Annual Report 2014-2015 Hubert Bals Fund
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Alternative Digital Movies As Malaysian National Cinema A
Unfolding Time to Configure a Collective Entity: Alternative Digital Movies as Malaysian National Cinema A dissertation presented to the faculty of the College of Fine Arts of Ohio University In partial fulfillment of the requirements for the degree Doctor of Philosophy Hsin-ning Chang April 2017 © 2017 Hsin-ning Chang. All Rights Reserved. 2 This dissertation titled Unfolding Time to Configure a Collective Entity: Alternative Digital Movies as Malaysian National Cinema by HSIN-NING CHANG has been approved for Interdisciplinary Arts and the College of Fine Arts by Erin Schlumpf Visiting Assistant Professor of Film Studies Elizabeth Sayrs Interim Dean, College of Fine Arts 3 ABSTRACT CHANG, HSIN-NING, Ph.D., April 2017, Interdisciplinary Arts Unfolding Time to Configure a Collective Entity: Alternative Digital Movies as Malaysian National Cinema Director of dissertation: Erin Schlumpf This dissertation argues that the alternative digital movies that emerged in the early 21st century Malaysia have become a part of the Malaysian national cinema. This group of movies includes independent feature-length films, documentaries, short and experimental films and videos. They closely engage with the unique conditions of Malaysia’s economic development, ethnic relationships, and cultural practices, which together comprise significant understandings of the nationhood of Malaysia. The analyses and discussions of the content and practices of these films allow us not only to recognize the economic, social, and historical circumstances of Malaysia, but we also find how these movies reread and rework the existed imagination of the nation, and then actively contribute in configuring the collective entity of Malaysia. 4 DEDICATION To parents, family, friends, and cats in my life 5 ACKNOWLEDGMENTS I would like to express my sincere gratitude to my advisor, Prof. -
The Real Cinema of Malaysia
SHOWCASE CINEMA OF IDENTITY AND VIBRANCY: THE REAL CINEMA OF MALAYSIA a SHOWCASE CINEMA OF IDENTITY AND VIBRANCY: THE REAL CINEMA OF MALAYSIA CONTENTS IN-CONVERSATION WITH PHILIP CHEAH 4 WELCOME PROFESSOR HERMAN VAN EYKEN 6 OF IDENTITY AND VIBRANCY: THE REAL CINEMA OF MALAYSIA DR NICO MEISSNER 11 IT’S BEEN A LONG TIME COMING!! TEN QUESTIONS WED 28 SEPTEMBER, 4-6PM WITH U-WEI BIN HAJI SAARI… Philip Cheah & U-Wei Haji Saari on AND THEN SOME… Local Storytelling in Films PHILIP CHEAH 16 JOGHO 18 NOVA (TERBAIK DARI LANGIT) 20 JAGAT 22 THE SHORT FILMS OF EDMUND YEOH WED 5 OCTOBER, 12-1PM 24 BUNOHAN Nandita Solomon & Philip Cheah on Working Across Borders: multi-national 26 MEN WHO SAVE THE WORLD crews and international festival journeys (LELAKI HARAPAN DUNIA) THURS 6 OCTOBER, 1-4PM 28 MALAYSIAN NON-FICTION: Philip Cheah & Nandita Solomon on A SHORT PROGRAM Making Shorts/Features for Festivals (Philip) and Building Careers in the film 32 ACKNOWLEDGEMENTS business (Nandita) SHOWCASE CINEMA MALAYSIA JOGHO (1999) BUNOHAN (2011) U-WEI HAJI SAARI DAIN SAID 94 MINUTES 97 MINUTES SCREENING: SCREENING: 28 SEPTEMBER, 6–8PM 5 OCTOBER, 6–8PM NOVA (TERBAIK DARI MEN WHO SAVE THE LANGIT, 2014) WORLD (LELAKI NIK AMIR MUSTAPHA HARAPAN DUNIA, 2014) 109 MINUTES SENG TAT LIEW SCREENING: 97 MINUTES 30 SEPTEMBER, 4–6PM SCREENING: 6 OCTOBER, 6–8PM JAGAT (2015) SHANJHEY KUMAR PERUMAL MALAYSIAN NON- 90 MINUTES FICTION: A SHORT SCREENING: PROGRAM 4 OCTOBER, 6–8PM MULTIPLE DIRECTORS 85 MINUTES THE SHORT FILMS OF SCREENING: EDMUND YEOH 10 OCTOBER, 9–11AM EDMUND YEOH SCREENING: 5 OCTOBER, 10AM–12PM SELAMAT DATANG! “Cinema is all about Identity” Lord David Puttnam, Griffith Film School, Brisbane, Autumn 2015 Welcome to our last but not least effort between tradition and modernity, the current to understand yet another great Cinema training needs and other very substantial Showcase, our vehicle for Screen Culture: government incentives to bring Malaysia Of Identity and Vibrancy, the Real Cinema of up to speed with the other ‘rich’ and high Malaysia. -
Jan – Feb 20 What We Left Unfinished (2019) Image Courtesy of Wide House 2 January to February 3 Schedule
ASIAN Issue No 04 FILM ARCHIVE Oldham , Theatre Jan – Feb 20 What We Left Unfinished (2019) Image courtesy of Wide House 2 January to February 3 Schedule * The January–February schedule and programme line-up is correct at the time of print. MARK YOUR CALENDAR Any changes to the above will be updated and reflected on asianfilmarchive.org 2020 • ANIMATING THE ARCHIVE January • ACCESSING THE ARCHIVE DATE TIME FILM RUNTIME VENUE PAGE 10, FRI 8PM • MEMORIES OF MY BODY 106 MIN OLDHAM THEATRE 11 11, SAT 8PM • A MOON FOR MY FATHER 75 MIN OLDHAM THEATRE 12 12, SUN 6PM • AROUND THE WORLD WHEN YOU WERE MY AGE 110 MIN OLDHAM THEATRE 13 15, WED 8PM • WHAT WE LEFT UNFINISHED 71 MIN OLDHAM THEATRE 14 1 7, F R I 8PM • THAT CLOUD NEVER LEFT 65 MIN OLDHAM THEATRE 15 18, SAT 8PM • SOMEWHERE 4 SOME TIME 89 MIN OLDHAM THEATRE 16 19, S U N 6PM • THE IMPOSSIBILITY OF KNOWING + INVISIBLE CITY 72 MIN OLDHAM THEATRE 18 22, WED 8PM • THE THREE DISAPPEARANCES OF SOAD HOSNI 70 MIN OLDHAM THEATRE 22 2 9, W E D 8PM • CINEMA OF THE PALESTINIAN REVOLUTION 92 MIN OLDHAM THEATRE 20 31, FRI 8PM • FIFTH CINEMA 56 MIN OLDHAM THEATRE 23 2020 • ANIMATING THE ARCHIVE February • ACCESSING THE ARCHIVE DATE TIME FILM RUNTIME VENUE PAGE 01, SAT 8PM • THE PEOPLE WE REVISIT 86 MIN OLDHAM THEATRE 28 02, SUN 6PM • THE THREE DISAPPEARANCES OF SOAD HOSNI 70 MIN OLDHAM THEATRE 22 05, WED 8PM • AROUND THE WORLD WHEN YOU WERE MY AGE 106 MIN OLDHAM THEATRE 13 0 7, F R I 8PM • BATCH '81 110 MIN OLDHAM THEATRE 38 08, SAT 4PM • CLASS PICTURE + ANAK ARAW 67 MIN OLDHAM THEATRE 24 8PM • THE FILMS WE REMAKE 88 MIN OLDHAM THEATRE 30 0 9, S U N 2PM • NOW SHOWING 280 MIN OLDHAM THEATRE 26 4 January to February 5 Schedule * The January–February schedule and programme line-up is correct at the time of print. -
Catalogue5th Edition
CATALOGUE 5th Edition 1 5 WELCOME BY RAYMOND WALRAVENS 7 WORLD CINEMA AMSTERDAM JURY AWARD 8 OPENING & CLOSING CEREMONY / AWARDS 9 THIS YEar’s vENUES 10 PRIZE WINNERS OF PREVIOUS EDITIONS 12 WORLD CINEMA AMSTERDAM COMPETITION 22 HELLO KAZACHSTAN! 28 ¡HOLA URUGUAY! 36 WORLD CINEMA OPEN AIR 41 WORLD CINEMA OPEN AIR @ VU CAMPUS 42 SPECIAL SCREENINGS 55 MEET ME @ WCA 56 WE WOULD LIKE TO THANK 60 INDEX FILMMAKERS A - Z 61 INDEX FILMS A - Z 62 FESTIVAL STAFF & COLOPHON 63 SPONSORS AND PARTNERS 3 4 WELCOME! WORLD CINEMA AMSTERDAM: THE 5TH EDITION Travelling around the world without having to leave the city... WORLD CINEMA AMSTERDAM COMPETITION That’s what Rialto had in mind when it initiated the World As in the past four editions, the competition programme Cinema Amsterdam film festival five years ago. We knew forms the festival’s backbone. The films featuring in this that there were enough “film travellers” around, but realized year’s competition cover a broad and diverse spectrum: nine that they rarely found what they were looking for. Apparently, remarkable films from nine different countries have been there’s a peculiar discrepancy between non-Western art nominated for the World Cinema Amsterdam Jury Award. cinema’s success at various international film festivals and Among these are four debut films by young, talented direc- how many of these films actually make it to cinemas in the tors: Diego Ruiz (Chile), July Jung (South Korea), Zeresenay Netherlands. Of the 10,000 films that are produced world- Berhane Mehari (Ethiopia) and Gonzalo Lugo & Florencia wide annually, about 400 are screened in Dutch cinemas. -
CATALOGO 2011 Fichero 1 OK:Maquetaciûn 1
12º Festival Internacional de Cine de Las Palmas de Gran Canaria Edita: Sociedad de Promoción de Las Palmas de Gran Canaria Depósito Legal: GC-192-2011 Diseño y maquetación: Promedia Impreso en España · Printed in Spain ÍNDICE INDEX 4 SALUTAS / SALUTATIONS 8 PREMIOS OFICIALES / OFFICIAL AWARDS 11 PREMIOS LADY HARIMAGUADA HONORÍFICOS / HONORARY 'LADY HARIMAGUADA' AWARDS 16 ORGANIZACIÓN / ORGANISATION 17 AGRADECIMIENTOS / ACKNNOWLEDGMENTS 19 JURADOS / JURYS 37 GALA DE INAUGURACIÓN Y CLAUSURA / OPENING AND CLOSING GALA 41 SECCIÓN OFICIAL / OFFICIAL SECTION 57 SECCIÓN OFICIAL CORTOMETRAJES / OFFICIAL SECTION SHORT FILMS 71 SECCIÓN INFORMATIVA / INFORMATIVE SECTION 71 NUEVOS DIRECTORES / NEW FILMMAKERS 87 PANORAMA / PANORAMA 101 SECCIÓN ESPECIAL / SPECIAL SECTION 105 RETROSPECTIVAS / RETROSPECTIVES 105 MEMORIAS DEL MAL / MEMORIES OF EVIL 127 HOMENAJE A JEAN-PIERRE LÉAUD / A TRIBUTE TO JEAN-PIERRE LÉAUD 143 LOS EXTREMOS SE TOCAN: KAZUO HARA / TOUCHING EXTREMES: KAZUO HARA NEO-NOIR. MUTACIONES Y NUEVOS CAMINOS DEL CINE NEGRO AMERICANO MODERNO 1960 - 2001 151 NEO-NOIR. MUTATIONS AND NEW ROADS OF MODERN AMERICAN 'NOIR' CINEMA 1960 - 2001 171 DÉJÀ VU: CARTA BLANCA A LUIS MIÑARRO / DÉJÀ VU: CARTE BLANCHE TO LUIS MIÑARRO 183 FORO CANARIO 183 PANORAMA DE ACTUALIDAD. LARGOMETRAJES / CURRENT PANORAMA. FEATURE FILMS 191 PANORAMA DE ACTUALIDAD CORTOMETRAJES / CURRENT PANORAMA SHORTS 205 LA NOCHE + FREAK / THE FREAKIEST NIGHT 215 ACTIVIDADES PARALELAS / PARALLEL ACTIVITIES 219 PALMARÉS 2000 - 2010 / 2000 - 2010 AWARD WINNERS 231 ÍNDICE DE PELÍCULAS Y DIRECTORES -
The Little Cinema of Malaysia
The Little Cinema of Malaysia By Hassan Abd Muthalib Spring 2007 Issue of KINEMA THE LITTLE CINEMA OF MALAYSIA: OUT WITH THE OLD, IN WITH THE NEW MALAYSIAN mainstream cinema is notable (!) for its emphasis on pure entertainment and nothing but. The films were also notable (until recently), for not reflecting the ethnic and cultural diversity ofMalaysia in spite of the official promotion of the country internationally as Malaysia, Truly Asia. Dishing outcliched, stereotypical and antiquated narratives and characters, many of these films somehow attain box-office success, proof that they are popular with a certain segment of the cinema-going public. None of these films, however, have been invited to participate in international film festivals. The few alternative films that have surfaced from time to time (and have had international exposure), have never had a mass audience, and them have ever made back their initial investment. This gloomy scenario, however, has not fazed the group dubbed The Little Cinema of Malaysia. Working in the digital video (DV) format, its filmmakers have made their presence felt with their iconoclastic filmmak- ing. Ever since the wave first began in 1999, there has been no stopping its forward surge. International recognition has been quick in coming and their works are now regularly in exhibition or in competition - and winning many top prizes - at prestigious festivals around the world. But more importantly, they have broken with the conventions and traditions prevalent in the mainstream since 1933 when the first local film was made. The Little Cinema is notable for its diversity not only in the makeup of its members (who come from all races), but also in the diversity of ideas, issues and narratives they bring to the screen. -
LAAPFF 2015 Catalog
VISUAL COMMUNICATIONS presents the LOS ANGELES ASIAN PACIFIC FILM FESTIVAL APRIL 23 – 30, 2015 No. 31 LITTLE TOKYO _ KOREATOWN _ WEST HOLLYWOOD SEE YOU NEXT YEAR! CONTENTS 7 Festival Welcome 8 Festival Sponsors 10 Community Partners 12 “About VC” Update for 2015 14 Friends of Visual Communications 16 AWC Indiegogo Supporters 18 Year of The Question of the Year! 26 Why Arthur Dong Still Matters 32 Festival Awards: Past Awardees 36 Festival Award Nominees: Feature Narrative 39 Festival Award Nominees: Feature Documentary 42 Festival Award Nominees: Short Film 48 Programmers’ Recommendations 51 Conference for Creative Content 2015 56 Filmmaker Panels & Seminars 60 Program Schedule 61 Box Office Info 62 Venue Info 63 Parties & Afterhours 65 Festival Galas 75 Festival Special Presentations 83 Artist’s Spotlight: Arthur Dong 87 Narrative Competition Films 97 Documentary Competition Films 107 International Showcase Films 123 Short Film Programs 144 Acknowledgements 146 Print & Tape Sources 150 Title/Artist Index 152 Country Index The Los Angeles Asian Pacific Film Festival • 2 The Los Angeles Asian Pacific Film Festival • 3 The Los Angeles Asian Pacific Film Festival • 4 The Los Angeles Asian Pacific Film Festival • 5 The Los Angeles Asian Pacific Film Festival • 6 WELCOME Welcome to the 31st edition of presentations, we are extremely proud to showcase the Los Angeles Asian Pacific returning, seasoned, and emerging Asian Pacific Film Festival! American and International artists and their stories to After a 5-year absence, Visual our communities throughout the Festival at the JACCC, Communications is excited to Japanese American National Museum, Downtown open the Festival at the Japanese Independent, The Great Company, CGV Cinemas, and American Cultural & Community the Directors Guild of America.