion other Americans for the No- W. Clement Lecture, is sponsored ations Committee, and the billion). Our deficit stands as the mestic spending also." Here he vember elections. The campaign by the brothers of Saint Anthony Congressional Joint Economic greatest obstacle. to worldwide saw medicare as a possibility, has been addressed by the Public Hall. Mr. Clement (class of 1901 Committee. Among these and •economic recovery. Proxmire than along with revenue sharing, hous- Interest Research Group (PIRGs) and Trustee for life of the Col- other ventures, the senator is also outlines the present administra- ing, agriculture, an interest on the and the United States Students lege) left an endowment that has the author of five books. He is tion's plans to cut the deficit by debt that would be lower if the Association (USSA). sponsored these bi-annual lec- also the inventor of the "Golden 7% which he called a "wimp" debt itself were lower. Unless we The February Nartional Con- tures. Tuesday's lecture was gen- Fleece Award" which he,awards proposal, but not to be a partisan do this we have to pay interest on ference drew over 1500 students erally well received. frequently to the government pro- he also called the Democrat's pro- that deficit forever. The other side from 42 states. A similar weekend Senator Proxmire came to Trin- gram that he feels is wasting the posal a "panty-waist." of the argument is the raising of event held this month at Stanford ity by way of the Hill School, Yale most of the tax-payers money. "What sould we do?" he asked, government revenues. This was Senator Proxmire has the longest and he told us. Proxmire then secondary to his short description unbroken record in the history of launched into the areas of the cur- of the "Golden Fleece Award". the Senate in answering roll call rent budget where he felt the cuts This was established by Proxmire votes. Since April of 1966 there could logically be made. Military nine years ago in an attempt to has been over 8,000 roll call votes. spending was the first victim, he get at fraud and abuse and to con- The average Senator has missed felt that the present budget called trol spending. He also was trying more than 800 of these votes; for too much of an increase to get people in Washington to Proxmire has not missed a single (18%), while he. thought that a realize that they were, spending one. 3% increase would do fine. Some real money, arid that they should After a few introductory jokes of the other programs he attacked not fund every harebrained about fraternities and how hard it . were the "turkey" MX, the soon scheme that comes along. When is to keep'people's attention dur- obsolete B-1B, the "very vulner- Proxmire found out one :of these ing a. boring speech, Proxmire able" aircraft carriers, the "run launched into his topic: "Uncle like my Vega" new tanks, and continued on page3 Same, Last of the Big-Time Spenders" (also the title of one of his books). He said "but if you Founder Of Ground Zero look at our economy right now today, everything seems to be To Speak During Week coming up roses." He described the national economic situation as "strong and the outlook is very Dr. Roger C. Molander was the analytical material for the SALT good." Especially for the "big founder and Executive Director II negotiations. Prior to joining political enchilada: unemploy- from 1981 'to 1983 of Ground the NSC staff, he was employed ment." He also sighted all of the Zero, a non-partisan nuclear war in the Office of the Secretary of leading economic indicators which education project, which pro- Defense and the Arms and Ap- are on the rise, but then he also duces materials and sponsors ac- plied Physics from the University \asked "so what's wrong with the tivities designed to educate and of California at Berkeley. situation?" He felt that unfortu- involve the American people on As Executive Director Dr. Mo- nately there was plenty wrong. the issue of nuclear war. Prior to lander was responsible for all The ENORMOUS defecit that we • assuming his position, Dr. Molan- Ground Zero organization poli- face today, around $195 billion. der was a member fo the National cies and operations. Having He sees that deficit with us for the Security Staff at the White House founded Ground Zero in 1980, Dr. next seven years, "unless w.e take from 1974 to 1981, serving under Molander became its full time Ex- some drastic painful action." Presidents Nixon, Ford and ecutive Director in April, 1981. He Why is this bad? 'Proxmire Carter. His principal area of re- is co-author of Nuclear War: pointed out the bad points of the sponsibility was strategic nuclear What's In It For You? and served such high deficits as seen in infla- policiy issues, which included as Ground Zero's principal tionary effects and adverse effects chairing the interagency working spokesman for both the book and Alex Stein and Pete Ferlisi of In Your Ear played Saturday on the on interest sensitive industries. group which prepared all of the Ground Zero Week. Quad as part of an RC/A production. Page 2, THE TRINITY TRIPOD, April 23, 1984 Calendar ClNESTUDIO Tonight Women's Center Series Lunch "Radical American Women in the Friday Yentl (PG) 7:30 Tuesday 1910's", presented by Kirsten roduced and Directed by Barbra Streisand. Streisand's long awaited Hertz, class ofl984. 12:30 in the Organ Recital Round Table Discussion directorial debut is an elaborate adaptation with music of a story by Women's Center. Please bring Performed by Lynne Davis at 8:15 "American Education and Blacks: Isaac Bashevis Singer set in the ] 9th century about a young woman who your lunch'and join us. in the Chapel. Davis will play Historical Perspectives" discus- wants to study holy scripture and must masquerade as a Yeshiva boy to works by J.S.Bach, Louis Vierne, sion on the crisis of blacks in do it. 134 min. Jehan Alain, Jean Roger-Ducasse higher education. Featuring guest Reception and Gaston Litaize. Admission is speaker Dr. Lea B. Williams of Held by the Trinity Women's Wednesday-Saturday free. the United Negro College Fund. 4 Center at the Chapel Garden. p.m. in the Umoja House. Spon- Musical accompaniment by the sored by the Education Depart- Hartford School of Music Classi- Sunday Come and Get It 7:30 ment and the students of the class. cal Quartet. 4-6 p.m. Refresh- ments will be served.
Recommended publications
  • Mississippi Teacher's Perspectives of Danielson's Framework for Teaching
    The University of Southern Mississippi The Aquila Digital Community Dissertations Fall 12-2018 Mississippi Teacher's Perspectives of Danielson's Framework for Teaching Donna Floyd University of Southern Mississippi Follow this and additional works at: https://aquila.usm.edu/dissertations Recommended Citation Floyd, Donna, "Mississippi Teacher's Perspectives of Danielson's Framework for Teaching" (2018). Dissertations. 1574. https://aquila.usm.edu/dissertations/1574 This Dissertation is brought to you for free and open access by The Aquila Digital Community. It has been accepted for inclusion in Dissertations by an authorized administrator of The Aquila Digital Community. For more information, please contact [email protected]. MISSISSIPPI TEACHER’S PERSPECTIVES ON DANIELSON’S FRAMEWORK FOR TEACHING by Donna Crosby Floyd A Dissertation Submitted to the Graduate School, the College of Education and Human Sciences and the School of Education at The University of Southern Mississippi in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy Approved by: Dr. David Lee, Committee Chair Dr. Sharon Rouse Dr. Kyna Shelley Dr. Richard Mohn ____________________ ____________________ ____________________ Dr. David Lee Dr. Lillian Hill Dr. Karen S. Coats Committee Chair Department Chair Dean of the Graduate School December 2018 COPYRIGHT BY Donna Crosby Floyd 2018 Published by the Graduate School ABSTRACT The focus of this study was to measure Mississippi teacher’s perspectives as identified in the Teacher’s Perspectives on Danielson’s Framework for Teaching (TPDFT) instrument. This quantitative study investigated whether or not statistically significant differences existed between domains as identified in the TPDFT, and if these findings differed statistically as a function of years of teaching experience, type of Mississippi teaching certification, and degree of professional trust.
    [Show full text]
  • 50 Years in Rock History
    HISTORY AEROSMITH 50 YEARS IN ROCK PART THREE AEROSMITH 50 YEARS IN ROCK PART THREE 1995–1999 The year of 1995 is for AEROSMITH marked by AEROSMITH found themselves in a carousel the preparations of a new album, in which the of confusions, intrigues, great changes, drummer Joey Kramer did not participate in its termination of some collaboration, returns first phase. At that time, he was struggling with and new beginnings. They had already severe depressive states. After the death of his experienced all of it many times during their father, everything that had accumulated inside career before, but this time on a completely him throughout his life and could no longer be different level. The resumption of collaboration ignored, came to the surface. Unsuspecting and with their previous record company was an 2,000 miles away from the other members of encouragement and a guarantee of a better the band, he undergoes treatment. This was tomorrow for the band while facing unfavorable disrupted by the sudden news of recording circumstances. The change of record company the basics of a new album with a replacement was, of course, sweetened by a lucrative drummer. Longtime manager Tim Collins handled offer. Columbia / Sony valued AEROSMITH the situation in his way and tried to get rid of at $ 30 million and offered the musicians Joey Kramer without the band having any idea a contract that was certainly impossible about his actions. In general, he tried to keep the to reject. AEROSMITH returned under the musicians apart so that he had everything under wing of a record company that had stood total control.
    [Show full text]
  • Reel-To-Real: Intimate Audio Epistolarity During the Vietnam War Dissertation Presented in Partial Fulfillment of the Requireme
    Reel-to-Real: Intimate Audio Epistolarity During the Vietnam War Dissertation Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Matthew Alan Campbell, B.A. Graduate Program in Music The Ohio State University 2019 Dissertation Committee Ryan T. Skinner, Advisor Danielle Fosler-Lussier Barry Shank 1 Copyrighted by Matthew Alan Campbell 2019 2 Abstract For members of the United States Armed Forces, communicating with one’s loved ones has taken many forms, employing every available medium from the telegraph to Twitter. My project examines one particular mode of exchange—“audio letters”—during one of the US military’s most trying and traumatic periods, the Vietnam War. By making possible the transmission of the embodied voice, experiential soundscapes, and personalized popular culture to zones generally restricted to purely written or typed correspondence, these recordings enabled forms of romantic, platonic, and familial intimacy beyond that of the written word. More specifically, I will examine the impact of war and its sustained separations on the creative and improvisational use of prosthetic culture, technologies that allow human beings to extend and manipulate aspects of their person beyond their own bodies. Reel-to-reel was part of a constellation of amateur recording technologies, including Super 8mm film, Polaroid photography, and the Kodak slide carousel, which, for the first time, allowed average Americans the ability to capture, reify, and share their life experiences in multiple modalities, resulting in the construction of a set of media-inflected subjectivities (at home) and intimate intersubjectivities developed across spatiotemporal divides.
    [Show full text]
  • A Collection of Stories and Memories by Members of the United States Naval Academy Class of 1963
    A Collection of Stories and Memories by Members of the United States Naval Academy Class of 1963 Compiled and Edited by Stephen Coester '63 Dedicated to the Twenty-Eight Classmates Who Died in the Line of Duty ............ 3 Vietnam Stories ...................................................................................................... 4 SHOT DOWN OVER NORTH VIETNAM by Jon Harris ......................................... 4 THE VOLUNTEER by Ray Heins ......................................................................... 5 Air Raid in the Tonkin Gulf by Ray Heins ......................................................... 16 Lost over Vietnam by Dick Jones ......................................................................... 23 Through the Looking Glass by Dave Moore ........................................................ 27 Service In The Field Artillery by Steve Jacoby ..................................................... 32 A Vietnam story from Peter Quinton .................................................................... 64 Mike Cronin, Exemplary Graduate by Dick Nelson '64 ........................................ 66 SUNK by Ray Heins ............................................................................................. 72 TRIDENTS in the Vietnam War by A. Scott Wilson ............................................. 76 Tale of Cubi Point and Olongapo City by Dick Jones ........................................ 102 Ken Sanger's Rescue by Ken Sanger ................................................................ 106
    [Show full text]
  • Lida Husik Ida Husik First Began Recording in Bozo Was More Spooky Than Joyride
    I'/ The Arts and Entertainment Supplement to the Daily Nexus, for May 11th through May 17th, 1995 MATT MATT RAGLAND/Dailj Nexut 2A Thursday, May 11,1995 ____________ _________________________________ ______________ ____________ Daily Nexus aAChune Tunes ates sounds and woids Chuñe Chune? What is a know, Chune is a band out chime? I don’t think I’ll of San Diego that is as low- that throw its listeners for Burnt a loop. Even the simple al­ H eadhunter ever decipher the meaning pro and obscure as their of this word, but as far as I name implies. Chune cre- bum cover adds to their mystery, seemingly urging U the listener on to find an­ swers in the music itself The Multicultural Center Presents rather than in the glitz that normally surrounds a new band. Chune’s music does ^ o u ate cot&iallif invited to ail the talking. With guitar-driven angst backed by deep Chune shares the same is created, as all members An Opening Reception drumming, Chune label with several other play in rhythm with one searches out an identity of noteworthy San Diego another, they deconstruct Authentic History Window Open To Mornings its own in the stucco bands: Drive Like Jehu, what they’ve built up. It’s a monotony of Southern Three Mile Pilot and an Art Exhibit by an Art Exhibit byjam ila Arous-Ayoub simple plan which allows Betty Lee California. Their debut al­ Rocket From the Crypt. for creative interpretations Betty tee is a Chinese American artist whose Jamila Arous-Ayoub is a painter from Tunisia and a bum, Burnt, is a hard-to- And they seem to draw of rock music.
    [Show full text]
  • Chapter 1: Introduction 1
    TATE STREET, THAT GREAT STREET: CULTURE, COMMUNITY, AND MEMORY IN GREENSBORO, NORTH CAROLINA by Ian Christian Pasquini A thesis submitted to the faculty of The University of North Carolina at Charlotte in partial fulfillment of the requirements for the degree of Master of Arts in History Charlotte 2015 Approved by: ____________________________ Dr. Aaron Shapiro ____________________________ Dr. John Cox ____________________________ Dr. Dan Dupre ii ©2015 Ian Pasquini ALL RIGHTS RESERVED iii ABSTRACT IAN CHRISTIAN PASQUINI. Tate Street, That Great Street: Culture, Community, and Memory in Greensboro, North Carolina (Under the direction of DR. AARON SHAPIRO) Tate Street represents a cultural center in Greensboro, North Carolina. This work outlines the varying social groups, organizations, and institutions that defined Tate Street’s cultural identity between 1960 and 1990. Tate’s venues and spaces acted as backdrops to the cultural shifts on Tate Street. Three venues act as subjects through which to research Tate Street. Through a collection of interviews, art, video, magazines, newspapers, and pictures, this work connects with historical memory to outline Tate’s local and national historical significance. The work connects with a historical documentary made up of interviews as well as primary source materials to engage with Tate’s historical actors. iv DEDICATION Engaging with Tate’s history required the dedication of a small village of interested parties. I would be remiss in not thanking Tate’s community at large – many people have offered both their time and energy to assisting this project and will remain unheralded. This work is a reflection of the strength of Tate’s community which has both inspired and welcomed my inquiries.
    [Show full text]
  • Generationalpictomusicapolis Featuring No Age, Sun Foot, And
    For Immediate Release: July 28, 2013 Contact: Morgan Kroll, Manager, Public Relations; 310-443-7016, [email protected] Generationalpictomusicapolis at the Hammer Museum Featuring special guests No Age, Sun Foot, and Devin Gary & Ross with Kramer Friday, August 16, 8pm – Free admission Limited -edition, collaboratively designed posters will be available for purchase. LOS ANGELES—The Hammer presents a free celebration of collaborative music and art making on Friday, August 16, at 8pm. This courtyard soiree features the best in local experimental punk from headliners No Age (Randy Randall and Dean Spunt), the barely amplified feel-good vibes of Sun Foot (Ron Burns, Chris Johanson, Brian Mumford), and the ramshackle psych-folk of Devin Gary & Ross (Devin Flynn, Gary Panter, Ross Goldstein), joined by Kramer of Bongwater and Shimmy-Disc fame. Uniting the evening’s line-up is the participants’ commitment to innovation in the visual arts with direct relation to music. Guests are invited to peruse or purchase the performers’ limited-edition, collaboratively designed posters on the Hammer terrace among Chris Johanson and Johanna Jackson’s public furniture sculptures. Cash bar and food for purchase. ABOUT THE PARTICIPANTS Chris Johanson & Johanna Jackson L.A.-based artists Chris Johanson and Johanna Jackson installed custom furnishings commissioned by the Hammer on the Museum’s Lindbrook Terrace last winter. These unconventional and enchanting chairs, tables, ottomans and sofas incorporating used furniture, found wood and colorful fabrics are available for the use of visitors. Chris Johanson is also a member of Sun Foot. Sun Foot Sun Foot are a Portland, OR/Los Angeles 3-piece who play low volume tunes through small amps and a drum set that consists of a hand drum, cymbal, pan lids, and electronic drum pad, all three singing, playing random cheap electronic keyboards maybe, and switching of instruments probably.
    [Show full text]
  • Management of Ingested Foreign Bodies in Children: a Clinical Report of the NASPGHAN Endoscopy Committee
    COMMITTEE COMMENTARY Management of Ingested Foreign Bodies in Children: A Clinical Report of the NASPGHAN Endoscopy Committee ÃRobert E. Kramer, yDiana G. Lerner, zTom Lin, §Michael Manfredi, jjManoj Shah, ôThomas C. Stephen, #Troy E. Gibbons, ÃÃHarpreet Pall, yyBen Sahn, zzMark McOmber, §§George Zacur, ÃJoel Friedlander, jjjjAntonio J. Quiros, ôôDouglas S. Fishman, and ##Petar Mamula ABSTRACT ingestion. Furthermore, changes in the types of ingestions encountered, Foreign body ingestions in children are some of the most challenging clinical specifically button batteries and high-powered magnet ingestions, create scenarios facing pediatric gastroenterologists. Determining the indications an even greater potential for severe morbidity and mortality among and timing for intervention requires assessment of patient size, type of object children. As a result, clinical guidelines regarding management of these ingested, location, clinical symptoms, time since ingestion, and myriad other ingestions in children remain varied and sporadic, with little in the way of factors. Often the easiest and least anxiety-producing decision is the one to prospective data to guide their development. An expert panel of pediatric proceed to endoscopic removal, instead of observation alone. Because of endoscopists was convened and produced the present article that outlines variability in pediatric patient size, there are less firm guidelines available to practical clinical approaches to the pediatric patient with a variety of determine which type of object will safely pass, as opposed to the clearer foreign body ingestions. This guideline is intended as an educational tool guidelines in the adult population. In addition, the imprecise nature of the that may help inform pediatric endoscopists in managing foreign body ingestions in children.
    [Show full text]
  • Power and Connection: Imperial Histories of the United States in the World
    Review Essay Power and Connection: Imperial Histories of the United States in the World PAUL A. KRAMER WHEN U.S. HISTORIANS BEGIN TO TALK about empire, it usually registers the declining fortunes of others. The term’s use among historians in reference to the United States has crested during controversial wars, invasions, and occupations, and ebbed when projections of American power have receded from public view. This periodicity—this tethering of empire as a category of analysis to the vagaries of U.S. power and its exercise—is one of the striking aspects of empire’s strange historiographic career. When it comes to U.S. imperial history, one might say, the owl of Minerva flies primarily when it is blasted from its perch.1 Yet despite recurring claims to the contrary, the imperial has long been a useful concept in work that attempts to situate the United States in global history, and it continues to be so, as demonstrated by a wealth of emerging scholarship. To be sure, its use has varied from the superficial and invocatory to the substantive and ana- lytical. In the latter category, two broad clusters of research stand out. First was the “New Left” school of U.S. foreign relations history, which dramatically critiqued inherited interpretations, identifying the United States’ role in the world as imperial, and defined primarily by the global pursuit of export markets. A second, later body of work on the “cultures of United States imperialism,” based in American studies and literary criticism, treated imperial meaning-making, particularly with respect to the politics of racialized and gendered difference.
    [Show full text]
  • In Serving the a 3AY Kunino Needs of the ONZN CZ Music & Record 11111 NY1NZOM Industry CI Cuvh3ra World Ho-S
    1111110!!:3H record !!!!- Dedicated To dOHSzoos-3 NNIn Serving The A 3AY kunino Needs Of The ONZN CZ Music & Record 11111 NY1NZOM Industry CI cuvH3ra world ho-s eptemter6, 1969 60c In the opinion of the editors, this week the following records are the SINGLE PICKS OF THE WEEK WHO IWAINTIMRWMA IN THE IOVI 01INI COON PEON MAW MD 0 00V Elvis Presley sings one of TheWinstonswillfollow- JamesBrown,whokeeps The Monkees bestrecord the songs fromhis Vegas up "Color Him Father" with combiningthebeatwith is now on the market. It's WORLD act, "Suspicion Minds" a smash. It's "Love of the thesocialmessage suc- called "Mommy andDad- (Press,BMI), whichisas Common People" (Tree, cessfully, has "World" dy" (Screen Gems -Columbia, good as anything's he's BMI) and has a won't -quit (Brown. BMI)intwo parts BMI)andMonkeeDolenz done (RCA 47-9764). beat (Metromedia 142). andit'llgo (King 6258). wrote it (Co!gems 5005). SLEEPER PICKS OF THE WEEK CatMotherand theAll The Baskerville Hounds are EdwardsHandis a new CaptainMilk(EdwinHub- NightNewsboysask the thefirst group from Avco duoproducedby George bard) plays the flute with vitalquestion,"Can You Embassy andtheirrocky Martin. Their first single is great facility,and crowds Dance to It?" (Cat Mother- initial release is oldie "If I Thought You'dEver willlovethisrepriseof Emm - Jay - Sea - Lark, EMI) "HoldMe"(Robbins, AS - Change Your Mind" (Al Gal- "Hey, Jude" (Maclen, BMI) (Polydor14007). CAP). Hot (4504). lico,BMI) (GRT13). (Tetragrammaton 1542). At Atlantic Signing To ALBUM PICKS OF THE WEEK Distribute Stone Flower Label, from Left: Atlantic VP Nesuhi Ertegun, Dave Kapralik, Stone Flower's Legal Counsellor Marty Machattlan-tic Exec VP JudyCollinsispresented The Vogues' "Memories" John Mayall, alongwith RobertaFlackwhoplays on "Recollections" in a extend back into the '50s Jon Mark, Steve Thompson piano and sings somewhere Jerry Wexler and, Seated, number of folk songs she when "Moments to Remem- and Johnny Thompson, bow between Washington, D.
    [Show full text]
  • Une Discographie De Robert Wyatt
    Une discographie de Robert Wyatt Discographie au 1er mars 2021 ARCHIVE 1 Une discographie de Robert Wyatt Ce présent document PDF est une copie au 1er mars 2021 de la rubrique « Discographie » du site dédié à Robert Wyatt disco-robertwyatt.com. Il est mis à la libre disposition de tous ceux qui souhaitent conserver une trace de ce travail sur leur propre ordinateur. Ce fichier sera périodiquement mis à jour pour tenir compte des nouvelles entrées. La rubrique « Interviews et articles » fera également l’objet d’une prochaine archive au format PDF. _________________________________________________________________ La photo de couverture est d’Alessandro Achilli et l’illustration d’Alfreda Benge. HOME INDEX POCHETTES ABECEDAIRE Les années Before | Soft Machine | Matching Mole | Solo | With Friends | Samples | Compilations | V.A. | Bootlegs | Reprises | The Wilde Flowers - Impotence (69) [H. Hopper/R. Wyatt] - Robert Wyatt - drums and - Those Words They Say (66) voice [H. Hopper] - Memories (66) [H. Hopper] - Hugh Hopper - bass guitar - Don't Try To Change Me (65) - Pye Hastings - guitar [H. Hopper + G. Flight & R. Wyatt - Brian Hopper guitar, voice, (words - second and third verses)] alto saxophone - Parchman Farm (65) [B. White] - Richard Coughlan - drums - Almost Grown (65) [C. Berry] - Graham Flight - voice - She's Gone (65) [K. Ayers] - Richard Sinclair - guitar - Slow Walkin' Talk (65) [B. Hopper] - Kevin Ayers - voice - He's Bad For You (65) [R. Wyatt] > Zoom - Dave Lawrence - voice, guitar, - It's What I Feel (A Certain Kind) (65) bass guitar [H. Hopper] - Bob Gilleson - drums - Memories (Instrumental) (66) - Mike Ratledge - piano, organ, [H. Hopper] flute. - Never Leave Me (66) [H.
    [Show full text]
  • Wavelength (July 1984)
    University of New Orleans ScholarWorks@UNO Wavelength Midlo Center for New Orleans Studies 7-1984 Wavelength (July 1984) Connie Atkinson University of New Orleans Follow this and additional works at: https://scholarworks.uno.edu/wavelength Recommended Citation Wavelength (July 1984) 45 https://scholarworks.uno.edu/wavelength/45 This Book is brought to you for free and open access by the Midlo Center for New Orleans Studies at ScholarWorks@UNO. It has been accepted for inclusion in Wavelength by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. 0 ·.::.: •• :·: :· :· .:·•• . .. .. :-:::: ... ~ ·: ~--~~\:§;;~ ....... :~ ......·.: .:::"" .: : :.;. ·~ ·• :;~~ .. : ... , ·:.·.. ~ . .: ... ::.: ~·\::~:}~ ·.. :: .. :. ::.-::·.:~~:~':: .: . • •• :·,; :·;:;;t .... .•: .... ·:_.::··.~::::~~l : .. ::: FRANKIE FORD .......... .: ·•· . • 0 .;·.. ~~ . ::. ~ . • . : .-:s ·.· :::·.~.... .. ..... .... , · . .. ..... 'SN11 3l~O 1d30 SNOiliSinOJ~ ..... A~~~ 9I l ~NOl ~ 1~~ 3 :. · : . SN~~l~O M3N ~0 A1ISM3AINn . .·. .... .·. .... 66/66/66 ;o~ o .···. :::/. .-:::.:'.':·::.:::: =:· :·:;.. :: '\?@?·1<·;·::.:.::• • • • ••• •• • • • • • • • • • • • • ::~=:·~• •• • • • • · • ••• 0. 0 • • • • •• • • • • • • • • • • • •••••·: • ••• • • • • •• • . • . • • • ••• : • • • • • • ... • • • : • 0 0 • • • • • • • • • • • • • • •• • • • • • • • • • • •• ... NEW ORLEANS M u s I c MAGAZINE __ UJauelenalh For ISSUE NO. 45 e .JULY 1984 ISSN 07 41 · 2460 New "''m not sure, but I'm almost positive, that all music came from
    [Show full text]