Membra Jesu Nostri

Total Page：16

File Type：pdf, Size：1020Kb

Diskothek: Dietrich Buxtehude: Membra Jesu Nostri Montag, 26. März 2018 20.00 - 22.00 Uhr, SRF 2 Kultur Samstag, 31. März 2018 14.00 - 16.00 Uhr, SRF 2 Kultur (Zweitsendung) Gäste im Studio: Julia Schröder (Geigerin) und Jean-Christophe Groffe (Sänger). Gastgeberin: Jenny Berg Das Resultat Aufnahmen mit Werken aus der Barockzeit zeigen oft grosse Unterschiede, da die Barockmusik den Interpretinnen und Interpreten viele Freiheiten lässt. So ist es auch bei Dietrich Buxtehudes «Membra Jesu nostri»: Es gibt chorische und solistische Besetzungen, unterschiedlich gestimmte Instrumente, italienische und lateinische Textaussprache bei diesen fünf Aufnahmen – und es gibt noch etliche weitere Interpretationen auf dem CD-Markt. In Runde eins wird die Tempowahl zum Ausschlusskriterium: René Jacobs mit dem Concerto Vocale Gent (A3) geht die Beschreibung der Körperteile Jesu zu sportlich an, das Bach Collegium Japan mit Dirigent Masaaki Suzuki (A4) schwankt zu stark im Tempo – eine vergleichsweise gute, aber auch gewöhnliche Interpretation, fanden die beiden Gäste. In der zweiten Runde scheidet das Purcell Quartett (A5) aus – eine Aufnahme mit ausgezeichneten Sängern, dafür aber mit einer recht schlichten Gestaltung des Basso continuo. Am Schluss gibt es einen klaren Sieger: Obwohl Cantus Cölln mit Konrad Junghänel (A1) immer wieder für Gänsehaut sorgt, den Text bewusst ausgestaltet und sehr rhythmisch agiert, überzeugt über alle drei Runden die Aufnahme mit Ton Koopmann und dem Amsterdam Baroque Orchestra & Choir) am meisten (A2). Er hat das Werk mehrfach aufgenommen, dies hier ist die zweite Einspielung: Eine sehr lebendige Aufnahme, die ins Innere geht, die die Stimmungen bewusst einsetzt, um die harmonischen Bewegungen zu schärfen, und dabei elegant und historisch informiert verziert. Aufnahme 2: Siri Karoline Thornhill; Dorothee Wohlgemut Patrick van Goethem; Jörg Dürmüller; Klaus Mertens Amsterdam Baroque Orchestra and Choir; Ton Koopman, Leitung Challenge Classics (2012) .

Copy Link

Recommended publications

Dietrich Buxtehude (1637-1707) Membra Jesu Nostri
Dietrich Buxtehude (1637-1707) Membra Jesu Nostri Tanya Aspelmeier, Stéphanie Révidat, Salomé Haller, sopranos Rolf Ehlers, haute-contre Julian Prégardien, ténor Benoît Arnould, basse LA CHAPE ll E RHÉNANE LA MAÎT R ISE DE GA R ÇONS DE CO lm A R DIRECTION : ARLETTE STEYER DIRECTION : BENOÎT HA LLER 1 Dietrich Buxtehude (1637-1707) Membra Jesu Nostri 1 Ad pedes - Ecce super montes 7’40 2 Ad genua - Ad ubera portabimini 9’50 3 Ad manus - Quid sunt plagae istae 9’06 4 Ad latus - Surge amica mea 9’13 5 Ad pectus - Sicut modo geniti infantes 9’27 6 Ad cor - Vulnerasti cor meum 9’03 7 Ad faciem - Illustra faciem tuam 6’16 > minutage total : 60’35 2 LA CHAPE ll E RHÉNANE Tanya Aspelmeier(6), Stéphanie Révidat(1,7), Salomé Haller(1,5,7) Sopranos Rolf Ehlers Haute-contre Julian Prégardien Ténor Benoît Arnould Basse Cosimo Stawiarski, Isabel Schau Violons Sergio Alvarez, Barbara Leitherer, François-Joubert Caillet, Anne-Garance Fabre-Garrus Violes de gambe Armin Bereuter Violone en sol Élodie Peudepièce Violone en ré Jennifer Harris Basson Thomas Boysen Théorbe Marie Bournisien Harpe Sébastien Wonner Orgue et Clavecin LA MAÎT R ISE DE GA R ÇONS DE CO lm A R DIRECTION : ARLETTE STEYER DI R E C TION : BENOÎT HA ll E R 3 Pour le présent enregistrement La Maîtrise de Garçons de Colmar était composée de : Les garçons Sopranos : ARMSPACH-YOUNG Thomas - BARTH François - DIESEL Noé - DROTHIERE Valentin - PAULUS Loïc SCHIELE Jean-Baptiste - SCHMITT Elliott - WEYMANN Vincent Mezzo-sopranos : BUCHER Romain - DECHRISTE Gauthier - GLEYZE Tom - GRAVRAND Dorian
[Show full text]
Figurenlehre and Affektenlehre in Buxtehude's Membra Jesu Nostri
Figurenlehre and Affektenlehre in Buxtehude’s Membra Jesu ostri © 2006 Helen K. H. Wong Per medullam cordis mei, Into the depths of my heart, Peccatoris atque rei, Sinful and wicked, Tuus amor transferatur, Let thy love be transported, Quo cor tuum rapiatur This love bereft of thy heart, Languens amoris vulnere. Languishing with love’s wounds. Viva cordis voce clamo, With my heart’s own voice I beseech thee, Dulce cor, te namque amo, Sweet heart, for I love thee, Ad cor meum inclinare, To incline thyself upon my heart, Ut se posit applicare That it may cleave Devoto tibi pectore. To thy venerated breast. (Buxtehude, Membra Jesu Nostri, “Ad Pectus”) Like many of his sacred vocal works, Buxtehude’s Membra Jesu ostri , a cycle of seven cantatas, has been associated by writers on music with its Pietist qualities for its choice of text. 1 A composite of Latin blibical texts and medieval poems of a subjective religious tone, each of the seven cantatas represents a spiritual contemplation on one of the parts of Christ’s crucified body: feet, knees, hands, side, breast, heart and face. 2 While the poems indeed 1 The intense personal and subjective language of the poem can be compared to an analogy made by Abraham Calovius (1612-86), the German Lutheran theologian of the 17 th century on the relationship between Christ and the Pietist believers: “ The espousal (marriage) of Christ with belivers is that which He eternally marries Himself to believers through faith, so that they become one spirit, and by His power communicates to them, as to His spiritual bride, intimate and enduring love, all His blessings and all His glory, so as to finally lead them to Him home, and dwell with them in His celestial and eternal kingdom.”Explains a bit about Pietism and music.
[Show full text]
Membra Jesu Nostri&Quo
[敎科敎育硏究, 제35권 제1호(2014.6), pp.45~70] Studies in Educational Research 합창 음악지도를 위한 북스데후데의 음악연구 김연주 (아주사 퍼시픽 대학교) A Study on Buxtehude’s Choral Music "Membra Jesu Nostri" Youn-Ju Kim (Azusa Pacific University, USA) Abstract: Dieterich Buxtehude (ca. 1637-1707) is known for his many organ works. However, no significant portion of his choral music is in the standard performing repertoire. Buxtehude’s large-scale choral work Membra Jesu Nostri should be considered a seminal “passion” composition in part because of its historic position in early German Lutheran church music. It also serves as an example of the heightened levels of affect in a seventeenth century devotional passion. To better understand Buxtehude and his music, an overview of his life, career and religious beliefs are discussed, including the incorporation of pietism and mysticism in his cantata, Membra Jesu Nostri. Details of the composition’s structure, unifying thematic elements and text sources with translations are included. Through these observations, it will be shown that Buxtehude’s Membra Jesu Nostri is one of the most well-conceived and well-constructed choral works of the early Baroque era. Key words : Buxtehude, choral music, passion, Membra Jesu Nostri I. Introduction A prolific composer of sacred vocal and instrumental ensemble music, Dietrich Buxtehude’s (ca. 1637-1707) fame as a composer mainly derives from works that he composed during his tenure as organist at Marienkirche (St. Mary’s Church) in Lübeck. He also composed vocal cantatas, concertos, and oratorios, though his position did not require him to do so. In actuality, his surviving vocal music outnumbers his keyboard and ensemble pieces, totaling - 45 - 敎科敎育硏究, 제35권 제1호(2014.6) more than 120 vocal and choral works, 120 keyboard pieces, and twenty-one instrumental sonatas.
[Show full text]
A 16Th-Century Meeting of England & Spain
A 16th-Century Meeting of England & Spain Blue Heron with special guest Ensemble Plus Ultra Saturday, October 15, 2011 · 8 pm | First Church in Cambridge, Congregational Sunday, October 16, 2011 · 4 pm | St. Ignatius of Antioch Episcopal Church, New York City A 16th-Century Meeting of England & Spain Blue Heron with special guest Ensemble Plus Ultra Saturday, October 15, 2011 · 8 pm | First Church in Cambridge, Congregational Sunday, October 16, 2011 · 4 pm | St. Ignatius of Antioch Episcopal Church, New York City Program Blue Heron & Ensemble Plus Ultra John Browne (fl. c. 1500) O Maria salvatoris mater a 8 Blue Heron Richard Pygott (c. 1485–1549) Salve regina a 5 intermission Ensemble Plus Ultra Tomás Luis de Victoria (1548–1611) Ave Maria a 8 Ave regina caelorum a 8 Victoria Vidi speciosam a 6 Vadam et circuibo civitatem a 6 Nigra sum sed formosa a 6 Ensemble Plus Ultra & Blue Heron Victoria Laetatus sum a 12 Francisco Guerrero (1528–99) Duo seraphim a 12 Blue Heron treble Julia Steinbok Teresa Wakim Shari Wilson mean Jennifer Ashe Pamela Dellal Martin Near contratenor Owen McIntosh Jason McStoots tenor Michael Barrett Sumner Thompson bass Paul Guttry Ulysses Thomas Peter Walker Scott etcalfe,M director Ensemble Plus Ultra Amy Moore, soprano Katie Trethewey, soprano Clare Wilkinson, mezzo-soprano David Martin, alto William Balkwill, tenor Tom Phillips, tenor Simon Gallear, baritone Jimmy Holliday, bass Michael Noone, director Blue Heron · 45 Ash Street, Auburndale MA 02466 (617) 960-7956 · [email protected] · www.blueheronchoir.org Blue Heron Renaissance Choir, Inc. is a 501(c)(3) tax-exempt entity.
[Show full text]
Mullova Ensemble Acht Freunde Treffen Schubert -53)+ ',¯.:%.$ %).'%&!.'%
in Germ ts an an y d n e p CLASS e d Association of Classical Independents n I in Germany e.V. l a Bachstraße 35 · 32756 Detmold c i s www.classgermany.de s a A l s C [email protected] s f o o CLASSc i n a t o i CLASS AKTUELL 2005/4 Welt voller Gegensätze Tangos von Astor Piazzolla Schillernder Schiller Das Hörbuch zum Schiller-Jahr Salzburger Festmusik Peter Neumann Christian Lindberg swingt zu Shilkret Gewinnen Sie einen der Alleskönner von Seite 24 Mullova Ensemble Acht Freunde treffen Schubert -53)+ ',¯.:%.$ %).'%&!.'%. NEUEKLANGFARBEN FàRDENHERBST .EUVERÚFFENTLICHUNGEN BEI /EHMS#LASSICS KROWACZEWSKIDI )NCLUDING RIGIERT"EETHOVEN #OMPLETE 0RINT n KàNSTLERISCHES #ATALOGUE 3 #REDO EINES DER LETZTEN GROEN $IRI GENTENALTER3CHULE AS#$ $EBàTVON (ERBERT 3CHUCH $ DERSICHMITDREI 3IEGEN BEI GROEN +LAVIERWETTBEWER #$S 3PECIAL 0RICE BEN IN DEN &OKUS DER +LAVIERWELT KA TAPULTIERTE /EHMS#LASSICS q #$ 0ACK /EHMS#LASSICS INKL 'ESAMTKATALOG /RIGINALKLANGBEWEGUNG .EUE 3!#$ 0RODUKTIONEN # / /# RADITIONELLE !DVENTS UND 7EIH ASBEKANNTESTE7ERK$VORÉKS DIE NACHTSLIEDERMITEINEM3PITZENCHOR 3INFONIEu!USDER.EUEN7ELTh IST DERSICHINDER-ODERNEGENAUSOZU HIER DER àBERAUS FARBIGEN u"ÚH # q (YBRID 3!#$S # q (YBRID 3!#$ 4 $ / / (AUSEFàHLTWIEIMKLASSISCHEN#HOR MISCHEN3UITEhOPGEGENàBERGE REPERTOIRE STELLT ACHSEINERDOPPELTPREISGEKRÚNTEN UNGES%NSEMBLETRIFFT/RIGINALKLANG 6ORGËNGER #$INTERPRETIERT*OSEPH %XPERTEN $AS +AMMERORCHESTER -ACHETDIE4OREWEIT !NTONÓN$VORÉK +ELEMEN HIER EIN ZENTRALES 7ERK "ASELUND'IOVANNI!NTONINInEINE !DVENTS UND7EIHNACHTSLIEDER 3INFONIE.Ru!USDER.EUEN7ELTh . * DESGEBORENEN*'-UFFAT FUNKENSPRàHENDE"EGEGNUNG #HORDES"AYERISCHEN2UNDFUNKS "ÚHMISCHE3UITE 0ETER$IJKSTRA -ICHAEL'LËSER 3LOVAK2ADIO3YMPHONY/RCHESTRA 'EORG-UFFAT ,UDWIGVAN"EETHOVEN )VAN!NGUÏLOV !PPARATUSMUSICO ORGANISTICUS 3INFONIE.R# $UROP *OSEPH+ELEMENANDER&REUNDT 3INFONIE.R$ $UROP /RGEL+LOSTERNEUBURGUNDDER +AMMERORCHESTER"ASEL 3ILBERMANN /RGEL%BERSMàNSTER 'IOVANNI!NTONINI WWWOEHMSCLASSICSDE in Germ ts an an y d n e p e d n I l a c i s s A a l s C s f o o c aktuell CLASSi a n t o i Ich höre ..
[Show full text]
The Sultan Fainted / New York Voices ; Composed by Meader - Eldridge ; Arranged by Meader - Eldridge
The sultan fainted / New York Voices ; Composed by Meader - Eldridge ; Arranged by Meader - Eldridge. - Greeley, CO : UNC Jazz Press, s.a. - (New York Voices Series) Plaatscode: J-Ens New 1 Way of the world / New York Voices ; Composed by The New York Voices ; Arranged by The New York Voices. - Greeley, CO : UNC Jazz Press, s.a. - (New York Voices Series) Plaatscode: J-Ens New 2 75 Modellen van het onderwijs / Remco Coppoolse, Dammis Vroegindeweij. - Grongingen : Noordhoff ; [etc.] : [s.n.], cop. 2010. - 250 p. : tab. ; 24 cm Met index en bibliografie Trefwoord(en): onderwijs Plaatscode: 125 Copp 1 The lost chord : Practical harmonisation on keyboard instruments / Stephen Taylor. - Leeuwarden : Boeijenga, 2012. - 82, 97, 160 p. : muz. ; 32 cm Trefwoord(en): harmonieleer improvisatie piano's orgels klavecimbels toetsinstrumenten Plaatscode: 74 Tayl 1 Mystery variations : on a theme by Colombi for cello / A birthday offering written with love and admiration by Anssi Karttunen's composer friends on the occasion of his fiftieth birthday on 30 september 2010. - s.l. : Chester, cop. 2012. - III, 61 p. ; 31 cm Variaties op Chiacona per basso solo van Giuseppe Colombi ter gelegenheid van de vijftigste verjaardag van Anssi Karttunen gecomponeerd. Met spelaanwijzingen en voorwoord in het Engels van Anssi Karttunen Plaatscode: Vcl Myst 1 Toccata concertante : for saxophone quartet & organ (1984-85) / Walter S. Hartley. - s.l. : Ethos Publ., cop. 1991. - 20 p. ; 28 cm + 4 partijen Tijdsduur: ca. 4 min. Plaatscode: Sax Hart 4 1 Antiphonal prelude : for saxophone quartet & organ (1984) / Walter S. Hartley. - s.l. : Ethos Publ., cop. 1991. - 11 p. ; 28 cm + 4 partijen Tijdsduur: ca.
[Show full text]
Membra Jesu Nostri (1680)
30 VAN DEN BERG Dissecting Jesus The Spiritual Role of the Senses in Buxtehude’s Cantata Cycle Membra Jesu Nostri (1680) Clemens van den Berg ABSTRACT The influence of German Pietism, a Protestant spiritual movement emphasizing the corporeal and the sensorial, on baroque composer Dieterich Buxtehude (ca. 1637-1707) has long been discussed among historians and musicologists of the seventeenth century like Martin Geck and Isabella van Elferen. However, current scholarship lacks detailed analyses of the composer’s individual works to assess how and to what extent this influence occurred. This paper, therefore, examines the contents of Membra Jesu Nostri, a peculiar composition by Buxtehude in which adoration of the limbs of Christ’s crucified body happens both textually and musically. This paper expands on the recent attention for the role of the senses in religious contexts and uses concepts from material religion to scrutinize the choices the composer made in his libretto and musical framework, thus tackling the issue of corporeal spirituality in Membra. It concludes that this specific compositional cycle does reflect Pietist inspiration, with a particularly striking role of the union of the senses: all co-operate to ensure a total immersion in the veneration of Christ’s body. KEYWORDS Dieterich Buxtehude, Baroque Music, German Pietism, History of Religion (17th Century), Sensorial Religion, Corporeal Religion. INTRODUCTION In 1680, the Northern German composer Dieterich (alternative spellings Dietrich and Diderich) Buxtehude (ca. 1637-1707) dedicated a cycle6 of seven Latin cantatas to his Swedish colleague Gustav Düben (1628-1690). The work categorized as BuxWV 757 is fully titled Membra Jesu nostri patientis sanctissima (Latin: “The Most Holy Limbs of Our Suffering Lord Jesus”), but better Junctions: Graduate Journal of the Humanities Clemens van den Berg.
[Show full text]
Dieterich Buxtehude's Membra Jesu Nostri: an Historical Overview, Analysis and Conducting Guide by Youn Ju Kim a Research Pa
Dieterich Buxtehude’s Membra Jesu Nostri: An historical overview, analysis and conducting guide by Youn Ju Kim A Research Paper Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Musical Arts Approved March 2012 by the Graduate Supervisory Committee: Gregory Gentry, Chair Gary Hill William Reber Rodney Rogers Timothy Russell ARIZONA STATE UNIVERSITY May 2012 ABSTRACT Dieterich Buxtehude (ca. 1637-1707) is known for his many organ works. However, no significant portion of his choral music is in the standard performing repertoire. Buxtehude’s large-scale choral work Membra Jesu Nostri should be considered a seminal “passion” composition in part because of its historic position in early German Lutheran church music. It also serves as an example of the heightened levels of affect in a seventeenth century devotional passion. To better understand Buxtehude and his music, an overview of his life, career and religious beliefs are discussed, including the incorporation of pietism and mysticism in his cantata, Membra Jesu Nostri. Details of the composition’s structure, unifying thematic elements and text sources with translations are included. Historical performance practices are discussed, including the composer’s probable intent of having one of the seven cantatas performed every day before Easter. This research study also provides conductors with a variety of practical performance considerations. Through these observations, it will be shown that Buxtehude’s Membra Jesu Nostri is one of the most well-conceived and well-constructed choral works of the early Baroque era. i DEDICATION In nomine Jesu, Soli Deo Gloria (In the name of Jesus, to God alone be the glory) And to my parents Kim, Ha Sub and Lee, Jung Ji My love and respect will always be with you.
[Show full text]
Georg Friedrich Händel ~ Belshazzar Edition
GEORG FRIEDRICH HÄNDEL ~ BELSHAZZAR EDITION ultur in ihrer authentischen Form zu publizieren heisst für uns: herausragende Aufführun- K gen und Konzerte für die Nachwelt festzuhalten und zu vermitteln. Denn Künstler, Publi- kum, Werk und Raum treten in einen intimen Dialog, der in Form und Ausdruck - in seiner Atmosphäre - einmalig und unwiederbringlich ist. Diese Symbiose, die Spannung der Auf- führung, dem Hörer in all ihren Facetten möglichst intensiv erlebbar zu machen, sehen wir als Ziel, als Philosophie unseres Hauses. Das Ergebnis sind einzigartige Interpretationen von musikalischen und literarischen Werken, schlicht - audiophile Momentaufnahmen von blei- bendem Wert - aufgenommen in „Direct 2-Track Digital Stereo“. Die Konzerte im Kloster Maulbronn, die wir in dieser Edition dokumentieren, bieten in vielfacher Hinsicht die idealen Voraussetzungen für unser Bestreben. Es ist wohl vor allem die Atmosphäre in den von romantischem Kerzenlicht erhellten Gewölben, der Zauber des Klosters in seiner unverfälschten sakralen Ausstrahlung und Ruhe, die in ihrer Wirkung auf Künstler und Publikum diese Konzerte prägen. Renommierte Solisten und Ensembles der grossen internationalen Bühnen sind gerne und vor allem immer wieder hier zu Gast - ge- niessen es in der akustisch und architektonisch vollendeten Schönheit des Weltkulturerbes (Klosterkirche, Laienrefektorium, Kreuzgang, etc.) in exquisiten Aufführungen weltliche und sakrale Werke darzubieten. Unter der Schirmherrschaft des evangelischen Seminars werden seit 1968 die „Klosterkon- zerte
[Show full text]
Guide to Early Music in Flanders
GUIDE TO EARLY MUSIC IN FLANDERS SECOND EDITION 2009 CONTENTS 6 PREFACE 7 INTRODUCTION: A Devil and a Pederast: On historical performance practice in Flanders and its international ramifications PART 1 ARTISTS 14 Ensembles 30 Orchestras 34 Conductors 41 Soloists Singers 42 Sopranos 45 Tenors / Countertenors 47 Baritones / Bass Instrumentalist 50 Players of Keyboard Instruments 56 Players of String Instruments 60 Players of Wind Instruments PART 2 ORGANISATIONS AND STRUCTURES 68 Concert Organisations 69 Arts Centres and Concert Halls 71 Festivals 73 Research Institutions, Documentation Centres and Libraries 79 Music Education 80 Conservatories 81 Postgraduate Education 81 Universities 82 Media 85 Booking Agencies 86 Publishers 87 Record Companies 88 Instrument Makers PART 3 ADDITIONAL INFORMATION 93 ‘Flemish’ Music from the Middle Ages until circa 1750 97 On Cultural Policy in Flanders 4 FLANDERS? GATEWAY TO EUROPE Belgium is a federal state in the heart of Europe. Flanders is the northern, Dutch-speaking part of Belgium. The Flemish Community counts more than 6 million inhabitants and is run by a government of its own with a number of specific competences, such as culture, education, media… Brussels, capital of Belgium and of Flanders as well, is home to the European Commission and many international cultural institutions. 5 PREFACE Smaller than a postage stamp! That’s how minute Flanders looks on a map of the world, if you can discover it at all. However, a felicitous turn of his- tory has made this region into an exciting crossroads of different cultures. This is why Flanders is so rich in creative talent and abundant with cultural activities.
[Show full text]
TON KOOPMAN Dieterich Buxtehude Opera Omnia XI
TON KOOPMAN DIETERICH BUXTEHUDE Opera Omnia XI page 1 VOCAL WORKS 4 TON KOOPMAN DIETERICH BUXTEHUDE Opera Omnia XI Arias, Concertos and Cantatas VOCAL WORKS 4 In memoriam Bruno Grusnick (1900-1992) COMPACT DISC I total time 67:00 COMPACT DISC II total time 64:03 1. Gott fähret auf mit Jauchzen BuxWV 33 9:12 1. Frohlocket mit Händen BuxWV 29 6:59 Bettina Pahn, Miriam Meyer soprano, Klaus Mertens bass Bettina Pahn, Miriam Meyer soprano, Patrick van Goethem alto, Jörg Dürmüller tenor, Klaus Mertens bass 2. Jesu dulcis memoria BuxWV 56 9:04 2. Wo soll ich fliehen hin? BuxWV 112 17:22 Siri Thornhill, Miriam Meyer soprano Bettina Pahn soprano, Patrick van Goethem alto, Jörg Dürmüller tenor, Klaus Mertens bass 3. Erfreue dich, Erde! BuxWV 26 7:44 3. Ist es recht, daß man dem Kaiser Zinse gebe oder nicht? BuxWV 54 8:42 Bettina Pahn, Miriam Meyer soprano, Patrick van Goethem alto, Klaus Mertens bass Siri Thornhill, Miriam Meyer soprano, Bogna Bartosz alto, Jörg Dürmüller tenor, Klaus Mertens bass 4. Lobe den Herrn, meine Seele BuxWV 71 9:54 4. Also hat Gott die Welt geliebet BuxWV 5 7:50 Jörg Dürmüller tenor Johannette Zomer soprano 5. O Gott, wir danken deiner Güt BuxWV 86 8:32 5. In te, Domine, speravi BuxWV 53 2:11 Bettina Pahn, Johannette Zomer soprano, Patrick van Goethem alto, Andreas Karasiak tenor, Klaus Mertens bass Bettina Pahn soprano, Patrick van Goethem alto, Klaus Mertens bass 6. Canite Jesu nostro BuxWV 11 5:15 6. Herr, nun läßt du deinen Diener BuxWV 37 6:27 Bettina Pahn, Johannette Zomer soprano, Klaus Mertens bass Jörg Dürmüller tenor 7.
[Show full text]
Membra Jesu Nostri
CORO The Sixteen Edition CORO The Sixteen Edition Victoria Heinrich Schütz The Mystery of the Cross Musikalische Exequien Dietrich Victoria: “The sombre colours the most outstanding of Schütz's moving Buxtehude composer of the funeral music are Renaissance finely brought out in this collection.” “Music Christophers was the guardian born to conduct.” bbc radio 3, Membra cd review cor16021 cor16036 Handel J. S. Bach Jesu Messiah 3 CDs (Special Edition) Cantatas 34, 50, 147 Carolyn Sampson “…a pleasure to listen Catherine Wyn-Rogers to when played and Nostri Mark Padmore sung as well as this.” Christopher Purves the independent “…this inspiriting new performance becomes a first choice.” The Sixteen HARRY CHRISTOPHERS the sunday times cor16062 cor16039 To find out more about The Sixteen, concert tours, and to buy CDs visit www.thesixteen.com cor16082 or some people, the cyclic title Fof these cantatas by Buxtehude might conjure up a rather morbid JANE COE (1953–2007) picture. However, this meditation on Jane Coe was principal cellist the Passion, in which each of the of The Sixteen for twenty years seven cantatas contemplates parts of and we are fortunate enough Christ’s body on the cross (feet, knees, Borggreve Marco Photograph: to have recorded many CDs hands, side, breast, heart and head), is full of beauty, hope and invention. on which you can hear Jane’s exquisite playing. This disc, It is very much a chamber work and which she loved dearly, is requires a certain intimacy between performers. In the year 2000 I was very fortunate to have five choir members dedicated to her memory.
[Show full text]