Glossary of Flexographic Printing Terms
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Printing Technology (Offset, Flexo, Gravure, Screen, Digital, 3D Printing)
Printing Technology (Offset, Flexo, Gravure, Screen, Digital, 3D Printing) (Noncontact Printing ,Commercial Printing, Gravure Printing, Letterpress Printing, Offset Printing, Screen Printing, Offset Lithography, Lanography ,Flexography, Rotogravure, Digital Printing,3D Printing, 3D Printing Machinery, Blanket Cylinder, Plate Cylinder, Impression Cylinder, Web Offset Machines, printing press) Introduction Printing is a process of producing copies of text and pictures. Modern technology is radically changing the way publications are printed, inventoried and distributed. There are a wide variety of technologies that are used to print stuff. The main industrial printing processes are: Offset Lithography, Flexography, Digital Printing (Inkjet & Xerography), Gravure, Screen Printing. 3D printing which is also referred as additive printing technology that enables manufacturers to develop objects using a digital file and variety www.entrepreneurindia.co of printing materials. Global market for 3D printing material includes polymers, metals and ceramics. In addition, 3D printing offers a wide array of applications in various industries, namely consumer products, industrial products, defense & aerospace, automotive, healthcare, education & research and others. In India, the market for printing technology is at its nascent stage however offers huge growth opportunities in the coming years. Digital printing is now taking much more share, particularly in graphics (i.e. non- packaging applications). www.entrepreneurindia.co Digital's share of the whole market doubles in constant value terms from 9.5% to 19.7% and 3D printing market is estimated to garner $8.6 billion in coming years. The print technology in use is also changing. Digital printing is now taking much more share, particularly in graphics (i.e. non-packaging applications). Digital's share of the whole market doubles in constant value terms from 9.5% in 2008 to 19.7% by 2018, when packaging is excluded this share is 23.5% in 2012 to 38.1% by 2018. -
Other Printing Methods
FLEXO vs. OTHER PRINTING METHODS Web: www.luminite.com Phone: 888-545-2270 As the printing industry moves forward into 2020 and beyond, let’s take a fresh look at the technology available, how flexo has changed to meet consumer demand, and how 5 other popular printing methods compare. CONTENTS ● A History of Flexo Printing ● How Flexo Printing Works ● How Litho Printing Works ● How Digital Printing Works ● How Gravure Printing Works ● How Offset Printing Works ● What is Screen Printing? ● Corrugated Printing Considerations ● Flexo Hybrid Presses ● Ready to Get Started with Flexo? 2 A History of Flexo Printing The basic process of flexography dates back to the late 19th century. It was not nearly as refined, precise, or versatile as the flexo process today -- and can be best described as a high-tech method of rubber stamping. Printing capabilities were limited to very basic materials and designs, with other printing methods greatly outshining flexo. Over the past few decades flexo technology has continuously evolved. This is largely thanks to the integration of Direct Laser Engraving technology, advancements in image carrier materials, and in press technologies. These innovations, among others, have led to increased quality and precision in flexo products. These technological improvements have positioned flexography at the helm of consumer product and flexible packaging printing. Flexo is growing in popularity in a variety of other industries, too, including medical and pharmaceutical; school, home, and office products; and even publishing. How Flexo Printing Works Flexo typically utilizes an elastomer or polymer image carrier such as sleeves, cylinders, and plates. The image carrier is engraved or imaged to create the design for the final desired product. -
Aspects of Flexographic Print Quality and Relationship to Some Printing Parameters
Faculty of Technology and Science Chemical Engineering Johanna Johnson Aspects of Flexographic Print Quality and Relationship to some Printing Parameters DISSERTATION Karlstad University Studies 2008:28 Johanna Johnson Aspects of Flexographic Print Quality and Relationship to some Printing Parameters Karlstad University Studies 2008:28 Johanna Johnson. Aspects of Flexographic Print Quality and Relationship to some Printing Parameters DISSERTATION Karlstad University Studies 2008:28 ISSN 1403-8099 ISBN 978-91-7063-187-0 © The Author Distribution: Faculty of Technology and Science Chemical Engineering 651 88 Karlstad 054-700 10 00 www.kau.se Printed at: Universitetstryckeriet, Karlstad 2008 Abstract Flexographic printing is a common printing method in the packaging field. The printing method is characterized primarily by the flexible printing plate and the low viscosity inks which make it suitable for use on almost any substrate. The object of this study was to obtain further knowledge of some important mechanisms of flexographic printing and how they influence the print quality. The thesis deals with printing primarily on board and liner but also on newsprint with water-borne ink using a full- scale flexographic central impression (CI) printing press. Several printing trials have been performed with a focus on the chemical interaction between the ink and substrate and the physical contact between the ink- covered printing plate and the substrate. Multicolour printing exposes the substrate to water from the water- containing ink. The emphasis was to investigate the relation between print quality and water-uptake of the paper surface with heat and water. Printing trials was carried out on substrates possessing a hydrophobic, and also a rather hydrophilic surface using a regular commercial water-borne ink. -
Introduction to Printing Technologies
Edited with the trial version of Foxit Advanced PDF Editor To remove this notice, visit: www.foxitsoftware.com/shopping Introduction to Printing Technologies Study Material for Students : Introduction to Printing Technologies CAREER OPPORTUNITIES IN MEDIA WORLD Mass communication and Journalism is institutionalized and source specific. Itfunctions through well-organized professionals and has an ever increasing interlace. Mass media has a global availability and it has converted the whole world in to a global village. A qualified journalism professional can take up a job of educating, entertaining, informing, persuading, interpreting, and guiding. Working in print media offers the opportunities to be a news reporter, news presenter, an editor, a feature writer, a photojournalist, etc. Electronic media offers great opportunities of being a news reporter, news editor, newsreader, programme host, interviewer, cameraman,Edited with theproducer, trial version of Foxit Advanced PDF Editor director, etc. To remove this notice, visit: www.foxitsoftware.com/shopping Other titles of Mass Communication and Journalism professionals are script writer, production assistant, technical director, floor manager, lighting director, scenic director, coordinator, creative director, advertiser, media planner, media consultant, public relation officer, counselor, front office executive, event manager and others. 2 : Introduction to Printing Technologies INTRODUCTION The book introduces the students to fundamentals of printing. Today printing technology is a part of our everyday life. It is all around us. T h e history and origin of printing technology are also discussed in the book. Students of mass communication will also learn about t h e different types of printing and typography in this book. The book will also make a comparison between Traditional Printing Vs Modern Typography. -
Embodied Community and Embodied Pedagogy
ZINES, n°2, 2021 MATERIAL MATTERS: EMBODIED COMMUNITY AND EMBODIED PEDAGOGY Kelly MCELROY & Korey JACKSON Oregon State University Libraries and Press [email protected] [email protected] Abstract: In this essay, we outline how materiality can be a tool of critical pedagogy, leading to pleasure, vulnerability, and embodied learning in the classroom. Over the past four years, we have taught an honors colloquium to undergraduate students focused on self-publishing as a means to create social change. As we explore various publishing media, genres, and activist movements with our students, we combine traditional academic activities like scholarly reading and written analysis with informal hands-on craft time. Our students make collages, learn to use the advanced features on a photocopier, and collaborate on hectograph printing among other crafts, all as they begin to put together their own final DIY publication. Students regularly report that the hands-on activities are crucial to their learning, giving them new appreciation for the underground publications they read, through embodied experiences that can’t be replicated with a reading or a quiz. It also builds our community of learners, as we share ideas, borrow glue sticks, and chit-chat as we put our zines together. We will outline how we built and teach this course, placing it within our critical pedagogy – informed by bell hooks, Kevin Kumashiro, and Paulo Freire, among others – and how teaching this course has helped us incorporate embodiment into our other teaching. Keywords: embodied pedagogy, teaching, publishing. 58 Material Matters: Embodied Community and Embodies Pedagogy ZINES, n°2, 2021 INTRODUCTION Alison Piepmeier has argued that, “Zines’ materiality creates College, this course is one of a suite of course offerings community because it creates pleasure, affection, allegiance, and that highlight exploratory discovery and deep dives vulnerability” (2008, 230). -
Altered Landscapes Will Capture the Spirit of Las Vegas’S Perpetual Reinvention and the Fallacy of Its Promises
ANNUAL CONFERENCE WEDNESDAY - SATURDAY, APRIL 4 - 7, 2018 LAS VEGAS, NEVADA CONTENTS SGCI President Welcome . .3 Thursday, April 5 at Bally’s . .37 Friday, April 6 at Bally’s . 41 Welcome Letters. 5 Friday, April 6 at 5th Street School . 45 SGCI 2018 Conference Abstract . .6 INKubator Sessions. .47 Schedule . 7 Thursday, April 5 . .47 Wednesday, April 4 . .7 Friday, April 6. 50 Thursday, April 5 . .8 Career Mentor Sessions . .55 Friday, April 6. .10 Saturday, April 7 . 14 Themed Portfolios . .57 Sunday, April 8. 15 SGCI Exhibitions . .70 Awards & Speakers. 17 All That Glitters. 70 Jaune Quick - To - See - Smith . 17 Silent Auction. 71 Dennis O’Neil. 18 Exhibitions. .73 Melanie Yazzie. 19 Las Vegas Downtown & Arts District . .73 Beth Grabowski . 20 5th Street Schoolhouse. .73 Jasmine Williams. .22 Chamber Gallery . .75 Louise Fisher . .22 Nevada Humanities . .77 Emmett Merrill . .23 Priscilla Fowler Fine Arts . .78 William L. Fox. 24 Test Site Projects . .79 Jim McCormick . 24 University of Nevada - Las Vegas .. 81 Susan Boskoff . .25 Archie C. Grant Hall. 81 Chris Giunchigliani . .25 Dr. Arturo Rando Grillot Hall. .82 Bobbie Ann Howell. .26 Donna Beam Fine Arts . 83 Maureen MacNamara Barrett. .26 Marjorie Barrick Museum of Art. 86 Demonstrations . .29 College of Southern Nevada . 88 Thursday, April 5 at Bally’s . .29 Maps & Way-Finding . 91 Friday, April 5 at Bally’s . 30 Bally’s Convention Floor. 91 Friday, April 5 at UNLV . .32 2018 Vendors, Publishers, Programs Fair. .92 Tinker Town. .35 Friday, April 6 Bus Loop . 94 Panel Discussions . .37 UNLV Campus . 96 Acknowledgements. .98 2 WELCOME FROM THE SGC INTERNATIONAL PRESIDENT Dear SGC International Members: On behalf of the board of SGC International, it is my pleasure to wel- come you to Las Vegas for our annual conference! We are so happy that you’re here to contribute to our vibrant printmaking community. -
Printmaking Through the Ages Utah Museum of Fine Arts • Lesson Plans for Educators • March 7, 2012
Printmaking through the Ages Utah Museum of Fine Arts • www.umfa.utah.edu Lesson Plans for Educators • March 7, 2012 Table of Contents Page Contents 2 Image List 3 Printmaking as Art 6 Glossary of Printing Terms 7 A Brief History of Printmaking Written by Jennifer Jensen 10 Self Portrait in a Velvet Cap , Rembrandt Written by Hailey Leek 11 Lesson Plan for Self Portrait in a Velvet Cap Written by Virginia Catherall 14 Kintai Bridge, Province of Suwo, Hokusai Written by Jennifer Jensen 16 Lesson Plan for Kintai Bridge, Province of Suwo Written by Jennifer Jensen 20 Lambing , Leighton Written by Kathryn Dennett 21 Lesson Plan for Lambing Written by Kathryn Dennett 32 Madame Louison, Rouault Written by Tiya Karaus 35 Lesson Plan for Madame Louison Written by Tiya Karaus 41 Prodigal Son , Benton Written by Joanna Walden 42 Lesson Plan for Prodigal Son Written by Joanna Walden 47 Flotsam, Gottlieb Written by Joanna Walden 48 Lesson Plan for Flotsam Written by Joanna Walden 55 Fourth of July Still Life, Flack Written by Susan Price 57 Lesson Plan for Fourth of July Still Life Written by Susan Price 59 Reverberations, Katz Written by Jennie LaFortune 60 Lesson Plan for Reverberations Written by Jennie LaFortune Evening for Educators is funded in part by the StateWide Art Partnership and the Professional Outreach Programs in the Schools (POPS) through the Utah State Office of Education 1 Printmaking through the Ages Utah Museum of Fine Arts • www.umfa.utah.edu Lesson Plans for Educators • March 7, 2012 Image List 1. Rembrandt Harmensz van Rijn (1606-1669), Dutch Self Portrait in a Velvet Cap with Plume , 1638 Etching Gift of Merrilee and Howard Douglas Clark 1996.47.1 2. -
The Story of Xerography Page 1 of 13
The Story of Xerography Page 1 of 13 Our Heritage, Our Commitment "10-22-38 ASTORIA" This humble legend marks the time and place of an auspicious event. It is the text of the first xerographic image ever fashioned. It was created in a makeshift laboratory in Queens, NY. by a patent attorney named Chester Carlson, who believed that the world was ready for an easier and less costly way to make copies. Carlson was proved right only after a discouraging ten-year search for a company that would develop his invention into a useful product. It was the Haloid Company, a small photo-paper maker in Rochester, N.Y, which took on the challenge and the promise of xerography and thus became, in a breathtakingly short time, the giant multinational company now known to the world as Xerox Corporation. This report contains several stories about xerography: the man who invented it, the company that made it work, and the products it yielded for the benefit of mankind. These stories chronicle a classic American success story: How men of courage and vision grew a highly profitable business from little more than the seed of an idea. Certainly, Xerox has changed greatly in size and scope since the historic 914 copier was introduced in 1959. But we also believe that the basic personality of Xerox has never changed. We are convinced that the essential attributes that brought the young Xerox such spectacular rewards in office copying are the same attributes we need to assure continued success for the mature Xerox as it develops total office information capability. -
Flexible Packaging Printing Processes Overview Slide 2 2009 Consumer Packaging Solutions for Barrier Performance Course
2009 Consumer Packaging Solutions for Barrier Performance Course FlexibleFlexible PackagingPackaging PrintingPrinting ProcessesProcesses OverviewOverview Presented by: Warren E. Durling Associate Research Fellow The Clorox Company (GLAD) 2009 Consumer Packaging Solutions For Barrier Performance Course Flexible Packaging Printing Processes Overview Slide 2 2009 Consumer Packaging Solutions For Barrier Performance Course The Basics of Flexible Packaging Printing DEFINITION: Applying ink to a substrate to produce an image or text PRINTING METHODS: Flexography and Rotogravure the two most widely utilized methods for Flexible Packaging FOCUS: Design to Substrate; the “process” described Structures and Print location Understanding Ink Substrate Surface Preparation Methods and Equipment in detail Reproduction Basics; line and process printing Flexible Packaging Printing Processes Overview Slide 3 2009 Consumer Packaging Solutions For Barrier Performance Course Design to Substrate Preproduction Design Creation Ink Management Substrate Image Preparation Color Separation Management Press Make Ready Cylinder or Plate Making Press Cleaning and Maintenance PrintingPrinting Converting Flexible Packaging Printing Processes Overview Slide 4 2009 Consumer Packaging Solutions For Barrier Performance Course SURFACE Printing Flexible Packaging Printing Processes Overview Slide 5 2009 Consumer Packaging Solutions For Barrier Performance Course REVERSE Printing 2 Layer Structures Flexible Packaging Printing Processes Overview Slide 6 2009 Consumer Packaging -
Electrical Equipment; Parts Thereof; Sound Recorders and Reproducers, Television Image and Sound Recorders and Reproducers, and Parts and Accessories of Such Articles
SECTION-XVI 692 CHAPTER-84 SECTION XVI MACHINERY AND MECHANICAL APPLIANCES; ELECTRICAL EQUIPMENT; PARTS THEREOF; SOUND RECORDERS AND REPRODUCERS, TELEVISION IMAGE AND SOUND RECORDERS AND REPRODUCERS, AND PARTS AND ACCESSORIES OF SUCH ARTICLES NOTES : 1. This Section does not cover : (a) transmission or conveyor belts or belting, of plastics of Chapter 39, or of vulcanised rubber (heading 4010), or other articles of a kind used in machinery or mechanical or electrical appliances or for other technical uses, of vulcanised rubber other than hard rubber (heading 4016); (b) articles of leather or of composition leather (heading 4205) or of furskin (heading 4303), of a kind used in machinery or mechanical appliances or for other technical uses; (c) bobbins, spools, cops, cones, cores, reels or similar supports, of any material (for example, Chapter 39, 40, 44 or 48 or Section XV); (d) perforated cards for Jacquard or similar machines (for example, Chapter 39 or 48 or Section XV); (e) transmission or conveyor belts or belting of textile material ( heading 5910) or other articles of textile material for technical uses (heading 5911); (f) precious or semi-precious stones (natural, synthetic or reconstructed) of headings 7102 to 7104, or articles wholly of such stones of heading 7116 except unmounted worked sapphires and diamonds for styli (heading 8522); (g) parts of general use, as defined in Note 2 to Section XV, of base metal (Section XV), or similar goods of plastics (Chapter 39); (h) drill pipe (heading 7304); (ij) endless belts of metal wire -
Examination of Photocopies and Computer Print Outs
Examination of photocopies and computer print outs Surbhi Mathur Assistant Professor Gujarat Forensic Sciences University What is a photocopy???? • It is a copy of usually written or printed material made with a process in which an image is formed by the action of light usually on an electrically charged surface. Contd…. • It is also called xerography, which was derived from two Greek words “xeros” , meaning dry and “graphos” , meaning writing. • Xerography was invented in the late 1930s by an American patent lawyer named Chester Carlson. It is a printing and photocopying technique that works on the basis of electrostatic charges. How does photocopier machine works??? • To produce photocopies of an original document, the photocopy machine first makes a temporary image, a sort of negative of the original. • Inside the machine is cylinder or drum made of a highly conductive metal, usually aluminum, coated with a photoconductive, often selenium. Contd…. • The surface of the drum is then charged using LED or laser light source. • The printed area of the original document will form positive charge on the drum, forming a latent image of the printed matter. Contd…. • The charge on the image area is used to attract the negative toner particles to make the image visible on the drum surface. • A stronger electrical charge of the same type is given to the paper. This causes toner to transfer from drum to paper. Contd…. • The toner is adhered or fixed to the paper by heat and pressure. • A lamp or hot roller melts the toner, which is absorbed into the paper. Handling of photocopied documents • Photocopied exhibits should be stored in paper folders not plastic. -
Printing Press Operations
Property Risk Consulting Guidelines PRC.17.18.1 A Publication of AXA XL Risk Consulting PRINTING PRESS OPERATIONS INTRODUCTION Printing has progressed from the Gutenberg press, which required three minutes per impression, to today’s multicolor, two-sided, continuous presses that operate well in excess of 2000 ft/min (610 m/min). There are four major printing processes: lithography, letterpress, gravure and silk-screening. A lithography offset press prints from a level or plane surface; a letterpress prints from a raised surface; a gravure press prints from a depressed or sunken surface; and silk-screening prints by pushing ink through fabric. From the 6th Annual Report to the Congress of the United States: Printing Industry report, Figure 1 shows 1994 industry market share. PROCESSES AND HAZARDS The hazards of printing presses include the transfer and use of flammable inks; solvent recovery and pollution control devices; hydraulic and lubrication oil systems; gas or oil-fired dryers; electrostatic buildup from high press speeds; paper dust; and paper storage near presses. This section discusses common printing processes and their hazards. Loss prevention and control guidelines address construction features, flammable and combustible liquids handling, protection of the press area, electrical features, drying, and the disposal of solvent vapors. 50 47 45 40 35 30 28 25 19 20 Percent (%) Percent 15 10 5 3 3 0 Lithographic Letterpress Gravure Silk-screen Other Figure 1. Market share by process. 100 Constitution Plaza, Hartford, Connecticut 06103 Copyright 2020, AXA XL Risk Consulting Global Asset Protection Services, LLC, AXA Matrix Risk Consultants S.A. and their affiliates (“AXA XL Risk Consulting”) provide loss prevention and risk assessment reports and other risk consulting services, as requested.