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Urzine “Sparklehorse”
Aline Giordano interviews Mark Linkous from Sparklehorse in Portsmouth for Uzine ... Page 1 of 3 - Sparklehorse - .:: Portsmouth, Wedgewood Rooms - UK- 01 October 2006 ::. Interview by Aline Giordano If you are a regular reader of Uzine, you would have already guessed it… I turned up un- announced at the Wedgewood Rooms, Portsmouth. A few technicians were keeping busy… I looked around me and a chap came to me with a big smile on his face. I took the opportunity to introduce myself and asked if I could interview Mark Linkous. The chap who happened to be Sparklehorse's Tour Manager told me that Mark had not planned on doing interviews, but very kindly offered to ask the man himself if by any chance he would be willing to change his mind.So I sat and waited, and watched the preparations for the concert… I watched people walking back and forth, being relaxed, sorting out their gear, smiling at me, one member of the party had his little girl with him and they were having much fun checking out the xylophone. I thought that this must be the new clean world of Mark Linkous. The fact that I mentioned interviewing Vic Chesnutt and Richmond Fontaine certainly helped, because he came to greet me and agreed to do a short interview.I had prepared enough questions to last me an hour, but I had agreed for a 10 minute interview and I did not want to abuse Mark's generosity. In the end we talked for 25 minutes. As I'm writing up the interview, a few good weeks have passed since I met with Mark, and I can still clearly remember how Mark walked with his limp, how he slowly lit up his cigarettes and how gentle his voice sounded. -
Record Store Day 2020 (GSA) - 18.04.2020 | (Stand: 05.03.2020)
Record Store Day 2020 (GSA) - 18.04.2020 | (Stand: 05.03.2020) Vertrieb Interpret Titel Info Format Inhalt Label Genre Artikelnummer UPC/EAN AT+CH (ja/nein/über wen?) Exclusive Record Store Day version pressed on 7" picture disc! Top song on Billboard's 375Media Ace Of Base The Sign 7" 1 !K7 Pop SI 174427 730003726071 D 1994 Year End Chart. [ENG]Pink heavyweight 180 gram audiophile double vinyl LP. Not previously released on vinyl. 'Nam Myo Ho Ren Ge Kyo' was first released on CD only in 2007 by Ace Fu SPACE AGE 375MEDIA ACID MOTHERS TEMPLE NAM MYO HO REN GE KYO (RSD PINK VINYL) LP 2 PSYDEL 139791 5023693106519 AT: 375 / CH: Irascible Records and now re-mastered by John Rivers at Woodbine Street Studio especially for RECORDINGS vinyl Out of print on vinyl since 1984, FIRST official vinyl reissue since 1984 -Chet Baker (1929 - 1988) was an American jazz trumpeter, actor and vocalist that needs little introduction. This reissue was remastered by Peter Brussee (Herman Brood) and is featuring the original album cover shot by Hans Harzheim (Pharoah Sanders, Coltrane & TIDAL WAVES 375MEDIA BAKER, CHET MR. B LP 1 JAZZ 139267 0752505992549 AT: 375 / CH: Irascible Sun Ra). Also included are the original liner notes from jazz writer Wim Van Eyle and MUSIC two bonus tracks that were not on the original vinyl release. This reissue comes as a deluxe 180g vinyl edition with obi strip_released exclusively for Record Store Day (UK & Europe) 2020. * Record Store Day 2020 Exclusive Release.* Features new artwork* LP pressed on pink vinyl & housed in a gatefold jacket Limited to 500 copies//Last Tango in Paris" is a 1972 film directed by Bernardo Bertolucci, saxplayer Gato Barbieri' did realize the soundtrack. -
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M M M M M M M M M M M M M M M M M M M M M M M M セ M M M M M M M M M M M M M M M セ M M M M M M セ ...-----------..-- .......... - - - - -- - arcade OCTOBER 17 2008 • 12 the spirit of Cold War Kids. It's as iflead singer Nathan Willett is perpetually and sloppily inebriated, balanc- SU D Y continued ing on the precipice of drunken brilliance and drunken oblivion. His stage presence is controlled, but with a passion and fervor that's remarkable. still feminine voice lends powerful sound to every tune she tack- Their latest release (Loyalty to Loyalty, 2008) stays true to the foundation they built musically in 2006's Rob- les. The Vettes do carry around some '80s influence, but it's tem- bers and Cowards. Voodoo audiences are sure to be impressed with their set for this year's show. Count on a pered with a modern sensibility that saves the music from falling little bit of absurdity and a lot of indie brilliance. -AmyHoliday into kitsch-ville. Fans ofDepeche Mode, the Cranberries and New Wave music in general will dig the Vettes at this year's Voodoo Fest. Known for its showmanship and manic energy, the band is certain to put on a kickass live show. Don't miss the ethereal meandering of 1:50-2:50 at Playstation/Billboard.com stage "Flame" on Voodoo Fest's main Web site. - F.G. Lupe Fiasco has been showing New Orleans a lot oflove lately, speaking at. -
The Devil and Daniel Johnston Discussion Guide
www.influencefilmclub.com The Devil and Daniel Johnston Discussion Guide Director: Jeff Feuerzeig Year: 2005 Time: 110 min You might know this director from: Half Japanese: The Band That Would Be King (1993) FILM SUMMARY THE DEVIL AND DANIEL JOHNSTON is not a straightforward biographical tale of a madman genius. This manic- depressive escapade has two protagonists, those spelled out in the title itself. Daniel Johnston, the child-like man, the artist, the musician, the living legend, the genius wordsmith with a direct line to the heart. And the Devil, that evil that haunts his mind, the dark tendencies of his mental illness, the forces that motivate him to beat a friend over the head with a metal bar or pull the keys out of the ignition of a mid-air plane. Director Feuerzeig spent four years piecing together 110-minutes of raw, unfettered footage. Rather than using present-day Daniel as the film’s narrator, he chose to feature little of his modern-day persona. Instead he turned to the stockpile of cassettes and videos at his disposal, complete with Daniel’s daily meanderings, disjointed thoughts, and heart-wrenching melodies to narrate this tale of an incredible soul who to this day writes songs, paints pictures, and struggles to manage his discombobulated mind. Daniel Johnston’s artistic output is prolific, to say the least and THE DEVIL AND DANIEL JOHNSTON makes great use of this man’s vast supply of film footage, cassette recordings, and original artwork, intermingling these relics alongside interviews from the cast of characters who have populated Daniel’s winding road through life. -
Mississippi Teacher's Perspectives of Danielson's Framework for Teaching
The University of Southern Mississippi The Aquila Digital Community Dissertations Fall 12-2018 Mississippi Teacher's Perspectives of Danielson's Framework for Teaching Donna Floyd University of Southern Mississippi Follow this and additional works at: https://aquila.usm.edu/dissertations Recommended Citation Floyd, Donna, "Mississippi Teacher's Perspectives of Danielson's Framework for Teaching" (2018). Dissertations. 1574. https://aquila.usm.edu/dissertations/1574 This Dissertation is brought to you for free and open access by The Aquila Digital Community. It has been accepted for inclusion in Dissertations by an authorized administrator of The Aquila Digital Community. For more information, please contact [email protected]. MISSISSIPPI TEACHER’S PERSPECTIVES ON DANIELSON’S FRAMEWORK FOR TEACHING by Donna Crosby Floyd A Dissertation Submitted to the Graduate School, the College of Education and Human Sciences and the School of Education at The University of Southern Mississippi in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy Approved by: Dr. David Lee, Committee Chair Dr. Sharon Rouse Dr. Kyna Shelley Dr. Richard Mohn ____________________ ____________________ ____________________ Dr. David Lee Dr. Lillian Hill Dr. Karen S. Coats Committee Chair Department Chair Dean of the Graduate School December 2018 COPYRIGHT BY Donna Crosby Floyd 2018 Published by the Graduate School ABSTRACT The focus of this study was to measure Mississippi teacher’s perspectives as identified in the Teacher’s Perspectives on Danielson’s Framework for Teaching (TPDFT) instrument. This quantitative study investigated whether or not statistically significant differences existed between domains as identified in the TPDFT, and if these findings differed statistically as a function of years of teaching experience, type of Mississippi teaching certification, and degree of professional trust. -
50 Years in Rock History
HISTORY AEROSMITH 50 YEARS IN ROCK PART THREE AEROSMITH 50 YEARS IN ROCK PART THREE 1995–1999 The year of 1995 is for AEROSMITH marked by AEROSMITH found themselves in a carousel the preparations of a new album, in which the of confusions, intrigues, great changes, drummer Joey Kramer did not participate in its termination of some collaboration, returns first phase. At that time, he was struggling with and new beginnings. They had already severe depressive states. After the death of his experienced all of it many times during their father, everything that had accumulated inside career before, but this time on a completely him throughout his life and could no longer be different level. The resumption of collaboration ignored, came to the surface. Unsuspecting and with their previous record company was an 2,000 miles away from the other members of encouragement and a guarantee of a better the band, he undergoes treatment. This was tomorrow for the band while facing unfavorable disrupted by the sudden news of recording circumstances. The change of record company the basics of a new album with a replacement was, of course, sweetened by a lucrative drummer. Longtime manager Tim Collins handled offer. Columbia / Sony valued AEROSMITH the situation in his way and tried to get rid of at $ 30 million and offered the musicians Joey Kramer without the band having any idea a contract that was certainly impossible about his actions. In general, he tried to keep the to reject. AEROSMITH returned under the musicians apart so that he had everything under wing of a record company that had stood total control. -
Reel-To-Real: Intimate Audio Epistolarity During the Vietnam War Dissertation Presented in Partial Fulfillment of the Requireme
Reel-to-Real: Intimate Audio Epistolarity During the Vietnam War Dissertation Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Matthew Alan Campbell, B.A. Graduate Program in Music The Ohio State University 2019 Dissertation Committee Ryan T. Skinner, Advisor Danielle Fosler-Lussier Barry Shank 1 Copyrighted by Matthew Alan Campbell 2019 2 Abstract For members of the United States Armed Forces, communicating with one’s loved ones has taken many forms, employing every available medium from the telegraph to Twitter. My project examines one particular mode of exchange—“audio letters”—during one of the US military’s most trying and traumatic periods, the Vietnam War. By making possible the transmission of the embodied voice, experiential soundscapes, and personalized popular culture to zones generally restricted to purely written or typed correspondence, these recordings enabled forms of romantic, platonic, and familial intimacy beyond that of the written word. More specifically, I will examine the impact of war and its sustained separations on the creative and improvisational use of prosthetic culture, technologies that allow human beings to extend and manipulate aspects of their person beyond their own bodies. Reel-to-reel was part of a constellation of amateur recording technologies, including Super 8mm film, Polaroid photography, and the Kodak slide carousel, which, for the first time, allowed average Americans the ability to capture, reify, and share their life experiences in multiple modalities, resulting in the construction of a set of media-inflected subjectivities (at home) and intimate intersubjectivities developed across spatiotemporal divides. -
Complete Band and Panel Listings Inside!
THE STROKES FOUR TET NEW MUSIC REPORT ESSENTIAL October 15, 2001 www.cmj.com DILATED PEOPLES LE TIGRE CMJ MUSIC MARATHON ’01 OFFICIALGUIDE FEATURING PERFORMANCES BY: Bis•Clem Snide•Clinic•Firewater•Girls Against Boys•Jonathan Richman•Karl Denson•Karsh Kale•L.A. Symphony•Laura Cantrell•Mink Lungs• Murder City Devils•Peaches•Rustic Overtones•X-ecutioners and hundreds more! GUEST SPEAKER: Billy Martin (Medeski Martin And Wood) COMPLETE D PANEL PANELISTS INCLUDE: BAND AN Lee Ranaldo/Sonic Youth•Gigi•DJ EvilDee/Beatminerz• GS INSIDE! DJ Zeph•Rebecca Rankin/VH-1•Scott Hardkiss/God Within LISTIN ININ STORESSTORES TUESDAY,TUESDAY, SEPTEMBERSEPTEMBER 4.4. SYSTEM OF A DOWN AND SLIPKNOT CO-HEADLINING “THE PLEDGE OF ALLEGIANCE TOUR” BEGINNING SEPTEMBER 14, 2001 SEE WEBSITE FOR DETAILS CONTACT: STEVE THEO COLUMBIA RECORDS 212-833-7329 [email protected] PRODUCED BY RICK RUBIN AND DARON MALAKIAN CO-PRODUCED BY SERJ TANKIAN MANAGEMENT: VELVET HAMMER MANAGEMENT, DAVID BENVENISTE "COLUMBIA" AND W REG. U.S. PAT. & TM. OFF. MARCA REGISTRADA./Ꭿ 2001 SONY MUSIC ENTERTAINMENT INC./ Ꭿ 2001 THE AMERICAN RECORDING COMPANY, LLC. WWW.SYSTEMOFADOWN.COM 10/15/2001 Issue 735 • Vol 69 • No 5 CMJ MUSIC MARATHON 2001 39 Festival Guide Thousands of music professionals, artists and fans converge on New York City every year for CMJ Music Marathon to celebrate today's music and chart its future. In addition to keynote speaker Billy Martin and an exhibition area with a live performance stage, the event features dozens of panels covering topics affecting all corners of the music industry. Here’s our complete guide to all the convention’s featured events, including College Day, listings of panels by 24 topic, day and nighttime performances, guest speakers, exhibitors, Filmfest screenings, hotel and subway maps, venue listings, band descriptions — everything you need to make the most of your time in the Big Apple. -
Sparklehorse Founder Made Haunting Music Page 1 of 2
Print Article: Sparklehorse founder made haunting music Page 1 of 2 Print this article | Close this window Sparklehorse founder made haunting music Published: March 13, 2010 - 3:00AM Mark Linkous created fractured songs that told of Advertisement sparrows, ''painbirds'' and junebugs; fabulous meditations on the beauty and impermanence of life. The American singer-songwriter, who has killed himself aged 47, worked with the Flaming Lips, Daniel Johnston and Danger Mouse, but is best known for the spectral country-folk music he recorded as Sparklehorse. His songs were infused with a strong sense of intimacy and place, chronicling what he called ''the dangerous, spooky part of the south''. Frederick Mark Linkous was born into a coalmining family in Arlington, Virginia on September 9, 1962. His musical epiphany came through hearing the Animals' House of the Rising Sun , a sensation he described as ''louder than a dirt bike''. In his youth, he began absorbing the regional country sounds of George Jones and the Stanley Brothers, before falling in love with punk acts such as the Sex Pistols and the Damned. By the time he was 12, his parents had divorced. He went to high school in Charlottesville and became, by his own admission, a ''juvenile delinquent''. In his late teens, Linkous and his band, the Dancing Hoods, lit out for New York and Los Angeles, but after two unsuccessful albums - 12 Jealous Roses (1986) and Hallelujah Anyway (1988) - he returned, disillusioned, to Virginia. Hearing Tom Waits's album Swordfishtrombones inspired Linkous to start afresh. He formed the Johnson Family, a band that played only ''300-year-old Irish songs'' and began fashioning new tracks with the same purity of spirit as those old-time tunes. -
FEBRUARY 9, 2018 Featuring: TYRRANICIDE SEX PRISONER / HARMS DONE SIX BREW BANTHA VARIOUS ARTISTS: to Live a Lie Volume III
NEW RELEASES FOR FEBRUARY 9, 2018 featuring: TYRRANICIDE SEX PRISONER / HARMS DONE SIX BREW BANTHA VARIOUS ARTISTS: To Live A Lie Volume III Exclusively Distributed by TYRRANICIDE God Save The Scene (Deluxe Edition), CD STREET DATE: FEBRUARY 9, 2018 INFORMATION: Artist Hometown: Pleasanton, CA Key Markets: Worldwide Metal Community For Fans of: THE ACCUSED, DR. KNOW, NO MERCY, CRYPTIC SLAUGHTER TYRRANICIDE originally formed on Halloween of 1984 in Pleasanton, CA under the name of Mayhem. The group eventually solidified its lineup of guitarists/vocalists Jeff Hill and Tim Narducci, drummer Mike Serafin, and Ty Turner on bass before being rechristened TYRRANICIDE prior to recording their first demo in 1986. Existing on the fringe of the fabled Bay Area thrash scene’s heyday, TYRRANICIDE rubbed elbows with everyone from future legends such as METALLICA and EXODUS, to second-wave favorites like SACRILEGE B.C. and ATTITUDE ADJUSTMENT. The band was initially adamant, however, that their thrashing attack not be pigeonholed as simply “speedcore” or “crossover,” desiring instead for their inclusive attitude to welcome a range of different fans. ARTIST: TYRRANICIDE TITLE: God Save The Scene After securing an appearance on the Metal Blade/Death Records Complete Death II compilation (Deluxe Edition) LP in 1987 alongside contemporaries from IMPULSE MANSLAUGHTER to ANGKOR WAT, LABEL: Divebomb Records TYRRANICIDE hit the studio in October of 1988 to track their lone full-length LP, God Save the CAT#: DIVE160-2 Scene. Recorded for a mere $800 and self-released through Hill’s own Whirling Dervish Records, FORMAT: CD the album would go on to become an influential force in the local scene with regard to the D.I.Y. -
The History of Rock Music - the Eighties
The History of Rock Music - The Eighties The History of Rock Music: 1976-1989 New Wave, Punk-rock, Hardcore History of Rock Music | 1955-66 | 1967-69 | 1970-75 | 1976-89 | The early 1990s | The late 1990s | The 2000s | Alpha index Musicians of 1955-66 | 1967-69 | 1970-76 | 1977-89 | 1990s in the US | 1990s outside the US | 2000s Back to the main Music page (Copyright © 2009 Piero Scaruffi) Singer-songwriters of the 1980s (These are excerpts from my book "A History of Rock and Dance Music") Female folksingers 1985-88 TM, ®, Copyright © 2005 Piero Scaruffi All rights reserved. Once the effects of the new wave were fully absorbed, it became apparent that the world of singer-songwriters would never be the same again. A conceptual mood had taken over the scene, and that mood's predecessors were precisely the Bob Dylans, the Neil Youngs, the Leonard Cohens, the Tim Buckleys, the Joni Mitchells, who had not been the most popular stars of the 1970s. Instead, they became the reference point for a new generation of "auteurs". Women, in particular, regained the status of philosophical beings (and not only disco-divas or cute front singers) that they had enjoyed with the works of Carole King and Joni Mitchell. Suzy Gottlieb, better known as Phranc (1), was the (Los Angeles-based) songwriter who started the whole acoustic folk revival with her aptly-titled Folksinger (? 1984/? 1985 - nov 1985), whose protest themes and openly homosexual confessions earned her the nickname of "all-american jewish-lesbian folksinger". She embodied the historic meaning of that movement because she was a punkette (notably in Nervous Gender) before she became a folksinger, and because she continued to identify, more than anyone else, with her post- feminist and AIDS-stricken generation in elegies such as Take Off Your Swastika (1989) and Outta Here (1991). -
David Magdael & Associates, Inc. Unrest
DAVID MAGDAEL & ASSOCIATES, INC. th 600 W. 9 Street, Suite 715 Los Angeles, CA 90015 Ofc: 213 624 7827 Fax: 213 488 0398 UNREST Directed by Jennifer Brea Produced by Jennifer Brea, Lindsey Dryden, Patricia E. Gillespie, and Alysa Nahmias Co-Producer - Anne Troldtoft Hjorth Executive Producer & Creative Advisor - Deborah Hoffmann Executive Producers - Ruth Ann Harnisch, Lisa Gunn, Donna Fairman Wilson, Dan Cogan, Ian Darling, Regina K. Scully, Lynda Weinman © 2017 Canary in a Coal Mine LLC TRT: 97 mins SALES CONTACT Preferred Content + 1 323 782 9193 Kevin Iwashina [email protected] Submarine Entertainment + 1 212 625 1410 Josh Braun [email protected] PRESS CONTACT David Magdael [email protected] Elisha Gustafson [email protected] UNREST Directed by Jennifer Brea LOGLINE When Harvard PhD student Jennifer Brea is struck down at 28 by a fever that leaves her bedridden, doctors tell her it’s “all in her head.” Determined to live, she turns her camera on herself and her community, a hidden world of millions confined to their homes and bedrooms by ME, commonly called chronic fatigue syndrome. SYNOPSIS Jennifer Brea is a Harvard PhD student about to marry the love of her life when she’s struck down by a fever that leaves her bedridden. Months before her wedding, she becomes progressively more ill, eventually losing the ability even to sit in a wheelchair. When doctors tell her it’s "all in her head," she goes online and finds a hidden world of millions confined to their homes and bedrooms by ME, commonly called chronic fatigue syndrome.