56Th Chicago International Film Festival October 14-25, 2020 with Xfinity, Your Film Festivals Are on Demand

Total Page:16

File Type:pdf, Size:1020Kb

56Th Chicago International Film Festival October 14-25, 2020 with Xfinity, Your Film Festivals Are on Demand 56th Chicago International Film Festival October 14-25, 2020 With Xfinity, your film festivals are On Demand. Get the best in entertainment with Xfinity. Use the sound of your voice with the Xfinity Voice Remote to find a diverse range of content from all over the world. Even access Netflix, Prime Video, and more right on your TV. No matter what you’re into — Xfinity’s got you. Simple. Easy. Awesome. Call 1-800-xfinity, go to xfinity.com, or visit your local Xfinity Store today. Restrictions apply. Not available in all areas. TV: Limited Basic Service subscription required to receive other levels of service. On Demand selections subject to charge indicated at time of purchase. Not all programming available in all areas. Separate charges apply to On Demand and certain streaming services. Access to Amazon Prime Video and Netflix requires an eligible X1 set-top box with Xfinity TV and Xfinity Internet service. Amazon Prime Video and Netflix use your Internet service and will count against any Xfinity data plan. Amazon Prime Video and Netflix streaming membership required. ©2020 Comcast. All rights reserved. City of Chicago Business License #1337647 TIP: Buy early to avoid disappointment! There are a limited number Festival Tickets of tickets for each film. Think of this as a virtual cinema and we only have a certain number of “seats” available in our theater! Important Festival Dates Festival Passes September 23-27: Love movies? Purchase a pass and save! Members Pre-Sale Festival Passes are the most economical way to Starts at 10:00am see multiple screenings throughout the Festival! Cinema/Chicago members have early access to Festival tickets. Moviegoer Pass: 10 Virtual Cinema admissions September 25: Members: $90 Non-members: $110 Festival Pass Early Redemption Starts at 10:00am Passport Pass: Festival Pass-holders will be able to redeem their 20 Virtual Cinema admissions passes to reserve their virtual screenings. Members: $170 Non-members: $210 September 28: Short Film Pass General Public Onsale Watch all 56 short films! Starts at 10:00am Members: $50 Non-members: $60 Tickets available for purchase to the general public Please note: Passes are not valid for Drive-in Screenings, Opening Night, Special Presentations, Tributes, Special Events, or Closing Night. Tickets for these screenings and events are Where To Buy available through their individual film or event pages. Tickets and Passes Individual Tickets Individual film tickets are available at the following: Virtual Cinema Screening Type Members General chicagofilmfestival.com Regular Screenings $10 $12 Special Presentations $14 $16 Ticketing and Technical Support Opening Night $18 $20 Drive-In* ticketing-info@ The Festival’s Drive-in is located at: chicagofilmfestival.com ChiTown Movies techsupport@ 2343 S. Throop St. | Chicago, IL chicagofilmfestival.com Opening Night $85 $100 312.332.3456 (FILM) Closing Night $85 $100 * September 23-October 13 Tickets must be purchased in advance. Includes one complimentary bucket of popcorn per car. No in-person sales Monday-Friday done at the Drive-in. Maximum 6 per car. 10:00am-6:00pm Saturday-Sunday closed Regular $60 $75 October 14-25 All ticketing fees are included in prices. Panels and special 10:00am-10:00pm event tickets vary in price. See the event’s webpage for ticketing information. Please note: Online Ticket Sales Only No in-person sales All programs are subject to change. 3 VIRTUAL CINEMA OVERVIEW 9 STEP-BY-STEP Purchase your TICKET or PASS BUY at hamptonsfilmfest.org Receive a confirmation of your order and receipt via email Decide how you want to watch movies or BROWSER APP View online at Hamptons Film watch.hamptonsfilmfest.org on AppleTV or Roku How to Festival: Virtual Cinema TV Computer iPad + Tablet Films are available to stream starting at 8:00pm on October 14 through October 25 (exceptions as noted in the film’s- D odescription.)wnload our dedicated App - PCs running Windows 7+ - iPad use Safari on Once you press Play, you’ll have 48 hours to complete watching the film. Roku or AppleTV (Gen 4 and above) Browsers: Google Chrome, iOS 11.2 or later Firefox, Microsoft Edge, Opera screen mirroring not - Cast from a computer or Android supported, set to OFF Step One Step Two phone/tablet using the Chrome - Intel-based Macs running browser to a Chromecast device macOS 10.12+ - Tablet use Chrome on Purchase your TICKET or PASS Receive a confirmation of your Browsers: Google Chrome, Android 6.0 or later - Airplay from a computer, iPhone at chicagofilmfestival.com Firefox, Safari, Opera order and receipt via emailor iPad to an AppleTV (Gen 2 and above) or to any Smart TV bearing Connect your computer to your TV the “AirPlay” badge with an HDMI cable (follow browser instructions) Step Three Step Four Decide how you want to watch movies Login or follow link to access your movies BROWSER View online at TicketTicket Holders watch.chicagofilmfestival.com Login or follow link to access your movies or APP TICKET HOLDERS receive a PASS HOLDERS receive a Chicago International Film Festival on AppleTV or Chicago Intl. Film Festival Virtual Access email with link one link to create an account at on Roku hour before film watch windows watch.hamptonsfilmfest.org. TV Computer iPad + Tablet BadgePass Holders Holders begin. Follow the link to submit Login to your account at your unique Voucher Code. watch.hamptonsfilmfest.org Enjoy the show! or on the Hamptons Film app. • Download our • PCs running • iPad use Safari Find all your films in one place. dedicated App Windows 7+ on iOS 11.2 or later Roku or AppleTV Browsers: Google screen mirroring (Gen 4 and above) Chrome, Firefox, not supported, set *make sure you run your Microsoft Edge, to OFF updates first. Opera TICKET HOLDERS BADGE HOLDERS • Cast from a • Tablet use Chrome receive a Virtual Access receive a link to create computer or Android • Intel-based Macs on Android 6.0 email with link one hour an account at watch. phone/tablet using running macOS or later before film watch windows chicagofilmfestival.com. the Chrome browser 10.12+ begin. Follow the link to Login to your account at to a Chromecast Browsers: Google submit your unique Voucher watch.chicagofilmfestival. device Chrome, Firefox, Code. Enjoy the show! com or on the Chicago Safari, Opera • Airplay from a International Film Festival computer, iPhone or app. Find all your films in iPad to an AppleTV one place. (Gen 2 and above) Connect your computer to or to any Smart TV your TV with an HDMI cable Visit our chicagofilmfestival.com for more detailed bearing the “AirPlay” (follow browser instructions) technical instructions. badge Additional graphics and language courtesy of LaurieFink.com. 4 ChiFilmFest at the Drive-In! ChiTown Movies 2343 S. Throop St. | Chicago, IL Join our social distanced Gala and World Premiere presentations at the ChiTown Movies Drive-In in Pilsen! Wednesday, October 14 Saturday, October 17 Opening Night 6:30pm 6:30pm Belushi Ammonite Director: R.J. Cutler Director: Francis Lee U.S. U.K. Film details on page 10 Film details on page 17 Thursday, October 15 Sunday, October 18 7:00pm 6:30pm David Byrne’s The Road Up American Utopia Directors: Director: Spike Lee Greg Jacobs | Jon Siskel U.S. U.S. Film details on page 20 Film details on page 26 Thursday, October 15 Friday, October 23 10:15pm 6:30pm The Dark and the Wicked One Night in Miami Director: Regina King Director: Bryan Bertino U.S. U.S. Film details on page 25 Film details on page 20 Friday, October 16 Saturday, October 24 7:00pm Closing Night 6:00pm Bad Hair Nomadland Director: Justin Simien Director: Chloé Zhao U.S. U.S. Film details on page 18 Film details on page 11 For full drive-in details and FAQ visit chicagofilmfestival.com/drive-in/. 5 Imagination is Your Ticket! Welcome to the While we may be experiencing the Festival apart this year, the 56th Chicago stories and the images that move us are a heartening reminder International of how much we have in common—our shared emotions, Film Festival... experiences, and capacity for empathy. The virtual festival re-imagined. experience will bring our community of film lovers, whether in Chicago or from across the U.S., together again October 14-25. So much about this year’s Festival We want to thank our extraordinary and dedicated staff who is new, be it innovations with how we see films and interact have adapted to the uncertainties and challenges of this year with filmmakers and special guests or old-school throwbacks and used their creativity to reimagine the Festival. We also want to the drive-in movie experience. But the thing that hasn’t to recognize the Governing Board of Directors for their ongoing changed is the power of great cinema, however and wherever support, insights, and hard work. Thank you also to our patrons, we watch it. And the joy in discovery—a new film destined to partners, and sponsors, for believing in the work we do and for live on as an enduring masterpiece; a debuting director certain your dedication to keeping the power of cinema alive. to be recognized as a great auteur; an image that inspires an unexpected feeling or a singular idea that remains imprinted on We look forward to having you join us on this cinematic journey your memory. as we defy boundaries, restrictions, and quarantines....Film can take you there. Bon voyage! The programming team is thrilled and honored to present this year’s extraordinary lineup of films that celebrate cinema’s power to transport audiences wherever they might want to go, be it a far-flung land or a state of mind.
Recommended publications
  • 2015, Volume 8
    V O L U M E 8 2015 D E PAUL UNIVERSITY Creating Knowledge THE LAS JOURNAL OF UNDERGRADUATE SCHOLARSHIP CREATING KNOWLEDGE The LAS Journal of Undergraduate Scholarship 2015 EDITOR Warren C. Schultz ART JURORS Adam Schreiber, Coordinator Laura Kina Steve Harp COPY EDITORS Stephanie Klein Rachel Pomeroy Anastasia Sasewich TABLE OF CONTENTS 6 Foreword, by Interim Dean Lucy Rinehart, PhD STUDENT RESEARCH 8 S. Clelia Sweeney Probing the Public Wound: The Serial Killer Character in True- Crime Media (American Studies Program) 18 Claire Potter Key Progressions: An Examination of Current Student Perspectives of Music School (Department of Anthropology) 32 Jeff Gwizdalski Effect of the Affordable Care Act on Insurance Coverage for Young Adults (Department of Economics) 40 Sam Okrasinski “The Difference of Woman’s Destiny”: Female Friendships as the Element of Change in Jane Austen’s Emma (Department of English) 48 Anna Fechtor Les Musulmans LGBTQ en Europe Occidentale : une communauté non reconnue (French Program, Department of Modern Languages) 58 Marc Zaparaniuk Brazil: A Stadium All Its Own (Department of Geography) 68 Erin Clancy Authority in Stone: Forging the New Jerusalem in Ethiopia (Department of the History of Art and Architecture) 76 Kristin Masterson Emmett J. Scott’s “Official History” of the African-American Experience in World War One: Negotiating Race on the National and International Stage (Department of History) 84 Lizbeth Sanchez Heroes and Victims: The Strategic Mobilization of Mothers during the 1980s Contra War (Department
    [Show full text]
  • A Film by Mohammad Rasoulof a Man of Integrity a Film by Mohammad Rasoulof IRAN / 117 Min / Scope 2,39 / 5.1 / 2017 / Farsi
    A Man of Integrity a film by Mohammad Rasoulof A Man of Integrity a film byMohammad Rasoulof IRAN / 117 min / Scope 2,39 / 5.1 / 2017 / Farsi INTERNATIONAL PUBLICITY WORLD SALES WOLF Consultants The Match Factory GmbH T: +49 157 7474 9724 Domstraße 60, 50668 Cologne/Germany (in Cannes) M: +33 7 60 21 57 76 phone +49 221 539 709-0 / fax +49 221 539 709-10 [email protected] [email protected] / www.the-match-factory.com DOWNLOAD PRESS MATERIALS at: www.wolf-con.com/download Reza (35), having distanced himself from the urban quagmire, leads a simple life along with his wife and sole child, somewhere in a remote village in Northern Iran. He spends his days working in his gold fish farm. Nearby, a private company with close links to the government and local authorities, has taken control of nearly every aspect of the regional life. Its shareholders, accumulating wealth, power and economic rents, have been pushing local farmers and small owners to dilapidate their belongings, farms and estates, to the benefit of the Company’s influential network and its monopoly. It is under their pressure that many villagers have themselves become local rings of the larger network of corruption. Meanwhile, Reza strives to resist coercion and preserve his farm. Soon though, he will realize that he can no longer stand up to this powerful, yet hidden, coercive web of corruption. Giving up, he decides to sell his property and move away. The Company however, decides to raise the stakes… PRODUCER’S NOTES DIRECTOR’S COMMENTS I have so far produced up to six films, none of which ever screened in Iran – the land my stories and I belong to.
    [Show full text]
  • Cablefax Program Awards 2021 Winners and Nominees
    March 31, 2021 SPECIAL ISSUE CFX Program Awards Honoring the 2021 Nominees & Winners PROGRAM AWARDS March 31, 2021 The Cablefax Program Awards has a long tradition of honoring the best programming in a particular content niche, regardless of where the content originated or how consumers watch it. We’ve recognized breakout shows, such as “Schitt’s Creek,” “Mad Men” and “RuPaul’s Drag Race,” long before those other award programs caught up. In this special issue, we reveal our picks for best programming in 2020 and introduce some special categories related to the pandemic. Read all about it! As an interactive bonus, the photos with red borders have embedded links, so click on the winner photos to sample the program. — Amy Maclean, Editorial Director Best Overall Content by Genre Comedy African American Winner: The Conners — ABC Entertainment Winner: Walk Against Fear: James Meredith — Smithsonian Channel This timely documentary is named after James Meredith’s 1966 Walk Against Fear, in which he set out to show a Black man could walk peace- fully in Mississippi. He was shot on the second day. What really sets this The Conners shines at finding ways to make you laugh through life’s film apart is archival footage coupled with a rare one-on-one interview with struggles, whether it’s financial pressures, parenthood, or, most recently, the Meredith, the first Black man to enroll at the University of Mississippi. pandemic. You could forgive a sitcom for skipping COVID-19 in its storyline, but by tackling it, The Conners shows us once again that life is messy and Nominees sometimes hard, but with love and humor, we persevere.
    [Show full text]
  • Aufblende 12.3
    filmfest hamburg 27.9. – 6.10.2012 filmfest hamburg 27.9. – 6.10.2012 12.3 interview: alex schmidt über das genre horrorfilm interview: alex schmidt on the horror film genre filmförderung hamburg focus: linde fröhlich über 25 jahre »filmforum« focus: linde fröhlich on 25 years of “filmforum” schleswig-holstein location: filmausstatter in hamburg location: props suppliers in hamburg du hast es versprochen 02 aufblende 12.3 04 filmfest hamburg 10 location 14 zoom Der Film WESTERLAND von Tim Staffel ist einer von 13 geför- Eintauchen in neue Welten: die Filmausstatter Axis Mundi Herzlich Willkommen Mohammad Rasoulof: Der iranische Re - derten Projekten auf dem diesjährigen Filmfest Hamburg. und FTA im Porträt. gisseur (AUF WIEDERSEHEN) lebt und arbeitet in Hamburg. The film WESTERLAND by Tim Staffel is one of 13 funded pro- Delving into new worlds: a portrait of the props suppliers Axis Welcome Mohammad Rasoulof: The Iranian director (GOOD- jects at this year’s Filmfest Hamburg. Mundi and FTA. BYE) lives and works in Hamburg. inhalt contents 03 editorial 12 ffhsh news 21 szene scene hamburger kinopreise 2012 vorhang auf: 25 jahre schule für 04 filmfest hamburg einreichtermine schauspiel hamburg 13 geförderte filme im programm schall & klang: tonseminar in kiel fünf jahre schulkinowoche in hh debüt mit sogwirkung: riga ruft: abschlusskonferenz first motion kinokrise & aufbruch: IX. cinefest in hh interview mit alex schmidt hamburg cinema awards 2012 und action …: bffs macht mobil ffhsh-veranstaltungen application deadlines media & training media und efp auf dem filmfest sounds & tone: seminar on sound in kiel film- & fernsehrecht kompakt 13 funded films on the programme riga is calling: first motion closing conference curtain call: 25 years of schule für thrilling debut: interview with alex Schmidt schauspiel hamburg ffhsh events 14 zoom five years of schulkinowoche in hh media and efp at the filmfest tiefe verbundenheit: der iranische cinema crisis & opportunity: IX.
    [Show full text]
  • 8123 Songs, 21 Days, 63.83 GB
    Page 1 of 247 Music 8123 songs, 21 days, 63.83 GB Name Artist The A Team Ed Sheeran A-List (Radio Edit) XMIXR Sisqo feat. Waka Flocka Flame A.D.I.D.A.S. (Clean Edit) Killer Mike ft Big Boi Aaroma (Bonus Version) Pru About A Girl The Academy Is... About The Money (Radio Edit) XMIXR T.I. feat. Young Thug About The Money (Remix) (Radio Edit) XMIXR T.I. feat. Young Thug, Lil Wayne & Jeezy About Us [Pop Edit] Brooke Hogan ft. Paul Wall Absolute Zero (Radio Edit) XMIXR Stone Sour Absolutely (Story Of A Girl) Ninedays Absolution Calling (Radio Edit) XMIXR Incubus Acapella Karmin Acapella Kelis Acapella (Radio Edit) XMIXR Karmin Accidentally in Love Counting Crows According To You (Top 40 Edit) Orianthi Act Right (Promo Only Clean Edit) Yo Gotti Feat. Young Jeezy & YG Act Right (Radio Edit) XMIXR Yo Gotti ft Jeezy & YG Actin Crazy (Radio Edit) XMIXR Action Bronson Actin' Up (Clean) Wale & Meek Mill f./French Montana Actin' Up (Radio Edit) XMIXR Wale & Meek Mill ft French Montana Action Man Hafdís Huld Addicted Ace Young Addicted Enrique Iglsias Addicted Saving abel Addicted Simple Plan Addicted To Bass Puretone Addicted To Pain (Radio Edit) XMIXR Alter Bridge Addicted To You (Radio Edit) XMIXR Avicii Addiction Ryan Leslie Feat. Cassie & Fabolous Music Page 2 of 247 Name Artist Addresses (Radio Edit) XMIXR T.I. Adore You (Radio Edit) XMIXR Miley Cyrus Adorn Miguel Adorn Miguel Adorn (Radio Edit) XMIXR Miguel Adorn (Remix) Miguel f./Wiz Khalifa Adorn (Remix) (Radio Edit) XMIXR Miguel ft Wiz Khalifa Adrenaline (Radio Edit) XMIXR Shinedown Adrienne Calling, The Adult Swim (Radio Edit) XMIXR DJ Spinking feat.
    [Show full text]
  • Bärbel MÜLLER-KARULIS 1, 2*, Timo ARULA 3, Maija BALODE 1, Kerli
    ACTA ICHTHYOLOGICA ET PISCATORIA (2013) 43 (2): 151–161 DOI: 10.3750/AIP2013.43.2.08 CHALLENGES AND OPPORTUNITIES OF LOCAL FISHERIES MANAGEMENT: PIKEPERCH, SANDER LUCIOPERCA (ACTINOPTERYGII: PERCIFORMES: PERCIDAE), IN PÄRNU BAY, NORTHERN GULF OF RIGA, BALTIC SEA Bärbel MÜLLER-KARULIS 1, 2* , Timo ARULA 3, Maija BALODE 1, Kerli LAUR 3, and Evald OJAVEER 3 1 Latvian Institute of Aquatic Ecology, 8 Daugavgrivas, LV-1007 Riga, Latvia 2 Baltic Nest Institute, Stockholm Marine Centre, Stockholm University, Stockholm, Sweden (present address) 3 Estonian Marine Institute of the University of Tartu, 14 Mäealuse, EE-12618 Tallinn, Estonia Müller-Karulis B., Arula T., Balode M., Laur K., Ojaveer E. 2013. Challenges and opportunities of local fisheries management: pikeperch, Sander lucioperca (Actinopterygii: Perciformes: Percidae), in Pärnu Bay, northern Gulf of Riga, Baltic Sea . Acta Ichthyol. Piscat. 43 (2): 151–161 . Background. A local stock of pikeperch, Sander lucioperca (Linnaeus, 1758 ), is a valuable fishery resource in Pärnu Bay, northern Gulf of Riga. Due to the late maturity of pikeperch in the bay, the stock is vulnerable to over - exploitation, whereas recruitment is highly dependent on climate factors. Because of its high market price, fish - ing pressure on the stock increased considerably in the 1990s, resulting in stock depression. To assist fishery management in Pärnu Bay we have simulated the effect of several scenarios (such as: fishing mortality, climate, and young-of-the-year food supply) on the pikeperch stock, catches, and revenues generated by the fishery . Materials and methods. A simulation system consisting of an age-structured population model, a recruitment com - ponent, and a forcing module of different climate, food supply to young-of-the-year, and fishing mortality scenarios was used to estimate the equilibrium stock size and catches under varying environmental conditions and exploitation strategies.
    [Show full text]
  • Pete Segall. the Voice of Chicago in the 20Th Century: a Selective Bibliographic Essay
    Pete Segall. The Voice of Chicago in the 20th Century: A Selective Bibliographic Essay. A Master’s Paper for the M.S. in L.S degree. December, 2006. 66 pages. Advisor: Dr. David Carr Examining the literature of Chicago in the 20th Century both historically and critically, this bibliography attempts to find commonalities of voice in a list of selected works. The paper first looks at Chicago in a broader context, focusing particularly on perceptions of the city: both Chicago’s image of itself and the world’s of it. A series of criteria for inclusion in the bibliography are laid out, and with that a mention of several of the works that were considered but ultimately disqualified or excluded. Before looking into the Voice of the city, Chicago’s history is succinctly summarized in a bibliography of general histories as well as of seminal and crucial events. The bibliography searching for Chicago’s voice presents ten books chronologically, from 1894 to 2002, a close examination of those works does reveal themes and ideas integral to Chicago’s identity. Headings: Chicago (Ill.) – Bibliography Chicago (Ill.) – Bibliography – Critical Chicago (Ill.) – History Chicago (Ill.) – Fiction THE VOICE OF CHICAGO IN THE 20TH CENTURY: A SELECTIVE BIBLIOGRAPHIC ESSAY by Pete Segall A Master’s paper submitted to the faculty of the School of Information and Library Science of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Master of Science in Library Science. Chapel Hill, North Carolina December 2006 Approved by _______________________________________ Dr. David Carr 1 INTRODUCTION As of this moment, a comprehensive bibliography on the City of Chicago does not exist.
    [Show full text]
  • Of Cowards and True Men Order the Complete Book From
    Kenny Adams survived on profanity and pugilism, turning Fort Hood into the premier military boxing outfit and coaching the controversial 1988 U.S. Olympic boxing team in South Korea. Twenty-six of his pros have won world-title belts. His amateur and professional successes are nonpareil. Here is the unapologetic and unflinching life of an American fable, and the crude, raw, and vulgar world in which he has flourished. Of Cowards and True Men Order the complete book from Booklocker.com http://www.booklocker.com/p/books/8941.html?s=pdf or from your favorite neighborhood or online bookstore. Enjoy your free excerpt below! Of Cowards and True Men Rob Miech Copyright © 2015 Rob Miech ISBN: 978-1-63490-907-5 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, recording or otherwise, without the prior written permission of the author. Published by BookLocker.com, Inc., Bradenton, Florida, U.S.A. Printed on acid-free paper. BookLocker.com, Inc. 2015 First Edition I URINE SPRAYS ALL over the black canvas. A fully loaded Italian Galesi-Brescia 6.35 pearl-handled .25-caliber pistol tumbles onto the floor of the boxing ring. Just another day in the office for Kenny Adams. Enter the accomplished trainer’s domain and expect anything. “With Kenny, you never know,” says a longtime colleague who was there the day of Kenny’s twin chagrins. First off, there’s the favorite word. Four perfectly balanced syllables, the sweet matronly beginning hammered by the sour, vulgar punctuation.
    [Show full text]
  • The Impact of COVID-19 and Homeschooling on Students’ Engagement with Physical Activity
    ORIGINAL RESEARCH published: 26 January 2021 doi: 10.3389/fspor.2020.589227 The Impact of COVID-19 and Homeschooling on Students’ Engagement With Physical Activity Astrid Roe 1, Marte Blikstad-Balas 1* and Cecilie Pedersen Dalland 2 1 Department of Teacher Education and School Research, University of Oslo, Oslo, Norway, 2 Department of Primary and Secondary Teacher Education, Oslo Metropolitan University, Oslo, Norway The COVID-19 pandemic forced an unprecedented global shutdown that closed schools for months. In many nations, schools were closed to students, and teachers directed educational activities remotely via digital devices or homeschooling resources. This article explores how these months of homeschooling have affected the physical activity of Norwegian students in Grades 1–10. All Norwegian students are supposed to have at least 60min of physical activity every day in school. We draw on data from two surveys, one with parents (N = 4,624) and the other with teachers (N = 726), to provide an indication of the daily physical activity students engaged in during the period of homeschooling. An important finding from the teacher survey is that the degree to which Edited by: schools prioritized physical education among the school subjects varied greatly between Solfrid Bratland-Sanda, schools and teachers. Key findings from the parent survey were that reported time spent University of South-Eastern Norway, Norway on physical activity increased with the age of the students, that many parents expressed Reviewed by: concerns about increased sedentary behavior, and that the most active students were Kerli Mooses, those who showed the greatest engagement and effort in schoolwork in general.
    [Show full text]
  • Annual Report on the Death Penalty in Iran 2019
    ANNUAL REPORT ON THE DEATH PENALTY IN IRAN 2019 www.ecpm.org www.iranhr.net ANNUAL REPORT ON THE DEATH PENALTY IN IRAN 2019 TABLE OF CONTENTS 5 Foreword by Robert Badinter 6 Preface 7 2019 Annual Report at a glance 7 Introduction 10 Sources 11 Facts and figures 11 Execution trends over the last 12 years 11 Monthly breakdown of executions in 2019 12 Executions under Hassan Rouhani’s presidential period 12 Iran’s new Head of the Judiciary: involved in crimes against humanity 13 Legacy of Sadegh Larijani, former Head of the Judiciary 15 Legislative Framework 15 International treaties ratified by Iran 13 Death penalty according to the Iranian law 21 Procedures 21 From arrest to proof of guilt 25 Procedures of the death penalty 25 Methods of execution 27 Executions in practice 27 Charges 27 Executions in 2019 based on charges 28 Executions for Moharebeh, Corruption on Earth and Rebellion in 2019 31 Executions for rape and sexual assaults in 2019 31 Executions for drug-related charges in 2019 34 Executions for murder charges: Qisas in 2019 40 Share of the Revolutionary and Criminal Courts in Executions of 2019 41 Public Executions 41 Public executions since 2008 41 Geographic distribution of public executions 42 Public executions documented by the Iranian media 44 Geographic Distribution of Executions 44 Map 2: Geographic distribution of all executions by number 45 Map 3: Number of executions per capita 46 Secret and unannounced executions 2 ANNUAL REPORT ON THE DEATH PENALTY IN IRAN 2019 48 November Protests and Extrajudicial Killings 49 Execution
    [Show full text]
  • 35 Years of Nominees and Winners 36
    3635 Years of Nominees and Winners 2021 Nominees (Winners in bold) BEST FEATURE JOHN CASSAVETES AWARD BEST MALE LEAD (Award given to the producer) (Award given to the best feature made for under *RIZ AHMED - Sound of Metal $500,000; award given to the writer, director, *NOMADLAND and producer) CHADWICK BOSEMAN - Ma Rainey’s Black Bottom PRODUCERS: Mollye Asher, Dan Janvey, ADARSH GOURAV - The White Tiger Frances McDormand, Peter Spears, Chloé Zhao *RESIDUE WRITER/DIRECTOR: Merawi Gerima ROB MORGAN - Bull FIRST COW PRODUCERS: Neil Kopp, Vincent Savino, THE KILLING OF TWO LOVERS STEVEN YEUN - Minari Anish Savjani WRITER/DIRECTOR/PRODUCER: Robert Machoian PRODUCERS: Scott Christopherson, BEST SUPPORTING FEMALE MA RAINEY’S BLACK BOTTOM Clayne Crawford PRODUCERS: Todd Black, Denzel Washington, *YUH-JUNG YOUN - Minari Dany Wolf LA LEYENDA NEGRA ALEXIS CHIKAEZE - Miss Juneteenth WRITER/DIRECTOR: Patricia Vidal Delgado MINARI YERI HAN - Minari PRODUCERS: Alicia Herder, Marcel Perez PRODUCERS: Dede Gardner, Jeremy Kleiner, VALERIE MAHAFFEY - French Exit Christina Oh LINGUA FRANCA WRITER/DIRECTOR/PRODUCER: Isabel Sandoval TALIA RYDER - Never Rarely Sometimes Always NEVER RARELY SOMETIMES ALWAYS PRODUCERS: Darlene Catly Malimas, Jhett Tolentino, PRODUCERS: Sara Murphy, Adele Romanski Carlo Velayo BEST SUPPORTING MALE BEST FIRST FEATURE SAINT FRANCES *PAUL RACI - Sound of Metal (Award given to the director and producer) DIRECTOR/PRODUCER: Alex Thompson COLMAN DOMINGO - Ma Rainey’s Black Bottom WRITER: Kelly O’Sullivan *SOUND OF METAL ORION LEE - First
    [Show full text]
  • The University of Chicago Smuggler States: Poland, Latvia, Estonia, and Contraband Trade Across the Soviet Frontier, 1919-1924
    THE UNIVERSITY OF CHICAGO SMUGGLER STATES: POLAND, LATVIA, ESTONIA, AND CONTRABAND TRADE ACROSS THE SOVIET FRONTIER, 1919-1924 A DISSERTATION SUBMITTED TO THE FACULTY OF THE DIVISION OF THE SOCIAL SCIENCES IN CANDIDACY FOR THE DEGREE OF DOCTOR OF PHILOSOPHY DEPARTMENT OF HISTORY BY ANDREY ALEXANDER SHLYAKHTER CHICAGO, ILLINOIS DECEMBER 2020 Илюше Abstract Smuggler States: Poland, Latvia, Estonia, and Contraband Trade Across the Soviet Frontier, 1919-1924 What happens to an imperial economy after empire? How do economics, security, power, and ideology interact at the new state frontiers? Does trade always break down ideological barriers? The eastern borders of Poland, Latvia, and Estonia comprised much of the interwar Soviet state’s western frontier – the focus of Moscow’s revolutionary aspirations and security concerns. These young nations paid for their independence with the loss of the Imperial Russian market. Łódź, the “Polish Manchester,” had fashioned its textiles for Russian and Ukrainian consumers; Riga had been the Empire’s busiest commercial port; Tallinn had been one of the busiest – and Russians drank nine-tenths of the potato vodka distilled on Estonian estates. Eager to reclaim their traditional market, but stymied by the Soviet state monopoly on foreign trade and impatient with the slow grind of trade talks, these countries’ businessmen turned to the porous Soviet frontier. The dissertation reveals how, despite considerable misgivings, their governments actively abetted this traffic. The Polish and Baltic struggles to balance the heady profits of the “border trade” against a host of security concerns shaped everyday lives and government decisions on both sides of the Soviet frontier.
    [Show full text]