21. Reflection of Feminist Consciousness in Modern

Total Page:16

File Type:pdf, Size:1020Kb

21. Reflection of Feminist Consciousness in Modern Journal of Xi'an University of Architecture & Technology ISSN No : 1006-7930 REFLECTION OF FEMINIST CONSCIOUSNESS IN MODERN ASSAMESE POETRY Shikhamoni Saharia Research Scholar Department of Assamese Gauhati University Abstract: The topic of feminism is relevant for discussion in the literature of all times and every language of the world. The discussion of this topic reflects the status of women in a society in parallel with the changing aspects of literature. In the changes that occurred in the subjects of literature brought by World War II, women-centric thoughts and discussions gained some importance. The women of today's world play a significant rolein the changing thought process of society. Consequently, the poets of the modern period try to delineate the women-centric thoughts, women's problems, expression of their feelings and emotions etc. in their poetry. Although modern Assamese poetry displayed some considerable changes after World War II, it has not been able to be completely free from feminist thoughts and consciousness because the structure of the Assamese society, as a part of the Indian society, is still very patriarchal.Consequently, the status of women is still a topic of discussion in literature. This research paper aims to discuss the reflection of feminism in modern Assamese literature since 1940s. The objective is to cast light upon how the feminist consciousness finds an echo in the works of some of the instrumental poets of Assamese literature. By giving a close reading of some of the selected poems of these poets, this paper shows how these poets portray variousissues pertaining to women such as freedom of women, women related social ailments or maladies, the dignity of women, women's psychological aspects etc. Volume XIII, Issue 3, 2021 Page No: 216 Journal of Xi'an University of Architecture & Technology ISSN No : 1006-7930 The significance of this paper lies in its attempt to show the thoughts and consciousness of the 21 century women in the poems written in the backdrop of the feudal period. Keywords: Women, Feminism, Modern Literature, Assamese poetry. Introduction : Nobody in this world is born as a woman; rather women are created in this world or the society imposes womanhood. Therefore, Simon de Beauvoir, one of the instrumental figures in developing the ideology of feminism, while trying to discuss the main topic of discussion vis-a-vis women which is the imposition of socially constructed womanhood on people, says “One is not born, but rather becomes a woman” (The Second Sex, 1949). According to John Charvet, the notion or belief of equality between men and women is feminism. The feminists uphold the belief that women have equal power as men have and both are free human beings. Both men and women have independent essence. The belief in this fundamental equality is the reason behind the claim for women’s equal rights with men. The feminist consciousness first flourished in the European countries during the seventeenth and eighteenth centuries. As a result of the publication of some significant works such as Mary Wollstonecraft’s A Vindication of Rights of Women (1972), J.S. Mill's The Subjection of Women (1869), Simone de Beauvoir’s The Second Sex(1949) etc. the feminist consciousness emerged in Western countries and with its development through different phases, it has created a havoc in the entire world. In the developed countries like the USA, Great Britain, France etc. feminism has been evolved as a strong social movement. Although Assamese poetry emerged as a distinct form towards the last decade of the nineteenth century, it showed development in a full-fledged form since the beginning of the twentieth century. During this century, people tried to look at the changing thought process, ideas, consciousness etc. from new perspectives and by giving up the earlier thinking, started a new kind of interpretation and analysis. Along with the development in the field of science, Volume XIII, Issue 3, 2021 Page No: 217 Journal of Xi'an University of Architecture & Technology ISSN No : 1006-7930 philosophy, psychology, medical science etc., the industrial growth in European countries and the political influence of different countries etc. of the nineteenth century, emerged in a new form in the twentieth century. In the war torn world of the post two world wars, the whole world was engulfed by uncertainty. Disappointment and frustration increased among people, economic imbalance, political instability reached a new height and the competition for power exhibition etc. brought a threat to the entire human civilization. All these changes influence the realm of literature which find an echo in the writings of both male and female writers. Objective:This research paper aims to discuss the reflection of feminism in modern Assamese literature since the 1940s. The objective is to cast light upon how the feminist consciousness finds an echo in the works of some of the instrumental poets of Assamese literature. Main Discussion : Women like Virginia Woolf, a pioneer of novel ideasin the realm of literature, by declaring around December 1920 that the world had changed, paved the way for looking at literature from a new perspective. At such a time, by revealing the exploitative nature of age-old social traditions and rituals, the effort to determine the status of women in literature also emerged in a new form. The discussion about the social status and position of women in the freedom struggle pioneered by M.K. Gandhi and the Congress party during the colonial period also emerged. Without directly being related to the Western thought of feminism, the Indian women tried to achieve the right of enfranchisement, economic rights etc. Despite the political independence of India in 1947, Indian women did not achieve freedom and independence the way they wanted. In 1967, Indira Gandhi set a new benchmark for the achievement of women in our country by becoming the first woman Prime minister in India. As a state of India, Assam was also an integral part of all these events. Just like the way Assamese identity was formed in the undivided Assam through the Independence Volume XIII, Issue 3, 2021 Page No: 218 Journal of Xi'an University of Architecture & Technology ISSN No : 1006-7930 movement, similarly, Indian nationalism was also flourishing during that time. Some of the prominent Assamese writers, by delineating the social picture of this time, enriched the Assamese literature. Although the range offered by poetry to discuss any thought and consciousness is narrow than the other genre of literature, modern Assamese poetry hasn't failed in giving the feminist consciousness the proper place. The prominent Assamese poet Debokanto Boruah (1914-) wrote poetry at the transitional time from romantic poetry to modern poetry. By mixing the subject matters of both the romantic and modern periods, he wrote the poem titled "Ami Duwar Mukoli Koru” (We Open the Door)and thereby sowed the seeds of modern poetry in Assamese literature. It is his writing through which various feminist thoughts and consciousness entered modern Assamese poetry. At the initial phase of modern Assamese poetry, the poetry of the poets who brought progressive thoughts such as Amulya Boruah (1922), Bhovananda Dutta (1918), etc. also deal with woman-centric consciousness. The sadness and pang hidden at the deep corner of the filthy lives of the prostitutes came to the notice of modern poets like Amulya Boruah. In the twentieth century, a group of aristocratic men emerged who were immersedin the warmth of the soft body of the prostitutes who bear the mark of the industrial age of the twentieth century. Even today's society cannot be free from this social ailment. A close reading of the poem “Beyshya” (Prostitute) enables us to understand the profound grief arisen out of these woman related social ailments. For getting into the profession of prostitution, these women fell into trouble because they felt the need for Freud's sexual theory, easy methods for contraception, abortion etc. Women are an integral part of the modern lifestyle. Without them, the Indian civilization cannotprogress. These prostitutes are the symbol of the exploited and the marginalised section of our society. Towards the end of the poem, by calling the prostitutes Nirbhik Birongona (Fearless Fighter), the poet describes: “Who says that you are a fighter?/ You are the critical strategic point of the proletariat’s class struggle Volume XIII, Issue 3, 2021 Page No: 219 Journal of Xi'an University of Architecture & Technology ISSN No : 1006-7930 against the bourgeoisie/ You are the fearless fighter of the naked civilization of the twentieth century” (“ Kune koi tumi birongona?/ Tumie dhonik homprodaior birudhe bonuar shreni hongramor/ Eta xonkotpurno ‘strategic point’/ Tumi kuri xotikar nogno xobhyotar nirbhik birongona”; my trans.) Another poet who portrays the problems of women in poetry is Hem Boruah. Just like the prostitutes represent the marginalised and exploited section of our society, the social injustice, oppression, struggles etc.are represented by the widows. Their presence is not welcomed on any auspicious occasion. Hem Boruah clearly understood how a widow, by overcoming the struggles of life, try to live her life with the memory of the pleasant time spent with the husband and by embracing the only child. This understanding resulted in the immortal poem “Momotar Sithi” (Momota’s Letter). Despite being a male person, hisminute analysis of the happiness, sadness and lifestyle of womenin his poetry is commendable and hence, his name has become irreplaceable in the edifice of Assamese poetry. Momota is a young widow whose only support for survival is the memory of her deceased husband and her child. Without her husband, she is so lonely in this world that she sometimes gets irritated: . "He doesn't even leave me / Sometimes I feel very angry;/ You are not here with me, that’s why” (“ Si muk ekebare Erike nidie / (Ketiaba mur je eman khong uthe ;/ Tumi nai nohoi xeikarone”; my trans.) However, the mother’s heart can’t think of living without her child.Apart from these problems, a young widow has to tolerate the hunger of physical desire sometimes.
Recommended publications
  • Social Novel in Assamese a Brief Study with Jivanor Batot and Mirijiyori
    JOURNAL OF CRITICAL REVIEWS ISSN- 2394-5125 VOL 7, ISSUE 06, 2020 SOCIAL NOVEL IN ASSAMESE A BRIEF STUDY WITH JIVANOR BATOT AND MIRIJIYORI Rodali Sopun Borgohain Research Scholar, Gauhati University, Assam, India Abstract : Social novel is a way to tell us about problems of our society and human beings. The social Novel is a ‘Pocket Theater’ who describe us about picture of real lifes. The Novel is a very important thing of educational society. The social Novel is writer basically based on social life. The social Novel “Jivonar Batot and Mirijiyori, both are reflect us about problems of society, thinking of society and the thought of human beings. Introduction : A novel is narrative work and being one of the most powerful froms that emerged in all literatures of the world. Clara Reeve describe the novel as a ‘Picture of real life and manners and of time in which it is writter. A novel which is written basically based on social life, the novel are called social novel. In the social Novels, any section or class of the human beings are dealt with. A novel is a narrative work and being one of the most powerful forms that emerged in all literatures of the world particularly during 19th and 20th centuries, is a literary type of certain lenght that presents a ‘story in fictionalized form’. Marion crawford, a well known American novelist and critic described the novel as a ‘pocket theater’, Clara Reeve described the Novel as a “picture of real life and manners and of time in which it is written”.
    [Show full text]
  • Assam - a Study on Bihugeet in Guwahati (GMA), Assam
    International Journal of Science and Research (IJSR) ISSN: 2319-7064 Impact Factor (2018): 7.426 Female Participation in Folk Music of Assam - A Study on Bihugeet in Guwahati (GMA), Assam Palme Borthakur1, Bhaben Ch. Kalita2 1Department of Earth Science, University of Science and Technology, Meghalaya, India 2Professor, Department of Earth Science, University of Science and Technology, Meghalaya, India Abstract: Songs, instruments and dance- the collaboration of these three ingredients makes the music of any region or society. Folk music is one of the integral facet of culture which also poses all the essentials of music. The instruments used in folk music are divided into four halves-taat (string instruments), aanodha(instruments covered with membrane), Ghana (solid or the musical instruments which struck against one another) and sushir(wind instruments)(Sharma,1996). Out of these four, Ghana and sushirvadyas are being preferred to be played by female artists. Ghana vadyas include instruments like taal,junuka etc. and sushirvadyas include instruments that can be played by blowing air from the mouth like flute,gogona, hkhutuli etc. Women being the most essential part of the society are also involved in the process of shaping up the culture of a region. In the society of Assam since ancient times till date women plays a vital role in the folk music that is bihugeet. At times Assamese women in groups used to celebrate bihu in open spaces or within forest areas or under big trees where entry of men was totally prohibited and during this exclusive celebration the women used to play aforesaid instruments and sing bihu songs describing their life,youth and relation with the environment.
    [Show full text]
  • The American Baptist Christians in North-East India
    Facets of the North-east The American Baptist Christians in North-east India Amrit Kr Goldsmith* The Britishers entered Assam and established their rule in the early years of the 19th century. Soon after, the different Christian denominations also gradually established their outposts and started their work. Their main objective, no doubt, was to spread their religion. But they also undertook to spread literacy, render medical aid, open schools and other educational institutions, etc. Out of all denominations which worked in the North- eastern region, the American Baptists were able to spread out in many parts. Even today the followers of the American Baptist denomination form the majority of Christians in the region. The author of this article, Shri Amrit Kumar Goldsmith is the regional head of CASA (Church’s Auxiliary for Social Action). In answer to our request, he undertook to study old records and has come out with the present article. Besides describing the life and services of some of the highly dedicated missionaries, he also narrates about the work that began in the past and which is continuing till date. It may be noted that out of the seven states of the North-eastern region, three states namely, Nagaland, Meghalaya and Mizoram are predominantly Christian. There is the presence of Christian mission work in all the other states including Assam. We have four major religions in the North-east, namely Hinduism, Islam, Christianity and Buddhism. Any student of the affairs of the region cannot afford to miss studying the impact of these religions and the influence they have in the region.
    [Show full text]
  • Revivalism in Northeastern India In
    B. Terwiel Recreating the past; Revivalism in Northeastern India In: Bijdragen tot de Taal-, Land- en Volkenkunde 152 (1996), no: 2, Leiden, 275-292 This PDF-file was downloaded from http://www.kitlv-journals.nl Downloaded from Brill.com09/28/2021 12:30:10PM via free access BJ. TERWIEL Recreating the Past Revivalism in Northeastern India Introduction In this article I would like to introduce the problems of reviving a ritual once it has disappeared without a trace, posing the modern actors an inter- esting set of dilemmas. The paper centres upon the example of the Ahom, an ethnic group in Northeast India which over the past centuries has lost trace almost completely of the culture of its Southeast Asian forebears. During the past fifteen years I have witnessed and personally played a minor, essentially indirect, role in the blossoming of a revivalist movement among the people of Ahom descent. It is a movement that has taken root in the face of what seem to be almost overwhelming odds. Tai-speaking peoples Tai-speaking peoples form the most numerous and most widely spread peoples in Mainland Southeast Asia. They first became recognizable as such in the first millennium A.D. in what is now Kuangsi Province in Southern China. In the middle of the eleventh century they became embroiled in a long and fierce war with the Chinese, which ended in a resounding defeat of the Tais. Hereupon many Tais suddenly began migrating southwards and south-westwards into the region of Mainland Southeast Asia. They fanned out rapidly, and within a few hundred years had conquered most of the valley regions where they are now found: in northern Vietnam, in Laos, in all of Thailand, in Northern Myanmar, in the Chinese province of Yunnan, and in Northeastern India.
    [Show full text]
  • Empire's Garden: Assam and the Making of India
    A book in the series Radical Perspectives a radical history review book series Series editors: Daniel J. Walkowitz, New York University Barbara Weinstein, New York University History, as radical historians have long observed, cannot be severed from authorial subjectivity, indeed from politics. Political concerns animate the questions we ask, the subjects on which we write. For over thirty years the Radical History Review has led in nurturing and advancing politically engaged historical research. Radical Perspec- tives seeks to further the journal’s mission: any author wishing to be in the series makes a self-conscious decision to associate her or his work with a radical perspective. To be sure, many of us are currently struggling with the issue of what it means to be a radical historian in the early twenty-first century, and this series is intended to provide some signposts for what we would judge to be radical history. It will o√er innovative ways of telling stories from multiple perspectives; comparative, transnational, and global histories that transcend con- ventional boundaries of region and nation; works that elaborate on the implications of the postcolonial move to ‘‘provincialize Eu- rope’’; studies of the public in and of the past, including those that consider the commodification of the past; histories that explore the intersection of identities such as gender, race, class and sexuality with an eye to their political implications and complications. Above all, this book series seeks to create an important intellectual space and discursive community to explore the very issue of what con- stitutes radical history. Within this context, some of the books pub- lished in the series may privilege alternative and oppositional politi- cal cultures, but all will be concerned with the way power is con- stituted, contested, used, and abused.
    [Show full text]
  • Role of Arunodoi in the Background of Nineteenth Century's Colonial Assam
    www.ijird.com July, 2015 Vol 4 Issue 8 ISSN 2278 – 0211 (Online) Role of Arunodoi in the Background of Nineteenth Century’s Colonial Assam Raktim Jyoti Hazarika M. A. Student, Department of History, Dibrugarh University, Assam, India Abstract: The birth and development of journalism in Assam may be traced back to the introduction of the first printing press by the American Baptists. In 1846 they published the first printed magazine cum newspaper in colonial Assam, named Arunodoi. In this paper an attempt has been made to have a look at the contemporary condition of colonial Assam (Nineteenth Century) and the response of this newspapers towards several burning topics of that period. It also tries to analyze how much did Arunodoi get success in bringing awakening among the masses and what role did it play in cultural renaissance that took place in colonial Assam in the Nineteenth Century. Keywords: Arunodoi, baptist missionaries, Assam, nineteenth century, language, literature, magazine, newspaper 1. Introduction The birth and development of journalism in Assam may be traced back to the introduction of the first printing press by the American Baptists who started their operations in Assam in early 1836. Reverend Brown and Oliver Cutter set up the press initially at Sadiya and was shifted to Sibsagar in 1846. Primarily intended for the publication of Christian literature the Press, commonly known as Baptist mission Press, published the first Assamese monthly news – magazine Arunodoi (dawn of the day) in January 1846 under the editorship of Nathan Brown. After Brown it was taken under the care of Danforth, Whiting, Bronson, Mrs.
    [Show full text]
  • Contribution of Banhi Magazine to the Development of Modern
    INTERNATIONAL JOURNAL OF SCIENTIFIC & TECHNOLOGY RESEARCH VOLUME 8, ISSUE 12, DECEMBER 2019 ISSN 2277-8616 Contribution Of Banhi Magazine To The Development Of Modern Gita Hazarika Abstract:— This study has been undertaken to investigate the contribution of BANHI magazine to the development of modern Assamese literature. In modern Assamese language, magazines role in literary development and prosperity is paramount. In 1846, the first magazine of Assamese language Arunudoi was published. In this magazine, the path of modern Assamese literature begins. After the Arunudoi, the magazine Jonaki, Bijuli, Usha, Banhi etc., played an important role to the development of modern Assamese literature by emphasizing new literary streams in Assamese literature. In the early twentieth century, among the magazines that contributed to the development of Assamese literature, the BANHI magazine edited by Lakshminath Bezborua has the highest role. In this article, it is being researched that how does this magazine helped to the formation of modern Assamese language. Along with the language, it is also being studied that how this magazine played a role to the advancement of modern Assamese literature.. Keywords :— Magazine, Contribution, Development, Assamese Literature, Assamese Language, Modern Assamese literature. —————————— —————————— 1 INTRODUCTION The nineteenth century is a very important time for the The Banhi magazine played an important role in the steady development of Assamese society and civilization. At that time, spelling of the Assamese language. And in this, the editor of influenced by many small and big events gave a new scope to Banhi, Bezborua took a special role. Banhi magazine rich in the social life of Assam, in that background, the Assamese religion, philosophy, society, culture, language, history, language, literature and cultural ideology also changed.
    [Show full text]
  • Historiography of the Formation of Assamese Identity: a Review
    Peace and Democracy in South Asia, Volume 2, Numbers 1 & 2, 2006. HISTORIOGRAPHY OF THE FORMATION OF ASSAMESE IDENTITY: A REVIEW MADHUMITA SENGUPTA A thematic review of Planter Raj to Swaraj: Freedom Struggle and Electoral Politics in Assam, 1826-1947 by A. Guha; Assam: A Burning Question by H. Gohain; Roots of Ethnic Conflict: Nationality Questions in North East India by S. Nag; Social Tensions in Assam Middle Class Politics by A.K. Baruah; and India Against Itself: Assam and the Politics of Identity by S. Baruah. Introduction Assam, tucked away in the Northeast corner of India is a state that has been locked for the last few years in a bloody struggle between ‘insurgents’ and the state as the architect of counter-insurgency operations. This may not come as a surprise, for Assam is not the only insurgency-ridden state in this country. But what makes Assam special and at the same time vulnerable is its geographical location in a region that is surrounded by international borders on three sides. It makes sense therefore to trace the roots of this ‘ethnic’ turmoil by taking a look at how an Assamese identity came to be imagined here in the nineteenth century. The history of Assamese identity is a rather interesting one for the very reason that it is at once a story of the formation and transformation of the community. It has been remarked by one author (Misra 2001) that what has been happening in Assam over the past few decades in the matter of the widening of the parameters of the Assamese nationality as a result of swift demographic change, may be said to be unique not only in relation to the other Peace and Democracy in South Asia, Volume 2, Numbers 1 & 2, 2006.
    [Show full text]
  • MA-In-Assamese-CBCS-CO-2016.Pdf
    GAUHATI UNIVERSITY DEPARTMENT OF ASSAMESE PG Syllabus CBCS 2016 Syllabus Structure Course Code Semester Course First Semester ASM 1016 Rise and Development of Assamese Language C ASM 1026 History of Assamese Literature : 1889-2015 C ASM 1036 Study of Culture in Assam C ASM 1046 History of Sanskrit Literature: History, Features and Genres C ASM 1054 Creative Writing VA Second Semester ASM 2016 Assamese Poetry : 1889-2015 C ASM 2026 Assamese Prose : 1846-2015 C ASM 2036 Assamese Drama and Performance : 1857-2015 C ASM 2046 Indian Criticism C ASM 2054 Editing VA Third Semester Courses AS 3116 and AS 3126 are core (i.e., compulsory). Students shall choose one Elective Course from AS 3036, AS 3046, AS 3056, AS 3066 and AS 3076, and another from AS 3086, AS 3096, AS 3106, AS 3116 and AS 3126. Course AS 3126 will also be Elective Open ASM 3016 Assamese Novel: 1890-2015 C ASM 3026 Translation : Theory and Practice C ASM 3036 World Literature E ASM 3046 Ethnic Literature of North-East India E ASM 3056 Sanskrit Texts E ASM 3066 Varieties of Assamese Language E ASM 3076 Contact Languages of North-East India E ASM 3086 Modern Indian Literature E ASM 3096 Assamese Vaisnavite, Saiva and Sakta Literature E ASM 3106 Structure of the Assamese Language E 1 ASM 3116 Phonetics E ASM 3126 Sankaradeva Studies E/ EO Fourth Semester Courses AS 4016 and AS 4026 are core (i.e., compulsory). Students shall choose one elective course from AS 4036, AS 4046, AS 4056, AS 4066 and AS 4076, and another from AS AS 4086, AS 4096, AS 4106, AS 4116, AS 4126 and AS 4136.
    [Show full text]
  • The Influence of Journals and Periodicals in the Growth and Development of Assamese Language and Literature in the British Episode
    The Influence of Journals and Periodicals in the Growth and Development of Assamese Language and Literature in the British Episode GUL ROUSHANARA BEGUM Assistant Professor, Department of Assamese, Ratnapith College, Chapar, Dhubri, Assam 783371,& Ph.D. Scholar, Department of Assamese, Gauhati University, Guwahati, Assam ABSTRACT: There is a great impact of the journals and periodicals in the growth and development of Assamese language and literature in the British period. It is noted that the Orunodoi and Jonaki focused unbelievably in the enlargement and expansion of Assamese language and literature. The Assamese journal Orunodoi stopped Assamese literature from an ended stage to a vivacious standard and contributes the Assamese language to recuperate its grade and status at the same time as the Jonaki acknowledged a suitable and stable form contemporary Assamese literature. Impact of complementary journals and periodicals of this era also cannot be overlooked. They accepted Orunodoi and Jonaki in the improvement and advancement of Assamese language and literature. The research paper highlights a critical observation on the impact and influence of the journals and periodicals in the growth and development of Assamese language and literature in the British epoch specially the period from 1826 i.e. Treaty of Yandaboo to 1947 i.e. Indian Independence. The stages will comprise the Orunodoi and the Jonaki age of Assamese language and literature named after two significant journals Orunodoi and Jonaki of that particular age. KEY WORDS: Influence, Journals, Periodicals, Growth, Development, Assamese, Language, Literature, British, Episode. INTRODUCTION: In the history of Assamese language and literature the journals and periodicals played a great significance.
    [Show full text]
  • M. A. in History
    Syllabi of the M.A. Programme in History under Choice Based Credit System, Department of History, Dibrugarh University. Semester –I Domain Paper Code Title of the Paper Credit Core 1 10100 Religion and Society in Early India (up to 1200 AD) 4 Core 2 10200 Society and religion in Medieval India 4 Core 3 10300 Social History of Modern India 1757-1947 4 4x3=12 Opt any Two Discipline Specific Elective (DSE) from Below DSE 1 104.1 State and State Formation in North East India (Pre- 4 Colonial DSE 2 104.2 Political History of Modern Assam (1826 – 1947) 4 DSE 3 105.1 State in India (Pre Colonial Period) 4 DSE 4 105.2 Constitutional History of India 4 4x2=8 Opt any One Ability Enhancement Skill (AES) from Below AEC1 106.1 Archive 2 AEC2 106.2 Epigraphy 2 2x1=2 TOTAL CREDIT OF SEMESTER I 12+8+2=22 Semester –II Core 4 20100 Economic History of Early India (Up to 1200 AD) 4 Core 5 20200 Economic History of Medieval India 1200-1750 4 Core 6 20300 Economic History of Modern India 1757-1947 4 4x3=12 Opt any one Discipline Specific Elective (DSE) from Below DSE 5 204.1 Society, Culture and Economy of Assam: From 4 Earliest Time to 1228 DSE 6 204.2 Social and Religious History of Medieval Assam 4 DSE 7 204.3 Social History of Modern Assam 4 4x1=4 Opt any one Generic Elective from Below GE 1 205.1 World Revolutions 4 GE 2 205.2 Society, Culture and Economy of Assam: From 4 Earliest Time to 1228 GE 3 205.3 Social and Religious History of Medieval Assam 4 GE 4 205.4 Social History of Modern Assam 4 4x1=4 TOTAL CREDIT OF SEMESTER II 12+4+4=20 Semester –III
    [Show full text]
  • DEPARTMENT of ASSAMESE DIBRUGARH UNIVERSITY Course Structure of MA in Assamese Under Choice Based Credit System (CBCS)
    1 DEPARTMENT OF ASSAMESE DIBRUGARH UNIVERSITY Course Structure of MA in Assamese under Choice Based Credit System (CBCS) Course Structure of MA in Assamese under Choice Based Credit System (CBCS) as approved by the Board of Studies in Assamese held on 20/03/2019 and the Academic Council in its meeting held on ………………… The Post Graduate Programme in Assamese shall be of four semesters covering two academic years. Students have to register themselves as per the prevailing CBCS guidelines of Dibrugarh University. 2 COMPLETE COURSE STRUCTURE M.A. in Assamese (CBCS), 2019 FIRST SEMESTER CORE Course No Title of the Paper Credit Teacher C1001 The Assamese Language : Background, Formation 4 SMC and Development C1002 Trend and Tendencies of Assamese Literature 4 JKB C1003 Literary Theory and Criticism (Eastern) 4 NKH DISCIPLINE SPECIFIC ELECTIVE (ANY ONE) D1001 Introduction to Linguistics 4 AK D1002 Sociology of Assamese Literature 4 NMB D1003 Introduction to Indian Literature 4 SK/NMB D1004 Varieties of Assamese Language 4 DK ABILITY ENHANCEMENT COURSE A1001 Spoken English 2 PB SECOND SEMESTER CORE Course No Title of the Paper Credit Teacher C2001 Studies on Culture of Assam 4 SB C2002 Structure of Assamese 4 DK C2003 Literary Theory and Criticism (Western) 4 PB DISCIPLINE SPECIFIC ELECTIVE (ANY ONE) D2001 Study of Assamese Drama 4 JKB D2002 Assamese Literature and Culture in New Media : 4 SMC Trend and Tendencies D2003 Sanskrit Literature 4 NKH D2004 Approaches to Linguistic Studies 4 SD GENERIC ELECTIVE (ANY ONE) G2001 Communicative Assamese
    [Show full text]