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Lightning in a Bottle
LIGHTNING IN A BOTTLE A Sony Pictures Classics Release 106 minutes EAST COAST: WEST COAST: EXHIBITOR CONTACTS: FALCO INK BLOCK-KORENBROT SONY PICTURES CLASSICS STEVE BEEMAN LEE GINSBERG CARMELO PIRRONE 850 SEVENTH AVENUE, 8271 MELROSE AVENUE, ANGELA GRESHAM SUITE 1005 SUITE 200 550 MADISON AVENUE, NEW YORK, NY 10024 LOS ANGELES, CA 90046 8TH FLOOR PHONE: (212) 445-7100 PHONE: (323) 655-0593 NEW YORK, NY 10022 FAX: (212) 445-0623 FAX: (323) 655-7302 PHONE: (212) 833-8833 FAX: (212) 833-8844 Visit the Sony Pictures Classics Internet site at: http:/www.sonyclassics.com 1 Volkswagen of America presents A Vulcan Production in Association with Cappa Productions & Jigsaw Productions Director of Photography – Lisa Rinzler Edited by – Bob Eisenhardt and Keith Salmon Musical Director – Steve Jordan Co-Producer - Richard Hutton Executive Producer - Martin Scorsese Executive Producers - Paul G. Allen and Jody Patton Producer- Jack Gulick Producer - Margaret Bodde Produced by Alex Gibney Directed by Antoine Fuqua Old or new, mainstream or underground, music is in our veins. Always has been, always will be. Whether it was a VW Bug on its way to Woodstock or a VW Bus road-tripping to one of the very first blues festivals. So here's to that spirit of nostalgia, and the soul of the blues. We're proud to sponsor of LIGHTNING IN A BOTTLE. Stay tuned. Drivers Wanted. A Presentation of Vulcan Productions The Blues Music Foundation Dolby Digital Columbia Records Legacy Recordings Soundtrack album available on Columbia Records/Legacy Recordings/Sony Music Soundtrax Copyright © 2004 Blues Music Foundation, All Rights Reserved. -
PADRAIC Mckinley Editor
PADRAIC McKINLEY Editor FEATURES DIRECTORS PRODUCERS/STUDIOS BOSS LEVEL Joe Carnahan Scott Putman, Frank Grillo Emmett/Furla/Oasis Films WHEELMAN Jeremy Rush George Parra, Frank Grillo / Netflix PRIDE AND PREJUDICE Burr Steers Sue Baden-Powell, Marc Butan, Lauren Selig AND ZOMBIES Allison Shearmur / Lionsgate WILD CARD Simon West Steve Chasman, Brian Pitt, Jib Polhemus Recut Jason Statham / Lionsgate HOMEFRONT Gary Fleder Avi Lerner, John Thompson Open Road Films / Millennium CHARLIE ST. CLOUD Burr Steers Michael Fottrell, Marc Platt Universal Pictures 17 AGAIN Burr Steers Jennifer Gibgot, Adam Shankman Dara Weintraub / New Line Cinema THE EXPRESS Gary Fleder Derek Dauchy, John Davis, Arne Schmidt Davis Entertainment / Universal Pictures ALFIE Charles Shyer Sean Daniel, Diana Phillips, Elaine Pope Paramount Pictures IF ONLY Gil Junger Basil Iwanyk, Jeffrey Silver, Scott Strauss Tapestry Films / Sony IGBY GOES DOWN Burr Steers Lisa Tornell, David Rubin, Marco Weber MGM TELEVISION AMERICAN GODS Season 2 Various Directors Jesse Alexander, Reid Shane Editor, Executive Producer Dante DiLoreto / Fremantle Media / Starz FIGHT WORLD Docu-Series Padraic McKinley Todd Lubin, John Gerstel / Matador / Netflix Editor, Director KINGDOM Pilot & Series Various Directors Byron Balasco, Adam Davidson Supervising Editor, Producer, Director Endemol USA / DirecTV ANIMAL KINGDOM Christopher Chulack Terri Murphy, Lou Wells One Episode Warner Bros. / TNT BEAUTY AND THE BEAST Pilot Gary Fleder Sherri Cooper, Jennifer Levin, Tony Thomas Paul Junger Witt / CBS -
Riche Productions Current Slate
Lafayette Pictures / RicheProductions Movies Previously Released from Lafayette Pictures - Riche Productions Movie World Wide Box Office Empire Records $273,188 Mousehunt $122,417,389 The Mod Squad $13,263,993 Deep Blue Sea $164,648,142 Duets $6,620, 242 The Family Man $124,745,083 Tomcats $23,430, 027 Starsky & Hutch $170,268,750 Bride Wars $114,663,461 Southpaw $71,553,328 - approximate to date – 3/12/17 The Legend of Tarzan $356,643,061 Total: $1,168,526,664 $1.1 Billion Dollars in Box Office Sales Project in Current Release: 1. SOUTHPAW: The Weinstein Company/Wanda - Logline: Father/daughter story set against the world of boxing. Think The Champ meets Raging Bull. - Elements: Screenplay by Kurt Sutter (Sons of Anarchy). Director Antoine Fuqua (Training Day, Olympus Has Fallen, The Equalizer), Stars Academy Award Nominated Jake Gyllenhaal (Nightcrawler, End of Watch), Academy Award Winner Forest Whitaker (The Last King of Scotland), Rachel McAdams (True Detective, Sherlock Holmes, Midnight in Paris), Tony Winner Oona Laurence (Matilda), 50 Cent. -Eminem produced and recorded two original songs and released soundtrack under Interscope/Shady Records. Additional Southpaw revenue streams will include soundtrack and merchandise income. -Currently in theaters both domestically and in foreign countries. Current Box Office Domestic and Early International release at 21 days in release is 57 million dollars. 2. TARZAN: Warner Bros. - Elements: Director David Yates (Harry Potter 4, 5, & 6) Screenplay by: Adam Cozad (Jack Ryan: The Shadow Recruit). Director David Yates (Harry Potter 4, 5, & 6) Stars: Alexander Skarsgard (True Blood), Margot Robbie (The Wolf of Wall Street), Academy Award Nominated Samuel L. -
Revising the Western: Connecting Genre Rituals and American
CSCXXX10.1177/1532708614527561Cultural Studies <span class="symbol" cstyle="symbol">↔</span> Critical MethodologiesCastleberry 527561research-article2014 Article Cultural Studies ↔ Critical Methodologies 2014, Vol. 14(3) 269 –278 Revising the Western: Connecting © 2014 SAGE Publications Reprints and permissions: sagepub.com/journalsPermissions.nav Genre Rituals and American Western DOI: 10.1177/1532708614527561 Revisionism in TV’s Sons of Anarchy csc.sagepub.com Garret L. Castleberry1 Abstract In this article, I analyze the TV show Sons of Anarchy (SOA) and how the cable drama revisits and revises the American Western film genre. I survey ideological contexts and tropes that span Western mythologies like landscape and mise-en- scene to struggles for family, community, and the continuation of Native American plight. I trace connections between the show’s fictitious town setting and how the narrative inverts traditional community archetypes to reinsert a new outlaw status quo. I inspect the role of border reversal, from open expansion in Westerns to the closed-door post-globalist world of SAMCRO. I quickdraw from a number of film theory scholars as I trick shoot their critiques of Western cinema against the updated target of SOA’s fictitious Charming, CA. I reckon that this revised update of outlaw culture, gunslinger violence, and the drama’s subsequent popularity communicates a post-9/11 trauma playing out on television. Through the sage wisdom of autoethnography, I recall personal memories as an ideological travelogue for navigating the rhetoric power this drama ignites. As with postwar movements of biker history that follow World War II and Vietnam, SOA races against Western form while staying distinctly faithful. -
Eminem 1 Eminem
Eminem 1 Eminem Eminem Eminem performing live at the DJ Hero Party in Los Angeles, June 1, 2009 Background information Birth name Marshall Bruce Mathers III Born October 17, 1972 Saint Joseph, Missouri, U.S. Origin Warren, Michigan, U.S. Genres Hip hop Occupations Rapper Record producer Actor Songwriter Years active 1995–present Labels Interscope, Aftermath Associated acts Dr. Dre, D12, Royce da 5'9", 50 Cent, Obie Trice Website [www.eminem.com www.eminem.com] Marshall Bruce Mathers III (born October 17, 1972),[1] better known by his stage name Eminem, is an American rapper, record producer, and actor. Eminem quickly gained popularity in 1999 with his major-label debut album, The Slim Shady LP, which won a Grammy Award for Best Rap Album. The following album, The Marshall Mathers LP, became the fastest-selling solo album in United States history.[2] It brought Eminem increased popularity, including his own record label, Shady Records, and brought his group project, D12, to mainstream recognition. The Marshall Mathers LP and his third album, The Eminem Show, also won Grammy Awards, making Eminem the first artist to win Best Rap Album for three consecutive LPs. He then won the award again in 2010 for his album Relapse and in 2011 for his album Recovery, giving him a total of 13 Grammys in his career. In 2003, he won the Academy Award for Best Original Song for "Lose Yourself" from the film, 8 Mile, in which he also played the lead. "Lose Yourself" would go on to become the longest running No. 1 hip hop single.[3] Eminem then went on hiatus after touring in 2005. -
She-Hulk by Dan Slott: the Complete Collection: Volume 1 Free
FREE SHE-HULK BY DAN SLOTT: THE COMPLETE COLLECTION: VOLUME 1 PDF Paul Pelletier,Juan Bobillo,Dan Slott | 416 pages | 25 Feb 2014 | Marvel Comics | 9780785154402 | English | New York, United States She-Hulk, Volume 1: Single Green Female by Dan Slott Everyone's favorite Jade Giantess, She-Hulk, has returned for tons of fun - both She-Hulk by Dan Slott: the Complete Collection: Volume 1 and off the field of battle! As a superhuman lawyer, She-Hulk has tried some of the strangest cases on Earth. But now, Shulkie is heading into deep space to practice Universal Law! And upon her return, the emerald enchantress matches muscles with Hercules - but it's going to take brains, not brawn, to get the Prince She-Hulk by Dan Slott: the Complete Collection: Volume 1 Power out of some Herculean legal problems. Plus: No one hates She-Hulk more than Titania! What makes her one of the deadliest threats in the universe? And how is Hawkeye's fate tied to She-Hulk's latest case? Dan Slott's She-Hulk by Dan Slott: the Complete Collection: Volume 1 run is collected in two massive volumes, so join She-Hulk as she deals with the bizarre legal problems of the Marvel Universe! Already have an account with the League of Comic Geeks? Let's get you back to tracking She-Hulk by Dan Slott: the Complete Collection: Volume 1 discussing your comics! Log in Sign up. Pull It. Have It. Read It. Want It. Cover Price. Distributor SKU. Dan Slott. She-Hulk 1. She- Hulk Vol. -
HBO: Brand Management and Subscriber Aggregation: 1972-2007
1 HBO: Brand Management and Subscriber Aggregation: 1972-2007 Submitted by Gareth Andrew James to the University of Exeter as a thesis for the degree of Doctor of Philosophy in English, January 2011. This thesis is available for Library use on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. I certify that all material in this thesis which is not my own work has been identified and that no material has previously been submitted and approved for the award of a degree by this or any other University. ........................................ 2 Abstract The thesis offers a revised institutional history of US cable network Home Box Office that expands on its under-examined identity as a monthly subscriber service from 1972 to 1994. This is used to better explain extensive discussions of HBO‟s rebranding from 1995 to 2007 around high-quality original content and experimentation with new media platforms. The first half of the thesis particularly expands on HBO‟s origins and early identity as part of publisher Time Inc. from 1972 to 1988, before examining how this affected the network‟s programming strategies as part of global conglomerate Time Warner from 1989 to 1994. Within this, evidence of ongoing processes for aggregating subscribers, or packaging multiple entertainment attractions around stable production cycles, are identified as defining HBO‟s promotion of general monthly value over rivals. Arguing that these specific exhibition and production strategies are glossed over in existing HBO scholarship as a result of an over-valuing of post-1995 examples of „quality‟ television, their ongoing importance to the network‟s contemporary management of its brand across media platforms is mapped over distinctions from rivals to 2007. -
William Paley
WILLIAM PALEY Editor PROJECTS DIRECTORS PRODUCERS/STUDIOS THE RESIDENT Season 1 Phillip Noyce Amy Holden James, Todd Harthan, Rob Corn & Various Directors Fuqua Films / 3 Arts / Fox ICE Pilot Antoine Fuqua Antoine Fuqua eOne / The Audience Network FUTURE WORLD James Franco Vince Jolivette / Rabbit Bandini Productions & Bruce Thierry Cheung COIN HEIST Emily Hagins Marshall Lewy / Netflix / Adaptive Studios ALONE Matthew Coppola Mark Kassen, Iliana Nikolic Like Minded Entertainment SIREN Jesse Peyronel Ludo Poppe, Meg Thomson Mauna Kea Films ADDITIONAL/ASSISTANT EDITOR DIRECTORS PRODUCERS/STUDIOS LIKE.SHARE.FOLLOW Glenn Gers Adam Hendricks / Blumhouse / HBO Additional Editor TOTEM Marcel Sarmiento John Lang / Blumhouse / HBO Additional Editor LOW RIDERS Ricardo de Montreuil Phil Dawe / Universal / Blumhouse Additional Editor THE MAGNIFICENT SEVEN Antoine Fuqua Todd Black / MGM / Sony Additional Editor SOUTHPAW Antoine Fuqua Todd Black, Jason Blumenthal Additional Editor The Weinstein Company THE EQUALIZER Antoine Fuqua Jason Blumenthal, Todd Black 1st Assistant Editor Columbia Pictures SLEEPY HOLLOW Pilot Len Wiseman April Nocifora 1st Assistant Editor 20th Century Fox OLYMPUS HAS FALLEN Antoine Fuqua Millennium 1st Assistant Editor 21 & OVER Jon Lucas Relativity 1st Assistant Editor & Scott Moore TRANSFORMERS: DARK OF THE MOON Michael Bay Paramount Pictures 3rd Assistant Editor MONTE CARLO Tom Bezucha 20th Century Fox 1st Assistant Editor AVATAR James Cameron Jon Landau Assistant Visual Effects Editor 20th Century Fox THE FAMILY TREE Vivi Friedman Driving Lessons LLC 1st Assistant Editor STREET KINGS David Ayer Fox Searchlight 2nd Assistant Editor BREACH Billy Ray Universal Studios Assistant Editor . -
A Digital Production Spring 2021
A Digital Production Spring 2021 By William Shakespeare | Directed by Sophie Franco All original material copyright © 2021 Seattle Shakespeare Company CONTENT Touring Spring 2019. Photo by John Ulman Welcome Letter..........................................................................1 Plot and Characters...................................................................2 Educator Resource Guide Resource Educator ROMEO Y JULIETA Y ROMEO Articles Biography: William Shakespeare.........................................................3 Theater Audiences: Then and Now.....................................................4 At a Glance Modern Shakespeare Adaptations......................................................5 Reflection & Discussion Questions...........................................6 Placing the Production...............................................................8 Activities Cross the Line: Quotes.........................................................................9 Compliments and Insults...................................................................10 Cross the Line: Themes......................................................................11 Diary/Blog...........................................................................................11 The Art of Tableaux............................................................................12 Shakebook.....................................................................................13-14 All original material copyright © 2021 Seattle Shakespeare Company WELCOME -
The Shifting of Chow Yun-Fat's Star Image Since 1997
7 Translocal Imagination of Hong Kong Connections: The Shifting of Chow Yun-fat’s Star Image Since 1997 Lin Feng Anyone who is interested in Hong Kong cinema must be familiar with one name: Chow Yun-fat (b. 1955). He rose to film stardom in the 1980s when Hong Kong cinema started to attract global attention beyond East Asia. During his early screen career, Chow established a star image as an urban citizen of modern Hong Kong through films such as A Better Tomorrow/Yingxiong bense (John Woo, 1986), City on Fire/Longhu fengyun (Ringo Lam, 1987), All About Ah-Long/A Lang de gushi (Johnnie To, 1989), God of Gamblers/Du shen (Wong Jing, 1989), and Hard Boiled/Lashou shentan (John Woo, 1992). Many Hong Kong film critics claim that Chow’s popularity among local audiences is deeply tied to the rising awareness of Hong Kong’s local identity under the context that the city was undergoing transition from being a British colonial city to becoming the Hong Kong Special Administrative Region (HKSAR) in 1997 (Sek Kei et al. 2000). However, after over a decade of prosperity in the 1980s and early 1990s, Hong Kong cinema has been in a long period of recession. Mo Jianwei (2008) notes that the local film industry’s annual production dropped by nearly 40 per cent, from 242 films in 1993 to 150 in 2000. The decline of Hong Kong cinema saw a number of local stars and film-makers migrating overseas. Following his friends and long-time collaborators John Woo, Ringo Lam and Terence Cheung, who moved to America in the early 1990s, Chow also announced his decision to continue his career in Hollywood in 1995. -
Brains Before Bullets
SERIES EDITOR: WILLIAM IRWIN PHILOSOPHY/POP CULTURE Irwin EDITED BY George A. Du nn and J ason T. E berl Are we right to admire members of a criminal organization? Are the Sons of Anarchy really anarchists? How does their relationship to their bikes help to shape the Sons’ worldview? Do members of SAMCRO have the right to kill and make war? Does membership in the MC tend to foster virtue or vice? Do the club’s practices and moral code make it like a religion? FX’s hit television series Sons of Anarchy draws viewers into the morally ambiguous world of a close-knit outlaw motorcycle club, where standard social conventions and authority are shunned and replaced with a moral framework based on brotherhood, family, and community. It’s a violent and dangerous world where members frequently war with other outlaw groups and the federal government to protect their interests and those of their home base, the town of Charming, California. Featuring essays by philosophical fans of the show and drawing on the ideas of some of history’s greatest Brains Before Bullets philosophers, including Plato, Aristotle, Aquinas, Machiavelli, Hobbes, Marx, and Nietzsche, Sons of Anarchy and Philosophy examines the ethos of life in the MC, exploring the ethics of loyalty, honor, and revenge, individual and group identity, the morality of war and terrorism, religion, and the nature of political authority. Essential reading for fans of the show, this book takes readers deeper into the Sons of Anarchy Motorcycle Club, the Teller-Morrow family, and the ethics that surround their lives and activities. -
King Arthur Nophotos2
THIS MATERIAL IS ALSO AVAILABLE ONLINE AT kingarthurmovie.com ©Touchstone Pictures’/Jerry Bruckheimer Films’ http://www.bvpublicity.com Touchstone Pictures’/Jerry Bruckheimer Films’ FILMMAKERS Directed by . ANTOINE FUQUA “KING ARTHUR” Written by . DAVID FRANZONI Produced by . JERRY BRUCKHEIMER CAST Executive Producers . MIKE STENSON CHAD OMAN Arthur . CLIVE OWEN NED DOWD Lancelot . IOAN GRUFFUDD Director of Photography . SLAWOMIR IDZIAK Tristan. MADS MIKKELSEN Production Designer . DAN WEIL Gawain . JOEL EDGERTON Edited by . CONRAD BUFF, A.C.E. Galahad . HUGH DANCY JAMIE PEARSON Bors. RAY WINSTONE Costume Designer . PENNY ROSE Dagonet . RAY STEVENSON Music by. HANS ZIMMER Guinevere. KEIRA KNIGHTLEY Casting by. RONNA KRESS, C.S.A. Merlin . STEPHEN DILLANE MICHELLE GUISH Cerdic . STELLAN SKARSGÅRD Cynric. TIL SCHWEIGER Unit Production Managers . HOWARD GIBBINS Jols . SEAN GILDER SEAMUS MCINERNEY Horton . PAT KINEVANE Bishop Germanius. IVANO MARESCOTTI First Assistant Director. BRUCE MORIARTY Marius Honorius . KEN STOTT Alecto . LORENZO DE ANGELIS Second Assistant Director. KAREN RICHARDS Fulcinia . STEFANIA ORSOLA GARELLO Special Effects Coordinator . NEIL CORBOULD British Scout . ALAN DEVINE Associate Producers . PAT SANDSTON Ganis . CHARLIE CREED-MILES MORGAN O’SULLIVAN Lucan. JOHNNY BRENNAN JAMES FLYNN Merlin’s Lieutenant . DAVID MURRAY PAUL TUCKER Mental Monk. NED DENNEHY Obnoxious Monk. PHELIM DREW Stunt Coordinator . STEVE DENT Third Monk . DES BRAIDEN Sword Master . MARK RYAN Cerdic Scout . MALACHY MCKENNA Stunts Department Cerdic Officers . BRIAN MCGUINNESS Coordinator. MATTHEW SAMPSON PATRICK LEECH Irish Stunt Arranger . JOE CONDREN Bishop Decoy . BOSCO HOGAN Woad (Killed by Lancelot). DAVID WILMOT STUNTS Roman Commander . LOCHLANN O’MEARAIN Young Lancelot Double . RYAN QUAYLE Mercenaries . PAUL MCGLINCHEY DESSIE GALLAGHER CARLO ANTONIONI GEORGE BRANCHE Arthur’s Mother . MARIA GLADKOWSKA BRUCE CAIN NICKOLAS CHOPPING Young Arthur .