DOCSLIB.ORG

Contact FIAPF Accredited Film Festivals

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Contact FIAPF Accredited Film Festivals | Contacts As of end of 2018 Antalya, Turkey Astana, Kazakhstan Berlin, Germany October. July. February. www.antalyaff.com www.eurasiafestival.kz www.berlinale.de [email protected] [email protected] [email protected] International Antalya {T} +90 (242) 248 90 22 Eurasia International {T} +7 701 252 02 15 Berlin International {T} +49 30 25920-0 Film Festival {F} +90 (242) 243 92 82 Film Festival Film Festival {F} +49 30 25920-299 Competitive feature film festival c/o Anset ** Meltem Mahallesi Competitive feature film festival Eurasia Astana IFF Directorate Competitive feature film festival. Potsdamer Straße 5 specialised in new currents in Sakıp Sabancı Bulvarı specialised in films produced in 7/4 Kumsuat St. 10785 Berlin contemporary cinema. Atatürk Kültür Parkı içi – Europe, Central-Asia and Asia. Saryarka district Germany AKM N°: 7 ** 07030 010000 Astana City Muratpasa, Antalya - Turkey Republic of Kazakhstan Menderes Türel Aiman Mussakhajayeva Dieter Kosslick (Festival President) (President) (Director) Mike Downey (Artistic Director) © Ali Ghandtschi Bilbao, Spain Busan, Korea Cairo, Egypt November. October. November. www.zinebi.eus www.biff.kr www.ciff.org.eg [email protected] [email protected] [email protected] {T} Zinebi International Festival {T} +34 94 424 86 98 Busan International {T} +82 51 709 2110 Cairo International +202 23923562 {F} of Documentary and Short Film {F} +34 94 424 56 24 Film Festival {F} +82 51 709 2299 Film Festival +202 23938979 Competitive feature film festival. of Bilbao Colón de Larreategui, Competitive feature film festival 3rd Floor, BIFF HILL, 17 Kasr El-Nil St. Documentary and short film festival. 13 – 3º Iz specialised in first and Busan Cinema Center, Cairo 11111 48001 Bilbao – España second feature films. 120, Suyeong gangbyeon-daero, Egypt Haeundae-gu, Busan 48058, Korea Vanesa Fernandez Lee Yong-kwan Mohamed Hefzy (Director) (Chairman) (President) Jay Jeon Youssef Cherif Rizkallah (Artistic Director) (Director) Cannes, France Cartagena, Colombia Cluj-Napoca, Romania May. March. May. www.festival-cannes.com www.ficcifestival.com www.tiff.ro [email protected] [email protected] [email protected] Festival de Cannes {T} +33 1 53 59 61 00 International Film Festival {T} +(57 - 5) 664 2345 Transilvania International {T} +40 213 266 480 {F} {F} Competitive feature film festival. +33 1 53 59 61 10 of Cartagena Film Festival, Cluj +40 213 260 268 5, rue Charlot Competitive feature film festival Calle San Juan de Dios Competitive feature film festival Str. Popa Soare Nr. 52, 75003 Paris specialised in Ibero and Latin- Baluarte San Francisco specialised in first and Sector 2, France American films. Cartagena second feature films. Bucuresti Colombia Romania Pierre Lescure Lina Rodríguez Tudor Giurgiu (President) (General Director) (Festival Director) Thierry Frémaux Felipe Ajiure (General Delegate) (Artistic Director) © ATG - Olivier Vigerie Como, Milan, Italy Gijón, Spain Goa, India December. November. November. www.noirfest.com www.gijonfilmfestival.com www.iffigoa.org [email protected] [email protected] [email protected] Noir in Festival {T} +39 06 8603111 Gijón International {T} +34 985 18 29 40 International Film {T} +91 11 26499398 {F} {F} Competitive feature film festival +39 06 86213298 Film Festival +34 985 18 29 39 Festival of India Directorate of Film Festivals, specialised in police and mystery films. Via Santa Croce in Competitive feature film festival c/ Francisco Tomàs y Valiente, Competitive feature film festival. Ministry of Information & Gerusalemme, 107 - 00185 specialised in films for young people. 1-1a Broadcasting, Roma 33201 Gijon Government of India Italy Spain Siri Fort Auditorium Complex August Kranti Marg Asian Games Village Giorgio Gosetti Alejandro Díaz Castaño New Dehli-110049 (Director) (Director) India Mr. Chaitanya Prasad (Additionnal Director General) Istanbul, Turkey Karlovy Vary, Czech Republic Kitzbühel, Austria April. July. August. film.iksv.org www.kviff.com www.ffkb.at [email protected] [email protected] [email protected] Istanbul Film Festival {T} +90 (212) 334 07 25 Karlovy Vary International {T} +420 221 411 011 or 22 FilmFestival {T} +43 19453362 {F} Competitive feature film festival Film Festival +420 221 411 033 Kitzbühel specialised in new perspectives Istanbul Foundation for Culture Competitive feature film festival. Panská 1 Competitive feature film festival Zinckgasse 11/35 in cinema. and Arts 110 00 Praha 1 specialised in young directors' films. 1150 Vienna Sadi Konuralp C. No: 5 Czech Republic Austria Sishane-Beyoglu 34433 Istanbul Turkey Kerem Ayan Jirí Bartoška Michael Reisch (Director) (President) (Director) Karel Och (Artistic Director) Kolkata, India Krakow, Poland Kyiv, Ukraine November. May. May. www.kff.in www.krakowfilmfestival.pl www.molodist.com [email protected] [email protected] [email protected] Kolkata International {T} +91 33 2223 1210 | 1655 Krakow Film Festival {T} +48 12 294 69 45 Kyiv International Film {T} +38 (044) 394 83 10 {F} {F} {F} Film Festival +91 33 2223 5744 Documentary and short film festival. +48 12 294 69 45 Festival Molodist +38 (044) 594 10 61 Competitive feature film festival 1/1 A J C Bose Road, ul. Basztowa 15/8a, Competitive feature film festival 16 Lavrska Street. specialised in innovation Kolkata – 700020, 31-143 Kraków, specialised in young directors' films. Office 311 in moving images. India Poland Kyiv 01015 Ukraine Mahua Banerjee Krzysztof Gierat Andrii Khalpakhtchi (Director) (Director) (General Director) Barbara Orlicz-Szczypula Vladyslav Liasovskyi (Director of the Programme Office) (Executive Director) © T. Korczynsk Lisbon, Portugal Locarno, Switzerland Mar Del Plata, Argentina September. August. November. www.motelx.org www.locarnofestival.ch www.mardelplatafilmfest.com [email protected] [email protected] [email protected] {T} {T} {T} +5411 4383 6904 Lisbon International Horror +351 213 545 158 Festival del +41 91 756 21 21 Mar Del Plata International Film Festival film Locarno {F} +41 91 756 21 49 Film Festival Competitive feature film festival. Competitive film festival specialised in Rue Filipe Folque, 30. 6B Competitive feature film festival. via Franchino Rusca 1 Av. Belgrano 1586 – Piso 9 Horror film - Feature and 1050 – 113 Lisbon CH – 6600 Locarno - C1093AAP - CABA Documentaries. Portugal Switzerland Buenos Aires Argentina Joao Monteiro Marco Solari José Antonio Martínez Suárez (Director) (President) (President) Pedro Souto Lili Hinstin Cecilia Barrionuevo (Director) (Artistic Director) (Artistic Director) © Massimo Pedrazzini Minsk, Belarus Montreal, Canada Moscow, Russia November. August. April. www.listapad.com www.ffm-montreal.org www.moscowfilmfestival.ru [email protected] [email protected] [email protected] {T} Listapad Minsk International [email protected] Montreal World +1 514 848 3883 {T} +7 495 725 26 22 {F} Moscow International {T} +1 514 848 3886 {F} Film Festival +375 (17) 233 98 74 Film Festival Film Festival +7 495 725 26 22 {F} Competitive feature film festival +375 (17) 233 98 39 Competitive feature film festival. 1432 rue de Bleury, Competitive feature film festival. 11 bld. 1, specialised in films produced in (ex)- Festival Directorate (Visual and Montréal, Québec H3A 2J1 Maly Kozikhinsky lane, communist countries, including CIS Performing Arts Centre - ART Canada Moscow, 123001, countries, Central and South-East Corporation) Russia Asia, Baltics, Eastern and Central Internatsionalnaya Street, 21 Europe, China, Cuba. 220030, Minsk, Belarus Igor Soukmanov Organizing Committee Nikita Mikhalkov (Artistic Director, Features) (President) Irina Demyanova Kirill Razlogov (Artistic Director, Documentaries) (Programme Director) Mumbai, India Namur, Belgium Oberhausen, Germany October. September. May. www.mumbaifilmfestival.com www.fiff.be www.kurzfilmtage.de [email protected] [email protected] [email protected] {T} {T} Mumbai Film Festival +91 022 26005700 Namur International +32 81 24 12 36 International Short {T} +49 (0)208 825 2652 {F} Competitive feature film festival Film Festival +32 81 22 43 84 Film Festival Oberhausen {F} +49 (0)208 825 5413 specialised in first features. Mumbai Academy of Moving Competitive film festival Rue des Brasseurs, 175 Documentary and short film festival. Grillostr. 34 Image - Flat No. 301 specialised in French 5000 Namur 46045 Oberhausen speaking countries. 3rd Floor - Building Name: Belgium Germany Swati - North Avenue Road, Santacruz (West) Mumbai 400054 India Nicole Gillet Dr. Lars Henrik Gass (General Delegate) (Festival Director) Anupama Chopra (Director) © Kurzfilmtage - E. Meltzer Saint Petersburg, Russia San Sebastián, Spain Santo Domingo, Dominican Rep September. September. January. www.message2man.com www.sansebastianfestival.com www.festivaldecineglobal.org [email protected] [email protected] [email protected] {T} +7 812 570 61 16 {T} +34 943 481212 {T} +1 (809) 685 9966 Message to man San Sebastián Festival de {F} +34 943 481218 International Film Festival International Film Festival Cine Global Dominicano Documentary and short film festival. Griboyedov Canal Quay, 27, Competitive feature film festival. Tabakalera - Plaza de las Competitive film festival C/ Capitàn Eugenio de 191186 St. Petersburg, Cigarreras 1, 2ª planta specialised in first films. Marchena No 26 Russia 20012 Donostia La Esperilla, Santo Domingo San Sebastián Dominican Republic Spain Alexei Uchitel José Luis Rebordinos Omar de la Cruz (General Director) (Director) (Executive Director) Taina
Load more

Recommended publications
  • British Council Short Film Travel Grant Key Festivals List 2019/20
    BRITISH COUNCIL SHORT FILM TRAVEL GRANT KEY FESTIVALS LIST 2019/20 KEY APRIL Films accepted into these festivals (including student films) Aspen Shortsfest Film Festival, USA are eligible for consideration for BAFTA and/or American aspenfilm.org (A) Academy Awards© Tribeca Film Festival, USA Festivals we support VR projects to travel to (please see tribecafilm.com (A) notes at end of document for more information) Dresden International Short Film Festival, Germany These festivals award a Prix UIP, which includes an filmfest-dresden.de (B) automatic nomination in the short film category of the European Film Awards Go Shorts, The Netherlands goshort.nl (B) Hot Docs International Documentary Festival, Canada, hotdocs.ca (A) Visions Du Réel, Switzerland, visionsdureel.ch/en (A) JANUARY Angers Premier Plans, France MAY premiersplans.org (B) Oberhausen International Short Film Festival, Sundance Film Festival, USA Germany, kurzfilmtage.de (A) sundance.org (A) Cannes Film Festival, France Prague Shorts, Czech Republic festival-cannes.com (A) pragueshorts.com (B) PLEASE NOTE: WE DO NOT ACCEPT APPLICATIONS FOR FILMS SCREENING AT SHORT FILM CORNER Rotterdam International Film Festival, Netherlands Krakow Short Film Festival, Poland filmfestivalrotterdam.com (A) krakowfilmfestival.pl (B) Flickerfest International Short Film Festival, Molodist International Film Festival, Ukraine Australia, flickerfest.com.au (A) molodist.com (B) FEBRUARY Stuttgart Animated Film Festival, Gemany itfs.de (A) Clermont-Ferrand International Short Film Festival, France,
    [Show full text]
  • 19.05.21 Notable Industry Recognition Awards List • ADC Advertising
    19.05.21 Notable Industry Recognition Awards List • ADC Advertising Awards • AFI Awards • AICE & AICP (US) • Akil Koci Prize • American Academy of Arts and Letters Gold Medal in Music • American Cinema Editors • Angers Premier Plans • Annie Awards • APAs Awards • Argentine Academy of Cinematography Arts and Sciences Awards • ARIA Music Awards (Australian Recording Industry Association) Ariel • Art Directors Guild Awards • Arthur C. Clarke Award • Artios Awards • ASCAP awards (American Society of Composers, Authors and Publishers) • Asia Pacific Screen Awards • ASTRA Awards • Australian Academy of Cinema and Television Arts (AACTS) • Australian Production Design Guild • Awit Awards (Philippine Association of the Record Industry) • BAA British Arrow Awards (British Advertising Awards) • Berlin International Film Festival • BET Awards (Black Entertainment Television, United States) • BFI London Film Festival • Bodil Awards • Brit Awards • British Composer Awards – For excellence in classical and jazz music • Brooklyn International Film Festival • Busan International Film Festival • Cairo International Film Festival • Canadian Screen Awards • Cannes International Film Festival / Festival de Cannes • Cannes Lions Awards • Chicago International Film Festival • Ciclope Awards • Cinedays – Skopje International Film Festival (European First and Second Films) • Cinema Audio Society Awards Cinema Jove International Film Festival • CinemaCon’s International • Classic Rock Roll of Honour Awards – An annual awards program bestowed by Classic Rock Clio
    [Show full text]
  • Animatricks Film Festival 2015
    Animatricks Film Festival 2015 A Marketing Plan Emmi Nilivaara Bachelor’s thesis April 2015 Degree Programme in Music and Media Management School of Business 2 Description Author(s) Type of publication Date Nilivaara, Emmi Bachelor’s thesis 17.4.2015 Language of publication: English Number of pages Permission for web 36+24 publication: x Title of publication Animatricks Film Festival 2015 A Marketing Plan Degree programme Music and Media Management Tutor(s) Miikkulainen, Ilari Assigned by Palikka Ry. Abstract The goal of the bachelor’s thesis was to create an efficient and implementable marketing plan for the Animatricks Film Festival 2015. The Animatricks Film Festival is an annual animation-related festival held in Helsinki, Finland. The festival is organized by Palikka Ry, a non-profit organization. It was agreed upon to create a marketing plan for the next Animatricks Film Festival (2015) as there had been no previous one(s). The bachelor’s thesis concentrates on describing the concept of marketing and marketing plan in the chapter of theoretical basis. The chapter on implementation presents the practicalities of creating a marketing plan for the Animatricks Film Festival 2015. As a result, a marketing plan for the Animatricks Film Festival 2015 was created based on the needs and wants of Palikka Ry. The implementation of the marketing plan started in January 2015. As the thesis was finished before the festival was being held, no definite or concrete proof on the success rate of the marketing plan was discovered. The marketing plan is attached to the bachelor’s thesis however, it is confidential and not published.
    [Show full text]
  • Film Festival Rankings Compiled by Stephen W. Davega by ATTENDANCE 01 Tribeca Film Festival 465,000 02 Rotterdam International
    Film Festival Rankings Compiled by Stephen W. DaVega BY ATTENDANCE 01 Tribeca Film Festival 465,000 02 Rotterdam International Film Festival 355,000 03 Montreal World Film Festival 350,000 04 Toronto International Film Festival 340,843 05 Berlin Int'l Film Festival 340,000 06 Buenos Aires Int'l Indy Film Festival 260,700 07 Rio De Janeiro Int'l Film Festival 223,000 08 Festival of Deauville American Cinema 200,000 09 Pan African Film Festival 200,000 10 San Sebastian Int'l Film Festival 200,000 11 Shanghai International Film Festival 200,000 12 Pusan International Film Festival 198,603 13 Locarno Int'l Film Festival 192,600 14 Sao Paulo Int'l Film Festival 180,000 15 Kerala International Film Festival 175,000 16 Melbourne Int'l Film Festival 170,000 17 Seattle International Film Festival 160,000 18 Mar del Plata Film Festival 150,000 19 Short Shorts Film Festival 150,000 20 Sitges Int'l Film Festival Catalonia 150,000 21 Vancouver Int'l Film Festival 148,360 22 Karlovy Vary Int'l Film Festival 135,759 23 Sydney Film Festival 132,500 24 Clermont Ferrand Short Film Festival 132,000 25 Int'l Doc Film Festival Amsterdam 131,214 26 Fantasporto Oporto Int'l Film Festival 130,000 27 Goteborg Film Festival 122,400 28 Belgrade Int'l Film Festival 120,000 29 Comic Con Int'l San Diego 120,000 30 Molodist Film Festival of Kiev 120,000 BY MEDIA ATTENDANCE 01 Cannes Film Festival 4,376 02 Berlin Int'l Film Festival 3,696 03 Generation 3,600 04 Venice Film Festival 3,500 05 Clermont Ferrand Short Film Festival 2,000 06 Moscow Int'l Film Festival 2,000
    [Show full text]
  • Trends of Pakistani Films: an Analytical Study of Restoration of Cinema
    Trends of Pakistani films: An analytical study of restoration of cinema Fouzia Naz* Sadia Mehmood** ABSTRACT People prefer to go to the cinema as compared to theaters because of its way of execution and performance. Background music, sound effects, lights, direction attract people, and its demonstrations relate people to their lives. It is true that films have a unique and powerful connection between human behavior and societal culture. Pakistani film industry faced the downfall and now it is doing its best to make the films on international standards. In this research article, the background of Pakistani cinema and causes of downfall will be discussed. The main idea of this research article is to identify and study the development of Pakistani film industry. Qualitative and quantitative data collection will be used as the research method of this research. This research article helps in observing different mass media theory based on Pakistani cinema. Moreover, it will be explained what filmmakers critiques and people say regarding revival or restoration. Keywords: downfall, revival, the impact of the Pakistani film industry, Lollywood *Assistant professor, Mass Communication, University of Karachi) **Assistant professor, Mass Communication, University of Karachi) 33 Jhss, Vol. 8, No. 2 , July to December, 2017 The definition of cinema can be explained as “another word of moving a picture”1This is the place where films are shown to the public. Most of the people who are not into the arts get confused in cinema and theater. The theater is the building where live performance is performed2. The similarity between cinema and theaters are both of them execute act and created for public entertainment.
    [Show full text]
  • Delegates Guide
    Delegates Guide 9–14 March, 2018 Cultural Partners Supported by Friends of Qumra Media Partner QUMRA DELEGATES GUIDE Qumra Programming Team 5 Qumra Masters 7 Master Class Moderators 14 Qumra Project Delegates 17 Industry Delegates 57 QUMRA PROGRAMMING TEAM Fatma Al Remaihi CEO, Doha Film Institute Director, Qumra Jaser Alagha Aya Al-Blouchi Quay Chu Anthea Devotta Qumra Industry Qumra Master Classes Development Qumra Industry Senior Coordinator Senior Coordinator Executive Coordinator Youth Programmes Senior Film Workshops & Labs Coordinator Senior Coordinator Elia Suleiman Artistic Advisor, Doha Film Institute Mayar Hamdan Yassmine Hammoudi Karem Kamel Maryam Essa Al Khulaifi Qumra Shorts Coordinator Qumra Production Qumra Talks Senior Qumra Pass Senior Development Assistant Coordinator Coordinator Coordinator Film Programming Senior QFF Programme Manager Hanaa Issa Coordinator Animation Producer Director of Strategy and Development Deputy Director, Qumra Meriem Mesraoua Vanessa Paradis Nina Rodriguez Alanoud Al Saiari Grants Senior Coordinator Grants Coordinator Qumra Industry Senior Qumra Pass Coordinator Coordinator Film Workshops & Labs Coordinator Wesam Said Eliza Subotowicz Rawda Al-Thani Jana Wehbe Grants Assistant Grants Senior Coordinator Film Programming Qumra Industry Senior Assistant Coordinator Khalil Benkirane Ali Khechen Jovan Marjanović Chadi Zeneddine Head of Grants Qumra Industry Industry Advisor Film Programmer Ania Wojtowicz Manager Qumra Shorts Coordinator Film Training Senior Film Workshops & Labs Senior Coordinator
    [Show full text]
  • Lynn Hershman-Leeson Papers M1452M1452
    http://oac.cdlib.org/findaid/ark:/13030/kt7k4039hc Online items available Lynn Hershman-Leeson Papers M1452M1452 Finding aid prepared by Crystal Rangel and Bill O'Hanlon Department of Special Collections and University Archives 2010 Green Library 557 Escondido Mall Stanford 94305-6064 [email protected] URL: http://library.stanford.edu/spc Lynn Hershman-Leeson Papers M145213265 1 M1452M1452 Language of Material: English Contributing Institution: Department of Special Collections and University Archives Title: Lynn Hershman-Leeson Papers Creator: Hershman-Leeson, Lynn Identifier/Call Number: M1452 Identifier/Call Number: 13265 Physical Description: 155 Linear Feet(100 manuscript boxes, 90 record storage containers) Date (inclusive): 1976-2004 Abstract: A collection of archival papers, audio-visual media, publications, artifacts, photographs, letters, and other documents connected to Hershman-Leeson's art works and projects created since the 1970s and through 2003. Related Collections Women art revolution : videotape interviews by Lynn Hershman-Leeson for film, 1990-2008, M1639. A digital collection containing the video interviews, as well as transcripts, is available online at http://lib.stanford.edu/women-art-revolution. Biographical Note Lynn Hershman Leeson (b. 1941) is a performance artist and filmmaker who, in various media, has investigated the idea of selfhood and what establishes an individual as a sentient, gendered, unique person. Between the years of 1974 and 1978, Hershman Leeson spent much of her time performing as an alter ego, the character Roberta Breitmore. Much of the work--drawings, photographs, clothing, medical records, letters, etc.--Hershman Leeson produced during the Breitmore years related to the character's emotional and practical existences. Hershman Leeson seemed to be demonstrating that the two existences could and should not be easily separated--nor should the artist herself be easily separated from the character she created.
    [Show full text]
  • THE SUBSTANCE Albert Hofmann’S LSD
    THE SUBSTANCE Albert Hofmann’s LSD Un film de Martin Witz Durée: 89 min. Sortie: le 25 avril 2012 Download for pictures: www.frenetic.ch/films/847/pro/index.php RELATIONS PRESSE DISTRIBUTION Eric Bouzigon FRENETIC FILMS AG prochaine ag Bachstrasse 9 • 8038 Zürich Tél. 079 320 63 82 1 Tél. 044 488 44 00 • Fax 044 488 44 11 [email protected] www.frenetic.ch SYNOPSIS “ Three drops of this colorless, odorless, tasteless liquid would put you out of your mind for hours! – If you haven’t heard of LSD, you will! “ En 1943, le chimiste Albert Hofmann fait dans son laboratoire bâlois la découverte d’une substance jusqu’alors inconnue. La testant sur lui-même, il prend conscience de l’extrême puissance de ce principe actif permettant de modifier radicalement la perception humaine. Il ignore encore que son LSD va changer le monde. Dans les années 1950, les psychiatres recourent au LSD comme médicament et celui-ci devient un outil d’exploration de la psyché humaine. Le phénomène prend toute son ampleur lorsque cette « bombe atomique de l’esprit » se propage hors de l’hôpital au début des années 1960 : le LSD semble fait pour les gens en marge de la société d’abondance. Au début des années 1970, cette substance à l’effet traître est mise sur liste noire. À l’heure où certaines drogues psychédéliques pourraient être utilisées dans un cadre légal, s’apprête- t-on à reconsidérer aujourd’hui le LSD comme un médicament, à l’instar d’Albert Hofmann ? THE SUBSTANCE raconte l'histoire de notre relation trouble avec le LSD, depuis ses origines jusqu'à aujourd'hui.
    [Show full text]
  • The Thrill of Cinema Lives at the Mole Antonelliana
    THE THRILL OF CINEMA LIVES AT THE MOLE ANTONELLIANA Unique in Italy and among the most important worldwide, the NATIONAL MUSEUM OF CINEMA is hosted within the Mole Antonelliana in Turin, the symbol of the city. Inaugurated in July 2000, it has become one of the most visited museums in Italy, garnering much acclaim at an international level; a remarkable goal for a very particular museum, which proposes to charm its visitors by drawing them into the enchanting world of the Seventh Art. What really makes the National Museum of Cinema unique is the invaluable asset of its collections and the peculiarity of its layout, developed spiral-wise upwards and structured over several display levels, illustrating the history of cinema by alternating spectacular and evocative posters, objects, film fragments and set-staging, covering an overall surface of about 3,200 square metres. In planning the museum layout, François Confino did not only take into account the characteristics of the building housing it, but, as he followed Antonelli’s crescendo, he overlaid different levels of perception, combining the need for rigorous scientific foundations with the need for a spectacular presentation which aimed to reproduce and play with those fascination mechanisms at the basis of cinematographic depiction. The Museum preserves a considerable fund of rare and precious material, holding over 1,800,000 items, in many cases one-off pieces worldwide: its collections number 950,000 photographs, 530,000 posters and advertising material, 8,900 gadgets and film memorabilia, 8,950 devices and 10,850 artistic artefacts, 37,000 silent and sound films, 42,000 volumes, 138,000 brochures and magazines, 250,000 press clippings, 1,350 musical scores, 15,000 archive files, 37,700 titles in its video library and 4,800 film audio recordings.
    [Show full text]
  • 38 TORINO FILM FESTIVAL 20/28 NOVEMBRE 2020 Tutti I Film Su Mymovies! © Lapresse
    38 TORINO FILM FESTIVAL 20/28 NOVEMBRE 2020 Tutti i film su MYmovies! © LaPresse PROGRAMMA MAGAZINE MUSEO 38 TORINO FILM FESTIVAL NAZIONALE DIRETTORE DEL CINEMA Stefano Francia di Celle PRESIDENTE SEGRETARIO GENERALE VICEDIRETTRICE Enzo Ghigo Bruna Ponti Fedra Fateh DIRETTORE ASSISTENTE ALLA DIREZIONE RELAZIONI ESTERNE Domenico De Gaetano E RAPPORTI CON GLI AUTORI Massimo Sordella Mara Signori COMITATO DI GESTIONE CON LA COLLABORAZIONE DI CONSULENTI PER LA SELEZIONE Giorgia Valle (Vicepresidente) Paola Ramello Federico Bernocchi, Massimo Causo, Paolo Del Brocco, Gaetano Renda, Paola Cassano (TFFdoc – Italiana.corti) Rita Di Santo, Giuseppe Gariazzo, Annapaola Venezia Sofia Nadalini, Grazia Paganelli COORDINAMENTO DEL PROGRAMMA CONSERVATORE E RICERCA FILM TFFDOC E ITALIANA.CORTI E CURATORE CAPO Luca Andreotti, Salvo Cutaia Davide Oberto Donata Pesenti Campagnoni CON LA COLLABORAZIONE DI LOGISTICA E PROGETTAZIONE Paola Cassano, Mazzino Montinari, COORDINATORE GENERALE TECNICA EVENTI ONLINE Séverine Petit Daniele Tinti Flavio Armone LE STANZE DI ROL COMUNICAZIONE, PROMOZIONE, SEGRETERIA Pier Maria Bocchi RELAZIONI ESTERNE Silvana Brunero, Piero Valetto Maria Grazia Girotto TORINO 38 SHORTS COMUNICAZIONE E MARKETING CINEMA È SCUOLA UFFICIO STAMPA Maria Grazia Girotto Daniele De Cicco Veronica Geraci CON LA COLLABORAZIONE DI Jenny Bertetto, Giovanna Lomonte SCHERMI ERETICI AMMINISTRAZIONE Caterina Taricano Giulia Fiorio UFFICIO STAMPA Lorena Borghi, Veronica Geraci COORDINAMENTO CREATIVO CON LA COLLABORAZIONE DI Vahid Rastgou Serena Santoro,
    [Show full text]
  • Coronavirus and the European Film Industry
    BRIEFING Coronavirus and the European film industry SUMMARY With the onset of the coronavirus pandemic, which has caused the shutdown of some 70 000 cinemas in China, nearly 2 500 in the US and over 9 000 in the EU, the joy sparked by the success of the film industry in 2019 has quickly given way to anxiety. Shootings, premieres, spring festivals and entertainment events have faced near-total cancellation or postponement due to the pandemic, thus inflicting an estimated loss of US$5 billion on the global box office; this amount could skyrocket to between US$15 billion and US$17 billion, if cinemas do not reopen by the end of May 2020. The EU film sector is essentially made up of small companies employing creative and technical freelancers, which makes it particularly vulnerable to the pandemic. The domino effect of the lockdown has triggered the immediate freeze of hundreds of projects in the shooting phase, disrupted cash flows and pushed production companies to the brink of bankruptcy. To limit and/or mitigate the economic damage caused by coronavirus, governments and national film and audiovisual funds across the EU have been quick in setting up both general blanket measures (such as solidarity funds and short-term unemployment schemes) and/or specific industry-related funds and grants (helping arthouse cinema and providing financial relief to producers and distributors). For its part, the EU has acted promptly to limit the spread of the virus and help EU countries to withstand its social and economic impact. In addition to the Coronavirus Response Investment Initiative (CRII) and the CRII+, both approved by the European Parliament and the Council in record time, the Commission has set up a Temporary Framework allowing EU countries to derogate from State aid rules, and proposed a European instrument for temporary support (SURE) to help protect jobs and workers affected by the coronavirus pandemic.
    [Show full text]
  • L'offerta Culturale Di Torino E I Progetti Avviati, Alla Conclusione Del Mandato Nel Giugno 2011. Arte Antica Il Museo Egizio In
    L'offerta culturale di Torino e i progetti avviati, alla conclusione del mandato nel giugno 2011. Arte antica Il Museo Egizio in occasione delle Olimpiadi del 2006 è stato rinnovato nel suo statuario con l'intervento di Dante Ferretti. All'inizio del 2015 verrà inaugurato il nuovo Museo, raddoppiato nello spazio espositivo (progetto Aimaro Isola), arricchito di tutti i servizi di un moderno museo e riallestito dallo stesso Dante Ferretti. Sarà il museo di antichità egizie più suggestivo del mondo. La Galleria Sabauda, pinacoteca di arte antica ricca soprattutto di capolavori fiamminghi, si sta spostando dalla sede storica che si trovava ai piani superiori del Museo Egizio, alla manica nuova di Palazzo Reale. Anch'essa sarà ultimata per l'inizio del 2015. Il Polo Reale (una sorta di Ermitage) comprende in un unico percorso di visita il Museo di Archeologia (con una nuova ala dedicata alla Torino romana), la nuova Galleria Sabauda, il Palazzo Reale, l'Armeria Reale, la Biblioteca Reale (con l'autoritratto di Leonardo da Vinci e altri 12 suoi disegni), Palazzo Chiablese (dove vi saranno le biglietterie e i servizi per tutto il Polo), i Giardini Reali. Nello stesso sistema edilizio, al di là della Prefettura, si trova l'Archivio di Stato di eccezionale bellezza e ricchezza. Il Museo Civico di Arte Antica di Palazzo Madama (edificio che testimonia 2000 anni di storia, con porta romana incorporata, castello medioevale dei D'Acaja, facciata barocca-neoclassica di Filippo Juvarra) contiene sezioni di arte gotica, rinascimentale, barocca, ampio spazio dedicato all'arte decorativa (soprattutto porcellane) e giardino medioevale. La città romana comprende la Porta Palatina (la meglio conservata al mondo) e il teatro romano.
    [Show full text]