PDF (1.47 Mib)

Total Page:16

File Type:pdf, Size:1020Kb

PDF (1.47 Mib) M M M M M M M M M M M M M M M M M M M M M M M M セ M M M M M M M M M M M M M M M セ M M M M M M セ ...-----------..-- .......... - - - - -- - arcade OCTOBER 17 2008 • 12 the spirit of Cold War Kids. It's as iflead singer Nathan Willett is perpetually and sloppily inebriated, balanc- SU D Y continued ing on the precipice of drunken brilliance and drunken oblivion. His stage presence is controlled, but with a passion and fervor that's remarkable. still feminine voice lends powerful sound to every tune she tack- Their latest release (Loyalty to Loyalty, 2008) stays true to the foundation they built musically in 2006's Rob- les. The Vettes do carry around some '80s influence, but it's tem- bers and Cowards. Voodoo audiences are sure to be impressed with their set for this year's show. Count on a pered with a modern sensibility that saves the music from falling little bit of absurdity and a lot of indie brilliance. -AmyHoliday into kitsch-ville. Fans ofDepeche Mode, the Cranberries and New Wave music in general will dig the Vettes at this year's Voodoo Fest. Known for its showmanship and manic energy, the band is certain to put on a kickass live show. Don't miss the ethereal meandering of 1:50-2:50 at Playstation/Billboard.com stage "Flame" on Voodoo Fest's main Web site. - F.G. Lupe Fiasco has been showing New Orleans a lot oflove lately, speaking at. last year's Hip Hop for Hope community forum and now taking the stage again at this year's Voodoo fest. Originally from Chicago, ill., Lupe first introduced himself to the music world in 2006 when his critically acclaimed album Food & Liquor was released. He surprised local fans again that year, per- 12:00-12:50 at Playstation/Billboard.com stage forming with Kanye West at Lollapalooza. He returned to Chicago again this past summer, playing at Lollapalooza - this time without having to share a stage with Kanye. Lupe consistently puts on a great show and is a crowd pleaser, playing not only his most re- cent releases, but old favorites as well. - Clare Austen-Smith 4:30-5:30 at Bingo! Parlour stage Formed in 1981 by Gibby Haynes and Paul Leary, The Butthole Surfers are still going strong over 20 years later. Their music combines punk rock. clectron- ica and heavy metal and also relies on sound manipulation to create a unique brand of music - really, there isn't anything to compare it to. Relatively low on the radar of mainstream music, only one of their albums has gone gold and their single "Pepper; released in 1996, is the only one to date that has reached the number one spot on Billboard's Modem Rock Top 100 chart. Don't let that deter you from check- ing them out - they're known for chaotic high-energy shows and do not look to dis- appoint at this year's Voodoo Fest. - CAS. I 5:35-6:35 at WWOZ/SoCo stage Tokyo Police Club released its debut album, Elephant Shell, earlier this year to significant accJaim. The record breathes new life in•o the indie music genre \\rith quick moving rhythms and clean vocals from frontman Dave Monks. The Canadian natives combine some of the edgier elements of The Strokes \\rith a few melodies that echo The Killers. Almost all of their songs are under the three-min- ute mark, but still manage to make lasting impressions, \\ith notable tracks like "Tessellate," "Nature of the Experiment" and "In a Cave." The band got their start pla)ing smaller clubs and music festivals, eventually garnering enough attention to earn a gig on "The David Letterman Show" in 2007. Tokyo Police Club has spent the last month touring with \Veezer. - B.C. R&B bves, and the proof 12:20-1:50 at Voodoo stage is in the eJi.-plo- It was 2007 that saw the launching of Cold War Kids to legitimate international fame. Once "Hang Me Up sive sounds of To Dry", was introduced worldwide, this four-man band from California made a splash in the realm of indie Sharon Jones rock. and the Dap Anxious punk lyrics. spare drums and European polka characterize their sound. Their influences indude Kings, who the Black Keys. \'\'1tite Stripes and Jeff Buckley. Swaggei-,jagged and loose are all words that seem to embody proudly carrr on the funky sounds of the '70s. The Brooklyn band took otfin 2005 and has been touring the nation eveT since, rising on the reputation of their awesome funk and R&"B music and the electric energ·f of their stage show. They arc retro and proud ofit, even recording their studio music with analog instead of digi- tal methods. Jones' voice is the epitome of female power: she's got enough soul for everyone in the audience. James Brown devotees absolutely can't miss this act. Check out the independent fire of WNobody's b 。 「 ケ セ and the resigned, evocative soul ofwHumble m ・ セ - F.G. 7:10-9:00 at Voodoo stage R.E.M. is a group right out of the '80s, with three middle-aged men singing about the en- vironment and politics through folksy rock ballads. And while they may seem out of place at this year's Voodoo Fest, R.F 1. is sure to compensate \\rith its musical quirkiness. Although it'll surely be the end of the world (as we know it) if R.E.M. ever produces an al- bum like the famous self-titled R.E.M from 1987, their latest release (Acceleration, March 2008) shows signs of the same kind ofinward lyrical aggression. It's hinged on political pas- sions with emotional turmoil, and the sound is more ominous and acoustic than ever be- fore. Although the original drummer Bill Ber- ry will be absent, rest assured that they will still deliver a noteworthy performance. Blend together the musical angst of a couple of old guys, a whole bunch of sloppy drunk specta- tors and a recent album release and you've got yourself a show. - AH. PHOTO\..,Cl()( ..-.l!Q' r o w t o p ャ N l f t N セ t t s ャ Of Ml G N G ャ エ N ャ Z s c j ャ G セ s i k w N M N M ゥ N rn"- オ ョ Z ョ G M セ ᄋ LU •A k T M G | i ヲ イ v d N | N セ i ILLC"O&Dlt, w t c a セ Z ウ N N 」 ュ ャ FOR HIRE www. Needed: the Part & Full Time Workers BCBG Generation • French Connection Please apply in person. hull Vava Voom •Trinity • Miss Me Uptown aba Costume loo 5926 magazine street • 504.302.1176 4326 Magazine St. & New Orleans, LA 70115 Dance 504.895.7969 .com{:} ' ' .
Recommended publications
  • Crew of Seven Changes Future for Better “Why Can’T We All Just Get Along?” by Rofkens Petit-Homme Choctawahatchee High School
    Official Student Media of Valencia Community College NEWS OPINION FEATURES SPORTS February 2, 2011 VOLUME 11 • ISSUE 3 VALENCIAVOICE.COM Crew of seven changes future for better “Why can’t we all just get along?” By Rofkens Petit-Homme Choctawahatchee High School. He Pg. # [email protected] Challenger anniversary signifies more than a loss and a few others are focused on the future of space education. Family, friends, and members of Engineers For America Program the aeronautics community joined is an innovative elementary school together to celebrate the lives of seven initiative that promotes science, incredible explorers: Gregory B. technology, engineering and Jarvis, S. Christa McAuliffe, Ronald mathematics, or STEM, a basic E. McNair, Ellison S. Onizuka, education through hands-on flight, Francis ‘Dick’ Scobee, Michael J. aviation and aerospace activities. Smith, and Judith A. Resnik. As the recipient of the Alan These seven astronauts were the Shepard Technology in Education flight crew of the Challenger STS 51- Award he had this to say, “Teaching L. Tragically, while the shuttle lifted these kids cannot wait until Berkley professor off the platform on Jan. 28, 1986, from tomorrow; it was supposed to be discusses world peace Cape Canaveral Florida, the shuttle done yesterday.” Pg. # malfunctioned and took the lives of With a wreath reading “In all seven passengers with it. memory of Challenger” placed in The nation watched in front of the Space Mirror Memorial amazement as the Challenger established in 1991, family, friends, reached for the skies only to be and members of the aeronautics stopped midway and turned into a Breanne Murphy / Valencia Voice community placed roses in front of Dr.
    [Show full text]
  • J. Dennis Thomas. Concert and Live Music Photography. Pro Tips From
    CONCERT AND LIVE MUSIC PHOTOGRAPHY Pro Tips from the Pit J. DENNIS THOMAS Focal Press is an imprint of Elsevier 225 Wyman Street, Waltham, MA 02451, USA The Boulevard, Langford Lane, Kidlington, Oxford, OX5 1GB, UK © 2012 Elsevier Inc. Images copyright J. Dennis Thomas. All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or any information storage and retrieval system, without permission in writing from the publisher. Details on how to seek permission, further information about the Publisher’s permissions policies and our arrangements with organizations such as the Copyright Clearance Center and the Copyright Licensing Agency, can be found at our website: www.elsevier.com/permissions. This book and the individual contributions contained in it are protected under copyright by the Publisher (other than as may be noted herein). Notices Knowledge and best practice in this field are constantly changing. As new research and experience broaden our understanding, changes in research methods, professional practices, or medical treatment may become necessary. Practitioners and researchers must always rely on their own experience and knowledge in evaluating and using any information, methods, compounds, or experiments described herein. In using such information or methods they should be mindful of their own safety and the safety of others, including parties for whom they have a professional responsibility. To the fullest extent of the law, neither the Publisher nor the authors, contributors, or editors, assume any liability for any injury and/or damage to persons or property as a matter of products liability, negligence or otherwise, or from any use or operation of any methods, products, instructions, or ideas contained in the material herein.
    [Show full text]
  • Jennifer Hudson SEPTEMBER 3 0 OCTOBER OCTOBER 7 OCTOBER
    Jennifer Hudson Chemical" and "No News Is Bad News." "It's a nice marriage of where I've come from and where I've gotten to. For me, it's the "I think people will be pleasantly surprised, because it shows a track that ties all the ends together," he says of the latter. side of my work that no one has heard before," Jennifer Hudson says of her long -in- the -works debut. First single "Spotlight," Xtreme penned by Ne -Yo, is top 40 on Billboard's Hot R &B /Hip -Hop TBA (Universal) Songs chart after seven weeks. While a follow -up hasn't been The Bronx urban bachata duo's breakout, " Haciendo Historia," chosen, some tracks in contention are the Timbaland- produced has sold 125,000 copies in the United States and Puerto Rico, ac- "Pocketbook" featuring Ludacris and "Can't Stop the Rain," also cording to Nielsen SoundScan, and spawned hits "Shorty Shorty" written by Ne -Yo. Additional contributors to the and "No Me Digas Que No." Steve Styles and Danny D. (the for- album include Robin Thicke, the Under- mer won an AS CAP Latino Award this year for penning "Shorty dogs, Diane Warren, Christopher Shorty") are producing and writing their follow -up with produc- "Tricky" Stewart and Jack ers Sergio George, George Zamora and manager Ben de Jesus. Splash. R. Kelly and Akon It's "still within the urban bachata realm but a little more tradi- are expected to con- tional," de Jesus says. Referencing everything from salsa to clas- tribute as well. sic Dominican bachata to hip -hop and Sean Kingston, "the fusion is going even deeper between modern and retro," he says.
    [Show full text]
  • Statement from CIMA on Changes to LMO Process for Temporary
    August 29, 2013 The Hon. Jason Kenney Minister of Employment and Social Development Human Resources and Skills Development Canada Office of the Minister of ESDC 140 Promenade du Portage Gatineau, Quebec K1A 0J9 The Hon. Chris Alexander Minister of Citizenship and Immigration Department of Citizenship and Immigration Canada 365 Laurier Avenue West Ottawa, Ontario K1A 1L1 Dear Ministers: On behalf of the Canadian Independent Music Association (CIMA), I would like to draw your attention to a matter of utmost importance to the Canadian music industry. Specifically, I am referring to recent regulatory changes made to the Temporary Foreign Worker Program, and in particular to how those changes will now impact the domestic music industry. This is a matter of some urgency and importance, as it has both a direct and indirect effect on the entire ecosystem of the Canadian-owned industry – a community of small businesses from coast to coast to coast. In a nutshell, the changes to the regulations will significantly increase costs for Canadian booking agents, promoters, managers or those venues who book international artists to perform in bars and restaurants across Canada. This new, non-refundable fee of $275 per musician and those travelling with the band to get a Labour Market Opinion (LMO) will do tremendous harm to the domestic music industry. We are confident that this impact is an unintended consequence of your government’s recent changes to the Temporary Foreign Worker Program, but it is one that will lead to a loss of jobs and a loss of economic opportunity (domestically and internationally) for the broader Canadian music industry.
    [Show full text]
  • Sophomore Class Council Hosts 'Jeopardy!'
    THE INDEPENDENT TO UNCOVER NEWSPAPER SERVING THE TRUTH NOTRE DAME AND AND REPORT SAINT Mary’s IT ACCURATELY VOLUME 47, ISSUE 110 | WEDNESDAY, MARCH 26, 2014 | NDSMCOBSERVER.COM Sophomore Class Council hosts ‘Jeopardy!’ battle Students are tested on an array of facts to prove who is the master of trivia at Notre Dame By KATIE McCARTY Notre Dame’s academic and News Writer artistic culture and to foster conversation between students The Sophomore Class Council and professors,” Sanok said. “As (SCC) is hosting a three-day a team, SCC and the education Jeopardy! tournament this committee decided to host a week, and so far sophomore Jeopardy! tournament because class president Jake Grefenstette it is a fun event that stimulates said the competition has been the mind and showcases some tough. of the amazing intellectual tal- “We were really impressed by ent of Notre Dame students.” the competitors’ knowledge of Sanok said the semi-finals ridiculous facts during the first took place Tuesday, and the fi- round,” Grefenstette said. nal rounds would take place Sophomore Brittany Sanok, a Wednesday. member of the SCC education “We had a preliminary exam committee, said the SCC decid- on March 5 and over 100 stu- ed the host the event because of dents showed up to take the the committee’s dedication to exam,” Sanok said. “Our plan fostering academic involvement was to take one person from on campus. each dorm [however, three MICHAEL YU | The Observer “Two of SCC’s most important Students compete in the three-day Jeopardy! event, hosted by the Sophomore Class Council.
    [Show full text]
  • Leon Bridges Black Moth Super Rainbow Melvins
    POST MALONE ELEANOR FRIEDBERGER LORD HURON MELVINS LEON BRIDGES BEERBONGS & BENTLEYS REBOUND VIDE NOIR PINKUS ABORTION TECHNICIAN GOOD THING REPUBLIC FRENCHKISS RECORDS REPUBLIC IPECAC RECORDINGS COLUMBIA The world changes so fast that I can barely remember In contrast to her lauded 2016 album New View, Vide Noir was written and recorded over a two Featuring both ongoing Melvins’ bass player Steven Good Thing is the highly-anticipated (to put it lightly) life pre-Malone… But here we are – in the Future!!! – and which she arranged and recorded with her touring years span at Lord Huron’s Los Angeles studio and McDonald (Redd Kross, OFF!) and Butthole Surfers’, follow-up to Grammy nominated R&B singer/composer Post Malone is one of world’s unlikeliest hit-makers. band, Rebound was recorded mostly by Friedberger informal clubhouse, Whispering Pines, and was and occasional Melvins’, bottom ender Jeff Pinkus on Leon Bridges’ breakout 2015 debut Coming Home. Beerbongs & Bentleys is not only the raggedy-ass with assistance from producer Clemens Knieper. The mixed by Dave Fridmann (The Flaming Lips/MGMT). bass, Pinkus Abortion Technician is another notable Good Thing Leon’s takes music in a more modern Texas rapper’s newest album, but “a whole project… resulting collection is an entirely new sound for Eleanor, Singer, songwriter and producer Ben Schneider found tweak in the prolific band’s incredible discography. direction while retaining his renowned style. “I loved also a lifestyle” which, according to a recent Rolling exchanging live instrumentation for programmed drums, inspiration wandering restlessly through his adopted “We’ve never had two bass players,” says guitarist / my experience with Coming Home,” says Bridges.
    [Show full text]
  • Mtv and Transatlantic Cold War Music Videos
    102 MTV AND TRANSATLANTIC COLD WAR MUSIC VIDEOS WILLIAM M. KNOBLAUCH INTRODUCTION In 1986 Music Television (MTV) premiered “Peace Sells”, the latest video from American metal band Megadeth. In many ways, “Peace Sells” was a standard pro- motional video, full of lip-synching and head-banging. Yet the “Peace Sells” video had political overtones. It featured footage of protestors and police in riot gear; at one point, the camera draws back to reveal a teenager watching “Peace Sells” on MTV. His father enters the room, grabs the remote and exclaims “What is this garbage you’re watching? I want to watch the news.” He changes the channel to footage of U.S. President Ronald Reagan at the 1986 nuclear arms control summit in Reykjavik, Iceland. The son, perturbed, turns to his father, replies “this is the news,” and lips the channel back. Megadeth’s song accelerates, and the video re- turns to riot footage. The song ends by repeatedly asking, “Peace sells, but who’s buying?” It was a prescient question during a 1980s in which Cold War militarism and the nuclear arms race escalated to dangerous new highs.1 In the 1980s, MTV elevated music videos to a new cultural prominence. Of course, most music videos were not political.2 Yet, as “Peace Sells” suggests, dur- ing the 1980s—the decade of Reagan’s “Star Wars” program, the Soviet war in Afghanistan, and a robust nuclear arms race—music videos had the potential to relect political concerns. MTV’s founders, however, were so culturally conserva- tive that many were initially wary of playing African American artists; addition- ally, record labels were hesitant to put their top artists onto this new, risky chan- 1 American President Ronald Reagan had increased peace-time deicit defense spending substantially.
    [Show full text]
  • A FREE EDUCATION CAN BE a COSTLY MATTER Back to School Supply Lists Can Break the Bank - Page 3 Page 2 • Thursday, August 3, 2017 the Monett Times Midweek
    GOOD OLD DAYS PAGE 2 | GO GUIDE PAGE 4 | DEAR ABBY/COMICS PAGE 8 | CLASSIFIEDS PAGE 10 FREE DISTRIBUTION TO MORE THAN 8,000 LOCAL RESIDENTS THURSDAY, AUGUST 3, 2017 VOLUME 4, ISSUE 31 THE MONETT TIMES MidweekMONETT SHOPPER Serving Barry and Lawrence County, Mo., since 1899 A FREE EDUCATION CAN BE A COSTLY MATTER Back to school supply lists can break the bank - PAGE 3 Page 2 • Thursday, August 3, 2017 THE MONETT TIMES MIDWEEK BACK IN THE GOOD OLD DAYS EIGHTY YEARS AGO by the American Legion Aug. 6-12, 1937 and the Jaycees. Bucking • Grading on County horses, Brahman bulls, Road street, Marshall roping calves, bulldog- Hill, has been completed ging steers and horses, and material for black- plus more than 20 cow- topping is being placed boys, began arriving on the road side. Rock at the beginning of the and clay for the road week. bed is being taken out SIXTY YEARS AGO of a bank on the Dan Aug. 6-12, 1957 Lautaret farm two miles • Taking action a east and a mile north of month after receiving the high school. A four- a citizens’ petition, the inch compact base of clay Monett City Council and gravel will be laid directed City Attorney and rolled on the 20-foot Edward V. Sweeney to road. Then one and a half notify property owners inches of tarvia and grav- using outside privies to Farmers are known for getting by with what they have, even if it’s hardly the latest or best way to do the job.
    [Show full text]
  • Recess Activities, Inc. Presents Gibby Haynes Paintings
    FOR IMMEDIATE RELEASE Recess Activities, Inc. Presents Gibby Haynes Paintings April 26 - June 1, 2011 Red Hook, Brooklyn, April 26, 2011—Gibby Haynes will begin two months of work at Recess’s new Brooklyn outpost as part of its signature program, Session. Haynes’ project will be the second iteration of Recess’s collaboration with Charlotte Kidd and Dustin Yellin from Kidd Yellin Studios in Red Hook. Recess’s original location at 41 Grand Street in SoHo will remain open; both spaces will be free and open to the public. During his premiere US solo presentation, Haynes will adapt the residency room at Kidd Yellin into a production studio for a series of abstract, geometric paintings. Known for his work as a musician in the group Butthole Surfers, Haynes will translate his intimate relationship with sound and the hardcore movement into visual vocabulary. On eight-foot square canvases, the artist will use bold, contrasting colors issuing from the center in echoing circles. Revolving like a record, the canvas becomes vinyl and the paint etches vibration. About the Artist: Gibby Haynes is an American musician, radio personality, painter and the lead singer of the group Butthole Surfers. He received a BA from Trinity University. His work has been featured in exhibitions at Robert Berman Gallery in Santa Monica California and The Station in Houston Texas. Haynes currently lives in Brooklyn, New York with his wife, Melissa, their daughter, and their Westie. Recess Activities at Kidd Yellin 133 Imlay Street Brooklyn, NY .
    [Show full text]
  • Supervision and Ethics
    periodical for professional exchange and networking European Journal for Supervision and Coaching Supervision and Ethics Role of ethics in creating supervision a safe place Maca Cicak & Kristina Urbanc How to develop supervisors’ ethical reasoning? Liisa Raudsepp & Helena Ehrenbusch Work clothes of a supervisor Attila Szarka Volume 4 - 2020 - Issue 2 Index Page Sijtze de Roos Autumn 2020 3 Column Gerian Dijkhuizen Hers not mine 5 Articles Maca Cicak & Kristina Urbanc Role of ethics in creating supervision a safe place 6 Jean-Paul Munsch Towards Mastery 14 Liisa Raudsepp & Helena Ehrenbusch How to develop supervisors’ ethical reasoning? 17 Hans Bennink Multiple loyalties of professionals in organizations 21 Daniel Trepsdorf Supervision with ‘far right-wing individuals in a group setting’ 28 Christof Arn Ethics of Consultancy 34 A Practical Overview Attila Szarka Work clothes of a supervisor 38 Ineke Riezebos Playful Professional 42 The use of a visual work form in supervision and coaching Ulrike Mathias-Wiedemann Book review: supervision put to the test 46 Gerian Dijkhuizen Interview Ioseba Guillermo 51 ANSE JOURNAL 2 VOLUME 4 - 2020 - ISSUE 2 Autumn 2020 ■ Sijtze de Roos Trust, it would appear, is no longer self-evident. In the measure their own codes of conduct, ethical guideli- past, so they say, people ‘knew their place’ and more or nes and general moral principles. Its main purpose is to less blindly trusted and followed the leaders of their parti- challenge supervisors and their professional associations cular social group, class or political party. Nowadays trust all over Europe to always act according to moral require- seems to have turned into work.
    [Show full text]
  • Radio Essentials 2012
    Artist Song Series Issue Track 44 When Your Heart Stops BeatingHitz Radio Issue 81 14 112 Dance With Me Hitz Radio Issue 19 12 112 Peaches & Cream Hitz Radio Issue 13 11 311 Don't Tread On Me Hitz Radio Issue 64 8 311 Love Song Hitz Radio Issue 48 5 - Happy Birthday To You Radio Essential IssueSeries 40 Disc 40 21 - Wedding Processional Radio Essential IssueSeries 40 Disc 40 22 - Wedding Recessional Radio Essential IssueSeries 40 Disc 40 23 10 Years Beautiful Hitz Radio Issue 99 6 10 Years Burnout Modern Rock RadioJul-18 10 10 Years Wasteland Hitz Radio Issue 68 4 10,000 Maniacs Because The Night Radio Essential IssueSeries 44 Disc 44 4 1975, The Chocolate Modern Rock RadioDec-13 12 1975, The Girls Mainstream RadioNov-14 8 1975, The Give Yourself A Try Modern Rock RadioSep-18 20 1975, The Love It If We Made It Modern Rock RadioJan-19 16 1975, The Love Me Modern Rock RadioJan-16 10 1975, The Sex Modern Rock RadioMar-14 18 1975, The Somebody Else Modern Rock RadioOct-16 21 1975, The The City Modern Rock RadioFeb-14 12 1975, The The Sound Modern Rock RadioJun-16 10 2 Pac Feat. Dr. Dre California Love Radio Essential IssueSeries 22 Disc 22 4 2 Pistols She Got It Hitz Radio Issue 96 16 2 Unlimited Get Ready For This Radio Essential IssueSeries 23 Disc 23 3 2 Unlimited Twilight Zone Radio Essential IssueSeries 22 Disc 22 16 21 Savage Feat. J. Cole a lot Mainstream RadioMay-19 11 3 Deep Can't Get Over You Hitz Radio Issue 16 6 3 Doors Down Away From The Sun Hitz Radio Issue 46 6 3 Doors Down Be Like That Hitz Radio Issue 16 2 3 Doors Down Behind Those Eyes Hitz Radio Issue 62 16 3 Doors Down Duck And Run Hitz Radio Issue 12 15 3 Doors Down Here Without You Hitz Radio Issue 41 14 3 Doors Down In The Dark Modern Rock RadioMar-16 10 3 Doors Down It's Not My Time Hitz Radio Issue 95 3 3 Doors Down Kryptonite Hitz Radio Issue 3 9 3 Doors Down Let Me Go Hitz Radio Issue 57 15 3 Doors Down One Light Modern Rock RadioJan-13 6 3 Doors Down When I'm Gone Hitz Radio Issue 31 2 3 Doors Down Feat.
    [Show full text]
  • Vol. XX No. 1 "You Don't Want the Roni! You Can't Handle the Roni!" September 9, .Wrwpra - -- -R-- -- -Agaa-~ P I R~C· Af~ 1~~-- ~ Rers - -A -- Ra a I IWT ~~A - Apy-L
    Vol. XX No. 1 "You Don't Want The Roni! You Can't Handle The Roni!" September 9, .wrwpra - -- -R-- -- -agaa-~ P I R~C· aF~ 1~~-- ~ rers - -a -- ra a I IWT ~~a - apY-L t:'e '·'·'· ~~ R '''' """ :·~ ·:·tt.· ISSUES nni/ilS~~And rt AOi^ : : *;' *.:> v:...... ........ gunted riot p( qsque in oacKgrouna ..i.... '.. iiiiii^ I I LLtCfl oreaK jor"ca jatll v at me marcn 1Vi '4~ 4 iiiii:iiii::::iiiiiiji:i ii ... ..•" .'.:..i•.. ...... -. ' t.:. ....... ---.-, ?7 .""" i r ii~i~i :C: t3i;i! i: c &· :I ::. i 3~ k / he riot police Keaay for --- Photos and text by Daniel Yohannes S Flippin' a I , THE STONY BROOK PRESS PAGE 2 bYIP~ II C ---~---I-- - It~LP~ - -- 1L-- -- llp~lL4~b-~ , ~_ --e~c- , ~ I ~ ~ ----- --- - I Ir ISSUES By Daniel Yohannes varied from reminders of the need for better educa- Donations were solicited from the crowd. tion for youth, to the dangers of drugs, AIDS, and "We gotta put some green in this black machine," It was billed as the Million Youth March police brutality. The first major issue raised was that organizers said. Money was passed through many by its organizers, and a poorly-organized, prob- of reparations. Marchers were told that a man hands to a central collection point and thrown lem-causing, hate march by its critics. It was nei- named Silas Muhammad had appeared before a from overlooking windows. Crowds cheered as ther of these things. There were nowhere near a subcommittee of the United Nations Human Rights money seemed to fall from the sky.
    [Show full text]