Bollino Verde = Prestabile E Visionabile Da Tutti Bollino Giallo
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Ross Reports -Television Index
ROSS REPORTS -TELEVISION INDEX JANUARY 7-13, 1957 VOLUME NUMBER 2 PROGRAMS ADVERTISERS TALENT 551 Fifth Avenue New York 17 MUrray Hill 2-5910 EDITOR: Jerry Leichter PUBLISHED BY TELEVISION INDEX, INC. WEEKLY REPORT THIS WEEK -- NETWORK DEBUTS & HIGRT.TGHTS Thursday(Jan 10) POOL- 12:30-1pm EST; SPECIAL - President Eisenhower's State of the Union Message - LIVE fromWRC-TV(Wash), to the NBC net, via pool arrangements to the ABC net. § Public service. § Prod- NBC News(Wash) for the pool. § President Eisenhower's State of the Union message to Congress will be simulcast live from the Chamber of the House of Representatives. Saturday(Jan 12) ABC- 7-7:30pm EST; DEBUT - This Is Galen Drake - LIVE fromWABC-TV(NY), 18 sta- tions live and delayed. § Sponsor- Skippy Peanut Division (Peanut Butter), The Beet Foods, Inc., thru Guild, Bascom & Bonfigli,Inc(San Fran). § Pkgr- William Morris Agency(NY); Prod & Dir- Don Appel. § Storyteller Galen Drake is host of this variety show, spinning yarns, discussing timely events, occasionally interviewing guests, and also acting as m.c. for variety portions of the program which will feature singers backed by an orchestra. THIS WEEK -- REGULAR NETWORK SPECIALS NBC- Producers' Showcase (Every 4th Mon,8-9:30pmEST) Jan 7; "Call to Freedom," an NBC 'Project 20' filmed documentary of Austria's struggle for freedom thruthe years, keyed to reopening of the Vienna State Operain 1955; Pod- Henry Salomon; Writers- Salomon, Richard Hanser, Philip Reisman, Jr; Asst Prod- Donald Hyatt; Edited By- Isaac Kleinerman; FILM from WRCA-TV(NY). NBC TV Opera Theatre (6 during season, Sat orSun); Sun, Jan 13, 1:30-4pm EST; "War and Peace," American premiere of Serge Prokofiev's opera; English version by Joseph Machlis; LIVE (COLOR) from WRCA-TV(NY). -
Download Our Last Catalog for 2018/19
1 MIDNIGHT MARQUEE 2018/19 CATALOG The Perfect GIFTS for Your Favorite Movie Buff! Vol. 1 NEW COVER WE KNOW MOVIES! Midnight Marquee Press • 9721 Britinay Lane, Baltimore, MD 21234 2 A Letter from Gary and Sue Svehla of Midnight Marquee Press We would like to apologize to our many long time customers as well as to our many new ones for the lateness of this catalog and our slowness in get- ting your orders out. It’s been a rough several years as Sue has been facing medical challenges, but we have finally found a diagnosis and she is on a healing path. Of course we will try to get your orders out quickly, but we’re getting old and slow (not to mention forgetful) so— if you need your books quickly, please order them from AMAZON.com or OLDIES.com. Most of our books are now being converted to e-books by Bear Manor Media, so you can order those from Amazon.com. We thank you for your patience, your business and your friendship through the years. Gary and Sue Svehla Table of Contents 3 New Titles from MMP Payment: We accept 5 Brit Horrors all major credit cards, 12 Italian Horror checks, money orders 15 Biographies and Autobios and PayPal. 19 Musical Bios 20 MidMar’s Actors Series Shipping: We try to 21 Histories of Horror Films ship within 7 work- ing days, but it’s just the two of us and we’re 25 Histories of Sci-Fi Films getting old and slow. 26 Hooray for Hollywood— other genres If you need your order fast, PLEASE 28 Exploitation Horrors order from Amazon.com or Oldies.com Most books will arrive from Createspace— 29 Forgotten Horrors & DVDs, mags, bookplates, etc. -
Movie Museum NOVEMBER 2011 COMING ATTRACTIONS
Movie Museum NOVEMBER 2011 COMING ATTRACTIONS THURSDAY FRIDAY SATURDAY SUNDAY MONDAY Hawaii Premiere! THE LIGHTHORSEMEN THE EEL aka Unagi MY LIFE AS A DOG WATER FOR EYE OF THE EAGLE (1987-Australia) (1997-Japan) ELEPHANTS (1997-Denmark) (1985-Sweden) uncut version in widescreen in Japanese with English (2011) Danish w/Eng subtitles & w.s. in Swedish with English subtitles & in widescreen in widescreen 12:00 & 1:30pm only subtitles & in widescreen Directed by Lasse Halström. with Anthony Andrews, with Koji Yakusho. with Robert Pattinson, Reese ------------------------------ Peter Phelps, John Walton, 12:00, 1:45 & 3:30pm 12:15, 2:15, 4:15 & 6:15pm Witherspoon, Christoph TURTLES ARE Tim McKenzie, Jon Blake, ------------------------------ Waltz, Hal Holbrook. SURPRISINGLY FAST ------------------------------ Bill Kerr, Sigrid Thornton. CHICKEN AND DUCK SWIMMERS (2005-Japan) TORA! TORA! TORA! (1970-US/Japan) TALK (1988-HongKong) Directed by Japanese w/Eng subtitles, ws Directed by Francis Lawrence. 3:15 & 5:00pm only English/Japanese w/English Simon Wincer. Cantonese w/English subtitles -------------------------------- subtitles & in widescreen with Michael Hui, Ricky Hui. 12:15, 2:30, 4:45, 7:00 & THE EEL aka Unagi Martin Balsam, Sô Yamamura. 12:30, 3, 5:30 & 8pm 8:30pm ONLY 9:15pm 7:00pm only 5:30 & 8:00pm ONLY 3 4 5 6 7 Movie Museum Movie Museum TELL NO ONE TAMPOPO aka Ne le dis à personne (1985-Japan) Movie Museum Closed Closed (2006-France) in Japanese with English Closed French w/Eng subtitles & w.s. subtitles & in widescreen with François Cluzet. 4:00pm only 4:00pm only ------------------------------------ ------------------------------------ THAT MAN FROM RIO TAMPOPO (1964-Italy/France) (1985-Japan) in French/English/Portuguese in Japanese with English with English subtitles subtitles & in widescreen & in widescreen Directed by Juzo Itami. -
Du 1Er Au 28 Janvier 2020
CINÉMA ART & ESSAI À AGEN DU 1ER AU 28 JANVIER 2020 "Les siffleurs" de Corneliu Porumboiu Recherche & Découverte, Jeune Public, Patrimoine & Répertoire, Europa www.lesmontreursdimages.com Cinéma Les Montreurs d’Images 12 rue Jules Ferry -Place du Pin- 47 000 AGEN 05.53.48.04.54 [email protected] www.lesmontreursdimages.com TARIF ADHÉRENT LUNDI ADHÉRENT ÉTUDIANT ADHÉRENT & – 25 ANS 5€50 3€50 5€ SÉANCE TARIF PLEIN LUNDI PETITS Z’ÉCRANS 8€00 6€50 3€50* SENIOR ÉTUDIANT - 18 ANS SOLIDAIRE + 60 ANS & -25 ANS 6€** 5€50 3€50 2€50 GROUPES & CE NOUS CONTACTER MERCI DE PRÉSENTER VOTRE JUSTIFICATIF ADHÉSION ANNUELLE (VALABLE DU 1ER SEPTEMBRE AU 31 AOÛT) : 20€ (et + plus si soutien) 10€ étudiant & -25 ans 4€ demandeurs d’emploi *Séance jeune public : 3€50 pour tous **Séance Senior : Tous les mardis de 14h à 17h CE MOIS-CI AUX MONTREURS D'IMAGES Horaires des séances p.23 à p.27 CERTAINS L'AIMENT CHAUD P.14 THÉÂTRE ECOLE… P.15 CHANSON DOUCE P. 5 UN ÉTÉ À CHANGSHA P. 8 CUNNINGHAM P. 8 UNE VIE CACHÉE P. 8 EN PROMENADE P.18 VIF ARGENT P. 7 ERNEST ET CELESTINE… P.18 WINNIE L’OURSON P.19 JUSTICE EN VRAI... P.21 WONDERLAND P.20 L'INTENDANT SANSHO P.16 ZÉBULON LE DRAGON P.19 LA LLORONA P. 7 LA RUE DE LA HONTE P.17 FESTIVAL TéléRAMA LA VÉRITÉ P. 5 ALICE ET LE MAIRE P.10 LE LAC AUX OIES SAUVAGES P. 6 AN ELEPHANT SITTING STILL P.12 LE MIRACLE DU SAINT INCONNU P. -
Philosophy Goes to the Movies
PHILOSOPHY GOES TO THE MOVIES ‘Philosophy Goes to the Movies is very clearly and engagingly written. It has a particular claim on the attention of those preparing students for a systematic study of philosophy, one that distinguishes it from any other introductory book I know of.’ Stephen Mulhall, University of Oxford ‘I think this is an excellent text. Falzon is in control of his material. He writes clearly and at a level that undergraduates can understand. He seems as comfortable describing films as he is explaining the nature of a philosophical problem. It will make an outstanding text to use in introductory philosophy classes.’ Thomas Wartenburg, Mount Holyoke College, USA Philosophy Goes to the Movies is a new kind of introduction to philosophy that makes use of film to help us understand philosophical ideas and positions. Drawing on art- house movies like Cinema Paradiso and Hollywood blockbusters such as The Matrix, Christopher Falzon introduces and discusses central areas of philosophical concern, including: • the theory of knowledge • the self and personal identity • ethics • social and political philosophy • science and technology • critical thinking. Falzon draws from the ideas of a diverse selection of thinkers, from Plato and Descartes to Marcuse and Foucault. Ideal for the beginner, this book guides the student through philosophy using lively and illuminating cinematic examples including Total Recall, Crimes and Misdemeanors, Monty Python and the Holy Grail, Antz and Wings of Desire. It will also appeal to anyone interested in the philosophical dimensions of cinema. Christopher Falzon is Lecturer in Philosophy at Newcastle University, Australia. He is the author of Foucault and Social Dialogue (Routledge, 1998). -
Catalogo Novedades Dvd Abril 2013
CINE INTERNACIONAL AGUA PARA ALTA SOCIEDAD ELEFANTES DIR.: Francis Lawrence DIR.: Charles Walters INT.: Reese Witherspoon, INT.: Bing Crosby, Grace Robert Pattinson, Christoph Kelly, Frank Sinatra Waltz AÑO: 1956 AÑO: 2011 PREMIOS: 2 nominaciones PREMIOS: al Óscar. AMANECER (parte 1) ARGO DIR.: Bill Condon DIR.: Ben Affleck INT.: Kristen Stewart, Robert INT.: Ben Affleck, Bryan Pattinson, Taylor Lautner Cranston, Alan Arkin AÑO: 2011 AÑO: 2012 PREMIOS: PREMIOS: 3 Óscar, 2 Globos de Oro, 3 Premios BAFTA, 1 Premio César, 2 Critics Choice Awards. CINE INTERNACIONAL 1 THE ARTIST BREVE ENCUENTRO DIR.: Michel Hazanavicius DIR.: David Lean INT.: Jean Dujardin, INT.: Celia Johnson, Trevor Bérénica Bejo, James Howard, Stanley Holloway Cromwell AÑO: 1945 AÑO: 2011 PREMIOS: 3 nominaciones PREMIOS: 5 Óscar, 3 al Óscar, Gran Premio del Globos de Oro, 7 premios Festival de Cannes, mejor BAFTA, 6 premios César, actriz del Círculo de Críticos mejor actor Festival de de Nueva York. Cannes. CACHÉ (ESCONDIDO) LA CALUMNIA DIR.: Michael Haneke DIR.: William Wyler INT.: Daniel Auteil, Juliete INT.: Audrey Hepburn, Binoche, Maurice Bénichou Shirley MacLaine, James Garner AÑO: 2005 AÑO: 1961 PREMIOS: 3 premios del Festival de Cannes, 5 PREMIOS: 5 nominaciones premios Academia de Cine al Óscar. Europeo CINE INTERNACIONAL 2 EL CARDENAL LA CINTA BLANCA DIR.: Otto Preminger DIR.: Michael Haneke INT.: Tom Tryon, John INT.: Susanne Lothar, Ulrich Huston, Romy Schneider Tukur, Burghart Klaussner AÑO: 1963 AÑO: 2009 PREMIOS: 6 nominaciones PREMIOS: Palma de Oro de al Óscar y 3 Globos de Oro. Festival de Cannes, Globo de Oro mejor película de habla no inglesa, premio FIPRESCI, 3 premios del cine europeo. -
The Guardian, January 27, 2016
Wright State University CORE Scholar The Guardian Student Newspaper Student Activities 1-27-2016 The Guardian, January 27, 2016 Wright State University Student Body Follow this and additional works at: https://corescholar.libraries.wright.edu/guardian Part of the Mass Communication Commons Repository Citation Wright State University Student Body (2016). The Guardian, January 27, 2016. : Wright State University. This Newspaper is brought to you for free and open access by the Student Activities at CORE Scholar. It has been accepted for inclusion in The Guardian Student Newspaper by an authorized administrator of CORE Scholar. For more information, please contact [email protected]. April 30, 2014 JANUARY 27, 2016 WWW.THEGUARDIANONLINE.COM ISSUE NO. 16 VOL. 52 THEGUARDIANONLINE.COM Issue No. 30 Vol. 50 RaiderCash is the new Flex Dollar News Kelsey Powell Contributing Writer ward points, discounts, what- fusing; RaiderCash makes [email protected] ever it is you get from your more sense. I wasn’t sure right State is intro- FlexThis Dollars. way, students Once promotions don’t mix credit card because you made what Flex Dollars were until Wducing a new form startfinancial happening aid flex with with the regular card, an expense,” Adams said. I heard of RaiderCash. I might of payment for vending ma- they will only be applicable is another put money on it instead of us- chines and restaurants called with RaiderCash and no other ing my credit card,” local bank RaiderCash. This add- employee and Wright State Healthy options Formerly known as Flex RaiderCash is the benefiting student Garrett Crawford said. -
PADRAIC Mckinley Editor
PADRAIC McKINLEY Editor FEATURES DIRECTORS PRODUCERS/STUDIOS BOSS LEVEL Joe Carnahan Scott Putman, Frank Grillo Emmett/Furla/Oasis Films WHEELMAN Jeremy Rush George Parra, Frank Grillo / Netflix PRIDE AND PREJUDICE Burr Steers Sue Baden-Powell, Marc Butan, Lauren Selig AND ZOMBIES Allison Shearmur / Lionsgate WILD CARD Simon West Steve Chasman, Brian Pitt, Jib Polhemus Recut Jason Statham / Lionsgate HOMEFRONT Gary Fleder Avi Lerner, John Thompson Open Road Films / Millennium CHARLIE ST. CLOUD Burr Steers Michael Fottrell, Marc Platt Universal Pictures 17 AGAIN Burr Steers Jennifer Gibgot, Adam Shankman Dara Weintraub / New Line Cinema THE EXPRESS Gary Fleder Derek Dauchy, John Davis, Arne Schmidt Davis Entertainment / Universal Pictures ALFIE Charles Shyer Sean Daniel, Diana Phillips, Elaine Pope Paramount Pictures IF ONLY Gil Junger Basil Iwanyk, Jeffrey Silver, Scott Strauss Tapestry Films / Sony IGBY GOES DOWN Burr Steers Lisa Tornell, David Rubin, Marco Weber MGM TELEVISION AMERICAN GODS Season 2 Various Directors Jesse Alexander, Reid Shane Editor, Executive Producer Dante DiLoreto / Fremantle Media / Starz FIGHT WORLD Docu-Series Padraic McKinley Todd Lubin, John Gerstel / Matador / Netflix Editor, Director KINGDOM Pilot & Series Various Directors Byron Balasco, Adam Davidson Supervising Editor, Producer, Director Endemol USA / DirecTV ANIMAL KINGDOM Christopher Chulack Terri Murphy, Lou Wells One Episode Warner Bros. / TNT BEAUTY AND THE BEAST Pilot Gary Fleder Sherri Cooper, Jennifer Levin, Tony Thomas Paul Junger Witt / CBS -
Black Coal, Thin Ice
PRESENTE / PRESENTEERT BLACK COAL, THIN ICE un film de / een film van Diao Yinan avec / met Fan Liao, Lun-Mei Gwei, Xuebing Wang Chine BERLINALE 2014 – Golden Bear for Best Film Silver Bear for Best Actor Fan Liao Tribeca Film Festival 2014 Sydney Film Festival 2014 Film Fest Gent 2014 – Competition Chine / China – 2013 – DCP – couleur / kleur – 1:1.85 – VO ST BIL / OV FR/NL OT – 106’ distribution / distributie: IMAGINE SORTIE NATIONALE RELEASE 29/10/2014 T : 02 331 64 31 / F : 02 331 64 34 / M : 0499 25 25 43 photos / foto's : www.imaginefilm.be SYNOPSIS FR En 1999, un employé d’une carrière minière est assassiné et son corps dispersé aux quatre coins de la Mandchourie. L’inspecteur Zhang mène l’enquête, mais doit rapidement abandonner après avoir été blessé lors de l’interpellation des principaux suspects. Cinq ans plus tard, deux nouveaux meurtres sont commis dans la région, tous deux liés à l’épouse de la première victime. Devenu agent de sécurité, Zhang décide de reprendre du service. Son enquête l’amène à se rapprocher dangereusement de la mystérieuse jeune femme. NL Een aan lager wal geraakte ex-rechercheur wordt teruggezogen in een zaak die hij jaren eerder opgelost dacht te hebben. In de omgeving van de weduwe van het toenmalige slachtoffer blijven doden vallen. De sleutel zou wel eens kunnen liggen in de geheimen die deze femme fatale met zich meedraagt. EN Ex-cop Zhang Zili, seriously wounded five years earlier while working on a gruesome coal- plant murder case, was forced to retire from the police force due to his injuries. -
Issue #72 Summer / Fall 2008 Lars Bloch Interview (Part 2) a Man, a Colt the MGM Rolling Road Show Latest DVD Reviews
Issue #72 Summer / Fall 2008 Lars Bloch Interview (part 2) A Man, a Colt The MGM Rolling Road Show Latest DVD Reviews WAI! #72 THE SWINGIN’ DOORS April and May were months that took a number of well known actors of the Spaghetti western genre: Jacques Berthier, Robert Hundar, John Phillip Law and Tano Cimarosa were all well known names in the genre. Of course we should expect as much since these people are now well into their 70s and even 80s. Still in our minds they are young vibrant actors who we see over and over again on video and DVD. It’s hard to realize that it’s been 40+ years since Sergio Leone kicked off the Spaghetti western craze and launched a world wide revolution in film that we still see influencing films today. Hard to believe Clint Eastwood turned 78 on May 30th. Seems like only yesterday he was the ‘Man with No Name’ and starring in the first of the Leone films that launched the genre. Remember when Clint was criticized so badly as an actor and for the films he appeared in during the 60s and 70s. Now he’s revered in Hollywood because he’s outlived his critics. I guess we recognized a real star long before the critics did. A great idea came to Tim League’s mind in the launching of the “Rolling Road Show”, where films are actually shown where they were filmed. I wasn’t able to travel to Spain to see the Dollars trilogy but we have a nice review of the films and the experience by someone who was there. -
Science Fiction Films of the 1950S Bonnie Noonan Louisiana State University and Agricultural and Mechanical College, [email protected]
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2003 "Science in skirts": representations of women in science in the "B" science fiction films of the 1950s Bonnie Noonan Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the English Language and Literature Commons Recommended Citation Noonan, Bonnie, ""Science in skirts": representations of women in science in the "B" science fiction films of the 1950s" (2003). LSU Doctoral Dissertations. 3653. https://digitalcommons.lsu.edu/gradschool_dissertations/3653 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. “SCIENCE IN SKIRTS”: REPRESENTATIONS OF WOMEN IN SCIENCE IN THE “B” SCIENCE FICTION FILMS OF THE 1950S A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The Department of English By Bonnie Noonan B.G.S., University of New Orleans, 1984 M.A., University of New Orleans, 1991 May 2003 Copyright 2003 Bonnie Noonan All rights reserved ii This dissertation is “one small step” for my cousin Timm Madden iii Acknowledgements Thank you to my dissertation director Elsie Michie, who was as demanding as she was supportive. Thank you to my brilliant committee: Carl Freedman, John May, Gerilyn Tandberg, and Sharon Weltman. -
HJR 23.1 Sadoff
38 The Henry James Review Appeals to Incalculability: Sex, Costume Drama, and The Golden Bowl By Dianne F. Sadoff, Miami University Sex is the last taboo in film. —Catherine Breillat Today’s “meat movie” is tomorrow’s blockbuster. —Carol J. Clover When it was released in May 2001, James Ivory’s film of Henry James’s final masterpiece, The Golden Bowl, received decidedly mixed reviews. Kevin Thomas calls it a “triumph”; Stephen Holden, “handsome, faithful, and intelligent” yet “emotionally distanced.” Given the successful—if not blockbuster—run of 1990s James movies—Jane Campion’s The Portrait of a Lady (1996), Agniezka Holland’s Washington Square (1997), and Iain Softley’s The Wings of the Dove (1997)—the reviewers, as well as the fans, must have anticipated praising The Golden Bowl. Yet the film opened in “selected cities,” as the New York Times movie ads noted; after New York and Los Angeles, it showed in university towns and large urban areas but not “at a theater near you” or at “theaters everywhere.” Never mind, however, for the Merchant Ivory film never intended to be popular with the masses. Seeking a middlebrow audience of upper-middle-class spectators and generally intelligent filmgoers, The Golden Bowl aimed to portray an English cultural heritage attractive to Anglo-bibliophiles. James’s faux British novel, however, is paradoxically peopled with foreigners: American upwardly mobile usurpers, an impoverished Italian prince, and a social-climbing but shabby ex- New York yentl. Yet James’s ironic portrait of this expatriate culture, whose characters seek only to imitate their Brit betters—if not in terms of wealth and luxury, at least in social charm and importance—failed to seem relevant to viewers The Henry James Review 23 (2002): 38–52.