Boston Symphony Orchestra Concert Programs, Season 61,1941-1942, Subscription
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Boston Symphony Orchestra Concert Programs, Summer, 1946
TANGLEWOOD — LENOX, MASSACHUSETTS SYMPHONY BERKSHIRE FESTIVAL SERGE KOUSSEVITZKY, Conductor Series B AUGUST 1, 3, 4 STEIItWAV it vm Since fhe time of Liszt, the Sfeinway has consistently been, year after year, the medium chosen by an overwhelming number of concert artists to express their art. Eugene List, Mischa Elman and William Kroll, soloists of this Berk- shire Festival, use the Steinway. Significantly enough, the younger artists, the Masters of tomorrow, entrust their future to this world-famous piano — fhey cannot afFord otherwise to en- danger their artistic careers. The Stein- way is, and ever has been, the Glory Road of the Immortals. M. STEINERT & SONS CO. : 162 BOYLSTON ST.. BOSTON Jerome F. Murphy, Prasic/enf • Also Worcester and SpHngfieid MUSIC SHED TANGLEWOOD (Between Stockbridge and Lenox, Massachusetts) NINTH BERKSHIRE FESTIVAL SEASON 1 946 CONCERT BULLETIN of the Boston Symphony Orchestra SERGE KOUSSEVITZKY, Conductor Richard Burgin, Associate Conductor with historical and descriptive notes by John N. Burk COPYRIGHT, 1946, BY BOSTON SYMPHONY ORCHESTRA, IflC. The TRUSTEES of the BOSTON SYMPHONY ORCHESTRA, Inc. Henry B. Cabot President Henry B. Sawyer Vice-President Richard C. Paine Treasurer Philip R. Allen M. A. De Wolfe Howe John Nicholas Brown Jacob J. Kaplan Alvan T. Fuller Roger I. Lee Jerome D. Greene Bentley W. Warren N. Penrose Hallowell Raymond S. Wilkins Francis W. Hatch Oliver Wolcott TANGLEWOOD ADVISORY COMMITTEE Allan J. Blau G. Churchill Francis George P. Clayson Lawrence K. Miller Bruce Crane James T. Owens -
Ruth Hodgkins Is Queen 57 Granted Degrees Biff West and Jackie in Second Winter Percival Q Ueers Aides Commencement Feb.7 Skiing, Basketball Game, President Harold W
V O L . N o. 34 Issue 14 Z413 UNIVERSITY OF NEW HAMPSHIRE, DURHAM, NEW HAMPSHIRE, FEBRUARY IS, 1945 PRICE THREE CENTS Ruth Hodgkins Is Queen 57 Granted Degrees Biff West and Jackie In Second Winter Percival Q ueers Aides Commencement Feb.7 Skiing, Basketball Game, President Harold W. Stoke 17 Vets Among 43 Snow Sculpture and Dance Speaks on “Reflections on Promise Gala Weekend Individualism” in NH Hall New UNH Students Miss Ruth Hodgkins, ’46, of Needham, Forty-seven women and ten men re Seventeen veterans of World War II Mass. and formerly o f Etna, N. H., has ceived degrees from the University of were among the 43 new students enter been chosen to reign as Queen of the New Hampshire at Commencement ex ing the University of New Hampshire annual U N H Winter Carnival and gala ercises held on Wednesday afternoon, with the opening of the second semester Ball. Miss Hodgkins is a member of February 7, in New Hampshire Hall. today, it was announced by Dr. Everett Alpha Xi Delta and an English major. Four degrees were granted in absentia Country Gentlemen” New B. Sackett, registrar and director of ad Aides to the Queen will be Miss Eliza to men in the armed forces who have Name for UNH Dance Band Noted Pianist Gives missions. The ex-servicemen range in beth “ Biff” West, ’48, of Woburn, M ass.; completed requirements for a degree age from 19 to 39, with the average age and Miss Jacqueline Percival, ’45, of Hampton Beach, N. H. while in the service through courses The “Country Gentlement” is the new Concert Here Mar. -
CHORAL PROBLEMS in HANDEL's MESSIAH THESIS Presented to The
*141 CHORAL PROBLEMS IN HANDEL'S MESSIAH THESIS Presented to the Graduate Council of the North Texas State University in Partial Fulfillment of the Requirements For the Degree of MASTER OF MUSIC By John J. Williams, B. M. Ed. Denton, Texas May, 1968 PREFACE Music of the Baroque era can be best perceived through a detailed study of the elements with which it is constructed. Through the analysis of melodic characteristics, rhythmic characteristics, harmonic characteristics, textural charac- teristics, and formal characteristics, many choral problems related directly to performance practices in the Baroque era may be solved. It certainly cannot be denied that there is a wealth of information written about Handel's Messiah and that readers glancing at this subject might ask, "What is there new to say about Messiah?" or possibly, "I've conducted Messiah so many times that there is absolutely nothing I don't know about it." Familiarity with the work is not sufficient to produce a performance, for when it is executed in this fashion, it becomes merely a convention rather than a carefully pre- pared piece of music. Although the oratorio has retained its popularity for over a hundred years, it is rarely heard as Handel himself performed it. Several editions of the score exist, with changes made by the composer to suit individual soloists or performance conditions. iii The edition chosen for analysis in this study is the one which Handel directed at the Foundling Hospital in London on May 15, 1754. It is version number four of the vocal score published in 1959 by Novello and Company, Limited, London, as edited by Watkins Shaw, based on sets of parts belonging to the Thomas Coram Foundation (The Foundling Hospital). -
Boston Symphony Orchestra Concert Programs, Season 64,1944-1945, Trip
[Harvard University] as s* ^ ^ BOSTON ^mm SYMPHONY ORCHESTRA FOUNDED IN 1881 BY HENRY L. HIGGINSON SIXTY-FOURTH SEASON ^ 1944-1945 141 Wednesday Evening, January 24 at 8 o'clock Boston Symphony Orchestra [Sixty-fourth Season, 1944-1945] SERGE KOUSSEVITZKY, Conductor Personnel Violins BURGIN, R. ELCUS, G. LAUGA, N. KRIPS, A. RESNIKOFF, v. N. Concert-master tapley, r. KASSMAN, CHERKASSKY, , P. LEIBOVICI, J. THEODOROWICZ, J. HANSEN, E. DICKSON, H. FEDOROVSKY, P. ZAZOFSKY, G. EISLER, D. PINFIELD, C. BEALE, M. DUBBS, H. KNUDSON, C. ZUNG, M. MANUSEVITCH, V. GORODETZKY, L. MAYER, P. DIAMOND, S. HILLYER, R. DEL SORDO, R. BRYANT, M. STONESTREET, L. MESSINA, S. SAUVLET, H. MURRAY, J. ERKELENS, H. NAGY, L. Violas LEFRANC, J. FOUREL, G. VAN WYNBERGEN, C. GROVER, H. CAUHAPE, J. ARTIERES, L. BERNARD, A. WERNER, H. LEHNER, E. KORNSAND, E. GERHARDT, S. humphrey , G. Violoncellos BEDETTI, J. LANGENDOEN, J. DROEGHMANS, H. ZIMBLER, J. FABRIZIO, E. ZIGHERA, A. NIELAND, M. ZEISE, K. MARJOLLET, L. Basses MOLEUX, G. JUHT, L. GREENBERG, H. GIRARD, H. BARWICKI, J. DUFRESNE, G. FRANKEL, I. PORTNOI, H. PROSE, P. Flutes Oboes Clarinets Bassoons LAURENT, G. GILLET, F. polatschek, v. ALLARD, R. PAPPOUTSAKIS, J. DEVERGIE, J. VALERIO, M. PANENKA, E. KAPLAN, P. LUKATSKY, J. CARDILLO, p. LAUS, A. Piccolo English Horn Bass Clarinet Contra-Bassoon MADSEN, G. SPEYER, L. MAZZEO, R. PILLER, B. Horns Trumpets Trombones Timpani VALRENIER, W. mager, g. raichman, j. szulc, r. MACDONALD, w LAFOSSE, M. HANSOTTE, L. POLSTER, M. MEEK, H. VOISIN, R. COFFEY, J. GEBHARDT, W. OROSZ, J. MCCONATHY, O. Harps Percussion ZIGHERA, B. STERNBURG, S. TUBA - CAUGHEY, E. SMITH, c. -
Boston Symphony Orchestra Concert Programs, Season 71, 1951
BOSTON SYMPHONY ORCHESTRA SEVENTY-FIRST SEASON 1951-1952 Veterans Memorial Auditorium, Providence Boston Symphony Orchestra (Seventy-first Season, 1951-1952) CHARLES MUNCH, Music Director RICHARD BURGIN, i4550ciate Conductor PERSONNEL Violins Violas Bassoons Richard Biirgin, Joseph de Pasquale Raymond AUard Concert -master Jean Cauhap6 Ernst Panenka Alfred Krips Georges Fourel Theodore Brewster Gaston Elcus Eugen Lehner Rolland Tapley Albert Bernard Contra-Bassoon Norbert Lauga George Humphrey Boaz Piller George Zazofsky Jerome Lipson Louis Arti^res Paul Cherkassky Horns Harry Dubbs Robert Karol Reuben Green James Stagliano Vladimir Resnikoff Harry Shapiro Joseph Leibovici Bernard KadinofI Harold Meek Einar Hansen Vincent Mauricci Paul Keaney Harry Dickson Walter Macdonald V^IOLONCELLOS Erail Kornsand Osbourne McConathy Samuel Mayes Carlos Pinfield Alfred Zighera Paul Fedorovsky Trumpets Minot Beale Jacobus Langendoen Mischa Nieland Roger Voisin Herman Silberman Marcel Lafosse Hippolyte Droeghmans Roger Schermanski Armando Ghitalla Karl Zeise Stanley Benson Gottfried Wilfinger Josef Zimbler Bernard Parronchi Trombones Enrico Fabrizio Raichman Clarence Knudson Jacob Leon Marjollet Lucien Hansotte Pierre Mayer John Coffey Manuel Zung Flutes Josef Orosz Samuel Diamond Georges Laurent Victor Manusevitch Pappoutsakis James Tuba James Nagy Phillip Kaplan Leon Gorodetzky Vinal Smith Raphael Del Sordo Piccolo Melvin Bryant George Madsen Harps Lloyd Stonestrect Bernard Zighera Saverio Messina Oboes Olivia Luetcke Sheldon Rotenbexg Ralph Gomberg -
Boston Symphony Orchestra Concert Programs, Season 56,1936-1937, Subscription Series
SYMPHONY HALL, BOSTON HUNTINGTON AND MASSACHUSETTS AVENUES Branch Exchange Telephone, Ticket and Administration Offices, Com. 1492 FIFTY-SIXTH SEASON, 1936-1937 CONCERT BULLETIN of the Boston Symphony Orchestra INCORPORATED SERGE KOUSSEVITZKY, Conductor Richard Burgin, Assistant Conductor with historical and descriptive notes By John N. Burk COPYRIGHT, 1936, BY BOSTON SYMPHONY ORCHESTRA, Inc. The OFFICERS and TRUSTEES of the BOSTON SYMPHONY ORCHESTRA, Inc. Bentley W. Warren .... President Henry B. Sawyer Vice-President Ernest B. Dane . Treasurer Allston Burr Roger I. Lee Henry B. Cabot Richard C. Paine Ernest B. Dane Henry B. Sawyer Alvan T. Fuller PierpOnt L. Stackpole N. Penrose Hallowell Edward A. Taft M. A. De Wolfe Howe Bentley W. Warren G. E. Judd, Manager C. W. Spalding, Assistant Manager [473] . Old Colony Trust Company 17 COURT STREET, BOSTON The principal business of this company is 1 Investment of funds and management of property for living persons. 2. Carrying out the provisions of the last will and testament of deceased persons. Our officers would welcome a chance to dis- cuss with you either form of service. ^Allied with The First National Bank a/' Boston [ 474 ] SYMPHONIANA Debussy and Koussevitzky — Rach- maninoff — "Music and the Multitude" DEBUSSY AND KOUSSEVITZKY In the winter of 1913 Debussy was invited by Koussevitzky to conduct a concert of his own music in Moscow and another in St. Petersburg. The com- poser was received with immense en- thusiasm by his many Russian admirers. The programme of the concert is here reproduced: Mf.TBF-PTblM • This and^other hand ClMfOHHHECKIH KOHUEPTb. -made ; c m, Glass; also unusual and attrac- UiKAfO. -
Boston Symphony Orchestra Concert Programs, Season 77, 1957-1958, Subscription
*l'\ fr^j BOSTON SYMPHONY ORCHESTRA FOUNDED IN 1881 BY HENRY LEE HIGGINSON 24 G> X will MIIHIi H tf SEVENTY-SEVENTH SEASON 1957-1958 BAYARD TUCEERMAN. JR. ARTHUR J. ANDERSON ROBERT T. FORREST JULIUS F. HALLER ARTHUR J. ANDERSON, JR. HERBERT 8. TUCEERMAN J. DEANE SOMERVILLE It takes only seconds for accidents to occur that damage or destroy property. It takes only a few minutes to develop a complete insurance program that will give you proper coverages in adequate amounts. It might be well for you to spend a little time with us helping to see that in the event of a loss you will find yourself protected with insurance. WHAT TIME to ask for help? Any time! Now! CHARLES H. WATKINS & CO. RICHARD P. NYQUIST in association with OBRION, RUSSELL & CO. Insurance of Every Description 108 Water Street Boston 6, Mast. LA fayette 3-5700 SEVENTY-SEVENTH SEASON, 1957-1958 Boston Symphony Orchestra CHARLES MUNCH, Music Director Richard Burgin, Associate Conductor CONCERT BULLETIN with historical and descriptive notes by John N. Burk Copyright, 1958, by Boston Symphony Orchestra, Inc. The TRUSTEES of the BOSTON SYMPHONY ORCHESTRA, Inc. Henry B. Cabot President Jacob J. Kaplan Vice-President Richard C. Paine Treasurer Talcott M. Banks Michael T. Kelleher Theodore P. Ferris Henry A. Laughlin Alvan T. Fuller John T. Noonan Francis W. Hatch Palfrey Perkins Harold D. Hodgkinson Charles H. Stockton C. D. Jackson Raymond S. Wilkins E. Morton Jennings, Jr. Oliver Wolcott TRUSTEES EMERITUS Philip R. Allen M. A. DeWolfe Howe N. Penrose Hallowell Lewis Perry Edward A. Taft Thomas D. -
Boston Symphony Orchestra Concert Programs, Season 67, 1947-1948, Subscription
SYMPHONY HALL, BOSTON HUNTINGTON AND MASSACHUSETTS AVENUES Telephone, Commonwealth 6-1492 SIXTY-SEVENTH SEASON, 1947-1948 CONCERT BULLETIN of the Boston Symphony Orchestra SERGE KOUSSEVITZKY, Music Director Richard Burgin, Associate Conductor with historical and descriptive notes by John N. Burk COPYRIGHT, 1948, BY BOSTON SYMPHONY ORCHESTRA, Inc. The TRUSTEES of the BOSTON SYMPHONY ORCHESTRA, Inc. Henry B. Cabot . President Henry B. Sawyer . Vice-President Richard C. Paine . Treasurer Philip R. Allen M. A. De Wolfe Howe John Nicholas Brown Jacob J. Kaplan Alvan T. Fuller Roger I. Lee Jerome D. Greene Lewis Perry N. Penrose Hallowell Raymond S. Wilkins Francis W. Hatch Oliver Wolcott George E. Judd, Manager 1281 [ ] © © © © © © © © © © © © © © © Only © © © © © © you can © © © © © © decide © © © © © © © © © © © Whether your property is large or small, it rep- © © resents the security for your family's future. Its ulti- © © © © mate disposition is a matter of vital concern to those © © you love. © © © © To assist you in considering that future, the Shaw- © © mut Bank has a booklet: "Should I Make a Will?" © © It outlines facts that everyone with property should © © © © know, and explains the many services provided by © © this Bank as Executor and Trustee. © © © © Call at any of our 2 J convenient 'offices, write or telephone © © for our booklet: "Should I Make a Will?" © © © © © © © © © The V^tional © © © © © Shawmut Bank © © 40 Water Street^ Boston © © Member Federal Deposit Insurance Corporation © © Capital $10,000,000 Surplus $20,000,000 © "Outstanding Strength"for 112 Years © © [ 1282 ] ! SYMPHONIANA Can you score 1 The "Missa Solemnis" 00? Peabody Award for Broadcasts Honor to Chaliapin New England Opera Theatre Finale FASHION THE 'MISSA SOLEMNIS" QUIZ Instead of trying to describe the mighty Mass in D major, to be per- 1. -
Boston Symphony Orchestra Concert Programs, Season 57,1937-1938, Subscription Series
SYMPHONY HALL, BOSTON HUNTINGTON AND MASSACHUSETTS AVENUES Telephone, Commonwealth i4g2 FIFTY-SEVENTH SEASON, 1937-1938 CONCERT BULLETIN of the Boston Symphony Orchestra SERGE KOUSSEVITZKY, Conductor Richard Burgin, Assistant Conductor with historical and descriptive notes by John N. Burk COPYRIGHT, 1937, BY BOSTON SYMPHONY ORCHESTRA, Inc. The OFFICERS and TRUSTEES of the BOSTON SYMPHONY ORCHESTRA, Inc. Bentley W. Warren President Henry B. Sawyer Vice-President Ernest B. Dane Treasurer Allston Burr M. A. De Wolfe Howe Henry B. Cabot Roger I. Lee Ernest B. Dane Richard C. Paine Alvan T. Fuller Henry B. Sawyer N. Penrose Hallowell Edward A. Taft Bentley W. Warren G. E. Judd, Manager C. W. Spalding, Assistant Manager [*9S] . Trust Company 17 COURT STREET, BOSTON The principal business of this company is: 1 Investment of funds and management of property for living persons. 2. Carrying out the provisions of the last will and testament of deceased persons. Our officers would welcome a chance to dis- cuss with you either form of service. <lAHied with The First National Bank of Boston [!94] : SYMPHONIANA Albert Roussel TAILORED Jacques Fevrier and Ravel's Concerto Mozart and Strauss to the Queen's taste Exhibition of Etchings The "Romeo and Juliet" Records ALBERT ROUSSEL April 5, 1869-August 23, 1937 L'ART D'ALBERT ROUSSEL VIVRA TOUJOURS. SA MUSIQUE EST UNE PAGE INEFFACABLE DANS LE LIVRE DOR DE L'ART MUSICAL FRANCAIS. SON GENIE CREATEUR GARDE "L'ELAN VITAL" INVISIBLE, PULSATIF ET SCINTILLANT DE LA PERFEC- TION ORGANIQUE. LA MORT D'ALBERT ROUSSEL LAISSE UN VIDE IRREMEDIABLE DANS LE MONDE MUSICAL, AINSI QUE DANS LA VIE PRIVEE DE TOUS CEUX QUI L'ONT CONNU. -
"A Composer's View" in "Music Librarianship in America, Part 4: Music Librarians and Performance"
"A composer's view" in "Music librarianship in America, Part 4: Music librarians and performance" The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters Citation Babbitt, Milton. 1991. "A composer's view" in "Music librarianship in America, Part 4: Music librarians and performance". Harvard Library Bulletin 2 (1), Spring 1991: 123-132. Citable link http://nrs.harvard.edu/urn-3:HUL.InstRepos:42661672 Terms of Use This article was downloaded from Harvard University’s DASH repository, and is made available under the terms and conditions applicable to Other Posted Material, as set forth at http:// nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use#LAA 123 A Composer's View Milton Babbitt ince we are gathered in this hall in a spirit of scholarly inquiry, celebrating the S central instrument of such inquiry, I think I can best begin-at least, I dare to begin-by posing a question: "What am I doing here?" I do not come here as a scholar, I come here as a composer. If I seem to be somewhat aporetic, I assure you it is not because I feel in the presence of so many librarians the way Wystan Auden once said he felt in the presence of scientists. He said that he felt like a ragged mendicant in the presence of merchant princes. Well, I don't feel that way: I sim- ply feel like a ragged mendicant. The aporia actually results from pondering the complex problem that must have beset the planning committee in choosing speakers. -
Boston Symphony Orchestra Concert Programs, Season 72
BOSTON SYMPHONY ORCHESTRA FOUNDED IN 1881 BY SEVENTY-SECOND SEASON I 95 2 " I 953 Tuesday Evening Series BAYARD TUCKERMAN, J«. ARTHUR J. ANDERSON ROBERT T. FORREST JULIUS F. HALLER ARTHUR J. ANDERSON. Ja. HERBERT SEARS TUCKERMAN OBRION, RUSSELL & CO Insurance of Every Description "A Good Reputation Does Not Just Happen — It Must Be Earned.*' 108 Water Street Los Angeles, California Boston, Mass. 3275 Wilshire Blvd. Telephone Lafayette 3-S700 Dunkirk 8-3S16 SYMPHONY HALL, BOSTON HUNTINGTON AND MASSACHUSETTS AVENUES Telephone, Commonwealth 6-1492 SEVENTY^SECOND SEASON, 1952-1953 CONCERT BULLETIN of the Boston Symphony Orchestra CHARLES MUNCH, Music Director Richard Burgin, Associate Conductor with historical and descriptive notes by John N. Burr The TRUSTEES of the BOSTON SYMPHONY ORCHESTRA, Inc. Henry B. Cabot President Jacob J. Kaplan Vice-President Richard C. Paine Treasurer Philip R. Allen M. A. De Wolfe Howe John Nicholas Brown Michael T. Kelleher Theodore P. Ferris Lewis Perry Alvan T. Fuller Edward A. Taft N. Penrose Hallowell Raymond S. Wilkins Francis W. Hatch Oliver Wolcott George E. Judd, Manager T. D. Perry, Jr. N. S. Shirk, Assistant Managers [«] 4* 4» * * * * * 4 UNTROUBLED 4* * + * * * * * PASSAGE * * The Living Trust 4* * * * It is an odd contradiction that financial success sometimes brings * less, rather than more, personal freedom to enjoy it. Instead of un- 4* 4* troubled passage, there is often the difficult job of steering invest- 4* * ments through more and more complex channels. * 4» For this reason, a steadily increasing number of substantial men * and women are turning to the Living Trust. * 4* 4* The man or woman who has acquired capital which he or she wishes to invest for income, yet lacks either the necessary time or * 4* knowledge . -
Eichler Columbia 0054D 12688.Pdf
The!Emancipation!of!Memory:!! ! Arnold!Schoenberg!and!the!Creation!of! A"Survivor"from"Warsaw" ! ! ! ! ! ! Jeremy!Adam!Eichler! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! Submitted!in!partial!fulfillment!of!the!! requirements!for!the!degree!of!! Doctor!of!Philosophy! in!the!Graduate!School!of!Arts!and!Sciences! ! ! COLUMBIA!UNIVERSITY! ! 2015! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ©!2015! Jeremy!Adam!Eichler! All!rights!reserved! ! ABSTRACT! ! The!Emancipation!of!Memory:!! Arnold!Schoenberg!and!the!Creation!of!A"Survivor"from"Warsaw! ! ! Jeremy!Eichler!! ! ! This!is!a!study!of!the!ways!in!which!the!past!is!inscribed!in!sound.!It!is!also!an! examination!of!the!role!of!concert!music!in!the!invention!of!cultural!memory!in!the!wake!of! the!Second!World!War.!And!finally,!it!is!a!study!of!the!creation!and!early!American!reception! of!A"Survivor"from"Warsaw,!a!cantata!written!in!1947!that!became!the!first!major!musical! memorial!to!the!Holocaust.!It!remains"uniquely!significant!and!controversial!within!the! larger!oeuvre"of!its!composer,!Arnold!Schoenberg!(1874]1951).!! Historians!interested!in!the!chronologies!and!modalities!of!Holocaust!memory!have! tended!to!overlook!music’s!role!as!a!carrier!of!meaning!about!the!past,!while!other!media!of! commemoration!have!received!far!greater!scrutiny,!be!they!literary,!cinematic,!or! architectural.!And!yet,!!A"Survivor"from"Warsaw"predated!almost!all!of!its!sibling!memorials,! crystallizing!and!anticipating!the!range!of!aesthetic!and!ethical!concerns!that!would!define! the!study!of!postwar!memory!and!representation!for!decades!to!come.!It!also!constituted!a!