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Alternative Digital Movies As Malaysian National Cinema A
Unfolding Time to Configure a Collective Entity: Alternative Digital Movies as Malaysian National Cinema A dissertation presented to the faculty of the College of Fine Arts of Ohio University In partial fulfillment of the requirements for the degree Doctor of Philosophy Hsin-ning Chang April 2017 © 2017 Hsin-ning Chang. All Rights Reserved. 2 This dissertation titled Unfolding Time to Configure a Collective Entity: Alternative Digital Movies as Malaysian National Cinema by HSIN-NING CHANG has been approved for Interdisciplinary Arts and the College of Fine Arts by Erin Schlumpf Visiting Assistant Professor of Film Studies Elizabeth Sayrs Interim Dean, College of Fine Arts 3 ABSTRACT CHANG, HSIN-NING, Ph.D., April 2017, Interdisciplinary Arts Unfolding Time to Configure a Collective Entity: Alternative Digital Movies as Malaysian National Cinema Director of dissertation: Erin Schlumpf This dissertation argues that the alternative digital movies that emerged in the early 21st century Malaysia have become a part of the Malaysian national cinema. This group of movies includes independent feature-length films, documentaries, short and experimental films and videos. They closely engage with the unique conditions of Malaysia’s economic development, ethnic relationships, and cultural practices, which together comprise significant understandings of the nationhood of Malaysia. The analyses and discussions of the content and practices of these films allow us not only to recognize the economic, social, and historical circumstances of Malaysia, but we also find how these movies reread and rework the existed imagination of the nation, and then actively contribute in configuring the collective entity of Malaysia. 4 DEDICATION To parents, family, friends, and cats in my life 5 ACKNOWLEDGMENTS I would like to express my sincere gratitude to my advisor, Prof. -
0-Couv Kawase
FESTIVAL D’AUTOMNE À PARIS 10 sept – 31 déc 2018 REVUE DE PRESSE Naomi Kawase / Isaki Lacuesta Service presse : Christine Delterme – [email protected] Lucie Beraha – [email protected] Assistées de Violette Kamal – [email protected] 01 53 45 17 13 RADIO Mercredi 21 novembre 2018 : France Inter / L’heure bleue / Laure Adler – de 20h à 21h Invitée : Naomi Kawase à https://www.franceinter.fr/emissions/l-heure-bleue/l-heure-bleue-21-novembre-2018 Lundi 26 novembre 2018 : France Culture / La Grande Table / Olivia Gesbert – de 12h à 12h30 Invitée : Naomi Kawase à https://www.franceculture.fr/emissions/la-grande-table-1ere-partie/le-jardin-secret-de-naomi- kawase TÉLÉVISION Samedi 1er décembre 2018 : Parismatch.com / Auto-confidences / Yannick Vely Invité : Naomi Kawase à https://www.parismatch.com/Culture/Cinema/Naomi-Kawase-le-cinema-est-ma-seconde-vie- 1591939 PRESSE Anousparis.fr – 22 août 2018 Code Couleur – Septembre / Décembre 2018 Les Inrockuptibles Supplément – 5 septembre 2018 Madame Figaro – 14 septembre 2018 Cote For Paris Visitors – Automne 2018 Vanityfair.fr – 26 octobre 2018 Lanouvellerepublique.fr – 6 novembre 2018 Madame Figaro – 16 et 17 novembre 2018 Mediapart.fr – 18 novembre 2018 Le Jouenal du Dimanche – 25 novembre 2018 Manga-news.com – 17 novembre 2018 La CroiX – 28 novembre 2018 Le Figaro - 28 novembre 2018 Grazia – 30 novembre 2018 Nova.fr – 4 décembre 2018 Grazia.fr – 8 décembre 2018 Libération – 18 décembre 2018 Konbini.com – 30 juillet 2018 ! Romain Salomon (https://www.anousparis.fr/author/romain-salomon/) il y a 1 jour Accueil (https://www.anousparis.fr/) » A.Ecouter (https://www.anousparis.fr/a-ecouter/) » Le Festival d’Automne, un festival pluridisciplinaire Anousparis.fr – mercredi 22 août 2018 Le Festival d’Automne, un festival pluridisciplinaire Depuis 1972, le Festival d’Automne (https://www.festival-automne.com/) rayonne sur Paris et en fait un événement incontournable. -
A Film by Mohammad Rasoulof a Man of Integrity a Film by Mohammad Rasoulof IRAN / 117 Min / Scope 2,39 / 5.1 / 2017 / Farsi
A Man of Integrity a film by Mohammad Rasoulof A Man of Integrity a film byMohammad Rasoulof IRAN / 117 min / Scope 2,39 / 5.1 / 2017 / Farsi INTERNATIONAL PUBLICITY WORLD SALES WOLF Consultants The Match Factory GmbH T: +49 157 7474 9724 Domstraße 60, 50668 Cologne/Germany (in Cannes) M: +33 7 60 21 57 76 phone +49 221 539 709-0 / fax +49 221 539 709-10 [email protected] [email protected] / www.the-match-factory.com DOWNLOAD PRESS MATERIALS at: www.wolf-con.com/download Reza (35), having distanced himself from the urban quagmire, leads a simple life along with his wife and sole child, somewhere in a remote village in Northern Iran. He spends his days working in his gold fish farm. Nearby, a private company with close links to the government and local authorities, has taken control of nearly every aspect of the regional life. Its shareholders, accumulating wealth, power and economic rents, have been pushing local farmers and small owners to dilapidate their belongings, farms and estates, to the benefit of the Company’s influential network and its monopoly. It is under their pressure that many villagers have themselves become local rings of the larger network of corruption. Meanwhile, Reza strives to resist coercion and preserve his farm. Soon though, he will realize that he can no longer stand up to this powerful, yet hidden, coercive web of corruption. Giving up, he decides to sell his property and move away. The Company however, decides to raise the stakes… PRODUCER’S NOTES DIRECTOR’S COMMENTS I have so far produced up to six films, none of which ever screened in Iran – the land my stories and I belong to. -
56Th Chicago International Film Festival October 14-25, 2020 with Xfinity, Your Film Festivals Are on Demand
56th Chicago International Film Festival October 14-25, 2020 With Xfinity, your film festivals are On Demand. Get the best in entertainment with Xfinity. Use the sound of your voice with the Xfinity Voice Remote to find a diverse range of content from all over the world. Even access Netflix, Prime Video, and more right on your TV. No matter what you’re into — Xfinity’s got you. Simple. Easy. Awesome. Call 1-800-xfinity, go to xfinity.com, or visit your local Xfinity Store today. Restrictions apply. Not available in all areas. TV: Limited Basic Service subscription required to receive other levels of service. On Demand selections subject to charge indicated at time of purchase. Not all programming available in all areas. Separate charges apply to On Demand and certain streaming services. Access to Amazon Prime Video and Netflix requires an eligible X1 set-top box with Xfinity TV and Xfinity Internet service. Amazon Prime Video and Netflix use your Internet service and will count against any Xfinity data plan. Amazon Prime Video and Netflix streaming membership required. ©2020 Comcast. All rights reserved. City of Chicago Business License #1337647 TIP: Buy early to avoid disappointment! There are a limited number Festival Tickets of tickets for each film. Think of this as a virtual cinema and we only have a certain number of “seats” available in our theater! Important Festival Dates Festival Passes September 23-27: Love movies? Purchase a pass and save! Members Pre-Sale Festival Passes are the most economical way to Starts at 10:00am see multiple screenings throughout the Festival! Cinema/Chicago members have early access to Festival tickets. -
Pensée Et Pratique Du Montage Dans Les Films De Naomi Kawase : Une Esthétique Ancrée Dans La Culture Japonaise Florian Berthelot
Pensée et pratique du montage dans les films de Naomi Kawase : une esthétique ancrée dans la culture japonaise Florian Berthelot To cite this version: Florian Berthelot. Pensée et pratique du montage dans les films de Naomi Kawase : une esthétique ancrée dans la culture japonaise. Sciences de l’ingénieur [physics]. 2016. dumas-01357253 HAL Id: dumas-01357253 https://dumas.ccsd.cnrs.fr/dumas-01357253 Submitted on 29 Aug 2016 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Copyright Université d’Aix-Marseille Département Sciences, Arts et Techniques Faculté des Sciences de l’Image et du Son (SATIS) Année universitaire 2015-2016 Spécialité Montage Mémoire de Master Professionnel Pensée et pratique du montage dans les films de Naomi Kawase : une esthétique ancrée dans la culture japonaise. Florian BERTHELOT sous la direction de Frédérique DEVAUX soutenu le 29 mars 2016 Université d’Aix-Marseille Département Sciences, Arts et Techniques de l’Image et du Son (SATIS) Pensée et pratique du montage dans les films de Naomi Kawase : une esthétique ancrée dans -
Lynn Hershman-Leeson Papers M1452M1452
http://oac.cdlib.org/findaid/ark:/13030/kt7k4039hc Online items available Lynn Hershman-Leeson Papers M1452M1452 Finding aid prepared by Crystal Rangel and Bill O'Hanlon Department of Special Collections and University Archives 2010 Green Library 557 Escondido Mall Stanford 94305-6064 [email protected] URL: http://library.stanford.edu/spc Lynn Hershman-Leeson Papers M145213265 1 M1452M1452 Language of Material: English Contributing Institution: Department of Special Collections and University Archives Title: Lynn Hershman-Leeson Papers Creator: Hershman-Leeson, Lynn Identifier/Call Number: M1452 Identifier/Call Number: 13265 Physical Description: 155 Linear Feet(100 manuscript boxes, 90 record storage containers) Date (inclusive): 1976-2004 Abstract: A collection of archival papers, audio-visual media, publications, artifacts, photographs, letters, and other documents connected to Hershman-Leeson's art works and projects created since the 1970s and through 2003. Related Collections Women art revolution : videotape interviews by Lynn Hershman-Leeson for film, 1990-2008, M1639. A digital collection containing the video interviews, as well as transcripts, is available online at http://lib.stanford.edu/women-art-revolution. Biographical Note Lynn Hershman Leeson (b. 1941) is a performance artist and filmmaker who, in various media, has investigated the idea of selfhood and what establishes an individual as a sentient, gendered, unique person. Between the years of 1974 and 1978, Hershman Leeson spent much of her time performing as an alter ego, the character Roberta Breitmore. Much of the work--drawings, photographs, clothing, medical records, letters, etc.--Hershman Leeson produced during the Breitmore years related to the character's emotional and practical existences. Hershman Leeson seemed to be demonstrating that the two existences could and should not be easily separated--nor should the artist herself be easily separated from the character she created. -
Catalogue-2018 Web W Covers.Pdf
A LOOK TO THE FUTURE 22 years in Hollywood… The COLCOA French Film this year. The French NeWave 2.0 lineup on Saturday is Festival has become a reference for many and a composed of first films written and directed by women. landmark with a non-stop growing popularity year after The Focus on a Filmmaker day will be offered to writer, year. This longevity has several reasons: the continued director, actor Mélanie Laurent and one of our panels will support of its creator, the Franco-American Cultural address the role of women in the French film industry. Fund (a unique partnership between DGA, MPA, SACEM and WGA West); the faithfulness of our audience and The future is also about new talent highlighted at sponsors; the interest of professionals (American and the festival. A large number of filmmakers invited to French filmmakers, distributors, producers, agents, COLCOA this year are newcomers. The popular compe- journalists); our unique location – the Directors Guild of tition dedicated to short films is back with a record 23 America in Hollywood – and, of course, the involvement films selected, and first films represent a significant part of a dedicated team. of the cinema selection. As in 2017, you will also be able to discover the work of new talent through our Television, Now, because of the continuing digital (r)evolution in Digital Series and Virtual Reality selections. the film and television series industry, the life of a film or series depends on people who spread the word and The future is, ultimately, about a new generation of foreign create a buzz. -
Aufblende 12.3
filmfest hamburg 27.9. – 6.10.2012 filmfest hamburg 27.9. – 6.10.2012 12.3 interview: alex schmidt über das genre horrorfilm interview: alex schmidt on the horror film genre filmförderung hamburg focus: linde fröhlich über 25 jahre »filmforum« focus: linde fröhlich on 25 years of “filmforum” schleswig-holstein location: filmausstatter in hamburg location: props suppliers in hamburg du hast es versprochen 02 aufblende 12.3 04 filmfest hamburg 10 location 14 zoom Der Film WESTERLAND von Tim Staffel ist einer von 13 geför- Eintauchen in neue Welten: die Filmausstatter Axis Mundi Herzlich Willkommen Mohammad Rasoulof: Der iranische Re - derten Projekten auf dem diesjährigen Filmfest Hamburg. und FTA im Porträt. gisseur (AUF WIEDERSEHEN) lebt und arbeitet in Hamburg. The film WESTERLAND by Tim Staffel is one of 13 funded pro- Delving into new worlds: a portrait of the props suppliers Axis Welcome Mohammad Rasoulof: The Iranian director (GOOD- jects at this year’s Filmfest Hamburg. Mundi and FTA. BYE) lives and works in Hamburg. inhalt contents 03 editorial 12 ffhsh news 21 szene scene hamburger kinopreise 2012 vorhang auf: 25 jahre schule für 04 filmfest hamburg einreichtermine schauspiel hamburg 13 geförderte filme im programm schall & klang: tonseminar in kiel fünf jahre schulkinowoche in hh debüt mit sogwirkung: riga ruft: abschlusskonferenz first motion kinokrise & aufbruch: IX. cinefest in hh interview mit alex schmidt hamburg cinema awards 2012 und action …: bffs macht mobil ffhsh-veranstaltungen application deadlines media & training media und efp auf dem filmfest sounds & tone: seminar on sound in kiel film- & fernsehrecht kompakt 13 funded films on the programme riga is calling: first motion closing conference curtain call: 25 years of schule für thrilling debut: interview with alex Schmidt schauspiel hamburg ffhsh events 14 zoom five years of schulkinowoche in hh media and efp at the filmfest tiefe verbundenheit: der iranische cinema crisis & opportunity: IX. -
The Real Cinema of Malaysia
SHOWCASE CINEMA OF IDENTITY AND VIBRANCY: THE REAL CINEMA OF MALAYSIA a SHOWCASE CINEMA OF IDENTITY AND VIBRANCY: THE REAL CINEMA OF MALAYSIA CONTENTS IN-CONVERSATION WITH PHILIP CHEAH 4 WELCOME PROFESSOR HERMAN VAN EYKEN 6 OF IDENTITY AND VIBRANCY: THE REAL CINEMA OF MALAYSIA DR NICO MEISSNER 11 IT’S BEEN A LONG TIME COMING!! TEN QUESTIONS WED 28 SEPTEMBER, 4-6PM WITH U-WEI BIN HAJI SAARI… Philip Cheah & U-Wei Haji Saari on AND THEN SOME… Local Storytelling in Films PHILIP CHEAH 16 JOGHO 18 NOVA (TERBAIK DARI LANGIT) 20 JAGAT 22 THE SHORT FILMS OF EDMUND YEOH WED 5 OCTOBER, 12-1PM 24 BUNOHAN Nandita Solomon & Philip Cheah on Working Across Borders: multi-national 26 MEN WHO SAVE THE WORLD crews and international festival journeys (LELAKI HARAPAN DUNIA) THURS 6 OCTOBER, 1-4PM 28 MALAYSIAN NON-FICTION: Philip Cheah & Nandita Solomon on A SHORT PROGRAM Making Shorts/Features for Festivals (Philip) and Building Careers in the film 32 ACKNOWLEDGEMENTS business (Nandita) SHOWCASE CINEMA MALAYSIA JOGHO (1999) BUNOHAN (2011) U-WEI HAJI SAARI DAIN SAID 94 MINUTES 97 MINUTES SCREENING: SCREENING: 28 SEPTEMBER, 6–8PM 5 OCTOBER, 6–8PM NOVA (TERBAIK DARI MEN WHO SAVE THE LANGIT, 2014) WORLD (LELAKI NIK AMIR MUSTAPHA HARAPAN DUNIA, 2014) 109 MINUTES SENG TAT LIEW SCREENING: 97 MINUTES 30 SEPTEMBER, 4–6PM SCREENING: 6 OCTOBER, 6–8PM JAGAT (2015) SHANJHEY KUMAR PERUMAL MALAYSIAN NON- 90 MINUTES FICTION: A SHORT SCREENING: PROGRAM 4 OCTOBER, 6–8PM MULTIPLE DIRECTORS 85 MINUTES THE SHORT FILMS OF SCREENING: EDMUND YEOH 10 OCTOBER, 9–11AM EDMUND YEOH SCREENING: 5 OCTOBER, 10AM–12PM SELAMAT DATANG! “Cinema is all about Identity” Lord David Puttnam, Griffith Film School, Brisbane, Autumn 2015 Welcome to our last but not least effort between tradition and modernity, the current to understand yet another great Cinema training needs and other very substantial Showcase, our vehicle for Screen Culture: government incentives to bring Malaysia Of Identity and Vibrancy, the Real Cinema of up to speed with the other ‘rich’ and high Malaysia. -
Annual Report 2014-2015 Hubert Bals Fund
HUBERT BALS FUND INTERNATIONAL FILM FESTIVAL ROTTERDAM ANNUAL REPORT 2014-2015 Another Trip to the Moon, Ismail Basbeth, Indonesia, 2015 TABLE OF CONTENTS I. A brief look back at 2014-2015 5 III. Appendix 16 • HBF Supported projects 2014-2015 16 II. Activities and results 2014-2015 6 • Regions from which projects were received • Strengthening the production of films from and supported 20 emerging countries 7 • HBF Harvest 21 • Increasing the visibility of films from • HBF related guests at IFFR 2015 23 emerging countries in their own region and • Festival circulation of HBF-supported films beyond 9 and sales distribution rights in 2014-20155 25 • Opening up and connecting networks 13 • Distribution of HBF-supported films in the Benelux 33 3 I. A BRIEF LOOK BACK AT 2014-2015 The Hubert Bals Fund (HBF) supports film talent from Africa, Asia, Latin America, the Middle East and parts of Eastern Europe. Over the past 26 years, this pioneering fund has become a world-renowned brand that has a considerable impact within the international film world. The synergy generated between IFFR, CineMart and HBF is a formula for success. Through its role over the years in establishing top directors Work in progress (for example Carlos Reygadas, Mahamat-Saleh Haroun and In September 2014, the Hubert Bals Fund launched the new Cristian Mungiu), the Hubert Bals Fund is becoming ever HBF+Europe programme, which supports minority co- more well-known. And particularly in countries where making productions between European producers and film talent from independent, artistic films is no mean feat, specific educational countries in Africa, Asia, Latin America, the Middle East and opportunities are rare, local finance is hard to come by or parts of Eastern Europe, and promotes the circulation of these completely absent, or there is limited scope for free cultural co-productions in Europe and in the HBF countries. -
Filmed Correspondence
the complete letters Filmed Correspondence josé luis guerin – jonas mekas isaki lacuesta – naomi kawase albert serra – lisandro alonso jaime rosales – wang bing fernando eimbcke – so yong kim WINNER AUDIOVISUAL THE COMPLETE LETTERS FILMED CORRESPONDENCE Credits Curatorship: Jordi Balló Space design: Guri_Casajuana arquitectes SCP Dates: 27 April to 31 July 2011 at Centro Cultural Universitario Tlatelolco (CCUT), Mexico City 15 September to 30 October 2011 at La Casa Encendida, Madrid (film series) 12 October 2011 to 19 February 2012 at CCCB, Barcelona 25 October 2011 to 19 February 2012 at Centro de Arte Las Cigarreras, Alicante October to November 2012 at Sala Leopoldo Lugones, Buenos Aires Setember to Desember 2012 at Museo de Arte Contemporáneo de Caracas 31 November 2012 to December 2014 at Centre Georges Pompidou, Paris Organization and production: Centre de Cultura Contemporània de Barcelona (CCCB) Centro Cultural Universitario Tlatelolco (CCUT) de la UNAM, Mexico City La Casa Encendida, Madrid Acción Cultural Española (AC/E) With the collaboration of: 2 THE COMPLETE LETTERS FILMED CORRESPONDENCE Why an itinerancy of The Complete Letters? Contemporary Catalan cinema resonates significantly with the images being created by artists all over the world. The vitality of the cinema being made here is manifested in the works of upcoming filmmakers who, with their aesthetic and thematic proposals, create cinematographic dialogues with other contemporary filmmakers. These dialogues are based not on similarity, instead contrasting the creative concerns of these artists. A field/counter field, like a question/answer, in which the images can either connect or question each other, becoming possible parts of a single discourse. -
MANUSCRIPTS DON't BURN Synopsis Kasra Is an Iranian Author
MANUSCRIPTS DON'T BURN Synopsis Kasra is an Iranian author who manages to secretly write down his memoirs, although being under strict monitoring by the security service. His stories are related to his time in jail as a political prisoner, as well as different events connected to his life as an intellectual in Iran. He has prepared everything in order to publish these writings and is getting ready to leave the country. Several people in the security service apparatus manage to uncover Kasra’s plans. They will do anything to destroy his manuscripts. Director Mohammad Rasoulof was born in Shiraz, Iran in 1972 and is an independent filmmaker. He studied sociology. He started his professional carrier as a filmmaker with the making of independent documentary films. The docudrama The Twighligth (gagooman) was his first full-length cinema film. This film related to real events and persons and was produced in 2000 and was released in the year 2002. Until today Mohammad Rasoulof has made two documentary and four feature films. In 2010 Mohammad Rasoulof was arrested on set and was accused of filming without a permit. He was sentenced to six years in prison, this was later reduced to one year. Right now he is out on bail and is waiting for the sentence to be executed. His last film Goodbye (Be omid é didar) was released at the 2011 Cannes Film Festival in the category Un Certain Regard and won the prize for directing. His recent film Manuscripts Don't Burn was also screened in the Un Certain Regard section at the 2013 Cannes Film Festival where it won the FIPRESCI Prize.