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Urzine “Sparklehorse”
Aline Giordano interviews Mark Linkous from Sparklehorse in Portsmouth for Uzine ... Page 1 of 3 - Sparklehorse - .:: Portsmouth, Wedgewood Rooms - UK- 01 October 2006 ::. Interview by Aline Giordano If you are a regular reader of Uzine, you would have already guessed it… I turned up un- announced at the Wedgewood Rooms, Portsmouth. A few technicians were keeping busy… I looked around me and a chap came to me with a big smile on his face. I took the opportunity to introduce myself and asked if I could interview Mark Linkous. The chap who happened to be Sparklehorse's Tour Manager told me that Mark had not planned on doing interviews, but very kindly offered to ask the man himself if by any chance he would be willing to change his mind.So I sat and waited, and watched the preparations for the concert… I watched people walking back and forth, being relaxed, sorting out their gear, smiling at me, one member of the party had his little girl with him and they were having much fun checking out the xylophone. I thought that this must be the new clean world of Mark Linkous. The fact that I mentioned interviewing Vic Chesnutt and Richmond Fontaine certainly helped, because he came to greet me and agreed to do a short interview.I had prepared enough questions to last me an hour, but I had agreed for a 10 minute interview and I did not want to abuse Mark's generosity. In the end we talked for 25 minutes. As I'm writing up the interview, a few good weeks have passed since I met with Mark, and I can still clearly remember how Mark walked with his limp, how he slowly lit up his cigarettes and how gentle his voice sounded. -
The Devil and Daniel Johnston Discussion Guide
www.influencefilmclub.com The Devil and Daniel Johnston Discussion Guide Director: Jeff Feuerzeig Year: 2005 Time: 110 min You might know this director from: Half Japanese: The Band That Would Be King (1993) FILM SUMMARY THE DEVIL AND DANIEL JOHNSTON is not a straightforward biographical tale of a madman genius. This manic- depressive escapade has two protagonists, those spelled out in the title itself. Daniel Johnston, the child-like man, the artist, the musician, the living legend, the genius wordsmith with a direct line to the heart. And the Devil, that evil that haunts his mind, the dark tendencies of his mental illness, the forces that motivate him to beat a friend over the head with a metal bar or pull the keys out of the ignition of a mid-air plane. Director Feuerzeig spent four years piecing together 110-minutes of raw, unfettered footage. Rather than using present-day Daniel as the film’s narrator, he chose to feature little of his modern-day persona. Instead he turned to the stockpile of cassettes and videos at his disposal, complete with Daniel’s daily meanderings, disjointed thoughts, and heart-wrenching melodies to narrate this tale of an incredible soul who to this day writes songs, paints pictures, and struggles to manage his discombobulated mind. Daniel Johnston’s artistic output is prolific, to say the least and THE DEVIL AND DANIEL JOHNSTON makes great use of this man’s vast supply of film footage, cassette recordings, and original artwork, intermingling these relics alongside interviews from the cast of characters who have populated Daniel’s winding road through life. -
Sparklehorse Founder Made Haunting Music Page 1 of 2
Print Article: Sparklehorse founder made haunting music Page 1 of 2 Print this article | Close this window Sparklehorse founder made haunting music Published: March 13, 2010 - 3:00AM Mark Linkous created fractured songs that told of Advertisement sparrows, ''painbirds'' and junebugs; fabulous meditations on the beauty and impermanence of life. The American singer-songwriter, who has killed himself aged 47, worked with the Flaming Lips, Daniel Johnston and Danger Mouse, but is best known for the spectral country-folk music he recorded as Sparklehorse. His songs were infused with a strong sense of intimacy and place, chronicling what he called ''the dangerous, spooky part of the south''. Frederick Mark Linkous was born into a coalmining family in Arlington, Virginia on September 9, 1962. His musical epiphany came through hearing the Animals' House of the Rising Sun , a sensation he described as ''louder than a dirt bike''. In his youth, he began absorbing the regional country sounds of George Jones and the Stanley Brothers, before falling in love with punk acts such as the Sex Pistols and the Damned. By the time he was 12, his parents had divorced. He went to high school in Charlottesville and became, by his own admission, a ''juvenile delinquent''. In his late teens, Linkous and his band, the Dancing Hoods, lit out for New York and Los Angeles, but after two unsuccessful albums - 12 Jealous Roses (1986) and Hallelujah Anyway (1988) - he returned, disillusioned, to Virginia. Hearing Tom Waits's album Swordfishtrombones inspired Linkous to start afresh. He formed the Johnson Family, a band that played only ''300-year-old Irish songs'' and began fashioning new tracks with the same purity of spirit as those old-time tunes. -
David Magdael & Associates, Inc. Unrest
DAVID MAGDAEL & ASSOCIATES, INC. th 600 W. 9 Street, Suite 715 Los Angeles, CA 90015 Ofc: 213 624 7827 Fax: 213 488 0398 UNREST Directed by Jennifer Brea Produced by Jennifer Brea, Lindsey Dryden, Patricia E. Gillespie, and Alysa Nahmias Co-Producer - Anne Troldtoft Hjorth Executive Producer & Creative Advisor - Deborah Hoffmann Executive Producers - Ruth Ann Harnisch, Lisa Gunn, Donna Fairman Wilson, Dan Cogan, Ian Darling, Regina K. Scully, Lynda Weinman © 2017 Canary in a Coal Mine LLC TRT: 97 mins SALES CONTACT Preferred Content + 1 323 782 9193 Kevin Iwashina [email protected] Submarine Entertainment + 1 212 625 1410 Josh Braun [email protected] PRESS CONTACT David Magdael [email protected] Elisha Gustafson [email protected] UNREST Directed by Jennifer Brea LOGLINE When Harvard PhD student Jennifer Brea is struck down at 28 by a fever that leaves her bedridden, doctors tell her it’s “all in her head.” Determined to live, she turns her camera on herself and her community, a hidden world of millions confined to their homes and bedrooms by ME, commonly called chronic fatigue syndrome. SYNOPSIS Jennifer Brea is a Harvard PhD student about to marry the love of her life when she’s struck down by a fever that leaves her bedridden. Months before her wedding, she becomes progressively more ill, eventually losing the ability even to sit in a wheelchair. When doctors tell her it’s "all in her head," she goes online and finds a hidden world of millions confined to their homes and bedrooms by ME, commonly called chronic fatigue syndrome. -
Thesis Writing Deliverables (Pdf)
DEFENSE SPEECH Discovering and listening to music has always been my biggest passion in life and my primary way of coping with my emotions. I think its main appeal to me since childhood has been the comfort it brings in knowing that at some point in time, another human felt the same thing as me and was able to survive and express it by making something beautiful. For my project, I recorded a 9 track album called Strange Machines while I was on leave of absence last year. This term, I created a 20 minute extended music video to accompany it. All of this lives on a page I coded on my personal website with some fun bonus content that I’ll scroll through at the end of this presentation. I’ll put the link in the comments so anyone who’s interested can check it out at their own pace. I have so much fun making music and feel proud when I have a cohesive finished product at the end. I’m not interested in becoming a virtuoso musician or a professional producer. A lot of trained musicians gatekeep, intimidate, and discourage amateurs. People mystify and mythologize the creative process as if it’s the product of some elusive, innate genius rather than practice, experimentation, and a simple love of music. As someone who’s work exists entirely as digital recordings, there’s no inherent reason for me to be an amazing guitar player who can play a song perfectly all the way through, as mistakes can be easily cut out and re-recorded. -
Shine a Light: Surveying Locality, Independence, and Digitization in Ottawa’S Independent Rock Scene
Shine a Light: Surveying Locality, Independence, and Digitization in Ottawa’s Independent Rock Scene by Michael Robert Audette-Longo A thesis submitted to the Faculty of Graduate and Postdoctoral Affairs in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Cultural Mediations Carleton University Ottawa, Ontario © 2016 Michael Audette-Longo ii Abstract This dissertation examines the articulation and reconfiguration of locality in Ottawa's independent (indie) rock scene. It argues that styles of producing and relating to indie music that have been traditionally embedded in local scenic activity and practices of “do it yourself” (DIY) have been translated into more ubiquitous, quotidian, and valuable metadata and labour that organizes and powers the operations of disparate digital media sites, including digital music services like Bandcamp, CBC Radio 3, and Wyrd Distro. This argument is developed through closer analyses of the following case studies: the entrepreneurial strategies and musical focuses of Ottawa-based independent record labels Kelp and Bruised Tongue Records; scene-bound media like zines, blogs, music video and campus/community radio; the re-articulation of local regions as metadata that organize the search and retrieval functionalities of the digital music streaming services CBC Radio 3 and Bandcamp (a particular iteration of local regions I dub the “indexi-local”); and the concurrent incorporation of DIY labour and reconfiguration of the business of independent music evident in the digital music retailers Bandcamp and Wyrd Distro. This project contends that in the midst of digitization, the media sites, entrepreneurial strategies, and subcultural practices traditionally folded into the production of independence in local indie music scenes persist. -
Daniel Johnston
Visiones simbólicas. Una mirada al universo de Daniel Johnston Daniel Johnston Visiones simbólicas (2012) Qué vemos La exposición gira en torno a los dibujos del artista. Organizados cronológicamente, nos acercamos a ellos a través del alfabeto simbólico colgado en una gran lona de plástico. También podemos escuchar antiguas cintas con sus grabaciones, interactuar con imágenes y sonidos, ver unos vídeos sobre su obra y viejos cuadernos digitalizados o hacer girar un zoótropo. Todo para adentrarnos en ranas oníricas, figuras angélicas o demoníacas, chicas y superhéroes de la Marvel, destacando por supuesto el Capitán América: personajes que rodearon a Johnston en su infancia se mezclan con los creados por él, acompañados a menudo de referencias autobiográficas. Qué sentimos A través de la que ha sido considerada su alter ego, la rana Jeremiah, volvemos por un momento a nuestra infancia, recobramos aquellas luchas encarnizadas entre el bien y el mal, sufrimos por los desamores de la adolescencia y el dolor del aislamiento… Y nos quedamos ahí. No hay espacio para el mundo adulto maduro y ordenado: Johnston continúa viviendo en su particular universo, donde nada sucede según lo establecido. De qué podría estar hablando De su propia vida, de los personajes de su infancia, del demonio, del sexo, de los Beatles, de Laurie, su amor platónico… La mayoría de sus personajes se enfrentan a la maldad, la corrupción y la muerte antes de alcanzar la redención, siendo numerosísimas las resonancias bíblicas que aluden a su educación. Por qué plantea este tema Crece en la América más cristiana y conservadora, comprando cómics sin cesar, principalmente para disfrutar de las imágenes, para hacerlas suyas. -
Pitchfork Mental Health
“NAME ONE GENIUS THAT AIN’T CRAZY”- MISCONCEPTIONS OF MUSICIANS AND MENTAL HEALTH IN THE ONLINE STORIES OF PITCHFORK MAGAZINE _____________________________________________________________________________ A Thesis Presented to The Faculty of the Graduate School At the University of Missouri-Columbia ____________________________________ In Partial Fulfillment Of the Requirements for the Degree Master of Arts _____________________________________ By Jared McNett Dr Berkley Hudson, Thesis Supervisor December 2016 The undersigned, appointed by the dean of the Graduate School, have examined the thesis entitled “NAME ONE GENIUS THAT AIN’T CRAZY”- MISCONCEPTIONS OF MUSICIANS AND MENTAL HEALTH IN THE ONLINE STORIES OF PITCHFORK MAGAZINE presented by Jared McNett, A candidate for the degree of masters of art and hereby certify that, in their opinion, it is worthy of acceptance. Professor Berkley Hudson Professor Cristina Mislan Professor Jamie Arndt Professor Andrea Heiss Acknowledgments It wouldn’t be possible to say thank enough to each and every person that has helped me with this along my way. I’m thankful for my parents, Donald and Jane McNett, who consistently pestered me by asking “How’s it coming with your thesis? Are you done yet?” I’m thankful for friends, such as: Adam Suarez, Phillip Sitter, Brandon Roney, Robert Gayden and Zach Folken, who would periodically ask me “What’s your thesis about again?” That was a question that would unintentionally put me back on track. In terms of staying on task my thesis committee (mentioned elsewhere) was nothing short of a godsend. It hasn’t been an easy two-and-a-half years going from basic ideas to a proposal to a thesis, but Drs. -
DJ Here REVERSE PR 2
FOR IMMEDIATE RELEASE: REVERSE is pleased to present "DANIEL JOHNSTON: here" from November 7th -24th, 2013 as part of a traveling exhibition of images taken of the iconic musician and artist Daniel Johnston by photographer Jung Kim. On view will be 16 color and black and white photographs that have been exhibited in Austin, London and New York City as well as a collection of original drawings by Daniel Johnston. DANIEL JOHNSTON: here 11/7 - 11/24 "DANIEL JOHNSTON: here" is an in-depth photographic study of legendary singer-songwriter OPENING 11/7, 7-9PM and visual artist Daniel Johnston by New York City-based documentary and portrait photogra - pher Jung Kim. The culmination of an intimate five-year collaboration and friendship, "DANIEL JOHNSTON: here" captures rare and beautifully moving moments of one of the most compel - ling artists today. The photographs not only chronicle Johnston’s life on the road during his worldwide tours, but also his prolific life at home in Waller, Texas. A traveling exhibition was launched in conjunction with the first-ever photography book on Johnston. The book was underwritten entirely by Johnston’s fans through the crowd-funding website Kickstarter, and the photographs were selected from thousands of photographs captured on film from 2008 to present. The exhibition and book premiered at the 2013 SXSW Festival in Austin, Texas, hosted by SXSW Co-founder Louis Black. "DANIEL JOHNSTON: here" was subsequently shown at the Protein gallery in London, followed by a one-night pop-up exhibit at 7 Dunham in Brooklyn, New York, hosted by J. -
Heavy on the Air: Radio & Promotion in the Heavy
HEAVY ON THE AIR: RADIO & PROMOTION IN THE HEAVY METAL CAPITAL OF THE WORLD by Ted Jacob Dromgoole, B.A. A thesis submitted to the Graduate Council of Texas State University in partial fulfillment of the requirements for the degree of Master of Arts with a Major in History May 2021 Committee Members: Jason Mellard, Chair Shannon Duffy Thomas Alter COPYRIGHT by Ted Jacob Dromgoole 2021 FAIR USE AND AUTHOR’S PERMISSION STATEMENT Fair Use This work is protected by the Copyright Laws of the United States (Public Law 94-553, Section 107). Consistent with fair use as defined in the Copyright Laws, brief quotations from this material are allowed with proper acknowledgment. Use of this material for financial gain without the author’s express permission is not allowed. Duplication Permission As the copyright holder of this work I, Ted Jacob Dromgoole, authorize duplication of this work, in whole or in part, for educational or scholarly purposes only. DEDICATION For Delleney and Emmylou. Thank you for being by my side through it all. ACKNOWLEDGEMENTS I would like to bestow the greatest of thanks to my partner Delleney. Every idea or thought I had, I shared with her first. She is my rock, my inspiration and my home. Thank you for believing in me as deeply as you have. I am so incredibly fortunate to have you in my life. To my mother and her partner, Papa Steve, thank you for your wisdom and support during this whole process. Mom, thank you for inspiring in me a lifelong love of history, beginning with the What Your 5th Grader Should Know books. -
Ink 19 :: Daniel Johnston Page 1 of 6
Ink 19 :: Daniel Johnston Page 1 of 6 Daniel Johnston by Stein Haukland courtesy www.gammonrecords.com His legend tends to overshadow his genius, but with his new album Fear Yourself , Daniel Johnston is out to prove his real value. Hailed by everyone from Sonic Youth and Kurt Cobain to Sparklehorse as one of our times' most important songwriters and performers, Johnston has created a musical universe quite unlike anything else out there today. The general media may want to focus on the years spent in mental hospital and on how he distributed his early tapes -- mostly songs about Casper the Friendly Ghost, super heroes and popular stars of the day -- by giving them away to pretty girls on the streets. But as his work over the years so convincingly attests, Johnston is much more than some original character. Daniel Johnston writes songs of classic beauty with melodies that twist and turn and take you places you've never been before. His performances are emotionally naked and almost shockingly honest. Some early albums have been marred by an absurdly lo-fi production, or by studio musicians unable to provide the necessary sound for his songs. But on Fear Yourself , Johnston has gotten together with Sparklehorse's Mark Linkous -- another eccentric whose reputation too often overshadows his unique ambition and sheer talent -- to create one of the finest albums you've never heard. Talking on the phone from his home in Texas, Johnston proved to be every inch as honest and unpretentious as his music suggests he'd be. I just got your album, and I'm really impressed by it. -
P27-32.Qxp Layout 1
30 Established 1961 Wednesday, October 11, 2017 Lifestyle Features Asterix returns in chariot race series through Italy Asterix is to ride again in the 37th book in the legendary Writers Jean-Yves Ferri and Didier Conrad, who have comic series, its publishers said Monday. “Asterix and the penned the last three Asterix stories, said this time they Chariot Race” will hit the bookshelves on October 19 wanted Obelix to take the limelight. “It’s very much Obelix recounting the adventures of the shrewd Gallic hero and his driving the chariot and the story,” said Conrad as the book’s rotund sidekick Obelix during a mad dash down the length publication date was announced in Paris. Although details of of ancient Italy. The only Asterix story to be set entirely on the story are still under wraps, it features Bretons, Picts the Italian peninsula, it takes place in 50 BC with Julius (Scots), Goths and Phoenicians as well as the two Gauls. Caesar trying to prove “that all of Italy is in thrall to Rome” Five million copies of “Asterix and the Chariot Race” even though “many regions are determined to maintain their have been printed for the first edition, with two million alone independence.” to go on sale in France. Albert Uderzo, now 90, who created To burnish Roman glory and showcase the “dazzling the characters in 1959 with Rene Goscinny, told reporters in excellence of Roman roads” Caesar invites teams from all a video message that the “story really touched me because over the known world to compete in the race.