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In Production Preview 8 X 1 Hour Commissioned by &
In production preview LUCA GUADAGNINO’S WE ARE WHO WE ARE 8 x 1 hour Commissioned by & Could be nice to include the Walt Whitman poem that Caitlin reads out to the class, and that is repeated as a refrain throughout the show I am he that aches with amorous love Does the earth gravitate? Does not all matter, aching, attract all matter? A brand new exploration into the So the body of me, to all I meet, “True and Real. complex world of adolescence, friendship and first loves - a story about teenagers, or know Forever and ever” outsiders and embracing difference. I Am He That Aches with Love, Walt Whitman Sometimes, when she kisses me, I feel like she doesn’t know it’s me. She does’t acknowledge me FROM DIRECTOR and she’s kissing a mirror. MAGGIE LUCA GUADAGNINO Call Me By Your Name, I Am Love, Suspiria FRASER: Americans can only be happy in America MAGGIE: This is America STARRING “I’m always looking for stuff that means something” FRASER CHLOE SEVIGNY Queen & Slim, The Act, Kids, Boys “Have you ever really been in love with anyone? Do you know what it feels like?” BRITNEY Don’t Cry, Big Love “It’s exhausting to have to be his mother and father at the same time. To be everything all the JACK DYLAN GRAZER time.” SARAH IT, IT Chapter 2, Me Myself and I, Shazam “I’ve been a lot of things. And I stopped being a lot of things. Truth is sometimes I no longer know JORDAN KRISTINE SEAMON who I am.” JENNY KID CUDI FRASER: “Just because my moms are lesbians doesn’t mean I’m gay.” Westworld, How to Make it in America CAITLIN: “You don’t have to not-be-gay either.” ALICE BRAGA I Am Legend, Queen of the South CAITLIN: “Since you got here everything’s mixed up” FRANCESCA SCORSESE FRASER: “Mixed up good or mixed up bad?” The Departed, The Aviator CAITLIN: “Mixed up full of life” “True and Real. -
St. Peter Parish
ST. PETER CATHOLIC CHURCH 95 MARKET STREET MOUNT CLEMENS, MICHIGAN 48043 April 26, 2020 Phone: (586)468-4578 Website: stpetermtclemens.weconnect.com My Dear Friends, Well, so far it has been a questionable year. It is not only the matter of the coronavirus but of the weather. I mean we are in the middle of April and we are still getting snow showers! I realize that we live in Michigan but even the birds do not know what to do with this stuff. Now, having said that, I would like to share with you a few things that are on my mind. The first thing is the issue of peoples’ live versus the economy. I realize that both are very important. I also know that you cannot divorce one from another. However, in that marriage, lives have to be the priority. This is why I cannot understand the Governor of Georgia this past week saying some- thing to the effect that the economy is more important than lives. I never thought that I would hear something from that from a supposed leader. This is just like one of the pseudo television doctors saying two weeks ago that we should just reopen the schools and accept that 23% of the children would probably die. I realize that we are in the midst of something that we have never seen before but where have our values gone? I want to get back to work the same as everyone else. Yes, I do know people who are at the end of their rope without having an income to pay the bills, health care coverage to protect their families and a sense of worthlessness because they cannot do anything to protect their loved ones. -
Inside This Issue >
Published Quarterly by the Johnson County Bar Association Volume 28 • Number 3 • Fall 2013 Barthe Inside this Issue > Another Round of Liquor Laws - p. 6 When Life Intervenes in a Chapter 13 - p. 10 Obesity in the Courts - p. 12 Identity Th eft with IRS Taxpayer Targets - p. 14 Unlawful Presence - p. 16 :H 6WDQG &RQILGHQW ³7R KDYH D ORFDO LQVXUDQFH FRPSDQ\ WDLORUHG WR PHHW WKH QHHGV RI DWWRUQH\V KDV EHHQ LQYDOXDEOH WR P\ EXVLQHVV EHFDXVH WKH\ XQGHUVWDQG P\ SULRULWLHV DQG P\ GXW\ WR P\ FOLHQWV´ 0LNH 0F.LWULFN 'DQQD 0F.LWULFN ,QVXUHG 6LQFH :KHQ HYDOXDWLQJ PDOSUDFWLFH FRYHUDJH NHHS WKLV LQ PLQG %HLQJ VXHG IRU OHJDO PDOSUDFWLFH FDQ UHVXOW LQ D VLJQLIVLJQLILLFDQWFDQW GHGHFUFUHDVH LQ \RXU ILUP¶V DQQXDO UHYHQXH 7KH DYHUDJH FRVW RI D PDOSUDFWLFH FODLP HVFDODWHV HYHU\ \HDU ZLWK WKH DYHUDJH FRVW RI D FODLP FORVHG ZLWK SD\PHQW RYHU WKH ODVW GHFDGH EHLQJ DERXW 7KLV GRHV QRW LQFOXGH ORVW ELOODEOH KRXUV ,I \RX SUDFWLFH ZLWK RWKHU DWWRUQH\V \RX PD\ EH H[SRVHG WR \RXU SDUWQHUV¶ ULVNV DV ZHOO <RX QHHG FRYHUDJH IURP DQ LQVXUDQFH FRPSDQ\ ZKR XQGHUVWDQGV \RXU OLQH RI ZRUN )RU PRUH WKDQ \HDUV 7KH %DU 3ODQ KDV SURYLGHG ILQDQFLDO VHFXULW\ WR DWWRUQH\V VWDWHZLGH WKURXJK RXU FRPSUHKHQVLYH SROLF\ FRYHUDJH ORVV SUHYHQ WLRQ SURJUDPV DQG DQ XQGHUVWDQGLQJ RI WKH HWKLFDO REOLJDWLRQV RZHG WR \RXU FOLHQWV :H¶UH KHUH WRGD\« 7RPRUURZ« 7HQ \HDUV IURP QRZ« (YHU\ ODZ\HU VKRXOG KDYH SHDFH RI PLQG ZKHQ LW FRPHV WR EXVLQHVV PDWWHUV 6KRXOG WURXEOH DULVH IHHO FRQILGHQW WKDW RXU ODZ\HUV DUH VWDQGLQJ EHKLQG \RX DQG \RXU ODZ SUDFWLFH SURWHFWLQJ \RXU OLYHOLKRRG 'DQLHO * 7REEHQ 0LFKDHO - 0F.LWULFN 7KRPDV * *OLFN /DXUD *HUGHV /RQJ /DZ\HUV DW 'DQQD'DQQD 0F.LWU.LWULLFFNN 3& :H KHOS ODZ\HUV EXLOG D EHWWHU SUDFWLFH &RQWDFW 7KH %DU 3ODQ E s # ,QVXUDQFH $JHQF\ DW T s 0 T s RS # IN THIS ISSUE the President’s Page...................................4 Editor’s Letter . -
CCI—How to Talk to Skeptical Friends About Things That Matter
How to Talk to Skeptical Friends About Things that Matter Introduction For the Christmas break, I watched Bumblebee (2018), which is a fun installment in the Transformers franchise. In the final scene, after good has triumphed over evil, the potential boyfriend, Memo (Jorge Lendeborg Jr.), tries to hold the hand of the female hero, Charlie (Hailee Steinfeld). But Charlie smiles and brushes Memo’s hand away. She says something like, “No. Not ready.” It’s a nice way to end the movie because we have the unresolved tension between Charlie and Memo. Will they become girlfriend and boyfriend? At this stage, we won’t know. But at the same time, it shows the dilemma that Memo faces. Right now he’s stuck in the dreaded Friendzone. From here, if he over-plays his romantic intentions, he will drive her away. But if he under-plays his romantic intentions, he will miss out on the opportunity to date her. Maybe she would’ve loved to be his girlfriend, if only he’d had the courage to ask! This is similar to the dilemma many of us face as Christians. How can we talk to our non- believing, skeptical friends about things that matter? Right now, we’re in a similar Friendzone. But we want them to be more than just our friends. We want them also to have the opportunity to know, love, and worship Jesus. But if we over-play this, we risk driving them away. They might never want to have another awkward conversation with us again. But if we under-play this, our friends will never have the chance to hear about Jesus. -
Luca Guadagnino S New HBO/SKY Drama Series WE ARE
Luca Guadagnino’s new HBO/SKY drama series WE ARE WHO WE ARE debuts September 14 on HBO MIAMI, FL., 27 de julio de 2020 – Academy Award-nominated Luca Guadagnino brings his unique cinematic style to television for the first time with the eight-episode series WE ARE WHO WE ARE, debuting September 14, exclusively on HBO and HBO GO. A story about two American kids who live on a U.S. military base in Italy, the series explores friendship, first-love, identity, and immerses the audience in all the messy exhilaration and anguish of being a teenager – a story which could happen anywhere in the world, but in this case, happens in this little slice of America in Italy. The series was an official selection of the 2020 Cannes Film Festival Directors’ Fortnight. The cast of WE ARE WHO WE ARE includes: Chloë Sevigny, Jack Dylan Grazer, Alice Braga, Jordan Kristine Seamón, Spence Moore II, Kid Cudi, Faith Alabi, Francesca Scorsese, Ben Taylor, Corey Knight, Tom Mercier and Sebastiano Pigazzi. Jack Dylan Grazer stars as shy and introverted fourteen-year-old Fraser, who moves from New York to a military base in Veneto with his mothers, Sarah (Chloë Sevigny) and Maggie (Alice Braga), who are both in the U.S. Army. Tom Mercier (Jonathan) plays Sarah’s assistant. Jordan Kristine Seamón stars as the seemingly bold and confident Caitlin, who has lived with her family on the base for several years and speaks Italian. Compared to her older brother Danny (Spence Moore II), Caitlin has the closer relationship with their father, Richard (Kid Cudi), and does not communicate well with her mother Jenny (Faith Alabi). -
Catholic Church
HLIV COLPP BRISTOL Catholic Church WILMOT www.holycrosscatholicchurch.net Masses: April 4, 2021 Wilmot: Saturdays 4:30 pm Sundays 8:30 am Easter Sunday Fridays 8:00 am Bristol: Sundays 10:30 am Parish OfLice 262V857V2068 18700 116th Street, Bristol, WI 53104 Pastoral Ministry Dr. Sandi Schmitt, Parish Director B (262) 857V2068 / W (262) 862V7244 Email: [email protected] Fr. Dennis M. Witz, Assisting Priest Staff Connie Smith, Dir. of Admin. Services Parish OfLice: (262) 857V2068 Email: [email protected] Shelby Miller Cor. Christian Formation Formation OfLice: (262) 857V9032, Email: [email protected] Jim Schneeweiss, Dir. of Music and Liturgy Email:[email protected] Kim Allen, Bulletin Editor, Email: [email protected] Bob Gillmore, Bristol Maintenance Allyn Durbin, Wilmot Maintenance Ed Weis, St. Scholastica Cemetery Sexton (262) 857V2477 Bill Mellen, Holy Name Cemetery Sexton (847) 561V7213 Parish Trustees Paul Horak and Connie Anderson Pastoral Council Diane Pauletti, Chair Pam Kirsch, Secretary Rose Rayner John Manarik John Clements Bill Soens Finance Council Ed Roach, Chair Connie Anderson Catholic Schools Paul Horak John Manarik Burlington Catholic Grade School (262) 763V1515 Bill Soens Chris Verzal Catholic Central H.S. (262) 763V1510 Paul Nachowicz CCHS Board of Directors Parish Representative Catholic Central High School Placement Exam Know any 8th graders taking steps toward high school, inter- ested in becoming a Hilltopper! Our goal is to serve fifty new freshmen in the fall of 2021. We are currently offering the exam on an appointment only basis. To schedule a time to A note from the Parish Director... take the exam or have any questions please contact Admis- sions at 262.763.1519 or email [email protected] Dear Friends in Christ, The entire Catholic faith hinges on Christ’s death on the The Pope’s Prayer Intention for April cross and his glorious Resurrection. -
The-DIY-Musician's-Starter-Guide.Pdf
Table of Contents Introduction 1 - 2 Music Copyright Basics 3 Compositions vs. Sound Recordings 4 - 5 Being Your Own Record Label 6 Being Your Own Music Publisher 7 Wearing Multiple Hats: Being Four Income Participants 8 - 12 Asserting Your Rights and Collecting Your Royalties 13 - 18 Conclusion 19 Legal Notice: This guide is solely for general informational purposes and does not constitute legal or other professional advice. © 2017 TuneRegistry, LLC. All Rights Reserved. 0 Introduction A DIY musician is a musician who takes a “Do-It-Yourself” approach to building a music career. That is, a DIY musician must literally do everything themselves. A DIY musician might have a small network of friends, family, collaborators, and acquaintances that assists them with tasks from time to time. However, virtually all decisions, all failures, and all successes are a result of the DIY musician’s capabilities and efforts. Being a DIY musician can be overwhelming. A DIY musician has a lot on their plate including: writing, recording, promoting, releasing, and monetizing new music; planning, marketing, and producing tours; reaching, building, and engaging a fan base; managing social media; securing publicity; and so much more. A DIY musician may hire a manager and/or attorney to assist them with their career, but they are not signed to or backed by a record label or a music publishing company. Just three decades ago it was virtually impossible for the average DIY musician to get their music widely distributed without the help of a record company. While some DIY musicians were successful in releasing music locally and developing local fan bases, widespread distribution and reach was hard to achieve. -
Concord Overall Score Reports
Concord Overall Score Reports Mini (8 yrs. & Under) Solo Performance Platinum 1st Place 1 274 Loud - The Perfect Step - Gastonia, NC 110.1 Emma Bowen Platinum 1st Place 2 82 Wild Wild West - Victory Talent Dance & Gymnastics Studio - Marshville, NC 109.5 Trinity Davis Platinum 1st Place 3 710 Holly Rock - Miss Donna's School of Dance - Charlotte, NC 109.1 Sara Aydt Platinum 1st Place 4 278 Real Wild Child - The Perfect Step - Gastonia, NC 108.9 Karyss McDonald Platinum 1st Place 5 276 My Boi and Me - The Perfect Step - Gastonia, NC 108.8 Trinity Hall Gold 1st Place 6 465 Rocky Top - Southern Starz Cheer and Dance Company - Iron Station, NC 108.6 Chloe Lunsford Gold 1st Place 7 277 Breakout - The Perfect Step - Gastonia, NC 108.3 Lilian Beaty Gold 1st Place 7 707 Baby - Miss Donna's School of Dance - Charlotte, NC 108.3 Austin Kohler Gold 1st Place 8 547 Play Something Country - Academy of Dance Arts & Performance - Elkin, NC 108.2 Chloe Andrews Gold 1st Place 9 1226 I Want You Back - MADE Dance Elite Charlotte - Charlotte, NC 108.1 Yazmon Horton Gold 1st Place 10 155 Invading My Mind - Floyd Ward School of Dance - Vinton, VA 107.8 Mary Beth Hoye Advanced Double Platinum 1 709 The Way You Make Me Feel - Miss Donna's School of Dance - Charlotte, NC 112.6 Brianna Ellis Double Platinum 2 281 Dimples - The Perfect Step - Gastonia, NC 111.5 Laney Linder Platinum 1st Place 3 864 Boombox - Coastal Performing Arts Academy - Pooler, GA 110.3 Wyatt Oswald Platinum 1st Place 4 956 Everything at Once - Xtreme Dance Studio - Asheville, NC 110.2 Ella -
Nightlight: Tradition and Change in a Local Music Scene
NIGHTLIGHT: TRADITION AND CHANGE IN A LOCAL MUSIC SCENE Aaron Smithers A thesis submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Master of Arts in the Curriculum of Folklore. Chapel Hill 2018 Approved by: Glenn Hinson Patricia Sawin Michael Palm ©2018 Aaron Smithers ALL RIGHTS RESERVED ii ABSTRACT Aaron Smithers: Nightlight: Tradition and Change in a Local Music Scene (Under the direction of Glenn Hinson) This thesis considers how tradition—as a dynamic process—is crucial to the development, maintenance, and dissolution of the complex networks of relations that make up local music communities. Using the concept of “scene” as a frame, this ethnographic project engages with participants in a contemporary music scene shaped by a tradition of experimentation that embraces discontinuity and celebrates change. This tradition is learned and communicated through performance and social interaction between participants connected through the Nightlight—a music venue in Chapel Hill, North Carolina. iii ACKNOWLEDGEMENTS Any merit of this ethnography reflects the commitment of a broad community of dedicated individuals who willingly contributed their time, thoughts, voices, and support to make this project complete. I am most grateful to my collaborators and consultants, Michele Arazano, Robert Biggers, Dave Cantwell, Grayson Currin, Lauren Ford, Anne Gomez, David Harper, Chuck Johnson, Kelly Kress, Ryan Martin, Alexis Mastromichalis, Heather McEntire, Mike Nutt, Katie O’Neil, “Crowmeat” Bob Pence, Charlie St. Clair, and Isaac Trogden, as well as all the other musicians, employees, artists, and compatriots of Nightlight whose combined efforts create the unique community that define a scene. -
New Potentials for “Independent” Music Social Networks, Old and New, and the Ongoing Struggles to Reshape the Music Industry
New Potentials for “Independent” Music Social Networks, Old and New, and the Ongoing Struggles to Reshape the Music Industry by Evan Landon Wendel B.S. Physics Hobart and William Smith Colleges, 2004 SUBMITTED TO THE DEPARTMENT OF COMPARATIVE MEDIA STUDIES IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF SCIENCE IN COMPARATIVE MEDIA STUDIES AT THE MASSACHUSETTS INSTITUTE OF TECHNOLOGY JUNE 2008 © 2008 Evan Landon Wendel. All rights reserved. The author hereby grants to MIT permission to reproduce and to distribute publicly paper and electronic copies of this thesis document in whole or in part in any medium now known or hereafter created. Signature of Author: _______________________________________________________ Program in Comparative Media Studies May 9, 2008 Certified By: _____________________________________________________________ William Uricchio Professor of Comparative Media Studies Co-Director, Comparative Media Studies Thesis Supervisor Accepted By: _____________________________________________________________ Henry Jenkins Peter de Florez Professor of Humanities Professor of Comparative Media Studies and Literature Co-Director, Comparative Media Studies 2 3 New Potentials for “Independent” Music Social Networks, Old and New, and the Ongoing Struggles to Reshape the Music Industry by Evan Landon Wendel Submitted to the Department of Comparative Media Studies on May 9, 2008 in Partial Fulfillment of the Requirements for the Degree of Master of Science in Comparative Media Studies Abstract This thesis explores the evolving nature of independent music practices in the context of offline and online social networks. The pivotal role of social networks in the cultural production of music is first examined by treating an independent record label of the post- punk era as an offline social network. -
20% AFSLÁTTUR Kaupauki Fylgir Með Þegar Verslað Er Fyrir 9.500 Kr
Fimmtudagur 15. apríl 2021 • 15. tbl. 24. árg. • Augl‡singasími: 5 600 633 • Netfang: [email protected] NÝR LASH IDÔLE MASKARI LYFTIR - ÝKIR - ÞÉTTIR - ALLT AÐ 24 TÍMA EN DING 360 MISSTÓR GÚMMÍHÁR GELKENND FORMÚLA HIT YOUR LASH GOALS. VOLUMIZE EVERY. SINGLE. LASH. LANCÔME DAGAR FIMMTUD. 13-18 FÖSTUD. 11-18 LAUGARD. 11-15 20% AFSLÁTTUR Kaupauki fylgir með þegar verslað er fyrir 9.500 kr. eða meira BÆTTU LIT OG LJÓMA VIÐ FÖRÐUNINA NÝTT FRÁ LANCÔME: FARÐI, KINNALITUR OG HIGHLIGHTER Í STIFTFORMI PÓSTURINN 2019 Vísnagátur - höf. Páll Jónsson - Útg. Bókaútgáfan HÓLAR Gáta vikunnar Dró upp segl en var á verði, (sögn) ? ? ? verk sem þvottakona gerði. (sögn) ? Mælieining kölluð kerti, konu að sér sneri Berti. (sögn) Svar við gátu í 14. tbl. Póstsins 2021: VER 1. lína: Verstöð/Ver 3. lína: Kodda-/sængurver 4. lína: Eggver Sjónvarpsdagskráin fimmtudaginn 15. apríl 2021 10.30 Kastljós e. 08:00 Heimsókn (15:28) 06:00 Síminn + Spotify 08:50 ÍBV - FH 10.45 Menningin e. 08:20 Veronica Mars (10:20) 12:30 Dr. Phil (78:170) (Olís deild karla 2017/2018) 10.50 Heimaleikfimi e. 09:05 Bold and the Beautiful 13:15 The Late Late Show (111:208) 10:15 Víkingur - HK 11.00 Upplýsingafundur 09:25 The O.C. (4:25) 14:00 The Block (3:57) (Grill 66 deildin) Almannavarna 10:05 It’s Always Sunny In 15:05 Gordon Ramsay’s 24 Hours to 11:30 Afturelding - Fram 11.35 Taka tvö II (4:10) e. Philadelpia 14 (10:10) Hell and Back (5:10) (Olís deild karla 2020/2021) 12.25 Fólkið í landinu e. -
Redacted - for Public Inspection
REDACTED - FOR PUBLIC INSPECTION Before the FEDERAL COMMUNICATIONS COMMISSION Washington, D.C. 20554 In the Matter of ) ) AMC NETWORKS INC., ) Complainant, ) File No.:______________ ) v. ) ) AT&T INC., ) Defendant. ) TO: Chief, Media Bureau Deadline PROGRAM CARRIAGE COMPLAINT OF AMC NETWORKS INC. Tara M. Corvo Alyssia J. Bryant MINTZ, LEVIN, COHN, FERRIS, GLOVSKY AND POPEO, P.C. 701 Pennsylvania Avenue, NW Suite 900 Washington, DC 20004 (202) 434-7300 Scott A. Rader MINTZ, LEVIN, COHN, FERRIS, GLOVSKY AND POPEO, P.C. Chrysler Center 666 Third Avenue New York, NY 10017 (212) 935-3000 Counsel to AMC Networks Inc. August 5, 2020 REDACTED - FOR PUBLIC INSPECTION TABLE OF CONTENTS INTRODUCTION .......................................................................................................................... 1 STATEMENT OF FACTS ............................................................................................................. 5 1. Jurisdiction ........................................................................................................................ 5 2. AMCN ................................................................................................................................ 5 3. AT&T ................................................................................................................................. 6 4. AT&T’s Public Assurances During the Civil Antitrust Litigation .............................. 7 5. AT&T’s Discriminatory Conduct ..................................................................................