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Universidade Federal De Juiz De Fora Programa De Pós-Graduação Em Comunicação
UNIVERSIDADE FEDERAL DE JUIZ DE FORA PROGRAMA DE PÓS-GRADUAÇÃO EM COMUNICAÇÃO Daiana Maria Veiga Sigiliano SOCIAL TV: o laço social no backchannel de The X-Files PPGCOM/UFJF Fevereiro de 2017 Daiana Maria Veiga Sigiliano SOCIAL TV: o laço social no backchannel de The X-Files Dissertação apresentada ao Programa de Pós Graduação em Comunicação, área de concentração Comunicação e Sociedade, da Universidade Federal de Juiz de Fora, como requisito parcial para obtenção do grau de Mestre. Orientadora: Profª. Dra. Gabriela Borges Martins Caravela PPGCOM/UFJF Fevereiro de 2017 AGRADECIMENTOS Esse trabalho é norteado por desafios e um deles é encontrar uma forma de agradecer a minha orientadora, a professora Gabriela Borges, por todo o aprendizado ao longo desses anos. Entretanto, qualquer agradecimento feito aqui será ínfimo perto da sua importância na minha trajetória. Obrigada por em 2013, durante uma aula da especialização em Jornalismo Multiplataforma, ter me perguntado se eu gostaria de fazer mestrado e desde então ter estado ao meu lado. Obrigada pela confiança depositada em cada projeto, é sempre uma honra poder fazer parte das suas pesquisas e dos seus cronogramas que na hora parecem impossíveis de serem cumprimos, mas que no final sempre dão certo. Obrigada por toda generosidade com que conduziu não só essa dissertação, mas cada pesquisa que fizemos juntas (eu vou sentir saudades de falar no plural). Obrigada pelo incentivo e por acreditar que tudo isso seria possível desde o início. Obrigada por mostrar que o conhecimento é sempre construído com a ajuda do outro e que o aprendizado é constante. Serei sempre grata por tudo! À professora Soraya Ferreira por todo o aprendizado, carinho, abraços apertados e pelas digressões. -
4.5.1 Los Abducidos: El Duro Retorno En Expediente X Se Duda De Si Las
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Diposit Digital de Documents de la UAB 4.5.1 Los abducidos: El duro retorno En Expediente X se duda de si las abducciones son obra de humanos o de extraterrestres por lo menos hasta el momento en que Mulder es abducido al final de la Temporada 7. La duda hace que el encuentro con otras personas que dicen haber sido abducidas siempre tenga relevancia para Mulder, Scully o ambos, como se puede ver con claridad en el caso de Cassandra Spender. Hasta que él mismo es abducido se da la paradójica situación de que quien cree en la posibilidad de la abducción es él mientras que Scully, abducida en la Temporada 2, siempre duda de quién la secuestró, convenciéndose de que los extraterrestres son responsables sólo cuando su compañero desaparece (y no necesariamente en referencia a su propio rapto). En cualquier caso poco importa en el fondo si el abducido ha sido víctima de sus congéneres humanos o de alienígenas porque en todos los casos él o ella cree –con la singular excepción de Scully– que sus raptores no son de este mundo. Como Leslie Jones nos recuerda, las historias de abducción de la vida real que han inspirado este aspecto de Expediente X “expresan una nueva creencia, tal vez un nuevo temor: a través de la experimentación sin emociones realizada por los alienígenas usando cuerpos humanos adquiridos por la fuerza, se demuestra que el hombre pertenece a la naturaleza, mientras que los extraterrestres habitan una especie de supercultura.” (Jones 94). -
Fandom, Fanwork Y Aprendizaje No Formal En La Red
UNIVERSIDAD COMPLUTENSE DE MADRID FACULTAD DE CIENCIAS DE LA INFORMACIÓN TESIS DOCTORAL Fandom, fanwork y aprendizaje no formal en la red MEMORIA PARA OPTAR AL GRADO DE DOCTOR PRESENTADA POR Cristina de los Ríos Izquierdo Directora María Dolores Cáceres Zapatero Madrid © Cristina de los Ríos Izquierdo, 2021 UNIVERSIDAD COMPLUTENSE DE MADRID FACULTAD DE CIENCIAS DE LA INFORMACIÓN FANDOM, FANWORK Y APRENDIZAJE NO FORMAL EN LA RED Cristina de los Ríos Izquierdo. Dirigida por: Dra. María Dolores Cáceres Zapatero. Agradecimientos Gracias a mi directora, por su paciencia infinita y su gran trabajo, sin el cual nunca hubiera podido terminar este proyecto. Gracias a mis padres, que nunca perdieron la fe en que en algún momento la terminaría y me han dado ánimos y apoyo en cada paso del camino. Gracias a mis amigas fans, compañeras infatigables de unos cuantos fandoms , que fueron mis conejillos de indias, que me ayudaron en todo, que no se cansaron de mí en ningún momento. Sois las mejores. Gracias a mis beta-readers , muchísimas gracias. Gracias a todas las aca/fans que conocí en el camino, me ayudasteis muchísimo, un placer y una alegría haberos conocido. Gracias infinitas a todos aquellos fans y miembros de diferentes fandoms que de una manera u otra, me han ayudado a realizar esta tesis. Que me regalaron su tiempo para que los acribillara a preguntas, que contestaron con paciencia un cuestionario larguísimo y aún me animaban y me hacían sugerencias a través de las redes sociales y me seguían retuiteando. Especialmente gracias a Marion, Mrs.Mancuspia, Clara2222, DeyaRedfield, Enia, Agente de Marvel, Sixphanel, Slayerrr, Lizeeeee, Sra. -
Regimes of Truth in the X-Files
Edith Cowan University Research Online Theses: Doctorates and Masters Theses 1-1-1999 Aliens, bodies and conspiracies: Regimes of truth in The X-files Leanne McRae Edith Cowan University Follow this and additional works at: https://ro.ecu.edu.au/theses Part of the Film and Media Studies Commons Recommended Citation McRae, L. (1999). Aliens, bodies and conspiracies: Regimes of truth in The X-files. https://ro.ecu.edu.au/ theses/1247 This Thesis is posted at Research Online. https://ro.ecu.edu.au/theses/1247 Edith Cowan University Research Online Theses: Doctorates and Masters Theses 1999 Aliens, bodies and conspiracies : regimes of truth in The -fiX les Leanne McRae Edith Cowan University Recommended Citation McRae, L. (1999). Aliens, bodies and conspiracies : regimes of truth in The X-files. Retrieved from http://ro.ecu.edu.au/theses/1247 This Thesis is posted at Research Online. http://ro.ecu.edu.au/theses/1247 Edith Cowan University Copyright Warning You may print or download ONE copy of this document for the purpose of your own research or study. The University does not authorize you to copy, communicate or otherwise make available electronically to any other person any copyright material contained on this site. You are reminded of the following: Copyright owners are entitled to take legal action against persons who infringe their copyright. A reproduction of material that is protected by copyright may be a copyright infringement. Where the reproduction of such material is done without attribution of authorship, with false attribution of authorship or the authorship is treated in a derogatory manner, this may be a breach of the author’s moral rights contained in Part IX of the Copyright Act 1968 (Cth). -
The X-Files Mythology Volume 2 – Black Oil
The X-Files Mythology Volume 2 – Black Oil PDF generated using the open source mwlib toolkit. See http://code.pediapress.com/ for more information. PDF generated at: Sun, 18 May 2014 19:28:27 UTC Contents Articles Overview 1 The X-Files Mythology, Volume 2 – Black Oil 1 Episodes 6 "Nisei" 6 "731" 11 "Piper Maru" 16 "Apocrypha" 21 "Talitha Cumi" 25 "Herrenvolk" 30 "Tunguska" 34 "Terma" 38 "Memento Mori" 41 "Tempus Fugit" 45 "Max" 49 "Zero Sum" 53 "Gethsemane" 57 "Redux" 61 References Article Sources and Contributors 67 Image Sources, Licenses and Contributors 68 Article Licenses License 69 1 Overview The X-Files Mythology, Volume 2 – Black Oil The X-Files Mythology Volume 2 – Black Oil Region 1 DVD cover Country of origin United States No. of episodes 15 Home video release DVD release Region 1 August 2, 2005 Series chronology ← Previous Volume 1 – Abduction Next → Volume 3 – Colonization Volume 2 of The X-Files Mythology collection is the second DVD release containing selected episodes from the third to the fifth seasons of the American science fiction television series The X-Files. The episodes collected in the release form the middle of the series' mythology, and are centered on the discovery of a mind-altering extraterrestrial "black oil". The collection contains five episodes from the third season, eight from the fourth season, and two from the fifth. The episodes follow the investigations of paranormal-related cases, or X-Files, by FBI Special Agents Fox Mulder (David Duchovny) and Dana Scully (Gillian Anderson). Mulder is a believer in the paranormal, while the skeptical Scully has been assigned to debunk his work. -
Writing an Episode of the X Files by Xanthe
Re: Writing an Episode of The X Files by Xanthe http://www.xanthe.org/re-writing-an-episode-of-the-x-files/ Story Notes: Chapter 1 by Xanthe Memo to: Chris Carter. From: David Duchovny. RE: Writing an episode of the X Files. Yo, Chris! After some of the crap I've had to act in recently, I've been thinking that perhaps I should write an episode myself, to show the other guys how it should be done. So, I've had a few thoughts and this is an outline of the episode I'd like to write: Game of Gods. Mulder decides to share his body with a lonely alien whose own body has been destroyed in a spaceship crash. The alien gives Mulder the power to leap great heights. He leaves the FBI and becomes a top basketball star, winning game after game for his team and becoming adored by the whole world. Meanwhile, the alien introduces Mulder to his 12 wives, all of whom are blonde, with 3 enormous breasts each. Mulder is forced to have sex with them for the sake of his alien buddy (it's the least he can do). Meanwhile, Krycek threatens to expose Mulder's secret to the world, and Mulder has to beat him up a few times. (Nick Lea isn't prettier than I am is he? You're not really going to give him his own show, are you?) So - whaddya think? Let me know. I won't be offended if you turn the whole idea down, although I am the star of the show and I think you'll be hard pushed to replace me at short notice. -
Bus Driver Killed, Five Seriously Hurt in I-80 Crash
FRONT PAGE A1 TOOELE Tooele football RANSCRIPT secures fifth T place with SERVING win over Ben TOOELE COUNTY Lomond SINCE 1894 See A10 BULLETIN TUESDAY October 29, 2013 www.TooeleOnline.com Vol. 120 No. 43 $1.00 Bus driver killed, five seriously hurt in I-80 crash by Lisa Christensen between the Tree of Life statue He was wearing a seatbelt at the minor injuries but were not trans- Both eastbound lanes were so we don’t know exactly what it STAFF WRITER and Knolls in the left lane. Ahead, time. Three passengers on the bus ported, he said. closed while officials responded was,” said Banks. “We’re still in the a construction vehicle in the left were flown to Salt Lake in criti- The construction vehicle was an to the crash scene for nearly two process of getting interviews of the A commercial bus driver was lane slowed before a turn-around cal condition, while another two, auger, or essentially a drill attached hours. Banks said traffic eventu- passengers as well as the passen- killed while hauling more than 50 area in the center median, accord- including a pregnant woman who to a truck, and the crews were ally was allowed to pass on the gers in the truck. I can’t say why people from Wendover Monday ing to the Utah Highway Patrol. began experiencing labor pains, installing cable guard rails on the extreme right shoulder. Traffic at [the construction crew] slowed. It’s evening in a crash that also injured The bus slammed into the back of were transported by ground for interstate, Banks said. -
Weekend Wagers
FINAL-1 Sat, Dec 23, 2017 5:25:32 PM Your Weekly Guide to TV Entertainment for the week of December 30, 2017 - January 5, 2018 HARTNETT’S Dylan McDermott ALL SOFT CLOTH CAR WASH stars in “L.A. to Vegas” Weekend $ 00 OFF 3 ANY CAR WASH! wagers EXPIRES 1/31/18 BUMPER SPECIALISTSHartnetts H1artnett x 5” Auto Body, Inc. COLLISION REPAIR SPECIALISTS & APPRAISERS MA R.S. #2313 R. ALAN HARTNETT LIC. #2037 DANA F. HARTNETT LIC. #9482 15 WATER STREET DANVERS (Exit 23, Rte. 128) TEL. (978) 774-2474 FAX (978) 750-4663 Open 7 Days Mon.-Fri. 8-7, Sat. 8-6, Sun. 8-4 Captain Dave (Dylan McDermott, “The Practice”) and his crew depart on witty weekend flights from “L.A. to Vegas,” premiering Tuesday. ** Gift Certificates Available ** Choosing the right OLD FASHIONED SERVICE Attorney is no accident FREE REGISTRY SERVICE Free Consultation PERSONAL INJURYCLAIMS • Automobile Accident Victims • Work Accidents Massachusetts’ First Credit Union • Slip &Fall • Motorcycle &Pedestrian Accidents Located at 370 Highland Avenue, Salem John Doyle Forlizzi• Wrongfu Lawl Death Office INSURANCEDoyle Insurance AGENCY • Dog Attacks St. Jean's Credit Union • Injuries2 x to 3 Children Voted #1 1 x 3” With 35 years experience on the North Serving over 15,000 Members •3 A Partx 3 of your Community since 1910 Insurance Shore we have aproven record of recovery Agency No Fee Unless Successful Supporting over 60 Non-Profit Organizations & Programs The LawOffice of Serving the Employees of over 40 Businesses STEPHEN M. FORLIZZI Auto • Homeowners 978.739.4898 978.219.1000 • www.stjeanscu.com Business • Life Insurance Harthorne Office Park •Suite 106 www.ForlizziLaw.com 978-777-6344 491 Maple Street, Danvers, MA 01923 [email protected] Offices also located in Lynn, Newburyport & Revere Federally Insured by NCUA www.doyleinsurance.com FINAL-1 Sat, Dec 23, 2017 5:25:33 PM 2 • Salem News • December 30, 2017 - January 5, 2018 High-flying hilarity: Winners abound in ‘L.A. -
Star Channels, Oct. 25
OCTOBER 25 - 31, 2020 staradvertiser.com THRILLING DRAMA Shortly after Grace (Nicole Kidman) becomes intrigued by another mother at her son’s school, tragedy strikes the school community in the premiere of The Undoing. Grace’s life begins to unravel as she realizes her missing husband, Jonathan (Hugh Grant), may not be the man she thoughtshe knew. Airing Sunday, Oct. 25, on HBO. We’ve given each candidate five minutes to impress you. Hear the candidates explain their platform in five minutes or less. You listen, you decide, and by November 3rd, you vote. For candidate info, debates and forums, visit olelo.org/CIF CANDIDATES IN FOCUS | CHANNEL 49 NOW–NOVEMBER 2 | 7AM, 1PM & 7PM olelo.org 590230_CandidatesInFocus_2_General.indd 1 10/20/20 4:10 PM ON THE COVER | THE UNDOING Big drama, small screen ‘The Undoing’ premieres When the series opens, Grace becomes with a fascinating, complicated female role at fascinated with another mom from her son’s its center,” Kidman said in an official HBO.com on HBO school. Shortly thereafter, tragedy strikes release. the school community, setting off a chain of Lauded as one of the most successful ac- By Kyla Brewer events that leads Grace to question whether tors of her generation, Oscar, Golden Globe and TV Media she really knew her now-missing husband as Emmy winner Kidman first came to the atten- she deals with a very public disaster. All the tion of American audiences in such films as s movie theaters struggle to survive in while, she tries to come to terms with the fact “Days of Thunder” (1990) and “Far and Away” the wake of shutdowns caused by the that she’s failed to heed her own advice as she (1992). -
Série Dramatique, Fantastique, D'horreur Durée : 43 Minutes Budget : 1,5 M $ Par Épisode (1,1 M €) (Estimation)
X-Files : Aux frontières du réel X-Files : Aux frontières du réel, également connu sous les titres X-Files ou Aux frontières du réel, (The X-Files) est une série télévisée américano-canadienne de science-fiction en 202 épisodes de 43 minutes, créée par Chris Carter* et diffusée entre le 10 septembre 1993 et le 19 mai 2002 sur le réseau Fox. Le 24 mars 2015, la FOX* annonce la reprise de la série pour une suite composée de 6 épisodes qui est mise à l'antenne le dimanche 24 janvier 2016 (voir The X-Files (mini-série)). En France, la série a été diffusée à partir du 12 juin 1994 sur M6, puis rediffusée en juillet 2008 sur Paris Première* et à partir du 27 février 2009 sur NRJ 12*. Au Québec, la série l’a été à partir de septembre 1994 sur TQS* (saisons 1 à 5) et sur Ztélé* à partir de septembre 2001 (saison 8 uniquement). En Belgique, la série a été diffusée sur RTL-TVI*, à l'exception de la dernière saison qui a été diffusée sur une chaîne du même groupe, Plug TV*. En Suisse, la série a été diffusée dans son intégralité sur RTS Un* et Deux*. TQS* et M6 ont diffusé les premières saisons sous le titre Aux frontières du réel puis X-Files : Aux frontières du réel. Une remasterisation intégrale de la série (en 1080p et en 16:9) a été effectuée en 2013, dans un premier temps diffusée exclusivement par ProSieben Maxx* (chaîne allemande) en janvier 2014. Puis depuis décembre 2015 en Blu- ray à l'international. -
Downloaded More Than 212,000 Times Since the Ipad's April 3Rd Launch,” the Futon Critic, 14 Apr
Distribution Agreement In presenting this thesis or dissertation as a partial fulfillment of the requirements for an advanced degree from Emory University, I hereby grant to Emory University and its agents the non-exclusive license to archive, make accessible, and display my thesis or dissertation in whole or in part in all forms of media, now or hereafter known, including display on the world wide web. I understand that I may select some access restrictions as part of the online submission of this thesis or dissertation. I retain all ownership rights to the copyright of the thesis or dissertation. I also retain the right to use in future works (such as articles or books) all or part of this thesis or dissertation. Signature _____________________________ ______________ Nicholas Bestor Date TV to Talk About: The CW and Post-Network Television By Nicholas Bestor Master of Arts Film Studies Michele Schreiber, Ph.D. Advisor Eddy Von Mueller, Ph.D. Committee Member Karla Oeler, Ph.D. Committee Member Accepted: Lisa A. Tedesco, Ph.D. Dean of the James T. Laney School of Graduate Studies ___________________ Date TV to Talk About: The CW and Post-Network Television By Nicholas Bestor B.A., Middlebury College, 2005 Advisor: Michele Schreiber, Ph.D. An abstract of A thesis submitted to the Faculty of the James T. Laney School of Graduate Studies of Emory University in partial fulfillment of the requirements for the degree of Master of Arts in Film Studies 2012 Abstract TV to Talk About: The CW and Post-Network Television By Nicholas Bestor The CW is the smallest of the American broadcast networks, but it has made the most of its marginal position by committing itself wholly to servicing a niche demographic. -
2021 Primetime Emmy® Awards Ballot
2021 Primetime Emmy® Awards Ballot Outstanding Lead Actor In A Comedy Series Tim Allen as Mike Baxter Last Man Standing Brian Jordan Alvarez as Marco Social Distance Anthony Anderson as Andre "Dre" Johnson black-ish Joseph Lee Anderson as Rocky Johnson Young Rock Fred Armisen as Skip Moonbase 8 Iain Armitage as Sheldon Young Sheldon Dylan Baker as Neil Currier Social Distance Asante Blackk as Corey Social Distance Cedric The Entertainer as Calvin Butler The Neighborhood Michael Che as Che That Damn Michael Che Eddie Cibrian as Beau Country Comfort Michael Cimino as Victor Salazar Love, Victor Mike Colter as Ike Social Distance Ted Danson as Mayor Neil Bremer Mr. Mayor Michael Douglas as Sandy Kominsky The Kominsky Method Mike Epps as Bennie Upshaw The Upshaws Ben Feldman as Jonah Superstore Jamie Foxx as Brian Dixon Dad Stop Embarrassing Me! Martin Freeman as Paul Breeders Billy Gardell as Bob Wheeler Bob Hearts Abishola Jeff Garlin as Murray Goldberg The Goldbergs Brian Gleeson as Frank Frank Of Ireland Walton Goggins as Wade The Unicorn John Goodman as Dan Conner The Conners Topher Grace as Tom Hayworth Home Economics Max Greenfield as Dave Johnson The Neighborhood Kadeem Hardison as Bowser Jenkins Teenage Bounty Hunters Kevin Heffernan as Chief Terry McConky Tacoma FD Tim Heidecker as Rook Moonbase 8 Ed Helms as Nathan Rutherford Rutherford Falls Glenn Howerton as Jack Griffin A.P. Bio Gabriel "Fluffy" Iglesias as Gabe Iglesias Mr. Iglesias Cheyenne Jackson as Max Call Me Kat Trevor Jackson as Aaron Jackson grown-ish Kevin James as Kevin Gibson The Crew Adhir Kalyan as Al United States Of Al Steve Lemme as Captain Eddie Penisi Tacoma FD Ron Livingston as Sam Loudermilk Loudermilk Ralph Macchio as Daniel LaRusso Cobra Kai William H.