Disneynature Penguins Educator's Guide
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GLAAD Media Institute Began to Track LGBTQ Characters Who Have a Disability
Studio Responsibility IndexDeadline 2021 STUDIO RESPONSIBILITY INDEX 2021 From the desk of the President & CEO, Sarah Kate Ellis In 2013, GLAAD created the Studio Responsibility Index theatrical release windows and studios are testing different (SRI) to track lesbian, gay, bisexual, transgender, and release models and patterns. queer (LGBTQ) inclusion in major studio films and to drive We know for sure the immense power of the theatrical acceptance and meaningful LGBTQ inclusion. To date, experience. Data proves that audiences crave the return we’ve seen and felt the great impact our TV research has to theaters for that communal experience after more than had and its continued impact, driving creators and industry a year of isolation. Nielsen reports that 63 percent of executives to do more and better. After several years of Americans say they are “very or somewhat” eager to go issuing this study, progress presented itself with the release to a movie theater as soon as possible within three months of outstanding movies like Love, Simon, Blockers, and of COVID restrictions being lifted. May polling from movie Rocketman hitting big screens in recent years, and we remain ticket company Fandango found that 96% of 4,000 users hopeful with the announcements of upcoming queer-inclusive surveyed plan to see “multiple movies” in theaters this movies originally set for theatrical distribution in 2020 and summer with 87% listing “going to the movies” as the top beyond. But no one could have predicted the impact of the slot in their summer plans. And, an April poll from Morning COVID-19 global pandemic, and the ways it would uniquely Consult/The Hollywood Reporter found that over 50 percent disrupt and halt the theatrical distribution business these past of respondents would likely purchase a film ticket within a sixteen months. -
Satellite Situation Report
NASA Office of Public Affairs Satellite Situation Report VOLUME 17 NUMBER 6 DECEMBER 31, 1977 (NASA-TM-793t5) SATELLITE SITUATION~ BEPORT, N8-17131 VOLUME 17, NO. 6 (NASA) 114 F HC A06/mF A01 CSCL 05B Unclas G3/15 05059 Goddard Space Flight Center Greenbelt, Maryland NOTICE .THIS DOCUMENT HAS'BEEN REPRODUCED FROM THE BEST COPY FURNISHED US BY THE SPONSORING AGENCY. ALTHOUGH IT IS RECOGNIZED THAT CERTAIN PORTIONS' ARE ILLEGIBLE, IT IS BEING RELEASED IN THE INTEREST OF MAKING AVAILABLE AS MUCH INFORMATION AS POSSIBLE. OFFICE OF PUBLIC AFFAIRS GCDDARD SPACE FLIGHT CENTER NATIONAL AERONAUTICS AND SPACE ADMINISTRATION VOLUME 17 NO. 6 DECEMBER 31, 1977 SATELLITE SITUATION REPORT THIS REPORT IS PUBLIShED AND DISTRIBUTED BY THE OFFICE OF PUBLIC AFFAIRS, GSFC. GODPH DRgP2 FE I T ERETAO5MUJS E SMITHSONIAN ASTRCPHYSICAL OBSERVATORY. SPACEFLIGHT TRACKING AND DATA NETWORK. NOTE: The Satellite Situation Report dated October 31, 1977, contained an entry in the "Objects Decayed Within the Reporting Period" that 1977 042P, object number 10349, decayed on September 21, 1977. That entry was in error. The object is still in orbit. SPACE OBJECTS BOX SCORE OBJECTS IN ORBIT DECAYED OBJECTS AUSTRALIA I I CANACA 8 0 ESA 4 0 ESRO 1 9 FRANCE 54 26 FRANCE/FRG 2 0 FRG 9 3 INCIA 1 0 INDONESIA 2 0 INTERNATIONAL TELECOM- MUNICATIONS SATELLITE ORGANIZATION (ITSO) 22 0 ITALY 1 4 JAPAN 27 0 NATC 4 0 NETHERLANDS 0 4 PRC 6 14 SPAIN 1 0 UK 11 4 US 2928 1523 USSR 1439 4456 TOTAL 4E21 6044 INTER- CBJECTS IN ORIT NATIONAL CATALOG PERIOD INCLI- APOGEE PERIGEE TQANSMITTTNG DESIGNATION NAME NUMBER SOURCE LAUNCH MINUTES NATION KM. -
The Big Draw International Festival: Drawn to Life Saturday, October 5, 2019
PRESS RELEASE The Walt Disney Family Museum Celebrates The Big Draw International Festival: Drawn to Life Saturday, October 5, 2019 San Francisco, October 1, 2019—The Walt Disney Family Museum is delighted to once again host The Big Draw, the world’s largest drawing festival. This annual, museum-wide community event will take place on OctoBer 5 and celeBrates Walt Disney’s contriButions to visual arts. In connection with this year’s “Drawn to Life” theme, experience special drawing sessions exploring nature- inspired art, create a care card for someone who needs a smile, learn how to draw Mickey Mouse, and more. Don’t miss film screenings of Disneynature’s Chimpanzee (2012) and Disney-Pixar’s Inside Out (2015), then connect back to stories told in our main galleries and in our special exhiBition, Mickey Mouse: From Walt to the World. This year, we are proud to partner with The Jane Goodall Institute’s Roots and Shoots. Founded by Goodall in 1991, Roots and Shoots is a youth service program for young people of all ages, whose mission is to foster respect and compassion for all living things, to promote understanding of all cultures and Beliefs, and to inspire each individual to take action to make the world a Better place for people, other animals, and the environment. In partnership with Caltrain and SamTrans, The Walt Disney Family Museum is pleased to offer free general admission to riders and employees, upon showing their Caltrain/SamTrans ticket or employee ID to the museum’s Ticket Desk. Riders and employees will also receive 15% off in the Museum Store. -
Smiths 0 N U N Ins Ti Tu Tion Astrophysical Observatory
SMITHS0 NUN INS TITU TION ASTROPHYSICAL OBSERVATORY OPTICAL SATELLITE- TRACKING PROGRAM Grant Number NGR 09-015-002 Semiannual Progress Report No. 20 1 January 1969 to 30 June 1969 Project Director: Fred L. Whipple Prepared for National Aeronautics and Space Administration Washington, D. C. 20546 Smithsonian Institution Astrophysical Observatory Cambridge, Massachusetts 021 38 SMITHSONIAN INS TITU TION ASTROPHYSICAL OBSERVATORY OPTICAL SATELLITE- TRACKING PROGRAM Grant Number NGR 09-015-002 Semiannual Progress Report No. 20 1 January 1969 to 30 June 1969 Project Director: Fred L. Whipple Prepared for National Ae r onauti cs and Space Administration Washington, D. C. 20546 Smithsonian Institution A s t r o phy s i cal Ob s e rvatory Cambridge, Massachusetts 021 38 908-2 TABLE OF CONTENTS Page INTRODUCTION .................................. 1 RESEARCHPROGRAMS ............................. .2 GEODETIC INVESTIGATIONS ...................... 3 ATMOSPHERIC INVESTIGATIONS ................... 6 DATAACQUISITION ............................... 8 SATELLITE- TRACKING AND DATA-ACQUISITION DEPARTMENT ................................ 9 COMMUNICATIONS ............................. 21 DATAPROCESSING ................................ 23 DATA PROCESSING ............................. 24 PHOTOREDUCTION DIVISION ...................... 27 PROGRAMMING DIVISION. ........................ 29 EDITORIAL AND PUBLICATIONS. ...................... 31 ii INTRODUCTION In support of the scientific and operational requirements under the Satellite- Tracking Program grant, the -
2013 Movie Catalog © Warner Bros
1-800-876-5577 www.swank.com Swank Motion Pictures,Inc. Swank Motion 2013 Movie Catalog 2013 Movie © Warner Bros. © 2013 Disney © TriStar Pictures © Warner Bros. © NBC Universal © Columbia Pictures Industries, ©Inc. Summit Entertainment 2013 Movie Catalog Movie 2013 Inc. Pictures, Motion Swank 1-800-876-5577 www.swank.com MOVIES Swank Motion Pictures,Inc. Swank Motion 2013 Movie Catalog 2013 Movie © New Line Cinema © 2013 Disney © Columbia Pictures Industries, Inc. © Warner Bros. © 2013 Disney/Pixar © Summit Entertainment Promote Your movie event! Ask about FREE promotional materials to help make your next movie event a success! 2013 Movie Catalog 2013 Movie Catalog TABLE OF CONTENTS New Releases ......................................................... 1-34 Swank has rights to the largest collection of movies from the top Coming Soon .............................................................35 Hollywood & independent studios. Whether it’s blockbuster movies, All Time Favorites .............................................36-39 action and suspense, comedies or classic films,Swank has them all! Event Calendar .........................................................40 Sat., June 16th - 8:00pm Classics ...................................................................41-42 Disney 2012 © Date Night ........................................................... 43-44 TABLE TENT Sat., June 16th - 8:00pm TM & © Marvel & Subs 1-800-876-5577 | www.swank.com Environmental Films .............................................. 45 FLYER Faith-Based -
Movie Catalog Movie
AVENGERS BY THE NUMBERS On-Board Inside front cover EVERYTHING GAME OF THRONES MOVIE CATALOG Pages 36-38 © 2019 Marvel © 2019 Universal City Studios Productions LLLP. All Rights Reserved. © 2019 Paramount Pictures © 2019 Warner Bros. Ent. All rights reserved. © 2019 RJD Filmworks, Inc. All Rights Reserved. © Lions Gate Entertainment, Inc. STX Entertainment 2019 © © Amazon Studios © 2019 Disney Enterprises, inc. © 2019 STX Entertainment 2019 © © Lions Gate Entertainment, Inc. © 2019 Warner Bros. Ent. All rights reserved. July/August 2019 | 1.877.660.7245 | swank.com/on-board-movies H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H ExperienceH H H H H H H H H H H H H H H H HTHE H ADVENTURESH H H H H H H H of the AVENGERS H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H © 2019 Marvel © 2019 Marvel © 2019 Marvel © 2019 Universal City Studios Productions LLLP. All Rights Reserved. © 2019 Marvel H HH H H H H H HH HH H HH HH H 2008H H H H H H HH H H H H 2008H H H H H H H H H H2010 H H H H H H H H H2011 H H H H H H H H H2011 H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H © 2019 Marvel © 2019 Marvel © 2019 Marvel © 2019 Marvel © 2019 Marvel © 2019 Marvel © 2019 Marvel H H H H H2012 H H H H H H H H H2013 H H H H H H H H H2013 H H H H H H H H H2014 H H H H H H H H H 2014H H H H H H H H H 2015H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H © 2019 Marvel © 2019 Marvel © 2019 Marvel © 2019 Marvel © 2019 Columbia Pictures Industries, Inc. -
The Plight of Our Planet the Relationship Between Wildlife Programming and Conservation Efforts
! THE PLIGHT OF OUR PLANET fi » = ˛ ≈ ! > M Photo: https://www.kmogallery.com/wildlife/2 = 018/10/5/ry0c9a1o37uwbqlwytiddkxoms8ji1 u f f ≈ f Page 1 The Plight of Our Planet The Relationship Between Wildlife Programming And Conservation Efforts: How Visual Storytelling Can Save The World By: Kelsey O’Connell - 20203259 In Fulfillment For: Film, Television and Screen Industries Project – CULT4035 Prepared For: Disneynature, BBC Earth, Netflix Originals, National Geographic, Discovery Channel, Animal Planet, Etc. Page 2 ACKNOWLEDGMENTS I cannot express enough gratitude to everyone who believed in me on this crazy and fantastic journey; everything you have done has molded me into the person I am today. To my family, who taught me to seek out my own purpose and pursue it wholeheartedly; without you, I would have never taken the chance and moved to England for my Masters. To my professors, who became my trusted resources and friends, your endless and caring teachings have supported me in more ways than I can put into words. To my friends who have never failed to make me smile, I am so lucky to have you in my life. Finally, a special thanks to David Attenborough, Steve Irwin, Terri Irwin, Jane Goodall, Peter Gros, Jim Fowler, and so many others for making me fall in love with wildlife and spark a fire in my heart for their welfare. I grew up on wildlife films and television shows like Planet Earth, Blue Planet, March of the Penguins, Crocodile Hunter, Mutual of Omaha’s Wild Kingdom, Shark Week, and others – it was because of those programs that I first fell in love with nature as a kid, and I’ve taken that passion with me, my whole life. -
Disney Oceans
EDUCATOR’S GUIDE Educational Materials developed in cooperation with © CAPRICORNIS PHOTOGRAPHS INC/SHUTTERSTOCK Introduction Disneynature OCEANS is an inspiring adventure Disneynature OCEANS is also a great way to into a liquid world few of us have ever seen before. introduce differentiated instruction to your science Yet the oceans cover more than 70 percent of our lessons. Through seeing, listening, and reading, the planet. The second Disneynature film, OCEANS, film and this guide will improve comprehension for offers an unprecedented window into this largely students at all reading levels. It will also give them unexplored world as well as an extraordinary more of a real-world learning experience through educational opportunity. this multi-media approach. OCEANS ignites the imagination. It engages OCEANS will allow students to see for themselves students to want to learn standards-based science the wonderful cast of characters that live in this content. Through this introduction to themes in the world of liquid space. They will also learn how the film, students will learn earth science, life science, oceans control much of what happens on land. physical science, chemistry, and geography. This Educator Guide builds on many of the themes developed in the film and molds them into classroom lessons that correlate to your required science standards. 2 © PIXELMAN/ SHUTTERSTOCK Contents Grades 2-6 National Science Education Standards ..........................................................................4 PHYSICAL CHARACTERISTICS OF THE -
Alan Horn Chairman, the Walt Disney Studios the Walt Disney Company
Alan Horn Chairman, The Walt Disney Studios The Walt Disney Company As Chairman of The Walt Disney Studios, Alan Horn oversees worldwide operations for The Walt Disney Studios including production, distribution, and marketing for Disney, Walt Disney Animation Studios, Pixar Animation Studios, Disneynature, Marvel Studios, and Lucasfilm, as well as Twentieth Century Fox Film, Fox Family, Fox Searchlight, Fox 2000, and Blue Sky Studios following The Walt Disney Company’s 2019 acquisition of 21st Century Fox. He also oversees Disney’s music and theatrical groups. Under Horn’s leadership, The Walt Disney Studios has set numerous records at the box office with global smash hits including Disney’s live-action “Beauty and the Beast” and “The Jungle Book”; Walt Disney Animation Studios’ “Frozen” and “Zootopia”; Pixar’s “Finding Dory,” “Coco,” and “Incredibles 2”; Marvel Studios’ “Avengers: Infinity War,” “Black Panther,” and “Captain Marvel”; and Lucasfilm’s “Star Wars: The Force Awakens,” “Rogue One: A Star Wars Story,” and “Star Wars: The Last Jedi,” among others. Prior to joining The Walt Disney Studios in 2012, Horn served as President and COO of Warner Bros., leading the studio’s theatrical and home entertainment operations, including the Warner Bros. Pictures Group, Warner Bros. Theatrical Ventures, and Warner Home Video. During Horn’s tenure from 1999 to 2011, Warner Bros. was the top-performing studio at the global box office seven times and released numerous critically acclaimed films and box office hits including the eight-film Harry Potter series, “Batman Begins,” “The Dark Knight,” “Charlie and the Chocolate Factory,” “Happy Feet,” “Sherlock Holmes,” “The Departed,” “Million Dollar Baby,” the second and third Matrix films and the Ocean’s Eleven trilogy. -
Feature Film
RAMIN DJAWADI AWARDS & NOMINATIONS HOLLYWOOD MUSIC IN MEDIA TOM CLANCY’S JACK RYAN AWARD NOMINATION (2019) Main Title Theme – TV Show/Limited Series EMMY AWARD (2019) GAME OF THRONES Outstanding Music Composition for a “The Long Night” Series (Original Dramatic Score) EMMY AWARD (2018) GAME OF THRONES Outstanding Music Composition for a Series (Original Dramatic Score) EMMY NOMINATION (2018) WESTWORLD Outstanding Music Composition for a Series (Original Dramatic Score) GRAMMY NOMINATION (2017) GAME OF THRONES Best Score Soundtrack for Visual Media WORLD SOUNDTRACK AWARD WESTWORLD, PRISON BREAK: NOMINATION (2017) RESURRECTION, THE STRAIN Best TV Composer of the Year EMMY NOMINATION (2017) WESTWORLD Best Original Main Title Theme Music EMMY NOMINATION (2014) GAME OF THRONES Outstanding Music Composition for a Series GAME AUDIO NETWORK GUILD MEDAL OF HONOR NOMINATION (2011) Best Cinematic / Cut-Scene Audio EMMY NOMINATION (2010) FLASH FORWARD Outstanding Music Composition for a Series GRAMMY NOMINATION (2006) IRON MAN Best Score Soundtrack Album iTUNES AWARD (2008) IRON MAN Best Score The Gorfaine/Schwartz Agency, Inc. (818) 260-8500 1 RAMIN DJAWADI WORLD SOUNDTRACK AWARD MR. BROOKS NOMINATION Discovery Of The Year (2007) EMMY NOMINATION (2006) PRISON BREAK Outstanding Main Title Theme Music FEATURE FILM ELEPHANT EDEN Alastair Fothergill, prod. DisneyNature Mark Linfield, dir. THE QUEEN’S CORGI Ben Stasson, prod. Lionsgate Ben Stasson, dir. SLENDER MAN Robyn Meisinger, Sarah Snow, Bradley Fischer, James Screen Gems Productions Vanderbilt, William Sherak, prods. *With Brandon Campbell Sylvain White, dir. A WRINKLE IN TIME Jim Whitaker, Catherine Hand, Adam Borba, prods. Walt Disney Studios Ava DuVernay, dir. THE MOUNTAIN BETWEEN US Peter Chernin, Jenno Topping, prods. -
©2014 Disney ©2014 Disney Enterprises, Inc
©2014 Disney ©2014 Disney Enterprises, Inc. All Rights Reserved. Disney.com/Neverbeast STORY Story Artists TROY ADOMITIS JOHN D. ANDERSON TOM BERNARDO EMMANUEL DELIGIANNIS RYAN GREEN DAVID KNOTT JIHYUN PARK ROBB PRATT LYNDON RUDDY SEUNG-HYUN OH SHANE ZALVIN Creative Development ............................VICKI LETIZIA PRODUCTION Production Managers ..................... JARED HEISTERKAMP JASON I. STRAHS Directed by ........................................ STEVE LOTER Production Coordinators ........................JILLIAN GOMEZ Produced by ...........................MICHAEL WIGERT, p.g.a. AMY PIJANOWSKI Executive Producer .............................JOHN LASSETER BARBRA PUSHIES Story by ........................................... STEVE LOTER ALLIE RUSSELL and TOM ROGERS Production Finance Lead ........................ TANYA SELLERS Screenplay by .................................... TOM ROGERS Production Secretary ....................... BRIAN MCMENAMIN and ROBERT SCHOOLEY & MARK MCCORKLE DESIGN and KATE KONDELL Original Score Composed by ..................... JOEL MCNEELY Character Design .............................RITSUKO NOTANI Editor ..........................................MARGARET HOU ELSA CHANG Art Director .....................................ELLEN JIN OVER DAVID COLMAN Animation Supervisor .................... MICHAEL GREENHOLT BOBBY CHIU Head of Story ................................. LAWRENCE GONG KEI ACEDERA CG Supervisor ...................................... MARC ELLIS Associate Producer ......................TIMOTHY -
The Walt Disney Company: a Corporate Strategy Analysis
The Walt Disney Company: A Corporate Strategy Analysis November 2012 Written by Carlos Carillo, Jeremy Crumley, Kendree Thieringer and Jeffrey S. Harrison at the Robins School of Business, University of Richmond. Copyright © Jeffrey S. Harrison. This case was written for the purpose of classroom discussion. It is not to be duplicated or cited in any form without the copyright holder’s express permission. For permission to reproduce or cite this case, contact Jeff Harrison at [email protected]. In your message, state your name, affiliation and the intended use of the case. Permission for classroom use will be granted free of charge. Other cases are available at: http://robins.richmond.edu/centers/case-network.html "Walt was never afraid to dream. That song from Pinocchio, 'When You Wish Upon a Star,' is the perfect summary of Walt's approach to life: dream big dreams, even hopelessly impossible dreams, because they really can come true. Sure, it takes work, focus and perseverance. But anything is possible. Walt proved it with the impossible things he accomplished."1 It is well documented that Walt Disney had big dreams and made several large gambles to propel his visions. From the creation of Steamboat Willie in 1928 to the first color feature film, “Snow White and the Seven Dwarves” in 1937, and the creation of Disneyland in Anaheim, CA during the 1950’s, Disney risked his personal assets as well as his studio to build a reality from his dreams. While Walt Disney passed away in the mid 1960’s, his quote, “If you can dream it, you can do it,”2 still resonates in the corporate world and operations of The Walt Disney Company.