COLOR PRINTING Charles W ood Bookseller P.O. Box 382369 / Cambridge / MA 02238 [
[email protected]] 617-868-1711 Mar ch 2019 BaXter’s masterpiece 1. BaXter, G. The pictorial album, or cabinet of paintings, con- taining eleven designs, executed in oil colours. london: chapman & Hall, 1837 $1500.00 fine copy of the first and only edition of this very important book in the history of color printing; it was not a commercial success and is not today common. “it is, however, a remarkable book, and it is cer- tain that nothing like the colour plates had ever been seen before. the styles and subjects of the mediocre paintings chosen are varied, and fully demonstrate the richness of Baxter’s results, although the repro- ductions are all small. the book also contains a preface on the history of colour printing, with a description of the new process by carpmael, Baxter’s patent agent; he christens the process ‘picture- printing’, states that for some of the pictures up to twenty blocks were used, ‘and even the most simple in point of colour, have required not less than ten’, and adds that it is hoped to produce another series ‘should they be favourably received by the public, with whom the decision respecting their merit must finally rest.’ in fact, no collection of Baxter’s prints was ever published again in book form.” (mclean, VBD, p 38. Jay last has written: “Baxter was granted a patent in 1835 for a process whereby a succession of colored woodblocks was imprinted on a master engraved or litho- graphed key impression.