DOCSLIB.ORG

Premiererne Op

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Premiererne Op »L’Avventura«. Det er ikke svært at tro ham, når han hævder, at han først efter at have lavet »L’Avventura« blev klar over, hvad han havde forsøgt at sige i »II Grido«. Forsøgt - hvor meget blev der da sagt? Det kan være vanskeligt at gøre Premiererne op. Det bedste i den - det er det, som genfindes i »L’Avventura«, og dér er me­ 1.4.-30.6.76/ved Claus Hesselberg get bedre. Dog så kraftigt bør mester­ værket ikke få lov til at virke tilbage på forgængeren, at man ikke skulle kunne anerkende, at det bedste i »II Grido« Anvendte forkortelser: faktisk er overordentlig godt. Adapt: = Adaption Komp: = Komponist Albert Wiinblad Ark: — Filmarkitekt Kost: = Kostumer Arr: = Musikarrangør Medv: = Medvirkende skuespillere As-P: = Associate Producer P: Producere Ass: = Assistent P-leder: = Produktionsleder Dekor: = Scenedekorationer Prem: = Dansk premiere Dir: = Dirigent P-selskab: = Produktionsselskab Kuppet Dist: = Udlejer i oprindelsesland P-sup: = Produktions-superviser Ex-P: = Executive Producer P-tegn: = Produktionstegner (design) i Catamount Foto: = Cheffotograf Rekvis: = Rekvisitør Instr: = Instruktør Sp-E: Specielle effekter I september viste TV to TV-film af po­ Kamera: = Kameraoperatør Udi: Dansk udlejning lakken Krzysztof Zanussi, hvis betyde­ ligste film, »Illumination«, blev vist under den polske filmuge i marts (jf. Kos. 130). APRIL I VIETNAM - I KATTENS AR Jack Hannah. Manus: Nick George, Bill Berg. Mu­ Den 58 minutter lange »Za sciana« (»På Abril de Viet Nam en el ano del gato. Cuba 1975. sik: Oliver Wallace. 1949: »Pueplo Pluto (Plutos Instr: Santiago Alvarez. Manus: Santiago Alvarez. kødben); Instr: Charles Nichols. Manus: Eric Gur- den anden side væggen«) fra 1971 for­ Foto: Ivan Napoles, Rodolfo Garcia, Julio Valdes. ney, Milt Schaffer. Musik: Oliver Wallace. 1950: talte om en mand og en kvinde, begge Farve: Eastmancolor? Klip: Justo Vega, Norman »Dude Duck« (Præriens bedste and); Instr: Jack Torrado. Musik: Leo Brouwer. Længde: 120 min. Hannah. Manus: Ralph Wright, Riley Thompson. videnskabelige forskere. Han får til op­ Prem: 20.5.76 Atlantic (Cubansk Filmuge). Doku­ Musik: Paul J. Smith. Censur: rød. Udi; Columbia- gave at fortælle hende, at hun ikke kan mentarfilm. Fox. Prem: 18.6.76 Metropol, Ballerup, Rialto 2, ANDEN FRANCISCO, DEN Bio Trio, Scala (Ålborg), Biografen (Århus), Folke­ få arbejde på den institution, hvor han teatret (Odense). El Oltro Francisco. Cuba 1975. P-selskab: arbejder, og det viser sig, at de bor i I.C.A.I.C. P: Santiago Llapur. Instr: Tomas Giral BLODPENGE samme ejendom. Hun søger at komme (eller Santiago Llapur). Manus: Tomas Gutierrez Biood Money, USA 1933. Dist: United Artists. P- Ålea, Hector Veita, Julio Garcia Espinosa. Efter: selskab: 20th Century Pictures. P: Darryl F. Za- i kontakt med ham, inddrager ham i sine Roman af Anselmo Suarez Romero. Foto: Luvio nuck, Joseph Schenck. As-P: William Goetz, Ray­ faglige og private problemer, men han Delgado. Klip: Nelson Rodriguez. Musik: Leo mond Griffith. Instr: Rowland Brown. Manus: Row- Brouwer. Medv: Miguel Benavides, Ramoncho Ve- land Brown, Hal Long. Efter: Fortælling af Row­ vægrer sig ved at engagere sig. Det er loz, Alina Sanchez, Alfredo Llaurado, Margarita land Brown. Foto: James Van Trees. Klip: Lloyd et ganske intenst, lidt klaustrofobisk Balgoa. Længde: 100 min. Prem: 17.5.76 Atlantic Nossler. Ark: Al D’Agostino. Musik: Alfred New- (Cubansk Filmuge). Anm. Kos. 130. man. Sang: »Melancholy Baby« af George Norton, kammerspil om to ensomme sjæle i en Ernie Seeley, Solist: Blossom Seeley. Medv: Geor­ grå, udsigtsløs hverdag. Udmærket spil ALLONSANFAN ge Bancroft (Bill Bailey), Frances Dee (Elaine Allonsanfån. Italien 1974. Dist: Itatnoleggio. P-sel­ Talbert), Judith Andersson (Ruby Darling), Chick af Zbigniew Zapasjewicz og Zanussis skab: Cooperativa Cinematografica. P: Giuliani G. Chandler (Drury Darling), Blossom Seeley (Sanger­ foretrukne skuespillerinde, Maja Komo- De Negri, Gianfranco Di Fonzo. P-leder: Giuseppe inde), Etienne Girardot, Georges Recas, Sandra rowska. Francone Francone. Instr: Paolo & Vittorio Taviani. Shaw. Længde: 65 min. Prem: 4.6.76 TV Natkassen. Instr-ass: Ferruccio Castronuovo, Stefano Guerrie- Anm. Kos. 121. »The Catamount Killing« (»Kuppet i ri. Manus: Paolo & Vittorio Taviani. Foto: Gui- seppe Ruzzolini. Farve: Eastmancolor. Klip: Ro­ BRYLLUP PA KISTEKANTEN Catamount«), baseret på en kriminalro­ berto Perpignani. P-tegn: Giovanni Sbarra. Dekor: Arnold. Arb.titel: Family Plot. USA 1973. Dist: Ci- man af den rædsomme James Hadley Adriana Bellone. Kost: Lina Nerli Taviani. Musik: nerama. P-selskab: Fenady Associates with Bing Ennio Morricone. Dir: Bruno Nicolai. Tone: Sergio Crosby Productions. P: Andrew J. Fenady. Ex-P: Chase, var en amerikansk-vesttysk TV- Buzi, Alvaro Gramigna, Fernando Caso. Medv: Charles A. Pratt. P-leder: Floyd Joyer. Instr: George krimi, optaget i USA 1973, og afviklet Marcello Mastroianni (Fulvio Imbriani), Lea Mas­ Fenady. Instr-ass: Daniel S. McCauley, Jay Daniel. sari (Charlotte), Mimsy Farmer (Francesca), Laura Manus: Jameson Brewer, John Fenton Murray. Foto: med mere professionel dygtighed og Betti (Esther Imbriani), Claudio Cassinelli (Lionel- William Jurgenson. Sp-ioto-E: Joe Mercurio. Far­ kunstnerisk format end vanlige TV-kri- lo), Bruno Cirino (Tito), Benjamin Lev (Vanni ve: DeLuxe. Klip: Melvin Shapiro. Ark: Monty Peste), Luisa De Santis (Fiorella), Renato De Car- Elliott. Dekor: Carl Biddiscombe. Kost: Oscar Ro­ minalfilm. Den handlede om en yngre mine (Constantino), Stanko Molnar (Allonsanfån), driguez, Le Giokaris. Makeup: Jack H. Young. Mu­ bankbestyrer, Mark Kalvin, som forflyt­ Biagio Pelligra (II Prete), Aiderice Casali (Hus­ sik: George Duning. Sang: »Arnold« af George holderske), Ermanno Taviani (Massimiliano), Mi­ Duning, Andrew J. Fenady. Solist: Shani Wallis. tes til en amerikansk provinsflække efter chael Berger (Remigio), Raul Cabrera, Roberto Tone: James J. Klinger, David Ronne, Robert Cros­ en skilsmisse. Han indlogerer sig i et Frau, Cyrille Spiga, Francesca Taviani, Pier Gio­ by, David Dockendorf. Medv: Stella Stevens (Ka­ vanni Anchisi, Luis La Torre, Bruna Righetti, Carla ren), Roddy McDowall (Robert Llewelyn), Elsa pensionat, der drives af en enke med Mamini. Længde: 100 min. Prem: 1.6.76 TV. Anm. Lanchester (Hester Llewelyn), Shani Wallis (Joce- en voksen datter. Kalvin indleder en af­ Kos. 130. lyn), Farley Granger (Advokat Evan Lyons), Victor Buono (Præst), John McGiver (Guvernør), Ber­ fære med enken og inddrager hende i ANDERS AND I DET VILDE VESTEN nard Fox (Hooks), Patric Knowles (Advokat Doug- sin plan, der gå ud på at stjæle en del Donald Duck Goes West. USA 1936-50, Dist: Buena las Whitehead), James Farr (Dybbi, tjener), Nor­ Vista. P-selskab: Walt Disney Productions. P: Walt man Stuart (Arnold Llewelyn), Ben Wright (Jonesy), penge fra banken, men på en sådan Disney. Farve: Technicolor. Filmene er: 1936: »Don Wanda Bailey (Flo), Steven Mario, Leslie Thomp­ måde, at mistanken falder på en bank­ Donald« (Anders Ands biltur). 1942: »Donald's Gold son (Dart-spillere). Længde: 95 min. 2605 m. Cen­ Mine« (Anders And og guldminen)/Anders And gra­ sur: Hvid. Fb.u,16. Udi: Kinorama. Prem: 5.4.76 assistent, en ung pige, som de myrder. ver guld), »Symphony Hour« (Torsdagskoncerten). Saga. Indspilningen startet 26.3.73. Gyser. Planen er helt uplausibel og meningsløs 1943: »El Gaucho Goofy« (El Gaucho Fedtmule) fra filmen »Saludos Amigos« (udsendt som kort­ BRØLENDE KÆMPER og det kan ikke undgå at påvirke filmen; film 1955); Instr: Norman Ferguson. Manus: Homer White Line Fever. USA 1975. Dist: Columbia. P- men Zanussi er en god person-instruk­ Brightman, Ralph Wright m. fl. Musik: Charles selskab: The White Line Fever Syndicate. An In­ Woo.lcott. 1945: »The Legend of Cyote Rock (Pluto ternational Cinemedia Center Production. P: John tør og har fået skabt en fortættet, under­ som fårehyrde); Instr: Charles Nichols. Manus: Kemeny. Ex-P: Gerald Schneider, Mort Litwack. tiden overspændt stemning mellem den Harry Reeves, Tom Oreb. Musik: Oliver Wallace. As-P: Sheldon Schrager. P-leder: Sheldon Schra- »The Flying Gauchito« (Det flyvende æsel) fra ger. Instr: Jonathan Kaplan. Instr-ass: Don Heitzer, neurotiske Kalvin (spillet af Horst Buch- filmen »The Three Caballeros« (udsendt som kort- Arne Schmidt. Stunt-instr: Nate Long, Carey Loftin holz, der jo foretrækker hysteriske rol­ film 1955); In str: Norman Ferguson. M anus: Homer (biler), Joe Hooker. M anus: Ken Friedman, Jona- Brighton, Ted Sears m. fl. Musik: Charles Wool- than Kapfan. Foto: Fred Koenekamp. Farve: Me- ler) og hans medsammensvorne (spillet cott. 1946: »Frank Duck Brings ’Em Back Alive« trocolor. Klip: O. Nicholas Brown. Ark: Sydney af Ann Wedgeworth), og skildrer også (Anders And og vildmanden); Instr: Jack Hannah. Litwack. Dekor: Sam Jones. Sp-E: Phil Cory. Mu­ M anus: Dick Kinney. M u s ik: Oliver Wallace. 1947: sik: David Nichtern. Dir: Billy Byers. Sang: »Drift- med god atmosfærefornemmelse pensio­ »Wide Open Spaces« (Anders Ands natkørsel); ing and Dreaming of You«. Solist: Valerie Carter. natet og det provinsielle miljø. Instr: Jack King. Manus: MacDonald MacPherson, Tone: Darren Knight, Ted Rudloff, Don Crosby, Jack Huber. Musik: Oliver Wallace. 1948: »Tea For Larry Tubor, Jack Milner, Bob G. Human. Medv: Peter Schepelern. Two Hundred« (Anders And og myrerne); Instr: Jan-Michael Vincent (Carrol Jo Hummer), Kay Lenz 363 (Jerri Hummer), Slim Pickens (Duane Haller), Ib Tardini. Instr: Franz Ernst. Instr-ass: Ib Lind- P-selskab: Viaduc Productions/P.I.C. P: Leo L. L. Q. Jones (Buck
Load more

Recommended publications
  • Tom Fleischman CAS
    Career Achievement Award Recipient Tom Fleischman CAS CAS Award Nominees Production Equipment FOMO How the CAS Started Remembering Jim Alexander WINTER 2020 CINEMA AUDIO SOCIETY AWARDS NOMINEE OUTSTANDING ACHIEVEMENT IN SOUND MIXING MPSE GOLDEN REEL AWARDS NOMINEE FEATURE - ADR/DIALOGUE PHILIP STOCKTON, MPSE, EUGENE GEARTY, MARISSA LITTLEFIELD “EXQUISITELY MADE, EVERY DETAIL CAREFULLY CONSIDERED. IT FEELS UTTERLY TRANSPORTING.” NETFLIXGUILDS.COM CAS QUARTERLY, COVER 2 NETFLIX: THE IRISHMAN PUB DATE 12/30/19 BLEED: 8.625” X 11.125” TRIM: 8.375” X 10.875” CINEMA AUDIO SOCIETY AWARDS NOMINEE OUTSTANDING ACHIEVEMENT IN SOUND MIXING MPSE GOLDEN REEL AWARDS NOMINEE FEATURES FEATURE - ADR/DIALOGUE Production Sound Equipment Purchases . 20 PHILIP STOCKTON, MPSE, EUGENE GEARTY, MARISSA LITTLEFIELD Ever have a “Fear of Missing Out”? 147th AES Convention . 26 Career Achievement Recipient . 34 Re-recording mixer Tom Fleischman CAS CAS Filmmaker Award . 44 34 Director, producer, and writer James Mangold CAS Award Nominations . 46 Outstanding Product Nominees . 50 Student Recognition Award Finalists . 52 The Start of the CAS . 54 Bob Hoyt had a vision A Case Study in Multilanguage Production Sound . 60 Possession 54 The “Sound” of Genre Storytelling . 64 Mixing approaches infl uenced by genre Remembering a Legend . 68 Production sound mixer Jim Alexander “EXQUISITELY MADE, DEPARTMENTS EVERY DETAIL The President’s Letter . 4 From the Editor . 6 CAREFULLY CONSIDERED. 60 Collaborators . 9 Meet the people behind the words IT FEELS UTTERLY Technically Speaking
    [Show full text]
  • Completeandleft
    MEN WOMEN 1. Adam Ant=English musician who gained popularity as the Amy Adams=Actress, singer=134,576=68 AA lead singer of New Wave/post-punk group Adam and the Amy Acuff=Athletics (sport) competitor=34,965=270 Ants=70,455=40 Allison Adler=Television producer=151,413=58 Aljur Abrenica=Actor, singer, guitarist=65,045=46 Anouk Aimée=Actress=36,527=261 Atif Aslam=Pakistani pop singer and film actor=35,066=80 Azra Akin=Model and actress=67,136=143 Andre Agassi=American tennis player=26,880=103 Asa Akira=Pornographic act ress=66,356=144 Anthony Andrews=Actor=10,472=233 Aleisha Allen=American actress=55,110=171 Aaron Ashmore=Actor=10,483=232 Absolutely Amber=American, Model=32,149=287 Armand Assante=Actor=14,175=170 Alessandra Ambrosio=Brazilian model=447,340=15 Alan Autry=American, Actor=26,187=104 Alexis Amore=American pornographic actress=42,795=228 Andrea Anders=American, Actress=61,421=155 Alison Angel=American, Pornstar=642,060=6 COMPLETEandLEFT Aracely Arámbula=Mexican, Actress=73,760=136 Anne Archer=Film, television actress=50,785=182 AA,Abigail Adams AA,Adam Arkin Asia Argento=Actress, film director=85,193=110 AA,Alan Alda Alison Armitage=English, Swimming=31,118=299 AA,Alan Arkin Ariadne Artiles=Spanish, Model=31,652=291 AA,Alan Autry Anara Atanes=English, Model=55,112=170 AA,Alvin Ailey ……………. AA,Amedeo Avogadro ACTION ACTION AA,Amy Adams AA,Andre Agasi ALY & AJ AA,Andre Agassi ANDREW ALLEN AA,Anouk Aimée ANGELA AMMONS AA,Ansel Adams ASAF AVIDAN AA,Army Archerd ASKING ALEXANDRIA AA,Art Alexakis AA,Arthur Ashe ATTACK ATTACK! AA,Ashley
    [Show full text]
  • NSBA Convention Performances.Xlsx
    NSBA Performances 1 Title Composer/ Arranger Publisher Grade Performing Group Director(s) Year Russian Christmas Music Alfred Reed, arr. James Curnow Hal Leonard 3.5 Ashland-Greenwood Senior High Band Jonathan Jaworski 2015 December Sky Erik Morales FJH Music 1.5 Ashland-Greenwood Senior High Band Jonathan Jaworski 2015 But for the Love of Ireland James Swearingen C.L. Barnhouse Company 3 Ashland-Greenwood Senior High Band Jonathan Jaworski 2015 Burma Patrol Karl King, ed. James Swearingen C.L. Barnhouse Company 3 Ashland-Greenwood Senior High Band Jonathan Jaworski 2015 Torrents of Fire Larry Neeck C.L. Barnhouse Company 3 Ashland-Greenwood Senior High Band Jonathan Jaworski 2015 Pandora Randall Strandridge Grand Mesa Music 2 Ashland-Greenwood Senior High Band Jonathan Jaworski 2015 An Irish Jig for Young Feet Travis J. Weller FJH Music 2 Ashland-Greenwood Senior High Band Jonathan Jaworski 2015 Girl from Ipanema Antonio Carlos Jobim/arr. Roger Holmes Hal Leonard Kearney High School Jazz Ensemble Nathan LeFeber 2015 Old Black Magic Arlene and Mercer/arr. Jerry Dotson Unpublished Kearney High School Jazz Ensemble Nathan LeFeber 2015 Pick up the Pieces arr. Victor Lopez Alfred Music Kearney High School Jazz Ensemble Nathan LeFeber 2015 Misty Burke and Garner/arr. Mike Lewis Alfred Music Kearney High School Jazz Ensemble Nathan LeFeber 2015 Blue Hue Dominic Spera C.L. Barnhouse Company Kearney High School Jazz Ensemble Nathan LeFeber 2015 Everlasting Gordon Goodwin Belwin Kearney High School Jazz Ensemble Nathan LeFeber 2015 Bottom Line Blues Jon Phelps Kendor Music Publications Kearney High School Jazz Ensemble Nathan LeFeber 2015 All of Me Marks and Simon/arr.
    [Show full text]
  • 2018 Annual Report
    Annual Report 2018 Dear Friends, welcome anyone, whether they have worked in performing arts and In 2018, The Actors Fund entertainment or not, who may need our world-class short-stay helped 17,352 people Thanks to your generous support, The Actors Fund is here for rehabilitation therapies (physical, occupational and speech)—all with everyone in performing arts and entertainment throughout their the goal of a safe return home after a hospital stay (p. 14). nationally. lives and careers, and especially at times of great distress. Thanks to your generous support, The Actors Fund continues, Our programs and services Last year overall we provided $1,970,360 in emergency financial stronger than ever and is here for those who need us most. Our offer social and health services, work would not be possible without an engaged Board as well as ANNUAL REPORT assistance for crucial needs such as preventing evictions and employment and training the efforts of our top notch staff and volunteers. paying for essential medications. We were devastated to see programs, emergency financial the destruction and loss of life caused by last year’s wildfires in assistance, affordable housing, 2018 California—the most deadly in history, and nearly $134,000 went In addition, Broadway Cares/Equity Fights AIDS continues to be our and more. to those in our community affected by the fires and other natural steadfast partner, assuring help is there in these uncertain times. disasters (p. 7). Your support is part of a grand tradition of caring for our entertainment and performing arts community. Thank you Mission As a national organization, we’re building awareness of how our CENTS OF for helping to assure that the show will go on, and on.
    [Show full text]
  • The Journal of the Duke Ellington Society Uk Volume 23 Number 3 Autumn 2016
    THE JOURNAL OF THE DUKE ELLINGTON SOCIETY UK VOLUME 23 NUMBER 3 AUTUMN 2016 nil significat nisi pulsatur DUKE ELLINGTON SOCIETY UK http://dukeellington.org.uk DESUK COMMITTEE HONORARY MEMBERS OF DESUK Art Baron CHAIRMAN: Geoff Smith John Lamb Vincent Prudente VICE CHAIRMAN: Mike Coates Monsignor John Sanders SECRETARY: Quentin Bryar Tel: 0208 998 2761 Email: [email protected] HONORARY MEMBERS SADLY NO LONGER WITH US TREASURER: Grant Elliot Tel: 01284 753825 Bill Berry (13 October 2002) Email: [email protected] Harold Ashby (13 June 2003) Jimmy Woode (23 April 2005) MEMBERSHIP SECRETARY: Mike Coates Tel: 0114 234 8927 Humphrey Lyttelton (25 April 2008) Email: [email protected] Louie Bellson (14 February 2009) Joya Sherrill (28 June 2010) PUBLICITY: Chris Addison Tel:01642-274740 Alice Babs (11 February, 2014) Email: [email protected] Herb Jeffries (25 May 2014) MEETINGS: Antony Pepper Tel: 01342-314053 Derek Else (16 July 2014) Email: [email protected] Clark Terry (21 February 2015) Joe Temperley (11 May, 2016) COMMITTEE MEMBERS: Roger Boyes, Ian Buster Cooper (13 May 2016) Bradley, George Duncan, Frank Griffith, Frank Harvey Membership of Duke Ellington Society UK costs £25 SOCIETY NOTICES per year. Members receive quarterly a copy of the Society’s journal Blue Light. DESUK London Social Meetings: Civil Service Club, 13-15 Great Scotland Yard, London nd Payment may be made by: SW1A 2HJ; off Whitehall, Trafalgar Square end. 2 Saturday of the month, 2pm. Cheque, payable to DESUK drawn on a Sterling bank Antony Pepper, contact details as above. account and sent to The Treasurer, 55 Home Farm Lane, Bury St.
    [Show full text]
  • Contenido Estrenos Mexicanos
    Contenido estrenos mexicanos ............................................................................120 programas especiales mexicanos .................................. 122 Foro de los Pueblos Indígenas 2019 .......................................... 122 Programa Exilio Español ....................................................................... 123 introducción ...........................................................................................................4 Programa Luis Buñuel ............................................................................. 128 Presentación ............................................................................................................... 5 El Día Después ................................................................................................ 132 ¡Bienvenidos a Morelia! ................................................................................... 7 Feratum Film Festival .............................................................................. 134 Mensaje de la Secretaría de Cultura ....................................................8 ......... 10 Mensaje del Instituto Mexicano de Cinematografía funciones especiales mexicanas .......................................137 17° Festival Internacional de Cine de Morelia ............................11 programas especiales internacionales................148 ...........................................................................................................................12 jurados Programa Agnès Varda ...........................................................................148
    [Show full text]
  • ANTA Theater and the Proposed Designation of the Related Landmark Site (Item No
    Landmarks Preservation Commission August 6, 1985; Designation List 182 l.P-1309 ANTA THFATER (originally Guild Theater, noN Virginia Theater), 243-259 West 52nd Street, Manhattan. Built 1924-25; architects, Crane & Franzheim. Landmark Site: Borough of Manhattan Tax Map Block 1024, Lot 7. On June 14 and 15, 1982, the Landmarks Preservation Commission held a public hearing on the proposed designation as a Landmark of the ANTA Theater and the proposed designation of the related Landmark Site (Item No. 5). The hearing was continued to October 19, 1982. Both hearings had been duly advertised in accordance with the provisions of law. Eighty-three witnesses spoke in favor of designation. Two witnesses spoke in opposition to designation. The owner, with his representatives, appeared at the hearing, and indicated that he had not formulated an opinion regarding designation. The Commission has received many letters and other expressions of support in favor of this designation. DESCRIPTION AND ANALYSIS The ANTA Theater survives today as one of the historic theaters that symbolize American theater for both New York and the nation. Built in the 1924-25, the ANTA was constructed for the Theater Guild as a subscription playhouse, named the Guild Theater. The fourrling Guild members, including actors, playwrights, designers, attorneys and bankers, formed the Theater Guild to present high quality plays which they believed would be artistically superior to the current offerings of the commercial Broadway houses. More than just an auditorium, however, the Guild Theater was designed to be a theater resource center, with classrooms, studios, and a library. The theater also included the rrost up-to-date staging technology.
    [Show full text]
  • Cas Awards April 17, 2021
    PRESENTS THE 57TH ANNUAL CAS AWARDS APRIL 17, 2021 SCHEDULE OF EVENTS PRE-SHOW MESSAGES PRESENTATION OF THE CINEMA AUDIO SOCIETY AWARD FOR Outstanding Achievement in Sound Mixing for Non-Theatrical Motion Pictures or Limited Series PRESENTATION OF THE CINEMA AUDIO SOCIETY AWARD FOR Outstanding Achievement in Sound Mixing for Motion Pictures – Documentary PRESIDENT’S REMARKS Karol Urban CAS MPSE Year in Review, In Memoriam INSTALLATION OF NEW BOARD OF DIRECTORS PRESENTATION OF THE CINEMA AUDIO SOCIETY AWARD FOR Outstanding Achievement in Sound Mixing for Television Series – Half-Hour PRESENTATION OF THE CINEMA AUDIO SOCIETY Student Recognition Award PRESENTATION OF THE CINEMA AUDIO SOCIETY AWARD FOR Outstanding Product for Production PRESENTATION OF THE CINEMA AUDIO SOCIETY AWARD FOR Outstanding Product for Post-Production CAS RED CARPET PRESENTATION OF THE CINEMA AUDIO SOCIETY AWARD FOR Outstanding Achievement in Sound Mixing for Television Non-Fiction, Variety, Music, Series or Specials PRESENTATION OF CAS FILMMAKER AWARD TO GEORGE CLOONEY PRESENTATION OF THE CINEMA AUDIO SOCIETY AWARD FOR Outstanding Achievement in Sound Mixing for Motion Pictures – Animated CAS RED CARPET PRESENTATION OF THE CINEMA AUDIO SOCIETY AWARD FOR Outstanding Achievement in Sound Mixing for Television Series – One Hour PRESENTATION OF CAS CAREER ACHIEVEMENT AWARD TO WILLIAM B. KAPLAN CAS PRESENTATION OF THE CINEMA AUDIO SOCIETY AWARD FOR Outstanding Achievement in Sound Mixing for Motion Pictures – Live Action AFTER-AWARDS VIRTUAL NETWORKING RECEPTION THE 57TH ANNUAL CAS AWARDS CINEMA AUDIO SOCIETY 1 THANK YOU TO OUR SPONSORS DIAMOND SPONSORS PLATINUM SPONSORS STUDENT RECOGNITION AWARD SPONSORS GOLD SPONSORS GROUP SILVER SPONSORS THE 57TH ANNUAL CAS AWARDS CINEMA AUDIO SOCIETY 3 PRESIDENT’S LETTER Welcome to the 57th CAS Awards! It has been over a year since last we came together to celebrate our sound mixing community and we are so very happy to see you all.
    [Show full text]
  • Houston LGBT History
    THURSDAY, MARCH 17 ST. PATRICK'S DAY GREEN SPECIAL SO¢ GREEN _ PEPPERMINT~JL~ SCHNAPPS ~.,., I~ ;07 COLORADO • AUSTIN • 474-9667 COMING THURSDAY, MARCH 24 DOO-DAH-DAZ-DA Y THE BOATHOUSE AND DIRTY SALLY'S TURN-AROUND SWITCH NIGHT TWT MARCH 11- 17. 1983 TWT MARCH 11- 17. 1983 PAGE 3 PAGE 2 ~ __ (ONTENTS~_ IT'S OUR BIRTHDAY ... Volume 8,Number 51 March 11-17, 1983 AND YOU GET THE PRESENT!!! INFORMATION ENTERTAINMENT FEATURES In celebration of our 4th anniversary in HOUSTON and our 3rd in DALLAS 11 TWT NEWS 29 BOOKS HILL COUNTRY IT COULD HAPPEN 49 HIGHLIGHT DON BAKER'S ENDORSEMENTS .. TO YOU ... COMMUNITY REVIEWED BY JOIN NOW AND GET $100 OFF!!! 57 HOT TEA PRODUCTIONS DAVID FIELDS At the :fITNESS EXCHANGE we've just DOUBLED OUR :fREE WEIGHTS ANNIVERSARY MONTH ... and added two abdominal machines to our DOUBLE LINES O:f 91 CALENDAR 35 MOVIES 64 PHOTO NAUTILUS EQUIPMENT. 93 AUSTIN MAP LIANNA ESSAY 95 THE GUIDE REVIEWED BY Available also are Suntana, jacuzzi, sauna, juices, great music and more. ART TOMASZEWSKI & COVER 38 SHOWBIZ BOBBY RAYE WE'RE NOT GETTING OLDER, WE'RE GETTING BETTERI DEPARTMENTS PHOTOS BY JUMPING THE GUN JIM HAMILTON 21 COMMENT BY JACK VARSI PUBLIC FORUM 41 OSCAR CONTEST 25 PERSPECTIVE WIN $100! "HOUSTON STYLE" IS DUMB! BY GEORGE BARNHART 44 ENTERTAINMENT 63 SPORTS VOLLEYBALL DAY ... -TEXAS HOUSTON FESTIVAL, BY CHERYL CHAMBERLAIN THE STRAND ... 70 STARSCOPE BY ROB CLARK NEW MOON 77 CLASSIFIED ~ HOURS: MON-FRI 6AM-lOPM SAT IOAM-8PM SUN NOON-6PM Memberships reciprocal between Dallas and Houston.
    [Show full text]
  • 10700990.Pdf
    The Dolby era: Sound in Hollywood cinema 1970-1995. SERGI, Gianluca. Available from the Sheffield Hallam University Research Archive (SHURA) at: http://shura.shu.ac.uk/20344/ A Sheffield Hallam University thesis This thesis is protected by copyright which belongs to the author. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given. Please visit http://shura.shu.ac.uk/20344/ and http://shura.shu.ac.uk/information.html for further details about copyright and re-use permissions. Sheffield Hallam University jj Learning and IT Services j O U x r- U u II I Adsetts Centre City Campus j Sheffield Hallam 1 Sheffield si-iwe Author: ‘3£fsC j> / j Title: ^ D o ltiu £ r a ' o UJTvd 4 c\ ^ £5ori CuCN^YTNCa IQ IO - Degree: p p / D - Year: Q^OO2- Copyright Declaration I recognise that the copyright in this thesis belongs to the author. I undertake not to publish either the whole or any part of it, or make a copy of the whole or any substantial part of it, without the consent of the author. I also undertake not to quote or make use of any information from this thesis without making acknowledgement to the author. Readers consulting this thesis are required to sign their name below to show they recognise the copyright declaration. They are also required to give their permanent address and date.
    [Show full text]
  • Gordon Mccallum (Sound Engineer) 26/5/1919 - 10/9/1989 by Admin — Last Modified Jul 27, 2008 02:38 PM
    Gordon McCallum (sound engineer) 26/5/1919 - 10/9/1989 by admin — last modified Jul 27, 2008 02:38 PM BIOGRAPHY: Gordon McCallum entered the British film industry in 1935 as a loading boy for Herbert Wilcox at British and Dominions. He soon moved into the sound department and worked as a boom swinger on many films of the late 1930s at Denham, Pinewood and Elstree. During the Second World War he worked with both Michael Powell and David Lean on some of their most celebrated films. Between 1945 and 1984 as a resident sound mixer at Pinewood Studios, he made a contribution to over 300 films, including the majority of the output of the Rank Organisation, as well as later major international productions such as The Day of the Jackal (1973), Superman (1978), Blade Runner (1982) and the James Bond series. In 1972 he won an Oscar for his work on Fiddler on the Roof (1971). SUMMARY: In this interview McCallum discusses many of the personalities and productions he has encountered during his long career, as well as reflecting on developments in sound technology, and the qualities needed to make a good dubbing mixer. BECTU History Project - Interview No. 58 [Copyright BECTU] Transcription Date: 2002-09-20 Interview Date: 1988-10-11 Interviewer: Alan Lawson Interviewee: Gordon McCallum Tape 1, Side 1 Alan Lawson : Now, Mac...when were you born? Gordon McCallum : May 26th 1919. Alan Lawson : And where was that? Gordon McCallum : In Chicago. Alan Lawson : In Chicago? Gordon McCallum : [Chuckles.] Yes...that has been a surprise to many people! Alan Lawson : Yes! Gordon McCallum : I came back to England with my parents, who are English, when I was about four, and my schooling, therefore, was in England - that's why they came back, largely.
    [Show full text]
  • Ronald Davis Oral History Collection on the Performing Arts
    Oral History Collection on the Performing Arts in America Southern Methodist University The Southern Methodist University Oral History Program was begun in 1972 and is part of the University’s DeGolyer Institute for American Studies. The goal is to gather primary source material for future writers and cultural historians on all branches of the performing arts- opera, ballet, the concert stage, theatre, films, radio, television, burlesque, vaudeville, popular music, jazz, the circus, and miscellaneous amateur and local productions. The Collection is particularly strong, however, in the areas of motion pictures and popular music and includes interviews with celebrated performers as well as a wide variety of behind-the-scenes personnel, several of whom are now deceased. Most interviews are biographical in nature although some are focused exclusively on a single topic of historical importance. The Program aims at balancing national developments with examples from local history. Interviews with members of the Dallas Little Theatre, therefore, serve to illustrate a nation-wide movement, while film exhibition across the country is exemplified by the Interstate Theater Circuit of Texas. The interviews have all been conducted by trained historians, who attempt to view artistic achievements against a broad social and cultural backdrop. Many of the persons interviewed, because of educational limitations or various extenuating circumstances, would never write down their experiences, and therefore valuable information on our nation’s cultural heritage would be lost if it were not for the S.M.U. Oral History Program. Interviewees are selected on the strength of (1) their contribution to the performing arts in America, (2) their unique position in a given art form, and (3) availability.
    [Show full text]