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14.05 Skidskytte: Världscupen
FAKTA FINNS! Sju av tio barn vet redan att de ska äta mer vegetabiliskt fett som t ex olivolja och rapsolja - och dra ner på animal- iskt fett som smör. Men knappt hälften vet att de också bör äta mindre av kött och chark. I Pep-rapporten 2019 finns massor av fakta kring hur barn och unga ser på matvanor och fysisk aktivitet. Och kunskap är grunden till förändring, eller hur? Läs mer om hur du kan vara med i arbetet för barn och ungas hälsa – och ta del av hela Pep-rapporten 2019 på www.generationpep.se. SÖNDAG Världens tuffaste utmaning ELITSTYRKANS HEMLIGHETER l / – / Endast:- FREDAG & LÖRDAG På spåret & Stjärnornatjärnorna påp slottet MÅNDAG DUBBELT Dags för UPP FÖR Guldbaggen BILLGREN DAVID SUNDIN ONSDAG Min sanning SÖNDAG TIDSAM 4075-04 GäGästatarRenér Renée Comeback i TV4 SÖNDAG CAROLA CAMILLA Susie LÄCKBERG BERÄTTAR Lili & TALAR UT OM KAMPEN i Bingolotto FILMGUIDEN 21 - 27 januari Torsdag DE BEDRAGNA Fredag DRAMA (2017) SHE’S FUNNY THAT WAY 21.00 Amerikanska inbördeskriget på en internatskola för 21.45 KOMEDI (2014) Kanal 5 flickor i södern. De avskärmade unga kvinnorna tar SVT2 Izzy arbetar som callgirl men drömmer om en karriär in en skadad fiendesoldat och ger honom vård. Snart stiger den på Broadway. Regissören Arnold blir förtjust i Izzy och hon får sexuella spänningen, farliga rivaliteter bildas och tabun bryts i en provspela mot stjärnan Delta – Arnolds maka – för en Broadway- oväntad vändning. föreställning. En komplicerad kärlekskarusell sätter nu igång. BETYG: ★★★ BETYG: ★★★ Torsdag JAKTEN PÅ Fredag JUNO Fredag THE DARK Fredag BOOKSMART ADOLF KOMEDI (2007) KNIGHT RISES KOMEDI (2019) 22.30 EICHMANN 21.00 Juno kan verka 21.00 ACTION (2012) 21.30 Amy och Molly har SVT2 THRILLER (2015) TV3 brådmogen, men Kanal 5 Åtta år har gått TV4 pluggat hårt hela SS-officeren Adolf Eichmann när hon hamnar i säng med sin sedan Batman försvann i nat- high school för att komma in gömmer sig i Argentina, men klasskamrat Bleeker inser den ten. -
Universidade Federal De Juiz De Fora Programa De Pós-Graduação Em Comunicação
UNIVERSIDADE FEDERAL DE JUIZ DE FORA PROGRAMA DE PÓS-GRADUAÇÃO EM COMUNICAÇÃO Daiana Maria Veiga Sigiliano SOCIAL TV: o laço social no backchannel de The X-Files PPGCOM/UFJF Fevereiro de 2017 Daiana Maria Veiga Sigiliano SOCIAL TV: o laço social no backchannel de The X-Files Dissertação apresentada ao Programa de Pós Graduação em Comunicação, área de concentração Comunicação e Sociedade, da Universidade Federal de Juiz de Fora, como requisito parcial para obtenção do grau de Mestre. Orientadora: Profª. Dra. Gabriela Borges Martins Caravela PPGCOM/UFJF Fevereiro de 2017 AGRADECIMENTOS Esse trabalho é norteado por desafios e um deles é encontrar uma forma de agradecer a minha orientadora, a professora Gabriela Borges, por todo o aprendizado ao longo desses anos. Entretanto, qualquer agradecimento feito aqui será ínfimo perto da sua importância na minha trajetória. Obrigada por em 2013, durante uma aula da especialização em Jornalismo Multiplataforma, ter me perguntado se eu gostaria de fazer mestrado e desde então ter estado ao meu lado. Obrigada pela confiança depositada em cada projeto, é sempre uma honra poder fazer parte das suas pesquisas e dos seus cronogramas que na hora parecem impossíveis de serem cumprimos, mas que no final sempre dão certo. Obrigada por toda generosidade com que conduziu não só essa dissertação, mas cada pesquisa que fizemos juntas (eu vou sentir saudades de falar no plural). Obrigada pelo incentivo e por acreditar que tudo isso seria possível desde o início. Obrigada por mostrar que o conhecimento é sempre construído com a ajuda do outro e que o aprendizado é constante. Serei sempre grata por tudo! À professora Soraya Ferreira por todo o aprendizado, carinho, abraços apertados e pelas digressões. -
In Production Preview 8 X 1 Hour Commissioned by &
In production preview LUCA GUADAGNINO’S WE ARE WHO WE ARE 8 x 1 hour Commissioned by & Could be nice to include the Walt Whitman poem that Caitlin reads out to the class, and that is repeated as a refrain throughout the show I am he that aches with amorous love Does the earth gravitate? Does not all matter, aching, attract all matter? A brand new exploration into the So the body of me, to all I meet, “True and Real. complex world of adolescence, friendship and first loves - a story about teenagers, or know Forever and ever” outsiders and embracing difference. I Am He That Aches with Love, Walt Whitman Sometimes, when she kisses me, I feel like she doesn’t know it’s me. She does’t acknowledge me FROM DIRECTOR and she’s kissing a mirror. MAGGIE LUCA GUADAGNINO Call Me By Your Name, I Am Love, Suspiria FRASER: Americans can only be happy in America MAGGIE: This is America STARRING “I’m always looking for stuff that means something” FRASER CHLOE SEVIGNY Queen & Slim, The Act, Kids, Boys “Have you ever really been in love with anyone? Do you know what it feels like?” BRITNEY Don’t Cry, Big Love “It’s exhausting to have to be his mother and father at the same time. To be everything all the JACK DYLAN GRAZER time.” SARAH IT, IT Chapter 2, Me Myself and I, Shazam “I’ve been a lot of things. And I stopped being a lot of things. Truth is sometimes I no longer know JORDAN KRISTINE SEAMON who I am.” JENNY KID CUDI FRASER: “Just because my moms are lesbians doesn’t mean I’m gay.” Westworld, How to Make it in America CAITLIN: “You don’t have to not-be-gay either.” ALICE BRAGA I Am Legend, Queen of the South CAITLIN: “Since you got here everything’s mixed up” FRANCESCA SCORSESE FRASER: “Mixed up good or mixed up bad?” The Departed, The Aviator CAITLIN: “Mixed up full of life” “True and Real. -
St. Peter Parish
ST. PETER CATHOLIC CHURCH 95 MARKET STREET MOUNT CLEMENS, MICHIGAN 48043 April 26, 2020 Phone: (586)468-4578 Website: stpetermtclemens.weconnect.com My Dear Friends, Well, so far it has been a questionable year. It is not only the matter of the coronavirus but of the weather. I mean we are in the middle of April and we are still getting snow showers! I realize that we live in Michigan but even the birds do not know what to do with this stuff. Now, having said that, I would like to share with you a few things that are on my mind. The first thing is the issue of peoples’ live versus the economy. I realize that both are very important. I also know that you cannot divorce one from another. However, in that marriage, lives have to be the priority. This is why I cannot understand the Governor of Georgia this past week saying some- thing to the effect that the economy is more important than lives. I never thought that I would hear something from that from a supposed leader. This is just like one of the pseudo television doctors saying two weeks ago that we should just reopen the schools and accept that 23% of the children would probably die. I realize that we are in the midst of something that we have never seen before but where have our values gone? I want to get back to work the same as everyone else. Yes, I do know people who are at the end of their rope without having an income to pay the bills, health care coverage to protect their families and a sense of worthlessness because they cannot do anything to protect their loved ones. -
2015, Volume 8
V O L U M E 8 2015 D E PAUL UNIVERSITY Creating Knowledge THE LAS JOURNAL OF UNDERGRADUATE SCHOLARSHIP CREATING KNOWLEDGE The LAS Journal of Undergraduate Scholarship 2015 EDITOR Warren C. Schultz ART JURORS Adam Schreiber, Coordinator Laura Kina Steve Harp COPY EDITORS Stephanie Klein Rachel Pomeroy Anastasia Sasewich TABLE OF CONTENTS 6 Foreword, by Interim Dean Lucy Rinehart, PhD STUDENT RESEARCH 8 S. Clelia Sweeney Probing the Public Wound: The Serial Killer Character in True- Crime Media (American Studies Program) 18 Claire Potter Key Progressions: An Examination of Current Student Perspectives of Music School (Department of Anthropology) 32 Jeff Gwizdalski Effect of the Affordable Care Act on Insurance Coverage for Young Adults (Department of Economics) 40 Sam Okrasinski “The Difference of Woman’s Destiny”: Female Friendships as the Element of Change in Jane Austen’s Emma (Department of English) 48 Anna Fechtor Les Musulmans LGBTQ en Europe Occidentale : une communauté non reconnue (French Program, Department of Modern Languages) 58 Marc Zaparaniuk Brazil: A Stadium All Its Own (Department of Geography) 68 Erin Clancy Authority in Stone: Forging the New Jerusalem in Ethiopia (Department of the History of Art and Architecture) 76 Kristin Masterson Emmett J. Scott’s “Official History” of the African-American Experience in World War One: Negotiating Race on the National and International Stage (Department of History) 84 Lizbeth Sanchez Heroes and Victims: The Strategic Mobilization of Mothers during the 1980s Contra War (Department -
FALLEN MASTERS by MAURIE ALIOFF by Exorcist—Mania, the Wicker Man Tanked at the Box Office
The Cinar story began with a horror movie. Soon after meeting for the first time in New Orleans in the early 1970s, company founders Micheline Charest and Ron Weinberg happened to see the now legendary British picture, The Wicker Man. Impressed by the film's strange power, the two movie lovers also saw an opportunity in it. Written by Anthony Shaffer (Sleuth, Frenzy), and directed by one—shot wonder Robin Hardy, The Wicker Man cooks up a delirious alternate reality that feels like it was made under the influence of a witch's spell. The story focuses on a police investigator (Edward Woodward), who travels to a remote Scottish island where he discovers that the local people, among them an aris- tocrat played by Christopher Lee, are devo- tees of a neo—pagan cult. The oddly named Sergeant Howie, a strictly orthodox Christian who intends to remain a virgin until his wedding night, is horrified by the island's un—Christian hedonism. Released in England on a double bill with Nicolas Roeg's Don't Look Now, and swamped FALLEN MASTERS BY MAURIE ALIOFF by Exorcist—mania, The Wicker Man tanked at the box office. Charest and Weinberg picked up the rights from Warner Bros., stashed a print in their car trunk and travelled the midnight—movie circuit. The Quebecoise (Charest) and the New Yorker (Weinberg) helped turn a unique film into a cult item and for their efforts netted about $250,000. Ironically, the couple's even- tual rise and fall, from hugely successful producers and distributors of wholesome children's shows to industry outcasts accused of fraud, originated with a story about moral righteousness destroyed by amoral devotion to the material world. -
Your Connection to Michigan & Indiana
THE TM 911 Franklin Street Weekly Newspaper Michigan City, IN 46360 Volume 32, Number 35 Thursday, September 8, 2016 One For the Record Books “Future” Cast, “Walking Dead” Star Highlight of Latest Comic Con by Kayla Weiss Editor’s note — This is the latest installment in an ongoing series by Kayla Weiss to meet as many celebrities as possible at Comic Cons. meeting James Marsters (“Buffy the Vampire Slayer”), Sean Astin (the “Lord of the Rings” trilo- gy), James and Oliver Phelps (“Harry Potter), Car- oll Spinney (Big Bird) and Tobin Bell (the “Saw” franchise). This time would prove different. In previous years, I attempted to get a photo op with some of my favorite celebrities, but typically losing out to bad timing. Now, however, everything seemed to be falling into place. So many notable celebrities slated to attend: Carrie Fischer, Mitch Pileggi, Gil- lian Anderson, David Duchovny, Ralph Macchio and Sebastian Stan. Continued on Page 2 Kayla Weiss fi nally has her photo taken at Comic Con with Norman Reedus. efore attending my fi rst Comic Con a little more than two years ago, my ob- servation of people who attended these events either came from social media or Bthe news media. These individuals were depicted as: 1. People who dressed in elaborate costumes (true). 2. Nerds or geeks (not entirely true). 3. People who deserved to be made fun of (false). However, when I entered my fi rst Comic Con in March 2014, it exceeded my expectations. I was hooked. A highlight of the Chicago Comic Con: a photo with In my travels, I have had the pleasure of Marty McFly himself, Michael J. -
Cablefax Program Awards 2021 Winners and Nominees
March 31, 2021 SPECIAL ISSUE CFX Program Awards Honoring the 2021 Nominees & Winners PROGRAM AWARDS March 31, 2021 The Cablefax Program Awards has a long tradition of honoring the best programming in a particular content niche, regardless of where the content originated or how consumers watch it. We’ve recognized breakout shows, such as “Schitt’s Creek,” “Mad Men” and “RuPaul’s Drag Race,” long before those other award programs caught up. In this special issue, we reveal our picks for best programming in 2020 and introduce some special categories related to the pandemic. Read all about it! As an interactive bonus, the photos with red borders have embedded links, so click on the winner photos to sample the program. — Amy Maclean, Editorial Director Best Overall Content by Genre Comedy African American Winner: The Conners — ABC Entertainment Winner: Walk Against Fear: James Meredith — Smithsonian Channel This timely documentary is named after James Meredith’s 1966 Walk Against Fear, in which he set out to show a Black man could walk peace- fully in Mississippi. He was shot on the second day. What really sets this The Conners shines at finding ways to make you laugh through life’s film apart is archival footage coupled with a rare one-on-one interview with struggles, whether it’s financial pressures, parenthood, or, most recently, the Meredith, the first Black man to enroll at the University of Mississippi. pandemic. You could forgive a sitcom for skipping COVID-19 in its storyline, but by tackling it, The Conners shows us once again that life is messy and Nominees sometimes hard, but with love and humor, we persevere. -
Film Reviews
Page 117 FILM REVIEWS Year of the Remake: The Omen 666 and The Wicker Man Jenny McDonnell The current trend for remakes of 1970s horror movies continued throughout 2006, with the release on 6 June of John Moore’s The Omen 666 (a sceneforscene reconstruction of Richard Donner’s 1976 The Omen) and the release on 1 September of Neil LaBute’s The Wicker Man (a reimagining of Robin Hardy’s 1973 film of the same name). In addition, audiences were treated to remakes of The Hills Have Eyes, Black Christmas (due Christmas 2006) and When a Stranger Calls (a film that had previously been ‘remade’ as the opening sequence of Scream). Finally, there was Pulse, a remake of the Japanese film Kairo, and another addition to the body of remakes of nonEnglish language horror films such as The Ring, The Grudge and Dark Water. Unsurprisingly, this slew of remakes has raised eyebrows and questions alike about Hollywood’s apparent inability to produce innovative material. As the remakes have mounted in recent years, from Planet of the Apes to King Kong, the cries have grown ever louder: Hollywood, it would appear, has run out of fresh ideas and has contributed to its evergrowing bank balance by quarrying the classics. Amid these accusations of Hollywood’s imaginative and moral bankruptcy to commercial ends in tampering with the films on which generations of cinephiles have been reared, it can prove difficult to keep a level head when viewing films like The Omen 666 and The Wicker Man. -
The Irish Journal of Gothic and Horror Studies 17 (Autumn 2018)
The Irish Journal of Gothic and Horror Studies 17 (Autumn 2018) Contents ARTICLES Mother, Monstrous: Motherhood, Grief, and the Supernatural in Marc-Antoine Charpentier’s Médée Shauna Louise Caffrey 4 ‘Most foul, strange and unnatural’: Refractions of Modernity in Conor McPherson’s The Weir Matthew Fogarty 17 John Banville’s (Post)modern Reinvention of the Gothic Tale: Boundary, Extimacy, and Disparity in Eclipse (2000) Mehdi Ghassemi 38 The Ballerina Body-Horror: Spectatorship, Female Subjectivity and the Abject in Dario Argento’s Suspiria (1977) Charlotte Gough 51 In the Shadow of Cymraeg: Machen’s ‘The White People’ and Welsh Coding in the Use of Esoteric and Gothicised Languages Angela Elise Schoch/Davidson 70 BOOK REVIEWS: LITERARY AND CULTURAL CRITICISM Jessica Gildersleeve, Don’t Look Now Anthony Ballas 95 Plant Horror: Approaches to the Monstrous Vegetal in Fiction and Film, ed. by Dawn Keetley and Angela Tenga Maria Beville 99 Gustavo Subero, Gender and Sexuality in Latin American Horror Cinema: Embodiments of Evil Edmund Cueva 103 Ecogothic in Nineteenth-Century American Literature, ed. by Dawn Keetley and Matthew Wynn Sivils Sarah Cullen 108 Monsters in the Classroom: Essays on Teaching What Scares Us, ed. by Adam Golub and Heather Hayton Laura Davidel 112 Scottish Gothic: An Edinburgh Companion, ed. by Carol Margaret Davison and Monica Germanà James Machin 118 The Irish Journal of Gothic and Horror Studies 17 (Autumn 2018) Catherine Spooner, Post-Millennial Gothic: Comedy, Romance, and the Rise of Happy Gothic Barry Murnane 121 Anna Watz, Angela Carter and Surrealism: ‘A Feminist Libertarian Aesthetic’ John Sears 128 S. T. Joshi, Varieties of the Weird Tale Phil Smith 131 BOOK REVIEWS: FICTION A Suggestion of Ghosts: Supernatural Fiction by Women 1854-1900, ed. -
'Duncanville' Is A
Visit Our Showroom To Find The Perfect Lift Bed For You! February 14 - 20, 2020 2 x 2" ad 300 N Beaton St | Corsicana | 903-874-82852 x 2" ad M-F 9am-5:30pm | Sat 9am-4pm milesfurniturecompany.com FREE DELIVERY IN LOCAL AREA WA-00114341 The animated, Amy Poehler- T M O T H U Q Z A T T A C K P Your Key produced 2 x 3" ad P U B E N C Y V E L L V R N E comedy R S Q Y H A G S X F I V W K P To Buying Z T Y M R T D U I V B E C A N and Selling! “Duncanville” C A T H U N W R T T A U N O F premieres 2 x 3.5" ad S F Y E T S E V U M J R C S N Sunday on Fox. G A C L L H K I Y C L O F K U B W K E C D R V M V K P Y M Q S A E N B K U A E U R E U C V R A E L M V C L Z B S Q R G K W B R U L I T T L E I V A O T L E J A V S O P E A G L I V D K C L I H H D X K Y K E L E H B H M C A T H E R I N E M R I V A H K J X S C F V G R E N C “War of the Worlds” on Epix Bargain Box (Words in parentheses not in puzzle) Bill (Ward) (Gabriel) Byrne Aliens Place your classified Classified Merchandise Specials Solution on page 13 Helen (Brown) (Elizabeth) McGovern (Savage) Attack ad in the Waxahachie Daily Light, Merchandise High-End 2 x 3" ad Catherine (Durand) (Léa) Drucker Europe Midlothian Mirror and Ellis Mustafa (Mokrani) (Adel) Bencherif (Fight for) Survival County Trading1 Post! x 4" ad Deal Merchandise Word Search Sarah (Gresham) (Natasha) Little (H.G.) Wells Call (972) 937-3310 Run a single item Run a single item priced at $50-$300 priced at $301-$600 for only $7.50 per week for only $15 per week 6 lines runs in The Waxahachie Daily Light, ‘Duncanville’ is a new Midlothian Mirror and Ellis County Trading2 x 3.5" Post ad and online at waxahachietx.com All specials are pre-paid. -
Law & Order Production Scripts
http://oac.cdlib.org/findaid/ark:/13030/kt7k4040ff No online items Guide to the Law & Order production scripts PA Mss 86 Finding aid prepared by Zachary Liebhaber, 2011. UC Santa Barbara Library, Department of Special Research Collections University of California, Santa Barbara Santa Barbara 93106-9010 [email protected] URL: http://www.library.ucsb.edu/special-collections 2011 Guide to the Law & Order PA Mss 86 1 production scripts PA Mss 86 Title: Law & Order production scripts Identifier/Call Number: PA Mss 86 Contributing Institution: UC Santa Barbara Library, Department of Special Research Collections Language of Material: English Physical Description: 67 linear feet(67 cartons) Date (inclusive): 1990-2010 Abstract: Production script library for the Law & Order franchise, including Law & Order, Law & Order: Criminal Intent, and Law & Order: Special Victims Unit. Includes scripts, shooting and location schedules and other production information. Physical Location: The collection is located at the Southern Regional Library Facility (SRLF). Access Restrictions The collection is open for research. This collection is stored offsite. Advance notice is required for retrieval. Records in the collection may contain personally identifiable information. Publication or disclosure of such information is prohibited. Use Restrictions Copyright has not been assigned to the Department of Special Research Collections, UCSB. All requests for permission to publish or quote from manuscripts must be submitted in writing to the Head of Special Research Collections. Permission for publication is given on behalf of the Department of Special Research Collections as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which also must be obtained.