Symphony Hall, Boston Huntington and Massachusetts Avenues

Total Page:16

File Type:pdf, Size:1020Kb

Symphony Hall, Boston Huntington and Massachusetts Avenues SYMPHONY HALL, BOSTON HUNTINGTON AND MASSACHUSETTS AVENUES Branch Exchange Telephones, Ticket and Administration Offices, Back Bay 1492 INC. PIERRE MONTEUX, Conductor FORTY-SECOND SEASON, 1922-1923 Programme WITH HISTORICAL AND DESCRIPTIVE NOTES BY PHILIP HALE COPYRIGHT, 1923, BY BOSTON SYMPHONY ORCHESTRA, INC. THE OFFICERS AND TRUSTEES OF THE BOSTON SYMPHONY ORCHESTRA, Inc. FREDERICK P. CABOT President GALEN L. STONE Vice-President ERNEST B. DANE Treasurer ALFRED L. AIKEN ARTHUR LYMAN FREDERICK P. CABOT HENRY B. SAWYER ERNEST B. DANE GALEN L. STONE M. A. DE WOLFE HOWE BENTLEY W. WARREN JOHN ELLERTON LODGE E. SOHIER WELCH W. H. BRENNAN. Manager G. E. JUDD, Assistant Manager S97 "UHE INSTRUMENT OF THE IMMORTALS QOMETIMES people who want a Steinway think it economi- cal to buy a cheaper piano in the beginning and wait for a Steinway. Usually this is because they do not realize with what ease Franz Liszt at his Steinwa* and convenience a Steinway can be bought. This is evidenced by the great number of people who come to exchange some other piano in partial payment for a Steinway, and say: "If I had only known about your terms I would have had a Steinway long agol" You may purchase a new Steinway piano with a cash deposit of 10%, and the bal- ance will be extended over a period of two years. 'Prices: $875 and up. Convenient terms. Used pianos taken in exchange. 1 lilNWAY & SONS, STEINWAY HALL 109 EAST 14th STREET NEW YORK Subway Express Stations at the Door REPRESENTED BY THE FOREMOST DEALERS EVERYWHERE S9S Bostoi Forty-second Season, 1922-1923 PIERRE MONTEUX, Conductor Violins. Burgin, R. Hoffmann, J. Concert-master. Mahn, F. Theodorowicz, J. "?yl voice that quickens the musical ear of childhood — a voice that stirs the musician to his most inspired moments, and yet a voice that is as human and intimate as the voice of a lifelong friend?* Thus is described the exquisite Tone — the "Voice" of the *^^lfx^raS^§)- ^ ' ^Established 1823O- C PIANO shall be glad to welcome you to our isic Rooms, and let the Chickering carry own message to you in a half hour or so 900 FORTY-SECOND SEASON. NINETEEN HUNDRED TWENTY-TWO & TWENTY-THREE Pounrteeimtihi ProETammc FRIDAY AFTERNOON, FEBRUARY 9, at 2.30 o'clock SATURDAY EVENING, FEBRUARY 10, at 8.15 o'clock Chausson Symphony in B-flat major, Op. 20 I. Lent; Allegro vivo. II. Tres lent. III. Anime. Ballantine . "From the Garden of Hellas," Suite for Orchestra (First Performance) a. Invocation to Pan. b. Nocturne. c. Aphrodite. d. Unloose your Cables. Mendelssohn .... Concerto in E minor for Violin, Op. 64 I. Allegro molto appassionato. II. Andante. III. Allegretto non troppo; Allegro molto vivace. Turina . Danzas Fantasticas (First time in America) a. Ensueiio. b. Orgia. SOLOIST TOSCHA SEIDEL There will be an intermission of ten minutes after Ballantine's Suite City of Boston, Revised Regulation of August 5. 1898, —Chapter 3, relating to the covering of the head in places of public amusement Every licensee shall not, in his place of amusement, allow any person to wear upon the head a covering which obstruct* the view of the exhibition or performance in such place of any person seated in any seat therein provided for spectators, it being understood that a low head covering without projection, which does not obstruct such view, may be worn. Attest: J. M. CALVIN. City Clerk. The works to be played at these concerts may be seen in the Allen A. Brown Music Collection of the Boston Public Library one week before the concert. 901 YEAR RO TiraYel Service Raymond-Whitcomb, the oldest and largest American travel concern maintain a staff of travel experts to assist individual travelers contemplating journeys at any time of the year to any part of the world where such travel is safe or desirable. As representatives of the numerous steamship lines we are in a position to furnish accommodations to individual requirements at steam- ship companies' regular rates SOME DESIRABLE FIELDS OF TRAVEL In addition we also furnish railroad CALIFORNIA—HAWAII transportation and Pullman accommo- FLORIDA—CUBA dations, plan itineraries — in short, we NASSAU—BERMUDA make your arrangements for you JAMAICA—SOUTHERN RESORTS—EUROPE expertly and economically and save you JAPAN—CHINA time, anxiety and guess work We issue twice a year our "Guide to Travel" which is a concise volume containing complete information essential to preliminary travel planning (including estimated coHs and in- dicating all principal resorts and routes) You may have a copy on request Raymond & iUCOIB. rompaiay 17 TEMPLE PLACE, BOSTON Tel. Beach 6964 902 ; Symphony in B-flat, Op. 20 Ernest Chausson (Born at Paris on January 21, 1S55 ; killed at Limay by a bicycle accident, June 10, 1899.) This symphony, completed, if not wholly written, in 1890, was performed for the first time at a concert of the Societe Nationale, Paris, April 18, 1891, and again at its concert on April 30, 1892 but it was first "revealed to the Parisian public"—to quote the phrase of M. Pierre de Breville—at a concert of the Berlin Philhar- monic Orchestra, led by Arthur Mkisch, at the Cirque d'Hiver, Paris, on May 13, 1897. In 1897 it was performed at an Ysaye con- cert in Brussels (January 10). The first performance of the symphony in this country was by the Boston Symphony Orchestra, Vincent d'Indy conductor by invi- tation, at Philadelphia, December 4, 1905. The first performance in Boston was at a concert of the Boston Symphony Orchestra, Mr. Gericke conductor, January 19, 1906; the second performance was on October 20, 1916; the third on November 28, 1919. The symphony, dedicated to Henry Lerolle, is scored for three flutes (one interchangeable with piccolo), two oboes, English horn, two clarinets, bass clarinet, three bassoons, four horns, four trum- COMPOSITIONS BY \I IALLANTIN LYRICS FROM THE GREEK No. 1. Corinth 60 No. 4. My Star .50 .50 2. Aphrodite ... .50 5. Cypris . 3. 'Neath this Tall Pine . .50 6. The Shepherd's Elegy .50 No. 7. To Kale . .50 Everywhere the dignity, the Attic restraint, the frequent nobility of the verses find adequate, often elequent expression in Mr. Ballantine's music. For the encouragement of singers let it be said that these songs are essentially "vocal." exacting demand is that of interpretation. Their most Boston Transcript VIOLIN and PIANO pets, three trombones, bass tuba, a set of three kettledrums, two harps, and strings. It is in three movements. The following sketch is, in large measure, a paraphrase of an article written by Stephane Risvaeg. I. Lent, B-flat, 4-4. An introduction in a broad and severe style begins with a clearly defined figure in unison (violas, violoncellos, double-basses, clarinet, horn). The composer establishes at once the mood and announces the leading motives of the symphony, in their subtle essence at least, if not in their plastic reality. Strings and woodwind instruments are used delicately in counterpoint. After short episodes (horns and violas) the orchestra little by little becomes quiet, and, while the background is almost effaced, a little run of violins and wood-wind instruments introduces the Allegro vivo (3-4). The chief theme, one of healthy but restrained joy, exposed in a simple maimer (m/) by horn and bassoon, passes then from horn and bassoon to oboe and violoncello and in fragments to other in- struments. The ornamentation, though habitually sombre, under- goes modifications. There is a fortissimo tutti, allegro molto, which is followed immediately by a second theme, more exuberant in its joy, more pronounced than the first. It is sung at first by flutes, English horn, and horns, with violins and violas, and with a harp ¥©§© GRAND QUALITY and REPUTATION enable you to know in advance that the WG§d is a most satisfactory piano. WE CHALLENGE COMPARISON VOSE & SONS PIANO CO. 160 Boylston St., Boston, Mass. 904 L. P. HOLLANDER CO. Est. 1848 Imported Cottoais 1 Smart Fabrics and Colorings including Plain and Novelty Homespuns Heather Weaves Cotton Bereges Plain and Printed Novelty Voiles Solid Color and Printed Dimities Ginghams Dress Linens Silk and Cotton Crepes 202-214 BOYLSTON ST. and PARK SQ., BOSTON ^y^m^^^jf^w^u Harmony in Glassware GLASSWARE plays an important and delight- ful part in the appearance of the dining table. How careful you should be, then, that it is carefully selected and that every piece in use matches or harmonizes. Open Stock in glassware offers you the op- portunity of selecting the design of cutting or etching and a shape which pleases you and which may be used for all your table glassware. Tumblers, goblets, sherbet glasses, iced-tea Crockery glasses, wine glasses, finger bowls—you can buy them all at once, or add or replace pieces China from time to time as you wish. Glassware You will find a variety of selection and Gifts prices on our street floor. Jones, McDuffee & Stratton CORPORATION Established 1810 ^33 Franklin St., Boston enlacemeut. A short phrase of a tender melancholy is given to viola, violoncello, and clarinet. The Allegro is based on these themes, which are developed and combined with artistic mastery and Avith unusual harmonization. "It is an unknown landscape, but it is seen in a clear light, and it awakens in the hearer impression of an inexpressible freshness." In the final measures of this move- ment the initial theme becomes binary (Presto) ; the basses repeat the elements of the Allegro, and the hearer at the end is conscious of human, active joy. II. Tres lent (with a great intensity of expression). The title should be "Grief." At first a deep and smothered lamentation, which begins and ends in D minor without far-straying modulations.
Recommended publications
  • Boston Symphony Orchestra Concert Programs, Season 67, 1947-1948, Subscription
    SYMPHONY HALL, BOSTON HUNTINGTON AND MASSACHUSETTS AVENUES Telephone, Commonwealth 6-1492 SIXTY-SEVENTH SEASON, 1947-1948 CONCERT BULLETIN of the Boston Symphony Orchestra SERGE KOUSSEVITZKY, Music Director Richard Burgin, Associate Conductor with historical and descriptive notes by John N. Burk COPYRIGHT, 1948, BY BOSTON SYMPHONY ORCHESTRA, Inc. The TRUSTEES of the BOSTON SYMPHONY ORCHESTRA, Inc. Henry B. Cabot . President Henry B. Sawyer . Vice-President Richard C. Paine . Treasurer Philip R. Allen M. A. De Wolfe Howe John Nicholas Brown Jacob J. Kaplan Alvan T. Fuller Roger I. Lee Jerome D. Greene Lewis Perry N. Penrose Hallowell Raymond S. Wilkins Francis W. Hatch Oliver Wolcott George E. Judd, Manager 1281 [ ] © © © © © © © © © © © © © © © Only © © © © © © you can © © © © © © decide © © © © © © © © © © © Whether your property is large or small, it rep- © © resents the security for your family's future. Its ulti- © © © © mate disposition is a matter of vital concern to those © © you love. © © © © To assist you in considering that future, the Shaw- © © mut Bank has a booklet: "Should I Make a Will?" © © It outlines facts that everyone with property should © © © © know, and explains the many services provided by © © this Bank as Executor and Trustee. © © © © Call at any of our 2 J convenient 'offices, write or telephone © © for our booklet: "Should I Make a Will?" © © © © © © © © © The V^tional © © © © © Shawmut Bank © © 40 Water Street^ Boston © © Member Federal Deposit Insurance Corporation © © Capital $10,000,000 Surplus $20,000,000 © "Outstanding Strength"for 112 Years © © [ 1282 ] ! SYMPHONIANA Can you score 1 The "Missa Solemnis" 00? Peabody Award for Broadcasts Honor to Chaliapin New England Opera Theatre Finale FASHION THE 'MISSA SOLEMNIS" QUIZ Instead of trying to describe the mighty Mass in D major, to be per- 1.
    [Show full text]
  • Boston Symphony Orchestra Concert Programs, Season 72
    BOSTON SYMPHONY ORCHESTRA FOUNDED IN 1881 BY SEVENTY-SECOND SEASON I 95 2 " I 953 Tuesday Evening Series BAYARD TUCKERMAN, J«. ARTHUR J. ANDERSON ROBERT T. FORREST JULIUS F. HALLER ARTHUR J. ANDERSON. Ja. HERBERT SEARS TUCKERMAN OBRION, RUSSELL & CO Insurance of Every Description "A Good Reputation Does Not Just Happen — It Must Be Earned.*' 108 Water Street Los Angeles, California Boston, Mass. 3275 Wilshire Blvd. Telephone Lafayette 3-S700 Dunkirk 8-3S16 SYMPHONY HALL, BOSTON HUNTINGTON AND MASSACHUSETTS AVENUES Telephone, Commonwealth 6-1492 SEVENTY^SECOND SEASON, 1952-1953 CONCERT BULLETIN of the Boston Symphony Orchestra CHARLES MUNCH, Music Director Richard Burgin, Associate Conductor with historical and descriptive notes by John N. Burr The TRUSTEES of the BOSTON SYMPHONY ORCHESTRA, Inc. Henry B. Cabot President Jacob J. Kaplan Vice-President Richard C. Paine Treasurer Philip R. Allen M. A. De Wolfe Howe John Nicholas Brown Michael T. Kelleher Theodore P. Ferris Lewis Perry Alvan T. Fuller Edward A. Taft N. Penrose Hallowell Raymond S. Wilkins Francis W. Hatch Oliver Wolcott George E. Judd, Manager T. D. Perry, Jr. N. S. Shirk, Assistant Managers [«] 4* 4» * * * * * 4 UNTROUBLED 4* * + * * * * * PASSAGE * * The Living Trust 4* * * * It is an odd contradiction that financial success sometimes brings * less, rather than more, personal freedom to enjoy it. Instead of un- 4* 4* troubled passage, there is often the difficult job of steering invest- 4* * ments through more and more complex channels. * 4» For this reason, a steadily increasing number of substantial men * and women are turning to the Living Trust. * 4* 4* The man or woman who has acquired capital which he or she wishes to invest for income, yet lacks either the necessary time or * 4* knowledge .
    [Show full text]
  • July 1946) James Francis Cooke
    Gardner-Webb University Digital Commons @ Gardner-Webb University The tudeE Magazine: 1883-1957 John R. Dover Memorial Library 7-1-1946 Volume 64, Number 07 (July 1946) James Francis Cooke Follow this and additional works at: https://digitalcommons.gardner-webb.edu/etude Part of the Composition Commons, Music Pedagogy Commons, and the Music Performance Commons Recommended Citation Cooke, James Francis. "Volume 64, Number 07 (July 1946)." , (1946). https://digitalcommons.gardner-webb.edu/etude/193 This Book is brought to you for free and open access by the John R. Dover Memorial Library at Digital Commons @ Gardner-Webb University. It has been accepted for inclusion in The tudeE Magazine: 1883-1957 by an authorized administrator of Digital Commons @ Gardner-Webb University. For more information, please contact [email protected]. PHOTO BY PHILIP ^ENDREAU, N. Y. mm . ! i-AYVRENCE TIBBETT, recently appeared for the first time on STUDY? Metropolitan Opera any operatic stage when she sang the TO Bass, and Robert Law- title role in “Carmen” with the New York SHALL I GO WHERE rence, former music City Opera Company. According to news- critic turned, conductor, paper accounts, she “made an instant and making joint con- are pronounced success . giving an im- York City) operatic^ ap- Private Teachers (New cert and personation of uncommon interest and pearances in Italy, fea- appeal.” (^JniroJucing a post war marvel of concerts HELEN ANDERSON turing in their DAVIS American com- Walt music world, completely revolutionizing HAROLD FREDERICK Concert Pianist Lawrence music by whitman’s elegy, “When Lilacs the piano, harmony Tibbett Tibbett is Last in the VOICE Interesting course— posers.
    [Show full text]
  • Download Levitz Musicological Elite.Pdf
    The Musicological Elite Tamara Levitz Musicologists have been gripped by the desire to democratize, diversify, decolonize, and popularize their discipline. Driven by a growing moral demand to challenge the Eurocentric, heteronormative, exclusionary, colonial, settler colonial, non-diverse, and white supremacist legacies of a discipline plagued by its rootedness in European classical musical tradi- tions, they have recently accelerated their efforts to expand the traditional canon, reform curriculum, and explore new mediums for the dissemina- tion of ideas (for example, “popular” internet blogs over expensive aca- demic monographs). In spring 2017, the Department of Music at Harvard University symbolically led the charge in this effort by announcing they would no longer require music theory and other courses, but rather ask students to pick “no more than two” of each type of course in their pro- gram, design their study plan with the Director of Undergraduate Studies, and include a rationale that outlines their path through the major. The only requirements left are the “Concentration Tutorials” that include courses on “Thinking about Music” and “Critical Listening.”1 Harvard Professors stressed that this change would create more “flexible pathways” through their program, eliminate the class-based implicit requirements to enter it, and, most importantly, allow for a greater diversity of students and student interests.2 Reactions to these plans on social media have been vehement and fiercely divided.3 That the standard curriculum in musicology programs has become an open wound or festering reminder of the labor injustice, class division, exclusions, structures of white supremacy, and inequality in the discipline became apparent again in October 2017, when an acrimonious debate, this time about eliminating the language requirements in musicology programs, erupted on the listserv of the American Musicological Society.
    [Show full text]
  • Boston Symphony Orchestra Concert Programs, Season 76, 1956-1957
    Ha G. / i.] BOSTON SYMPHONY OR.CHE STRA FOUNDED IN 1881 BY HENRY LEE HIGGINSON -7 f 'mm X a^b- m. iilMliiiill rf4 ~pFlj^ \ SEVENTY-SIXTH SEASON i95 6 - x 957 Sunday Afternoon Series BAYARD TUCKERMAN. JR. ARTHUR J. ANDERSON ROBERT T. FORREST JULIUS F. HALLER ARTHUR J. ANDERSON. JR. HERBERT S. TUCKERMAN J. DEANE SOMERVILLE It takes only seconds for accidents to occur that damage or destroy property. It takes only a few minutes to develop a complete insurance program that will give you proper coverages in adequate amounts. It might be well for you to spend a little time with us helping to see that in the event of a loss you will find yourself protected with insurance. WHAT TIME to ask for help? Any time! Now! CHARLES H. WATKINS & CO. CHARLES H. WATKINS RICHARD P. NYQUIST in association with OBRION, RUSSELL & CO. Insurance of Every Description 108 Water Street Boston 6, Mass. LA fayette 3-5700 SYMPHONY HALL, BOSTON Telephone, Commonwealth 6-1492 SEVENTY-SIXTH SEASON, 1956-1957 8 CONCERT BULLETIN of the 4\ Boston Symphony Orchestra CHARLES MUNCH, Music Director Rich\rd Burgin, Associate Conductor with historical and descriptive notes by John N. Burk The TRUSTEES of the Inc. BOSTON SYMPHONY ORCHESTRA, c-cr Henry B. Cabot President UUL — Jacob Kaplan Vice-President J. A° Richard C. Paine Treasurer Talcott M. Banks, Jr. E. Morton Jennings, Jr. Theodore P. Ferris Michael T. Kelleher Alvan T. Fuller Palfrey Perkins Francis W. Hatch Charles H. Stockton Harold D. Hodgkinson ^DWARD A. TaFT*^ C. D. Jackson Raymond 5.
    [Show full text]
  • Table of Contents
    The Proceedings of the Cambridge Historical Society, Volume 28, 1942 TABLE OF CONTENTS ​PROCEEDINGS ONE HUNDRED THIRTY-NINTH MEETING................................................................5 ONE HUNDRED FORTIETH MEETING.....................................................................7 ONE HUNDRED FORTY-FIRST MEETING................................................................8 ONE HUNDRED FORTY-SECOND MEETING..........................................................9 PAPERS THOMAS FULLER AND HIS DESCENDANTS.............................................................11 BY ARTHUR B. NICHOLS THE WYETH BACKGROUND.......................................................................................... 29 BY ROGER GILMAN ALL ABOARD THE "NATWYETHUM"............................................................................... 35 BY SAMUEL ATKINS ELIOT LONGFELLOW AND DICKENS........................................................................................ 55 THE STORY OF A TRANS-ATLANTIC FRIENDSHIP BY HENRY WADSWORTH LONGFELLOW DANA LOIS LILLEY HOWE'S INTRODUCTION TO THE CENTENARY OF THE CAMBRIDGE BOOK CLUB............................................................................................. 105 THE CENTENARY OF THE CAMBRIDGE BOOK CLUB.............................................. 109 BY FRANCIS GREENWOOD PEABODY ANNUAL REPORTS......................................................................... 121 MEMBERS....................................................................................... 125 THE CAMBRIDGE
    [Show full text]
  • PREPARING a CONDUCTING RECITAL by NATHANIEL JOSEPH GOUGE
    Preparing a Conducting Recital Item Type text; Electronic Thesis Authors Gouge, Nathaniel Joseph Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 28/09/2021 23:27:02 Item License http://rightsstatements.org/vocab/InC/1.0/ Link to Item http://hdl.handle.net/10150/624998 PREPARING A CONDUCTING RECITAL By NATHANIEL JOSEPH GOUGE ____________________ A Thesis Submitted to The Honors College In Partial Fulfillment of the Bachelor’s degree with Honors in Music – Voice Performance THE UNIVERSITY OF ARIZONA MAY 2017 Approved by: ____________________________ Dr. Elizabeth Schauer Associate Professor of Music Associate Director of Choral Activities ABSTRACT Nathaniel Joseph Gouge: Preparing a Conducting Recital (Under the direction of Dr. Elizabeth Schauer) On Saturday, November 19, 2016 at 7:45 p.m. in Room 232 of the University of Arizona Fred Fox School of Music, Grace Kim and I presented an Undergraduate Conducting Recital under the guidance of Dr. Elizabeth Schauer. I conducted four pieces as part of the recital, including “The Hands that First Held Mary’s Child” by Dan Forrest, “Remember” from Two Rossetti Songs by Stephen Chatman, “The Moon is Distant from the Sea” by David N. Childs, and “Sleigh Ride” arranged by Andy Beck. Preparing to conduct these pieces involved a lot of work, much of which I have included in this thesis, including: researching biographies of the composers, arrangers, and poets associated with the pieces; doing literary analyses of the texts of the pieces; musical observations of the pieces; and critical reflection concerning rehearsal plans, cultivating the sound of the ensemble, and putting together the recital.
    [Show full text]
  • "A Performer's View: Libraries in My Life" in "Music Librarianship in America, Part 4: Music Librarians and Performance"
    "A performer's view: Libraries in my life" in "Music librarianship in America, Part 4: Music librarians and performance" The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters Citation Hillyer, Raphael. 1991. "A performer's view: Libraries in my life" in "Music librarianship in America, Part 4: Music librarians and performance". Harvard Library Bulletin 2 (1), Spring 1991: 110-116. Citable link http://nrs.harvard.edu/urn-3:HUL.InstRepos:42661670 Terms of Use This article was downloaded from Harvard University’s DASH repository, and is made available under the terms and conditions applicable to Other Posted Material, as set forth at http:// nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use#LAA I IO A Performer's View: Libraries in My Life Raphael Hillyer t has been fifty-one years since my graduate student days at Harvard, where I I studied music with Walter Piston, Tillman Merritt, Hugo Leichtentritt, and Edward Burlingame Hill, and mathematics with George Birkhoff. My contem- poraries included Harold Shapero, Irving Fine, Elliot Forbes, Gib Sturges, Leonard Bernstein, Jesse Ehrlich, Jan LaRue, Henry Mishkin, Jonathan Schiller, William Austin, and, of course, Richard French. Archibald Davison, Woody Woodworth, and Donald Grout were very much in evidence. Being at Harvard changed my life's goals. As an undergraduate in a small New Hampshire town, I had been thinking of studying mathematics, but then, in a great university, surrounded by musicians, the choice was definitely music. The music library at Harvard in 1936 was a modest room one floor above Paine Hall.
    [Show full text]
  • Boston Symphony Orchestra Concert Programs, Season 74, 1954-1955
    BOSTON SYMPHONY ORCHESTRA FOUNDED IN 1881 BY HENRY LEE HIG SEVENTY-FOURTH SEASON !954-i955 Tuesday Evening Series BAYARD TUC3LERMAN, JR. ARTHUR J. ANDERSON RORERT T. FORREST JULIUS F. HALLER ARTHUR J. ANDERSON. JR. HERBERT S. TUGKERIIAH We blueprint the basic structure for the insur- ance of our clients and build their protection on a sound foundation. Only by a complete survey of needg, followed by intelligent counsel, can a proper insurance program be constructed. We shall be glad to act as your insurance architects. Please call us at any time. OBRION, RUSSELL & CO. Insurance of Every Description 108 Water Street Boston 6, Mass. LAfayette 3-5700 SYMPHONY HALL, BOSTON Telephone, Commonwealth 6-1492 SEVENTY-FOURTH SEASON, 1954-1955 CONCERT BULLETIN of the Boston Symphony Orchestra CHARLES MUNCH, Music Director Richard Burgin, Associate Conductor with historical and descriptive notes by John N. Burk The TRUSTEES of the BOSTON SYMPHONY ORCHESTRA, Inc. Henry B. Cabot . President Jacob J. Kaplan . Vice-President Richard C. Paine . Treasurer Talcott M. Banks, Jr. C. D. Jackson John Nicholas Brown Michael T. Kelleher Theodore P. Ferris Palfrey Perkins Alvan T. Fuller Charles H. Stockton Francis W. Hatch Edward A. Taft Harold D. Hodgkinson Raymond S. Wilkins Oliver Wolcott . TRUSTEES EMERITUS Philip R. Allen M. A. DeWolfe Howr N. Penrose Hallowell Lewis Perry Thomas D. Perry, Jr., Manager ) Assistant G. W. Rector J. J. Brosnahan, Assistant Treasurer N. S. Shirk ) Managers Rosario Mazzeo, Personnel Manager CO THE LIVING TRUST How It Benefits You, Your Family, Your Estate Unsettled conditions . new inventions . political changes . , interest rates and taxes, today make the complicated field of in- vestments more and more a province for specialists.
    [Show full text]
  • Boston Symphony Orchestra Concert Programs, Season 77, 1957-1958, Subscription
    SEVENTY-SEVENTH SEASON, 1957 - 1958 Boston Symphony Orchestra CHARLES MUNCH, Music Director Richard Burgin, Associate Conductor CONCERT BULLETIN with historical and descriptive notes by John N. Burk Copyright, 1958, by Boston Symphony Orchestra, Inc. The TRUSTEES of the BOSTON SYMPHONY ORCHESTRA, Inc. Henry B. Cabot President Vice-President Jacob J. Kaplan Richard C. Paine Treasurer Talcott M. Banks Michael T. Kelleher Theodore P. Ferris Henry A. Laughlin Alvan T. Fuller John T. Noonan Francis W. Hatch Palfrey Perkins Harold D. Hodgkinson Charles H. Stockton C. D. Jackson Raymond S. Wilkins E. Morton Jennings, Jr. Oliver Wolcott TRUSTEES EMERITUS Philip R. Allen M. A. DeWolff Howe N. Penrose Hallowell Lewis Perry Edward A. Taft Thomas D. Perry, Jr., Manager Norman S. Shirk James J. Brosnahan Assistant Manager Business Administrator Leonard Burkat Rosario Mazzeo Music Administrator Personnel Manager SYMPHONY HALL BOSTON 15 [1409] CAN YOU DESCRIBE A LIFE INSURANCE TRUST? ® If you are unaware of the many advantages of a Life Insurance Trust, it may be that a talk with a Shawmut Trust Officer would show you precisely how this type of protection would best suit your insurance needs. For example, your life insurance can very easily be arranged to provide life -long support for your widow plus a substantial inheritance for your children. In Shawmut 's Personal Trust Department we would be glad to discuss your complete insurance program . with you, your life insurance counsellor and your attorney, or simply write for a copy of our brochure "A Modern Life Insurance Program." Naturally, there would be no obligation. Write or call The Personal Trust Department The Rational Shawmut Bank Tel.
    [Show full text]
  • Boston Symphony Orchestra Concert Programs, Season 63,1943-1944
    SYMPHONY HALL, BOSTON HUNTINGTON AND MASSACHUSETTS AVENUES Telephone, Commonwealth 1492 SIXTY-THIRD SEASON, 1943-1944 CONCERT BULLETIN of the Boston Symphony Orchestra SERGE KOUSSEVITZKY, Conductor Richard Burgin, Associate Conductor with historical and descriptive notes by John N. Burk COPYRIGHT, 1944, BY BOSTON SYMPHONY ORCHESTRA, Inc. The TRUSTEES of the BOSTON SYMPHONY ORCHESTRA, Inc. Jerome D. Greene . President Henry B. Sawyer . Vice-President Henry B. Cabot . Treasurer Philip R. Allen M. A. De Wolfe Howe John Nicholas Brown Jacob J. Kaplan Reginald C. Foster Roger I. Lee Alvan T. Fuller Richard C. Paine N. Penrose Hallowell Bentley W. Warren G. E. Judd, Manager C. W. Spalding, Assistant Manager I 1321 ] ESTATE ANALYSIS How have wartime changes affected your estate plans? We welcome op- portunities to cooperate with you and your attorney to determine whether changes are necessary or desirable. We invite you to use, without charge, our Shawmut Estate Analysis plan. TRUST DEPARTMENT The actional Shawmut Bank Member Federal Deposit Insurance Corporation Listen to John Barry with "Shawmut Frontline Headlines'' — WBZ- WBZA — Mondays, Wednesdays and Fridays at 7:45 p. m. A^" SYMPHONIANA Exhibition Soviet Russian Exhibition EXHIBITION In the First Balcony Gallery may be seen paintings by three prominent greater Boston artists. AGNES A. ABBOT is an Associate Professor in the Department of Art of Wellesley College. After studying in Boston she worked with Aldro T. Hib- bard and with Charles Woodbury. She is a member of the National Associa- tion of Women Artists and the Ameri- can Water Color Society and has held several "one man" exhibitions at the Grace Home Gallery.
    [Show full text]
  • South Central Music Bulletin ISSN 1545-2271 Volume IV, Number 2 (Spring 2006) Refereed Journal of the South Central Chapter – the College Music Society ______
    South Central Music Bulletin ISSN 1545-2271 Volume IV, Number 2 (Spring 2006) Refereed Journal of the South Central Chapter – The College Music Society __________________________________________________________________________________________ Editor: Dr. Nico Schüler, Texas State University Music Graphics Editor: Richard D. Hall, Texas State University Editorial Review Board: Dr. Paula Conlon, University of Oklahoma Dr. Cina Crisara, Texas State University Dr. Cynthia Gonzales, Texas State University Dr. Lynn Job, University of North Texas Dr. Kevin Mooney, University of Texas at Austin Sunnie Oh, Texas State University Dr. Robin Stein, Texas State University Dr. Paolo Susanni, Clavier Werke School of Music (Austin) Dr. Lori Wooden, University of Central Oklahoma Subscription: Free This Journal can be downloaded from http://www.music.org/southcentral.html or from http://www.txstate.edu/scmb/ Publisher: South Central Chapter – The College Music Society c /o Nico Schüler, Ph.D. Texas State University-San Marcos School of Music 601 University Drive San Marcos, TX 78666 USA __________________________________________________________________________________________ © Copyright 2006 by the Authors. All Rights Reserved. South Central Music Bulletin IV/2 (Spring 2006) _________________________________________________________________________________________ Table of Contents Message from the Editor by Nico Schüler … Page 4 Visit the CMS South Central Website … Page 4 Visit the South Central Music Bulletin (SCMB) Website … Page 4 Articles: Just
    [Show full text]