Sydney Program Guide
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Supper Talks 2017
Sutton Team Ministry Christ Church St Barnabas St Nicholas Supper Talks 2017 Friday evenings at St Nicholas Community Hall, starting with supper at 7pm. Cost £8 per person. Friday, 24 March Cécile Schnyder – L’Arche – How to live community well enough? L’Arche Community is a Christian, international community in which people with and without learning disabilities share daily life together. We work together, share a house together, pray together, go to the pub together, but it is not always easy. We are people like you, people with different abilities, different opinions and different ideas. So how do we live community? This evening will bring you a short introduction to the life of Jean Vanier (founder of L’Arche) and L’Arche international. As a long- term member of L’Arche I will tell you something about our community in London and introduce you to some of my friends. Together we will discover what it means to live community. Friday, 19 May Charlotte Steel – What does it take to make a community farm? Charlotte Steel, General Manager will tell us the story of Sutton Community Farm, one of London's largest community food growing spaces right here in our borough. The journey began back in 2010 when the idea of a local farm was first conceived. Now, just over six years later, Sutton Community Farm supports over 3,000 volunteers and visitors every year, delivers freshly harvested VegBoxes to over 230 local households and grows over 14 tonnes of organically produced vegetables. Friday, 21 July An Evening with Linda Regan and Brian Murphy Join well-loved comedy actor Brian Murphy and his wife, actress and crime novelist Linda Regan, as they look back at their careers in film, theatre, television and fiction-writing. -
Threes a Crowd! Pdf, Epub, Ebook
THREES A CROWD! PDF, EPUB, EBOOK Ray O'Ryan,Colin Jack | 120 pages | 01 Nov 2013 | SIMON & SCHUSTER | 9781442482210 | English | New York, United States Threes a Crowd! PDF Book Other characters included E. Mike 1 episode, Edit Did You Know? The Best Horror Movies on Netflix. In the finale, Janet marries Phillip, Terri moves to Hawaii. Masanori 1 episode, Jack and Vicky profess their love for one another, but Vicky turns down Jack's proposal of marriage, citing her fear of the institution after seeing her parents feud her whole life. Doctor Billy Morris 1 episode, Air Marshal 1 episode, Sharon Wyatt Edit Cast Complete series cast summary: John Ritter When the series concluded, producers Brian Cooke and Johnnie Mortimer devised two spin- offs. With his restaurant suddenly popular after a glowing review, Jack forgets about his and Vicky's first anniversary. Bradford appears in the police lineup. Jack's Aunt Mae 1 episode, Jack and Vicky argue over money. Jonathan 1 episode, Connections Referenced in Jeopardy! Contributors Become a contributor. Bazur 1 episode, During a Christmas hiatus in late producers auditioned several female leads to play Jack's new love interest Vicky Bradford, and eventually decided upon Broadway actress Mary Cadorette. Threes a Crowd! Writer Greedy Gretchen 1 episode, Mary Ann Gibson She and fellow cast member Priscilla Barnes would find it very hard to tape the rest of the season. Vicky Bradford 22 episodes, Air Marshal 1 episode, Sharon Wyatt Larry Dallas 1 episode, Clyde Kusatsu A Star is Born. Delivery Man 1 episode, Liz Sheridan Clear your history. -
Newsletter 07/15 DIGITAL EDITION Nr
ISSN 1610-2606 ISSN 1610-2606 newsletter 07/15 DIGITAL EDITION Nr. 352 - November 2015 Michael J. Fox Christopher Lloyd LASER HOTLINE - Inh. Dipl.-Ing. (FH) Wolfram Hannemann, MBKS - Talstr. 11 - 70825 K o r n t a l Fon: 0711-832188 - Fax: 0711-8380518 - E-Mail: [email protected] - Web: www.laserhotline.de Newsletter 07/15 (Nr. 352) November 2015 editorial Hallo Laserdisc- und DVD-Fans, liebe Filmfreunde! Paul Hyett Auf unserem Titelfoto strahlen dieses Mal zwei Herren, die wir schlicht und ergreifend als “The IMAX Force” be- zeichnen: David Keighley, Chief Quality Officer, und Andrew Cripps, President EMEA, sind zwei der führen- den Köpfe beim kanadischen Großprojektionsspezialisten IMAX. Anlässlich der Wiedereröffnung des IMAX-Kinos in Karlsruhe waren die beiden Hochkaräter zu Gast im Film- palast am ZKM und wir nutzten die Gelegenheit für ein Interview. Zu sehen gibt es das wie immer auf unserem Youtube-Kanal. Wer noch mehr zum neuen IMAX wissen möchte, dem sei Seite 3 wärmstens empfohlen. Apropos warm: haben Sie IM SOM- MER WOHNT ER UNTEN schon im Kino gesehen? Falls nein, dann sollten Sie das schleunigst nachholen und einen der besten deutschen Filme des Jahres anschauen. Mehr zum Film und Übrigens ist Paul einer der fleissigsten gelegt. Das Drehbuch zu dem auf einer seinen Machern erfahren Sie in unse- Special Make Up Artist in der Branche wahren Begebenheit beruhenden Film rem speziellen Youtube-Video, auf das und hat an zahllosen Filmen (darunter stammt von dem 22jährigen Ahmed wir auf Seite 19 hinweisen. unser Liebling THE DESCENT) mitge- Dramé, der die damaligen Ereignisse arbeitet. -
Specialist Autograph Auction Saturday 12 July 2014 11:00
Specialist Autograph Auction Saturday 12 July 2014 11:00 International Autograph Auctions (IAA) Office address Foxhall Business Centre Foxhall Road NG7 6LH International Autograph Auctions (IAA) (Specialist Autograph Auction) Catalogue - Downloaded from UKAuctioneers.com Lot: 1 boxing ring, standing over Sonny Liston who lies on the canvas BOXING: A printed 8vo menu for a luncheon hosted by Jack before him. Signed ('Muhammad Ali aka Cassius Clay') in bold Solomons at Isow's Restaurant and Jack of Clubs nightspot in gold ink to a clear area of the background. Double matted in London in honour of the former World Champion boxers Max blue and white and framed and glazed in a gold coloured frame Baer, Henry Armstrong and Gus Lesnevich, 29th October 1958, to an overall size of 22.5 x 26.5. EX signed to the inside by fifteen boxers including Max Baer (World Estimate: £200.00 - £300.00 Heavyweight Champion 1934-35), Henry Armstrong (World Featherweight Champion 1937-38, World Welterweight Champion 1938-40 and World Lightweight Champion 1938-39), Lot: 6 Gus Lesnevich (World Light Heavyweight Champion 1941-48), FRAZIER JOE: (1944-2011) American Boxer, World Carlo Ortiz (World Lightweight Champion 1962-65, 1965-68), Heavyweight Champion 1970-73. Signed colour 8 x 10 Rinty Monaghan (World Flyweight Champion 1947-49), Terry photograph of Smokin' Joe standing in a full length boxing Downes (World Middleweight Champion 1961-62), Bruce pose. Signed in bold green ink with his name alone to a light Woodcock (European Heavyweight Champion 1946-49), Peter area of the image. EX Waterman (European Welterweight Champion 1958), Len Estimate: £80.00 - £100.00 Harvey (British Heavyweight Champion 1938-42), Johnny Williams (British Heavyweight Champion 1952-53), Harry Mizler (British Lightweight Champion 1934), Eric Boon (British Lot: 7 Lightweight Champion 1938-44), Sammy McCarthy (British NORTON KEN: (1943-2013) American Boxer, WBC Featherweight Champion 1954-55), Pat Supple and one other. -
Theatre Australia
University of Wollongong Research Online Theatre Australia 8-1979 Theatre Australia: Australia's magazine of the performing arts 4(1) August 1979 Robert Page Editor Lucy Wagner Editor Follow this and additional works at: http://ro.uow.edu.au/theatreaustralia Recommended Citation Page, Robert and Wagner, Lucy, (1979), Theatre Australia: Australia's magazine of the performing arts 4(1) August 1979, Theatre Publications Ltd., New Lambton Heights, 58p. http://ro.uow.edu.au/theatreaustralia/33 Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] Theatre Australia: Australia's magazine of the performing arts 4(1) August 1979 Description Contents: Departments: 2 Comment 3 Quotes and Queries 5 Whispers, Rumours and Facts 6 Letters 46 Guide — Theatre, Opera, Dance Spotlight: 7 Carol Burns — Suzanne Spunner 8 Youthful Dancers Make Box-Office Waves — David K Wheatley 9 Cooke’s Cordon Bleu Tours — Ray Stanley 10 Theatre of the Deaf— Ian Watson Features: 11 A-Polo Gies for MTCee-ats — Barry Dickins 12 From Theatre to Film — Christine Schofield 14 Sydney's Lost Theatres Part One — Ross Thorne 17 TA Enquiry: Big Business and the Arts Pt 2 — Do we need A. R. T.S. 35 Writer’s View: Roger Pulvers 37 Children’s Theatre: Children in Children's Theatre International: 33 Dances of Death in London — Irving Wardle Opera: 39 Three AO openings; QLO duo; and Seymour single — David Gyger Dance: 41 Wildstars — William Shoubridge Theatre Reviews: 19 ACT -
Sydney Program Guide
Page 1 of 26 Sydney Program Guide Sun Apr 3, 2016 06:00 TV SHOP - HOME SHOPPING WS G Home shopping programme. 06:30 THE FRIGHTENED CITY 1962 Captioned Repeat WS PG The Frightened City A presumably respected accountant master minds the amalgamation of six gangs working a "protection" racket in London. Starring: Herbert Lom, John Gregson, Sean Connery, Yvonne Romain, Alfred Marks Cons.Advice: Some Violence 08:30 TV SHOP - HOME SHOPPING WS G Home shopping programme. 10:00 HEARTBEAT Repeat WS PG Child's Play Mike launches a manhunt for a terrified youngster who has run away from his boarding school and begins to suspect that the headmaster has been abusing his pupils. Cons.Advice: Mature Themes, Some Violence 11:00 COME DINE WITH ME Repeat WS PG Birmingham - day 2 A group of five strangers, each an amateur chef, compete to host the best dinner party, each party solely for the competitors and to be held on consecutive evenings. At the end of each party, each guest rates the party on a scale of one to ten inclusive. Cons.Advice: Mild Coarse Language 11:30 THE GARDEN GURUS Captioned Repeat WS G Garden Guru Nigel Ruck explores one of Sydney’s beautiful inner city gardens; Trevor shows us how to construct a hay bale garden and Melissa King looks at autumn’s late harvesting vegetables. 12:00 GETAWAY Captioned Repeat WS PG This week on Getaway Jesinta Campbell checks into resort life on Denarau Island in Fiji, Charli Robinson snorkels with sharks on the Sunshine Coast and Lauren Phillips is off to chocolate school. -
Old Mother Riley
Freeview 81 Film Club Sky 328 newsletter Freesat 306 JAN/FEB 2021 Virgin 445 You can always call us V 0808 178 8212 Or 01923 290555 Dear Supporters of Film and TV History, Happy New Year to all our patrons, here’s to 2021! Welcome to the first newsletter of the new year and a big hello to all the new supporters who have joined us over the last few months. We are so grateful to those who sent us Christmas cards, they were greatly appreciated and such lovely words! Did anyone spot the recent news about efforts to save the ruin of The National Picture House cinema in Hull, destroyed by German bombs during the Blitz? All 150 people inside watching The Great Dictator survived. Plans are under way to make the ruin safe for children to visit. This month we bring you a very special DVD release. For the first time ever, the entire series of STAGECOACH WEST is available as a box set with optional subtitles. That’s all 38 episodes, in an 8-DVD Box Set. It’s such a good series, starring Wayne Rogers, Richard Eyer and Robert Bray, with guest stars including James Coburn, DeForest Kelley, Robert Vaughn, Hazel Court, Beverly Garland and James Drury. Good news for Old Mother Riley fans! On pages 22-23 there’s news of seven ‘lost’ films to be shown on Talking Pictures TV, the first on Friday 22nd January at 7:50am, after an Old Mother Riley documentary. A little-known fact about Noël Coward is his involvement with the Actors Orphanage, which he championed and raised money for, bringing joy to the lives of many children. -
War Cinema– Or How British Films Learned to Stop Worrying and Love the Affluent Society
1 THE PROFESSIONAL OFFICER CLASS IN POST- WAR CINEMA– OR HOW BRITISH FILMS LEARNED TO STOP WORRYING AND LOVE THE AFFLUENT SOCIETY A thesis submitted for the degree of Doctor of Philosophy by Andrew Roberts College of Business, Arts and Social Sciences of Brunel University 22nd September2014 2 ABSTRACT My central argument is that mainstream British cinema of the 1951 – 1965 period marked the end of the paternalism, as exemplified by a professional ‘officer class’, as consumerism gradually came to be perceived as the norm as opposed to a post-war enemy. The starting point is 1951, the year of the Conservative victory in the General Election and a time which most films were still locally funded. The closing point is 1965, by which point the vast majority of British films were funded by the USA and often featured a youthful and proudly affluent hero. Thus, this fourteen year describes how British cinema moved away from the People as Hero guided by middle class professionals in the face of consumerism. Over the course of this work, I will analyse the creation of the archetypes of post-war films and detail how the impact of consumerism and increased Hollywood involvement in the UK film industry affected their personae. However, parallel with this apparently linear process were those films that questioned or attacked the wartime consensus model. As memories of the war receded, and the Rank/ABPC studio model collapsed, there was an increasing sense of deracination across a variety of popular British cinematic genres. From the beginning of our period there is a number films that infer that the “Myth of the Blitz”, as developed in a cinematic sense, was just that and our period ends with films that convey a sense of a fragmenting society. -
Theatre Archive Project: Interview with Jean Gaffin
THEATRE ARCHIVE PROJECT http://sounds.bl.uk Jean Gaffin – interview transcript Interviewer: Kate Harris 25 April 2007 Theatre-worker. Actors; Arts Council grant; Bertolt Brecht; censorship; critics; The Good Soldier Schweik; Howard Goorney; Yootha Joyce; Joan Littlewood; Lord Chamberlain; Ewan MacColl; Mother Courage; Murray Melvin; music; politics; productions; The Quare Fellow; Gerry Raffles; Richard II; Tony Richardson; theatre-going; Theatre Workshop; Kenneth Tynan. KH: I’d just like to start by asking how you first became involved with Theatre Workshop? JG: I - apart from the war, when I was evacuated - grew up in West Ham and was addicted to the theatre having being taken to the theatre a lot by my mother. And when, as I was growing up, I used to go to Theatre Royal prior to Theatre Workshop going there, when there was an actor-manager who put on standard repertory kind of fare. Then the theatre went dark, and then we heard, my friends and – two or three of us who used to go into town to see the theatre. I think I would have been about 15, 16 – 16 then, 16 coming on 17 perhaps. Sorry I was 17. And we heard about this theatre group and we kind of tried to find out more about it. And in the end we became volunteers, asking Gerry Raffles, who was there and taking over, ‘Was there anything we could do?’. And we were set to clean and paint the theatre. And I remember… I don’t know what the theatre colour is now, it was a horrible, horrible dark red. -
Bollino Verde = Prestabile E Visionabile Da Tutti Bollino Giallo
VIDEOTECA FRANCO DEMICHELIS - CATALOGO DVD (agg.12/08/2019) I TITOLI SCRITTI IN ROSSO NON SONO ANCORA DISPONIBILI AL PRESTITO BOLLINO VERDE = PRESTABILE E VISIONABILE DA TUTTI LEGENDA BOLLINO GIALLO = PRESTABILE AI MAGGIORENNI E VISIONABILE IN PRESENZA DI ADULTI BOLLINO ROSSO = PRESTABILE E VISIONABILE DA SOLI MAGGIORENNI N° TITOLO FILM ANN GENERE REGIA ATTORI PRINCIPALI DUR.M VISIONE DVD 310 lo zio boonmee che si ricorda le vite precedenti 2010 DRAMMATICO A.WEERASETHAKUL Thanapat Saisaymar-J.PONGPAS 90 VERDE DVD 2739 COPIA CONFORME 2010 DRAMMATICO ABBAS KIAROSTAMI JULIETTE BINOCHE-W.SHIMELL 106 VERDE DVD 2849 DIECI 2002 DRAMMATICO ABBAS KIAROSTAMI MANIA AKBARI-A.MAHER 94 VERDE DVD 612 IL SAPORE DELLA CILIEGIA 1997 DRAMMATICO ABBAS KIAROSTAMI H.ERSHADI-ABDOL.H.BAGHERI 95 VERDE DVD 1219 LA VITA DI ADELE 2013 DRAMMATICO ABDEL KECHICHE LEA SEYDOUX-ADELE E. 179 GIALLO DVD 1676 COUS COUS 2008 COMMEDIA ABDELLATIF KECHICHE HABIB BOUFARES-H.HERZI 148 VERDE DVD 2556 TIMBUKTU 2014 DRAMMATICO ABDERRAHMANE SISSAKO IBRAHIM AHMED 97 VERDE DVD 122 FRATELLI The Funeral 1996 MAFIA ABEL FERRARA C.WALKEN-BENICIO DEL TORO 100 GIALLO DVD 202 IL CATTIVO TENENTE 1992 DRAMMATICO ABEL FERRARA HARVEY KEITEL-V.ARGO 96 GIALLO DVD 2957 VICE l'uomo nell'ombra 2018 STORICO ADAM McKAY CHRISTIAN BALE-A.ADAMS 132 VERDE DVD 2161 PINK FLOYD LIVE AT POMPEII 1971 MUSICALE ADRIAN MABEN PINK FLOYD 93 VERDE DVD 1771 YUPPI DU 1975 COMMEDIA ADRIANO CELENTANO ADRIANO CELENTANO 116 VERDE DVD 629 SENZA TETTO NE' LEGGE 1985 DRAMMATICO AGNES VARDA SANDRINE BONNAIRE-C.ALCAZAR 105 VERDE DVD 3445 CLEO dalle 5 alle 7 1962 DRAMMATICO AGNES VARDA CORINNE MARCHAND-L.PAYEN 90 VERDE DVD 227 EUROPA EUROPA 1991 DRAMMATICO AGNIESZKA HOLLAND MARCO HOFSCHNEIDER-J.DELPY 115 VERDE DVR 6 IL GIARDINO SEGRETO 1993 FANTASTICO AGNIESZKA HOLLAND KATE MABERLY-H.PROWSE 97 VERDE DVD 217 POETI DALL'INFERNO (L.OR.) TOTAL ECL. -
La Proyección Del Mito De Frankenstein Desde Dos Miradas Diferentes: Universal Vs Hammer
Facultad de Geografía e Historia Grado en Historia del Arte La proyección del mito de Frankenstein desde dos miradas diferentes: Universal vs Hammer Alicia Pérez Ubiña Trabajo de Final de Grado Tutor: Juan José Caballero Molina Curso 2017/2018 ÍNDICE 1. INTRODUCCIÓN 1.1 Objetivos y metodología, 2-3 2. EL NACIMIENTO DEL CINE DE TERROR COMO GÉNERO: HOLLYWOOD AÑOS 30, 3-4 2.1. La Universal al rescate de los monstruos, 4-8 2.2. Frankenstein. Una nueva estrella, 8-14 2.3. Whale. El padre de Frankenstein, 14- 18 2.4. Karloff. Todo un monstruo, 18-21 3. LA INFLUENCIA SOCIAL DEL CINE. EL CÓDIGO HAYS, 22-23 3.1. Historia de una censura autoimpuesta, 23-29 3.2. Cómo se refleja el Código Hays en los films de la Universal, 29-30 3.2.1. El doctor Frankenstein, 31-34 3.2.2. La novia de Frankenstein, 34-38 3.2.3. La sombra de Frankenstein y El fantasma de Frankenstein, 38-39 4. LA HAMMER Y SU ÉPOCA DORADA/FRANKENSTEINIANA 4.1. Historia de la Hammer, 40-44 4.2. La Casa de la Sangre también revive al monstruo, 44-48 4.2. Fisher. El otro padre de Frankenstein, 48-53 4.4. Peter Cushing. Un nuevo monstruo, 53-56 5. LA PERMISIVIDAD BRITÁNICA, 56-57 5.1. Aproximación a la censura en el cine británico a partir de los 50s, 57-59 5.2. El Frankenstein hammeriano en el contexto inglés de censura, 59 5.2.1 Los 50: La maldición de Frankenstein y La venganza de Frankenstein, 59-63 5.2.2 Los 60: La maldad de Frankenstein, Frankenstein creó a la mujer y El cerebro de Frankenstein, 63-65 5.2.3 Los 70: El horror de Frankenstein y Frankenstein y el monstruo del Infierno, 65-66 6. -
Hammer Films 1947/1978)
Prefazione Trovo sempre difficile parlare del passato. I trent’anni spesi nell’industria cinematografica mi hanno insegnato a pianificare, creare e realizzare per il futuro. Per un produttore, sceneggiatore e regista, un film finito è qualcosa che deve essere giudicato dagli altri, lui lo ha esaminato infinite volte. Ogni film diventa il meglio che il materiale che lo ha prodotto era capace di dare. Quando è finito è solo una cosa del passato e quello che conta è solo il successivo... La selezione del materiale, lo sviluppo della sceneggiatura, la programmazione ed il budget. Il reperimento delle finanze, la scelta degli attori, dei tecnici, dell’equipaggiamento e quindi, quando tutto è pronto, bisogna superare il frenetico periodo delle riprese quando tutto deve fruttare al meglio ed ogni penny speso influenza il costo finale. E un lavoro creativo, frustrante, esilarante, ma sopra di tutto è un lavoro appagante. Alla fine viene il periodo più tranquillo di assestamento ed organizzazione di quanto fatto fino a quel momento, il mio periodo preferito. Il montaggio del materiale girato, i vari “proviamo a farlo così” per poi arrivare a quello che sembra essere il taglio migliore. Gli effetti sonori, la musica, il doppiaggio e finalmente la copia con il colore giusto, Il film è finito. Adesso mi si chiede specificatamente di guardare indietro per giudicare la vita della Hammer, dei 121 film che in qualche modo mi hanno visto protagonista, per affermare la loro importanza nella storia del cinema. Una cosa impossibile, almeno per me. Quando ripenso ad un certo film, rivedo immediatamente la gente che lo ha fatto, i posti dove è stato girato, i drammi ed i piaceri delle fasi di lavorazione.