PADRAIC Mckinley Editor

Total Page：16

File Type：pdf, Size：1020Kb

PADRAIC McKINLEY Editor FEATURES DIRECTORS PRODUCERS/STUDIOS BOSS LEVEL Joe Carnahan Scott Putman, Frank Grillo Emmett/Furla/Oasis Films WHEELMAN Jeremy Rush George Parra, Frank Grillo / Netflix PRIDE AND PREJUDICE Burr Steers Sue Baden-Powell, Marc Butan, Lauren Selig AND ZOMBIES Allison Shearmur / Lionsgate WILD CARD Simon West Steve Chasman, Brian Pitt, Jib Polhemus Recut Jason Statham / Lionsgate HOMEFRONT Gary Fleder Avi Lerner, John Thompson Open Road Films / Millennium CHARLIE ST. CLOUD Burr Steers Michael Fottrell, Marc Platt Universal Pictures 17 AGAIN Burr Steers Jennifer Gibgot, Adam Shankman Dara Weintraub / New Line Cinema THE EXPRESS Gary Fleder Derek Dauchy, John Davis, Arne Schmidt Davis Entertainment / Universal Pictures ALFIE Charles Shyer Sean Daniel, Diana Phillips, Elaine Pope Paramount Pictures IF ONLY Gil Junger Basil Iwanyk, Jeffrey Silver, Scott Strauss Tapestry Films / Sony IGBY GOES DOWN Burr Steers Lisa Tornell, David Rubin, Marco Weber MGM TELEVISION AMERICAN GODS Season 2 Various Directors Jesse Alexander, Reid Shane Editor, Executive Producer Dante DiLoreto / Fremantle Media / Starz FIGHT WORLD Docu-Series Padraic McKinley Todd Lubin, John Gerstel / Matador / Netflix Editor, Director KINGDOM Pilot & Series Various Directors Byron Balasco, Adam Davidson Supervising Editor, Producer, Director Endemol USA / DirecTV ANIMAL KINGDOM Christopher Chulack Terri Murphy, Lou Wells One Episode Warner Bros. / TNT BEAUTY AND THE BEAST Pilot Gary Fleder Sherri Cooper, Jennifer Levin, Tony Thomas Paul Junger Witt / CBS LIFE UNEXPECTED Pilot & Season 2 Gary Fleder Gary Fleder, Liz Tigelaar, Rose Lam Supervising Editor & Various Directors Agatha Warren / CBS HAPPY TOWN Pilot Gary Fleder Josh Appelbaum André Nemec / ABC LIE TO ME Season 1 Adam Davidson, Vahan Moosekian, Samuel Baum & Various Directors David Nevins, Nicolas Bradley Imagine / Fox LIFE ON MARS Pilot Gary Fleder Josh Appelbaum, André Nemec Scott Rosenberg / ABC OCTOBER ROAD Pilot & Season 1 Gary Fleder Josh Appelbaum, André Nemec Supervising Editor & Various Directors Scott Rosenberg, Mary Beth Basile / ABC DEXTER Season 1 Steve Shill, Clyde Phillips, Robert Lewis Michael Cuesta Chad Tomasoski, Art Rusis / Showtime THE SHIELD One Episode John Badham Shawn Ryan, Kurt Sutter, Kevin Cremin Fox THE EVIDENCE Pilot Gary Fleder Samuel Baum, Dustin Thomason John Wells Productions / ABC Mr. McKinley holds both US and EU passports. .

Copy Link

Recommended publications

The Guardian, January 27, 2016
Wright State University CORE Scholar The Guardian Student Newspaper Student Activities 1-27-2016 The Guardian, January 27, 2016 Wright State University Student Body Follow this and additional works at: https://corescholar.libraries.wright.edu/guardian Part of the Mass Communication Commons Repository Citation Wright State University Student Body (2016). The Guardian, January 27, 2016. : Wright State University. This Newspaper is brought to you for free and open access by the Student Activities at CORE Scholar. It has been accepted for inclusion in The Guardian Student Newspaper by an authorized administrator of CORE Scholar. For more information, please contact [email protected]. April 30, 2014 JANUARY 27, 2016 WWW.THEGUARDIANONLINE.COM ISSUE NO. 16 VOL. 52 THEGUARDIANONLINE.COM Issue No. 30 Vol. 50 RaiderCash is the new Flex Dollar News Kelsey Powell Contributing Writer ward points, discounts, what- fusing; RaiderCash makes [email protected] ever it is you get from your more sense. I wasn’t sure right State is intro- FlexThis Dollars. way, students Once promotions don’t mix credit card because you made what Flex Dollars were until Wducing a new form startfinancial happening aid flex with with the regular card, an expense,” Adams said. I heard of RaiderCash. I might of payment for vending ma- they will only be applicable is another put money on it instead of us- chines and restaurants called with RaiderCash and no other ing my credit card,” local bank RaiderCash. This add- employee and Wright State Healthy options Formerly known as Flex RaiderCash is the benefiting student Garrett Crawford said.
[Show full text]
Juries Announced for 2015 Tribeca Film Festival
FOR IMMEDIATE RELEASE JURIES ANNOUNCED FOR 2015 TRIBECA FILM FESTIVAL *** Jurors Include Dylan McDermott, Cobie Smulders, Whoopi Goldberg, Gloria Steinem, Vanessa Williams, Steve Buscemi, Shelia Nevins, Debi Mazar, HanK Azaria, Mamie Gummer, MarK Boal, and Joana Vicente New York, NY [April 6, 2015] – The 2015 Tribeca Film Festival (TFF), presented by AT&T, today announced its jurors – a diverse group of 34 industry leaders, including award-winning filmmakers, producers, acclaimed actors, authors and entrepreneurs. The jury will be divided among the seven competitive Festival categories. The winning films, filmmakers and actors in each category will be announced at the TFF Awards Night ceremony on April 23 at Spring Studios. The 2015 Festival runs from April 15 –26. “The group of unique voices and perspectives that make up this year’s jury are sure to spark thoughtful discussion – and perhaps some friendly debate – around this year’s films,” said Jane Rosenthal, co-founder of the Tribeca Film Festival. The seven TFF juries will award $150,000 in cash and prizes. Announced earlier this year, eight of the winners will also receive a work of original art by an acclaimed artist as part of the Tribeca Film Festival Artists Awards program, sponsored by CHANEL. In addition to the Festival’s main competition juries, the five jurors for the third annual $25,000 Nora Ephron Prize, sponsored by Coach, recognizing a female writer or director, were also announced. Following is a list of all 2015 Festival jurors and their respective categories. World Competition Categories The jurors for the 2015 World Narrative Competition, sponsored by AKA, are: • Paul Attanasio: Paul Attanasio is an Oscar-nominated screenwriter and producer whose credits include Quiz Show, Donnie Brasco, The Good German, and House: MD.
[Show full text]
2021 Primetime Emmy® Awards Ballot
2021 Primetime Emmy® Awards Ballot Outstanding Directing For A Comedy Series A.P. Bio Gary Meets Dave Jack loses Helen’s money that she needs for the school mascot Pam the Ram’s surgery so he tells her it was stolen. The students help Jack try get the cash back. Meanwhile, Stef, Mary and Michelle run into trouble with their mall-walking group. Richie Keen, Directed by A.P. Bio Katie Holmes Day Jack vows to ruin the local holiday, Katie Holmes Day, because he’s jealous that a fellow Toledoan achieved their dreams. Meanwhile, Durbin is determined not to flub his line in the pageant this year. Mary and Stef run the holiday rummage sale. Anu Valia, Directed by B Positive Pilot Drew, a recently divorced father, discovers he needs a kidney and finds his donor in the last person he ever would've imagined. James Burrows, Directed by black-ish Our Wedding Dre Dre's (Anthony Anderson) intimate wedding plans for Pops (Laurence Fishburne) and Ruby (Jenifer Lewis) go awry when Pops' brother, Uncle Norman, (Danny Glover) shows up unexpectedly for the festivities. Meanwhile Ruby refuses Bow's (Tracee Ellis Ross) offer to help with preparations. Eric Dean Seaton, Directed by black-ish Please, Baby, Please Dre tries to soothe baby DeVante back to sleep by reading him a bedtime story that becomes a story expressing his own concerns about the state of our country. Kenya Barris, Directed by Breeders No Fear Luke’s anxiety is becoming a problem at home and school. Would a medical diagnosis make his life easier or harder? Ally faces further tension after her mother Leah is robbed.
[Show full text]
Riche Productions Current Slate
Lafayette Pictures / RicheProductions Movies Previously Released from Lafayette Pictures - Riche Productions Movie World Wide Box Office Empire Records $273,188 Mousehunt $122,417,389 The Mod Squad $13,263,993 Deep Blue Sea $164,648,142 Duets $6,620, 242 The Family Man $124,745,083 Tomcats $23,430, 027 Starsky & Hutch $170,268,750 Bride Wars $114,663,461 Southpaw $71,553,328 - approximate to date – 3/12/17 The Legend of Tarzan $356,643,061 Total: $1,168,526,664 $1.1 Billion Dollars in Box Office Sales Project in Current Release: 1. SOUTHPAW: The Weinstein Company/Wanda - Logline: Father/daughter story set against the world of boxing. Think The Champ meets Raging Bull. - Elements: Screenplay by Kurt Sutter (Sons of Anarchy). Director Antoine Fuqua (Training Day, Olympus Has Fallen, The Equalizer), Stars Academy Award Nominated Jake Gyllenhaal (Nightcrawler, End of Watch), Academy Award Winner Forest Whitaker (The Last King of Scotland), Rachel McAdams (True Detective, Sherlock Holmes, Midnight in Paris), Tony Winner Oona Laurence (Matilda), 50 Cent. -Eminem produced and recorded two original songs and released soundtrack under Interscope/Shady Records. Additional Southpaw revenue streams will include soundtrack and merchandise income. -Currently in theaters both domestically and in foreign countries. Current Box Office Domestic and Early International release at 21 days in release is 57 million dollars. 2. TARZAN: Warner Bros. - Elements: Director David Yates (Harry Potter 4, 5, & 6) Screenplay by: Adam Cozad (Jack Ryan: The Shadow Recruit). Director David Yates (Harry Potter 4, 5, & 6) Stars: Alexander Skarsgard (True Blood), Margot Robbie (The Wolf of Wall Street), Academy Award Nominated Samuel L.
[Show full text]
GORE VIDAL the United States of Amnesia
Amnesia Productions Presents GORE VIDAL The United States of Amnesia Film info: http://www.tribecafilm.com/filmguide/513a8382c07f5d4713000294-gore-vidal-the-united-sta U.S., 2013 89 minutes / Color / HD World Premiere - 2013 Tribeca Film Festival, Spotlight Section Screening: Thursday 4/18/2013 8:30pm - 1st Screening, AMC Loews Village 7 - 3 Friday 4/19/2013 12:15pm – P&I Screening, Chelsea Clearview Cinemas 6 Saturday 4/20/2013 2:30pm - 2nd Screening, AMC Loews Village 7 - 3 Friday 4/26/2013 5:30pm - 3rd Screening, Chelsea Clearview Cinemas 4 Publicity Contact Sales Contact Matt Johnstone Publicity Preferred Content Matt Johnstone Kevin Iwashina 323 938-7880 c. office +1 323 7829193 [email protected] mobile +1 310 993 7465 [email protected] LOG LINE Anchored by intimate, one-on-one interviews with the man himself, GORE VIDAL: THE UNITED STATS OF AMNESIA is a fascinating and wholly entertaining tribute to the iconic Gore Vidal. Commentary by those who knew him best—including filmmaker/nephew Burr Steers and the late Christopher Hitchens—blends with footage from Vidal’s legendary on-air career to remind us why he will forever stand as one of the most brilliant and fearless critics of our time. SYNOPSIS No twentieth-century figure has had a more profound effect on the worlds of literature, film, politics, historical debate, and the culture wars than Gore Vidal. Anchored by intimate one-on-one interviews with the man himself, Nicholas Wrathall’s new documentary is a fascinating and wholly entertaining portrait of the last lion of the age of American liberalism.
[Show full text]
Revising the Western: Connecting Genre Rituals and American
CSCXXX10.1177/1532708614527561Cultural Studies <span class="symbol" cstyle="symbol">↔</span> Critical MethodologiesCastleberry 527561research-article2014 Article Cultural Studies ↔ Critical Methodologies 2014, Vol. 14(3) 269 –278 Revising the Western: Connecting © 2014 SAGE Publications Reprints and permissions: sagepub.com/journalsPermissions.nav Genre Rituals and American Western DOI: 10.1177/1532708614527561 Revisionism in TV’s Sons of Anarchy csc.sagepub.com Garret L. Castleberry1 Abstract In this article, I analyze the TV show Sons of Anarchy (SOA) and how the cable drama revisits and revises the American Western film genre. I survey ideological contexts and tropes that span Western mythologies like landscape and mise-en- scene to struggles for family, community, and the continuation of Native American plight. I trace connections between the show’s fictitious town setting and how the narrative inverts traditional community archetypes to reinsert a new outlaw status quo. I inspect the role of border reversal, from open expansion in Westerns to the closed-door post-globalist world of SAMCRO. I quickdraw from a number of film theory scholars as I trick shoot their critiques of Western cinema against the updated target of SOA’s fictitious Charming, CA. I reckon that this revised update of outlaw culture, gunslinger violence, and the drama’s subsequent popularity communicates a post-9/11 trauma playing out on television. Through the sage wisdom of autoethnography, I recall personal memories as an ideological travelogue for navigating the rhetoric power this drama ignites. As with postwar movements of biker history that follow World War II and Vietnam, SOA races against Western form while staying distinctly faithful.
[Show full text]
Eminem 1 Eminem
Eminem 1 Eminem Eminem Eminem performing live at the DJ Hero Party in Los Angeles, June 1, 2009 Background information Birth name Marshall Bruce Mathers III Born October 17, 1972 Saint Joseph, Missouri, U.S. Origin Warren, Michigan, U.S. Genres Hip hop Occupations Rapper Record producer Actor Songwriter Years active 1995–present Labels Interscope, Aftermath Associated acts Dr. Dre, D12, Royce da 5'9", 50 Cent, Obie Trice Website [www.eminem.com www.eminem.com] Marshall Bruce Mathers III (born October 17, 1972),[1] better known by his stage name Eminem, is an American rapper, record producer, and actor. Eminem quickly gained popularity in 1999 with his major-label debut album, The Slim Shady LP, which won a Grammy Award for Best Rap Album. The following album, The Marshall Mathers LP, became the fastest-selling solo album in United States history.[2] It brought Eminem increased popularity, including his own record label, Shady Records, and brought his group project, D12, to mainstream recognition. The Marshall Mathers LP and his third album, The Eminem Show, also won Grammy Awards, making Eminem the first artist to win Best Rap Album for three consecutive LPs. He then won the award again in 2010 for his album Relapse and in 2011 for his album Recovery, giving him a total of 13 Grammys in his career. In 2003, he won the Academy Award for Best Original Song for "Lose Yourself" from the film, 8 Mile, in which he also played the lead. "Lose Yourself" would go on to become the longest running No. 1 hip hop single.[3] Eminem then went on hiatus after touring in 2005.
[Show full text]
De Wajdi Mouawad SIMONETTA VALENTI (Università Di Parma) 209-233
Rivista semestrale online / Biannual online journal http://www.parolerubate.unipr.it Fascicolo n. 16 / Issue no. 16 Dicembre 2017 / December 2017 Direttore / Editor Rinaldo Rinaldi (Università di Parma) Comitato scientifico / Research Committee Mariolina Bongiovanni Bertini (Università di Parma) Dominique Budor (Université de la Sorbonne Nouvelle – Paris III) Roberto Greci (Università di Parma) Heinz Hofmann (Universität Tübingen) Bert W. Meijer (Nederlands Kunsthistorisch Instituut Firenze / Rijksuniversiteit Utrecht) María de las Nieves Muñiz Muñiz (Universitat de Barcelona) Diego Saglia (Università di Parma) Francesco Spera (Università Statale di Milano) Segreteria di redazione / Editorial Staff Maria Elena Capitani (Università di Parma) Nicola Catelli (Università di Parma) Chiara Rolli (Università di Parma) Esperti esterni (fascicolo n. 16) / External referees (issue no. 16) Gioia Angeletti (Università di Parma) Franca Dellarosa (Università di Bari Aldo Moro) Gillian Dow (University of Southampton) Michael C. Gamer (University of Pennsylvania) Michele Guerra (Università di Parma) Francesco Marroni (Università “G. d’Annunzio” Chieti – Pescara) Liana Nissim (Università Statale di Milano) Francesca Saggini (Università della Tuscia – Viterbo) Anna Enrichetta Soccio (Università “G. d’Annunzio” Chieti – Pescara) Enrica Villari (Università Ca’ Foscari, Venezia) Angela Wright (University of Sheffield) Progetto grafico / Graphic design Jelena Radojev (Università di Parma) † Direttore responsabile: Rinaldo Rinaldi Autorizzazione Tribunale di
[Show full text]
Read Ebook {PDF EPUB} Two Sisters by Gore Vidal Two Sisters (Novel) Two Sisters Is a Novelistic Memoir by the American Writer Gore Vidal
Read Ebook {PDF EPUB} Two Sisters by Gore Vidal Two Sisters (novel) Two Sisters is a novelistic memoir by the American writer Gore Vidal. Originally published in 1970 this fairly short novel (174 pages) contains, according to the blurb on the dust jacket of the first edition, "Gore Vidal’s singular speculations on love, sex, death, literature and politics." A memoir is a collection of memories that an individual writes about moments or events, both public or private, that took place in the subject's life. The assertions made in the work are understood to be factual. While memoir has historically been defined as a subcategory of biography or autobiography since the late 20th century, the genre is differentiated in form, presenting a narrowed focus. A biography or autobiography tells the story "of a life", while a memoir often tells a story "from a life", such as touchstone events and turning points from the author's life. The author of a memoir may be referred to as a memoirist or a memorialist . Eugene Luther Gore Vidal was an American writer and public intellectual known for his patrician manner, epigrammatic wit, and polished style of writing. Reviewing the book in the New York Times , reviewer John Leonard complained, ""Two Sisters" works neither as a novel (all the news happens off-stage) nor as a memoir (the "I" is far too coy)." [1] John Leonard was an American literary, television, film, and cultural critic. Related Research Articles. Burr (1973), by Gore Vidal, is a historical novel that challenges the traditional founding-fathers iconography of United States history, by means of a narrative that includes a fictional memoir, by Aaron Burr, in representing the people, politics, and events of the U.S.
[Show full text]
Dennis Burrell 1ST
Dennis Burrell Mobile: 310-923-5332 DGA Assistant Director [email protected] 1st ASSISTANT DIRECTOR Snowfall- Season 3- Even Episodes Exec Producer: John Singleton, Thomas Shlamme, Dave Andron, Co-Producer/ UPM: John Labrucherie Shameless-Season 9- Episode 9- Showtime Exec Producer: John Wells, Co-Exec Producer: Michael Hissrich, Iain B. MacDonald Director: Loren Yaconelli UPM: John Labrucherie Hood Adjacent- Comedy Central- TV Pilot Director: Stoney Sharpe, EP: James Davis Small Town Prince- Mascot Pictures- TV Movie Director: Fred Olan-Ray, UPM: Kim Ray Ouija- (Addl Photography)- Blumhouse Productions Director: Stiles White, UPM: Luc Etienne Correcting Christmas- Marvista Entertainment, MOW Director: Tim O’Donnell, Producer: Kim Ray The Purge: Anarchy- (2nd Unit) Blumhouse Productions Director: James Demonaco, Exec. Producer: Luc Etienne Fatties Take Down the House- Fatties Inc- Feature Film Director: Bob Gordon, Producer: Paul Bernard, LP: Michael Jones Pirahna 3D- 2nd Unit- Feature Film Director: Gregory Levasseur, UPM: Louis Friedman Dragon Age: Redemption- Tallis Productions, LLC Director: Peter Winther, UPM: Dan Kaplow War Wolves- Sci-Fi TV Movie Director: Michael Worth, LP: Brian Schwartz Green Digity Dog- Feature Film Director: Hoot Maynerd, Producer: Allen Dial Road to Redemption- 2nd Unit- Feature Film Director: Robert Vernon, Producer: John Shepherd KEY 2nd ASSISTANT DIRECTOR Shameless-Season 9- Showtime Exec Producer: John Wells, Co-Exec Producer: Michael Hissrich, Iain B. MacDonald UPM: John Labrucherie, 1st AD:,
[Show full text]
The Representation of Suicide in the Cinema
The Representation of Suicide in the Cinema John Saddington Submitted for the degree of PhD University of York Department of Sociology September 2010 Abstract This study examines representations of suicide in film. Based upon original research cataloguing 350 films it considers the ways in which suicide is portrayed and considers this in relation to gender conventions and cinematic traditions. The thesis is split into two sections, one which considers wider themes relating to suicide and film and a second which considers a number of exemplary films. Part I discusses the wider literature associated with scholarly approaches to the study of both suicide and gender. This is followed by quantitative analysis of the representation of suicide in films, allowing important trends to be identified, especially in relation to gender, changes over time and the method of suicide. In Part II, themes identified within the literature review and the data are explored further in relation to detailed exemplary film analyses. Six films have been chosen: Le Feu Fol/et (1963), Leaving Las Vegas (1995), The Killers (1946 and 1964), The Hustler (1961) and The Virgin Suicides (1999). These films are considered in three chapters which exemplify different ways that suicide is constructed. Chapters 4 and 5 explore the two categories that I have developed to differentiate the reasons why film characters commit suicide. These are Melancholic Suicide, which focuses on a fundamentally "internal" and often iII understood motivation, for example depression or long term illness; and Occasioned Suicide, where there is an "external" motivation for which the narrative provides apparently intelligible explanations, for instance where a character is seen to be in danger or to be suffering from feelings of guilt.
[Show full text]
HBO: Brand Management and Subscriber Aggregation: 1972-2007
1 HBO: Brand Management and Subscriber Aggregation: 1972-2007 Submitted by Gareth Andrew James to the University of Exeter as a thesis for the degree of Doctor of Philosophy in English, January 2011. This thesis is available for Library use on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. I certify that all material in this thesis which is not my own work has been identified and that no material has previously been submitted and approved for the award of a degree by this or any other University. ........................................ 2 Abstract The thesis offers a revised institutional history of US cable network Home Box Office that expands on its under-examined identity as a monthly subscriber service from 1972 to 1994. This is used to better explain extensive discussions of HBO‟s rebranding from 1995 to 2007 around high-quality original content and experimentation with new media platforms. The first half of the thesis particularly expands on HBO‟s origins and early identity as part of publisher Time Inc. from 1972 to 1988, before examining how this affected the network‟s programming strategies as part of global conglomerate Time Warner from 1989 to 1994. Within this, evidence of ongoing processes for aggregating subscribers, or packaging multiple entertainment attractions around stable production cycles, are identified as defining HBO‟s promotion of general monthly value over rivals. Arguing that these specific exhibition and production strategies are glossed over in existing HBO scholarship as a result of an over-valuing of post-1995 examples of „quality‟ television, their ongoing importance to the network‟s contemporary management of its brand across media platforms is mapped over distinctions from rivals to 2007.
[Show full text]